tag="{http://www.w3.org/1999/xhtml}a">44
In the Charles L. Freer Collection, National Gallery of American Art |
Drouet (Etching. G. 55) |
44 |
At the Piano (Oil) |
52 |
In the possession of Edmund Davis, Esq. |
Wapping (Oil) |
52 |
In the possession of Mrs. Hutton |
The Thames in Ice, the Twenty-fifth of December 1860 (Oil) |
60 |
In the Charles L. Freer Collection, National Gallery of American Art |
Rotherhithe (Etching. G. 66) |
60 |
From the "Sixteen Etchings" |
The Music Room—Harmony in Green and Rose (Oil) |
68 |
In the possession of Colonel F. Hecker |
Annie Haden (Dry-Point. G. 62) |
68 |
The White Girl—Symphony in White, No. I. (Oil) |
76 |
In the possession of J. H. Whittemore, Esq. |
Jo (Dry-Point. G. 77) |
76 |
The Blue Wave (Oil) |
84 |
In the possession of A. A. Pope, Esq. |
The Forge (Dry-Point. G. 68) |
84 |
From the "Sixteen Etchings" |
The Morning before the Massacre of St. Bartholomew |
92 |
(Wood-Engraving from "Once a Week," vol vii. p. 210) |
The Last of Old Westminster (Oil) |
92 |
In the possession of A. A. Pope, Esq. |
Portrait of Whistler (By Himself) (Chalk Drawing) |
104 |
Formerly in the possession of Thomas Way, Esq. |
Weary (Dry-Point. G. 92) |
104 |
Study in Chalk for the Same |
Formerly in the possession of B. B. MacGeorge, Esq. |
The Lange Leizen of the Six Marks—Purple and Rose (Oil) |
108 |
In the J. G. Johnson Collection, Philadelphia |
The Balcony—Harmony in Flesh-Colour and Green (Oil) |
108 |
In the Charles L. Freer Collection, National Gallery of American Art |
La Princesse du Pays de la Porcelaine—Rose and Silver (Oil) |
112 |
In the Charles L. Freer Collection, National Gallery of American Art |
Variations in Violet and Green (Oil) |
112 |
In the possession of Sir Charles McLaren, Bart. |
The Little White Girl—Symphony in White, No. II. (Oil) |
124 |
In the National Gallery, London |
Portrait of Dr. Whistler (Oil) |
124 |
In the possession of Burton Mansfield, Esq. |
Valparaiso Bay—Nocturne: Blue and Gold (Oil) |
132 |
In the Charles L. Freer Collection, National
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