قراءة كتاب Birds and Nature Vol. 9 No. 5 [May 1901] Illustrated by Color Photography
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![Birds and Nature Vol. 9 No. 5 [May 1901]
Illustrated by Color Photography Birds and Nature Vol. 9 No. 5 [May 1901]
Illustrated by Color Photography](http://files.ektab.com/php54/s3fs-public/styles/linked-image/public/book_cover/gutenberg/@public@vhost@g@gutenberg@html@files@47636@47636-h@images@cover.jpg?GTldd12nFhjicWZTCWROGVhSCqhZbnNP&itok=eJcThe8s)
Birds and Nature Vol. 9 No. 5 [May 1901] Illustrated by Color Photography
Orioles and offer them for sale. In captivity, however, they seem to lose their vivacity and will not sing. “When free their usual song is a prolonged and repeated whistle of extraordinary mellowness and sweetness, each note varying in pitch from the preceding.”
It is said that this beautiful bird is frequently called upon to become the foster parents of the offspring of some of those birds that have neither the inclination to build their own nests or to raise their own families. The ingenious nests of the orioles seem to be especially attractive to these tramp birds which possess parasitic tastes.
The red-eyed cowbird (Callothrus robustus), of the Southern United States and Central America, seems to be the pest that infests the homes of Audubon’s Oriole. It has been stated that the majority of the sets of eggs collected from the nests of this Oriole contain one or more of the cowbird’s eggs. It is also probable that many of the Oriole’s eggs are destroyed by the cowbirds as well as by other agencies, and thus, though the raising of two broods the same season is frequently attempted, the species is far from abundant.
Regarding the nesting habits of the Audubon’s Oriole, Captain Charles Bendire says, “The nest of this Oriole is usually placed in mesquite trees, in thickets and open woods, from six to fourteen feet from the ground. It is a semipensile structure, woven of fine, wire-like grass used while still green and resembles those of the hooded and orchard orioles, which are much better known. The nest is firmly attached, both on the top and sides, to small branches and growing twigs and, for the size of the bird, it appears rather small. One now before me measures three inches in depth inside by about the same in inner diameter. The rim of the nest is somewhat contracted to prevent the eggs from being thrown out during high winds. The inner lining consists of somewhat finer grass tops, which still retain considerable strength and are even now, when perfectly dry, difficult to break. Only a single nest of those found was placed in a bunch of Spanish moss and this was suspended within reach of the ground; the others were attached to small twigs.”

AUDUBON’S ORIOLE.
(Icterus audubonii).
⅔ Life-size.
FROM COL. CHI. ACAD. SCIENCES.
The number of eggs vary from two to five and “sets of one or two eggs of this Oriole, with two or three cowbird’s eggs, seem to be most frequently found, some of the first named eggs being thrown out to make room.” The eggs are ovate in form and the general color varies from white with a bluish cast to white with a grayish cast and in some instances a purple shade predominates. The markings vary greatly both in color and form. They may be either thread-like, in streaks or in blotches. In color they may be various shades of either brown, purple or lavender.
The food of Audubon’s Oriole consists of insects and, to some extent, of berries and other fruits. Mr. Chark, who studied the habits of this species in Texas, says that he observed it frequently feeding on the fruit of the hackberry. He also states that these birds were usually in pairs and exhibited a retiring disposition, preferring the thick foliage of the margins of streams rather than that of more open and exposed places.
Seth Mindwell.
TO A SEA-BIRD.
Sauntering hither on listless wings,
Careless vagabond of the sea,
Little thou heedest the surf that sings,
The bar that thunders, the shale that rings,—
Give me to keep thy company.
Little thou hast, old friend, that’s new,
Storms and wrecks are old things to thee;
Sick am I of these changes, too;
Little to care for, little to rue,—
I on the shore, and thou on the sea,
All of thy wanderings, far and near,
Bring thee at last to shore and me;
All of my journeyings end them here,
This our tether must be our cheer,—
I on the shore and thou on the sea.
Lazily rocking on ocean’s breast,
Something in common, old friend, have we;
Thou on the shingle seek’st thy nest,
I to the waters look for rest,—
I on the shore, and thou on the sea.
—Bret Harte.
FROM AN ORNITHOLOGIST’S YEAR BOOK.
THE HEART OF A DRYAD.
I.
It was an oak wood. A few hickories and chestnuts grew there, but the oaks ruled; great of girth, brawny of limb, with knotted muscles like the figures of Michael Angelo or Tintoretto’s workmen in his painting of the Forge of Vulcan. As to coloring, the oaks were of the Venetian painter’s following, every oak of them! In summer they were “men in green,” rich, vigorous green, with blue shadows between the rustling boughs; in early autumn, though russet in the shadow, the sunshine showed them a deep and splendid crimson, pouring through them like a libation to the gods of the lower earth, and to the noble dead, for the Dryad had a heart for heroes and all oak-like men.
Immediately before the great winds came, stripping them bare, and dashing silver cymbals to wild airs of triumph, they wore a sober brown, but it put on a glow, as of bronze or heated metal after a rain, when the sun’s rays smote them with shining spears smiting aslant with unwonted glittering. Under the moon or after a freeze they were all clad in steel, armor of proof, and mighty was the tumult, as of meeting swords, when the great boughs swung, and the long icicles fell upon ice below.
But these days were far off. It was summer, and a crystal brook slipped from level to level, singing its sweet water-song, and bringing cool water to bathe the feet of the oak which the Dryad loved and decked with green garlands. The orioles loved it, flashing here and there with rich red gold or flame-like orange on breast and wings and soft, velvety black on head and shoulders, splendidly beautiful as some tropic flower, they chose the end of an oak bough to hang their pensile nest. The male oriole shone in the sun, but his mate glowed with a duller hue, an orange veiled with gray, and mottled and spotted or splashed with white and fuscous and black, as a brooding creature should be that sits all day long amid the play of fleeting light and shade upon constant color. But both were beautiful in their strong and darting flight, and their labors of love.
The mother alone fashioned the nest, weaving it strongly of grasses and bark, of fibre, hair and string, and lashing it firmly near the end, a hanging cradle for the wind to rock at will and safely, and beautifully adorned with a fantastic pattern of green oak leaves, woven across, and aiding to conceal the nest itself. The eggs, four to six, were white, but marked with strange characters, sometimes distinct, sometimes obscure, a hieroglyphic of black or fuscous lines, over which the mother brooded patiently for many days. But the male oriole was not indifferent, even while the young were in the egg. He did not fear to expose himself upon an upper branch, where he could watch untiringly over the safety of the beloved nest and all day long, in bright or cloudy weather, floated down to his silent mate a song of courage and tenderness.
Ah, no shepherds in far-off Arcady ever piped more sweetly to their beloved than this winged lover! His note is wild and free, a touch of anxious pleading

