tag="{http://www.w3.org/1999/xhtml}a">44
| In the Charles L. Freer Collection, National Gallery of American Art |
| Drouet (Etching. G. 55) |
44 |
| At the Piano (Oil) |
52 |
| In the possession of Edmund Davis, Esq. |
| Wapping (Oil) |
52 |
| In the possession of Mrs. Hutton |
| The Thames in Ice, the Twenty-fifth of December 1860 (Oil) |
60 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Rotherhithe (Etching. G. 66) |
60 |
| From the "Sixteen Etchings" |
| The Music Room—Harmony in Green and Rose (Oil) |
68 |
| In the possession of Colonel F. Hecker |
| Annie Haden (Dry-Point. G. 62) |
68 |
| The White Girl—Symphony in White, No. I. (Oil) |
76 |
| In the possession of J. H. Whittemore, Esq. |
| Jo (Dry-Point. G. 77) |
76 |
| The Blue Wave (Oil) |
84 |
| In the possession of A. A. Pope, Esq. |
| The Forge (Dry-Point. G. 68) |
84 |
| From the "Sixteen Etchings" |
| The Morning before the Massacre of St. Bartholomew |
92 |
| (Wood-Engraving from "Once a Week," vol vii. p. 210) |
| The Last of Old Westminster (Oil) |
92 |
| In the possession of A. A. Pope, Esq. |
| Portrait of Whistler (By Himself) (Chalk Drawing) |
104 |
| Formerly in the possession of Thomas Way, Esq. |
| Weary (Dry-Point. G. 92) |
104 |
| Study in Chalk for the Same |
| Formerly in the possession of B. B. MacGeorge, Esq. |
| The Lange Leizen of the Six Marks—Purple and Rose (Oil) |
108 |
| In the J. G. Johnson Collection, Philadelphia |
| The Balcony—Harmony in Flesh-Colour and Green (Oil) |
108 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| La Princesse du Pays de la Porcelaine—Rose and Silver (Oil) |
112 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Variations in Violet and Green (Oil) |
112 |
| In the possession of Sir Charles McLaren, Bart. |
| The Little White Girl—Symphony in White, No. II. (Oil) |
124 |
| In the National Gallery, London |
| Portrait of Dr. Whistler (Oil) |
124 |
| In the possession of Burton Mansfield, Esq. |
| Valparaiso Bay—Nocturne: Blue and Gold (Oil) |
132 |
| In the Charles L. Freer Collection, National
|