Cawein, Robert W. Chambers, John Vance Cheney, Joseph I. C. Clarke, Virginia Woodward Cloud, Florence Earle Coates, Kinahan Cornwallis, F. Marion Crawford, Mrs. Ernest Crosby (for Ernest Crosby), Caroline Duer, Barrett Eastman, Francis Miles Finch, Hamlin Garland, Joseph D. Gilder, Richard Watson Gilder, Arthur Guiterman, Sharlot M. Hall, Edward Everett Hale, William Hamilton Hayne (for himself and Paul Hamilton Hayne), Caroline Hazard, Rupert Hughes, Minna Irving, Thomas A. Janvier, Tudor Jenks, John Howard Jewett, Robert Underwood Johnson, Walter Learned, Robert Loveman, Charles F. Lummis, Ernest McGaffey, Edwin Markham, John James Meehan, Lloyd Mifflin, William Vaughn Moody, Thomas Nelson Page, Mrs. John W. Palmer (for John Williamson Palmer), John James Piatt, Wallace Rice, Laura E. Richards, Edwin Arlington Robinson, James Jeffrey Roche, John Jerome Rooney, Alfred D. Runyon, Charles Edward Russell, Clinton Scollard, Mrs. Katherine Brownlee Sherwood, Lewis Worthington Smith, Joseph Russell Taylor, Richard H. Titherington, William Henry Venable, Robert Burns Wilson.

COPYRIGHT NOTICE FOR NEW EDITION

The Editor is indebted to the following authors and publishers for permission to use the poems mentioned, all rights in which are reserved:

Mary Raymond Shipman Andrews: "A Call to Arms."

Robert Bridges: "To the United States of America."

Dana Burnet: "Marching Song."

Amelia Josephine Burr: "Pershing at the Tomb of Lafayette."

Witter Bynner (by Anne L. Wellington): "Republic to Republic."

Eleanor Rogers Cox: "The Return."

George H. Doran Company: "The White Ships and the Red," from Main Street, and Other Poems, by Joyce Kilmer, copyright 1917.

John Chipman Farrar: "Brest Left Behind," from Contemporary Verse.

Richard Butler Glaenzer: "A Ballad of Redhead's Day."

Daniel Henderson: "The Road to France."

Houghton Mifflin Company: "Victory Bells," from Wilderness Songs, by Grace Hazard Conkling.

Robert Underwood Johnson: "To the Returning Brave."

Aline Kilmer (for Joyce Kilmer): "The White Ships and the Red," "Rouge Bouquet."

Richard Le Gallienne: "After the War."

Vachel Lindsay: "Abraham Lincoln walks at Midnight."

J. Corson Miller: "Epicedium."

Randall Parrish: "Your Lad and My Lad."

Clinton Scollard: "The First Three," "The Unreturning."

Charles Scribner's Sons: "A Call to Arms," by Mary Raymond Shipman Andrews; "Ode in Memory of the American Volunteers Fallen for France," by Alan Seeger; "Mare Liberum," by Henry van Dyke.

Marion Couthouy Smith: "The Star," "King of the Belgians."

Henry van Dyke: "Mare Liberum."

Willard Wattles: "The Family of Nations."

George Edward Woodberry: "Sonnets written in the Fall of 1914."

TO

E. B. S.

HELPMATE

One who underrates the significance of our literature, prose or verse, as both the expression and stimulant of national feeling, as of import in the past and to the future of America, and therefore of the world, is deficient in that critical insight which can judge even of its own day unwarped by personal taste or deference to public impression. He shuts his eyes to the fact that at times, notably throughout the years resulting in the Civil War, this literature has been a "force."—Edmund Clarence Stedman.

INTRODUCTION

The poetry relating to American history falls naturally into two classes: that written, so to speak, from the inside, on the spot, and that written from the outside, long afterwards. Of the first class, "The Star-Spangled Banner" is the most famous example, as well as perhaps the best. Even at this distant day, reading it with a knowledge of the circumstances which produced it, it has a power of touching the