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قراءة كتاب Windows
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
of that—! [He turns away.]
MRS MARCH. [Indicating her husband] You see, Cook, that's the mood in which I have to engage a parlour-maid. What am I to do with your master?
COOK. It's an 'ealthy rage, ma'am.
MRS MARCH. I'm tired of being the only sober person in this house.
COOK. [Reproachfully] Oh! ma'am, I never touch a drop.
MRS MARCH. I didn't mean anything of that sort. But they do break out so.
COOK. Not Master Johnny.
MRS MARCH. Johnny! He's the worst of all. His poetry is nothing but one long explosion.
MR MARCH. [Coming from the window] I say We ought to have faith and jump.
MRS MARCH. If we do have Faith, we shall jump.
COOK. [Blankly] Of course, in the Bible they 'ad faith, and just look what it did to them!
MR MARCH. I mean faith in human instincts, human nature, Cook.
COOK. [Scandalised] Oh! no, sir, not human nature; I never let that get the upper hand.
MR MARCH. You talk to Mr Bly. He's a remarkable man.
COOK. I do, sir, every fortnight when he does the kitchen windows.
MR MARCH. Well, doesn't he impress you?
COOK. Ah! When he's got a drop o' stout in 'im—Oh! dear! [She smiles placidly.]
JOHNNY has come in.
MR MARCH. Well, Johnny, has Mary told you?
MRS MARCH. [Looking at his face] Now, my dear boy, don't be hasty and foolish!
JOHNNY. Of course you ought to take her, Mother.
MRS MARCH. [Fixing him] Have you seen her, Johnny?
JOHNNY. She's in the hall, poor little devil, waiting for her sentence.
MRS MARCH. There are plenty of other chances, Johnny. Why on earth should we—?
JOHNNY. Mother, it's just an instance. When something comes along that takes a bit of doing—Give it to the other chap!
MR MARCH. Bravo, Johnny!
MRS MARCH. [Drily] Let me see, which of us will have to put up with her shortcomings—Johnny or I?
MARY. She looks quick, Mother.
MRS MARCH. Girls pick up all sorts of things in prison. We can hardly expect her to be honest. You don't mind that, I suppose?
JOHNNY. It's a chance to make something decent out of her.
MRS MARCH. I can't understand this passion for vicarious heroism, Johnny.
JOHNNY. Vicarious!
MRS MARCH. Well, where do you come in? You'll make poems about the injustice of the Law. Your father will use her in a novel. She'll wear Mary's blouses, and everybody will be happy—except Cook and me.
MR MARCH. Hang it all, Joan, you might be the Great Public itself!
MRS MARCH. I am—get all the kicks and none of the ha'pence.
JOHNNY. We'll all help you.
MRS MARCH. For Heaven's sake—no, Johnny!
MR MARCH. Well, make up your mind!
MRS MARCH. It was made up long ago.
JOHNNY. [Gloomily] The more I see of things the more disgusting they seem. I don't see what we're living for. All right. Chuck the girl out, and let's go rooting along with our noses in the dirt.
MR MARCH. Steady, Johnny!
JOHNNY. Well, Dad, there was one thing anyway we learned out there— When a chap was in a hole—to pull him out, even at a risk.
MRS MARCH. There are people who—the moment you pull them out—jump in again.
MARY. We can't tell till we've tried, Mother.
COOK. It's wonderful the difference good food'll make, ma'am.
MRS MARCH. Well, you're all against me. Have it your own way, and when you regret it—remember me!
MR MARCH. We will—we will! That's settled, then. Bring her in and tell her. We'll go on to the terrace.
He goes out through the window, followed by JOHNNY.
MARY. [Opening the door] Come in, please.
FAITH enters and stands beside COOK, close to the door. MARY goes out.
MRS MARCH. [Matter of fact in defeat as in victory] You want to come to us, I hear.
FAITH. Yes.
MRS MARCH. And you don't know much?
FAITH. No.
COOK. [Softly] Say ma'am, dearie.
MRS MARCH. Cook is going to do her best for you. Are you going to do yours for us?
FAITH. [With a quick look up] Yes—ma'am.
MRS MARCH. Can you begin at once?
FAITH. Yes.
MRS MARCH. Well, then, Cook will show you where things are kept, and how to lay the table and that. Your wages will be thirty until we see where we are. Every other Sunday, and Thursday afternoon. What about dresses?
FAITH. [Looking at her dress] I've only got this—I had it before, of course, it hasn't been worn.
MRS MARCH. Very neat. But I meant for the house. You've no money, I suppose?
FAITH. Only one pound thirteen, ma'am.
MRS MARCH. We shall have to find you some dresses, then. Cook will take you to-morrow to Needham's. You needn't wear a cap unless you like. Well, I hope you'll get on. I'll leave you with Cook now.
After one look at the girl, who is standing motionless, she goes out.
FAITH. [With a jerk, as if coming out of plaster of Paris] She's never been in prison!
COOK. [Comfortably] Well, my dear, we can't all of us go everywhere, 'owever 'ard we try!
She is standing back to the dresser, and turns to it, opening the right-hand drawer.
COOK. Now, 'ere's the wine. The master likes 'is glass. And 'ere's the spirits in the tantaliser 'tisn't ever kept locked, in case Master Johnny should bring a friend in. Have you noticed Master Johnny? [FAITH nods] Ah! He's a dear boy; and wonderful high-principled since he's been in the war. He'll come to me sometimes and say: "Cook, we're all going to the devil!" They think 'ighly of 'im as a poet. He spoke up for you beautiful.
FAITH. Oh! He spoke up for me?
COOK. Well, of course they had to talk you over.
FAITH. I wonder if they think I've got feelings.
COOK. [Regarding her moody, pretty face] Why! We all have feelin's!
FAITH. Not below three hundred a year.
COOK. [Scandalised] Dear, dear! Where were you educated?
FAITH. I wasn't.
COOK. Tt! Well—it's wonderful what a change there is in girls since my young days [Pulling out a drawer] Here's the napkins. You change the master's every day at least because of his moustache and the others every two days, but always clean ones Sundays. Did you keep Sundays in there?
FAITH. [Smiling] Yes. Longer chapel.
COOK. It'll be a nice change for you, here. They don't go to Church; they're agnosticals. [Patting her shoulder] How old are you?
FAITH. Twenty.
COOK. Think of that—and such a life! Now, dearie, I'm your friend. Let the present bury the past—as the sayin' is. Forget all about yourself, and you'll be a different girl in no time.
FAITH. Do you want to be a different woman?
COOK is taken flat aback by so sudden a revelation of the pharisaism of which she has not been conscious.
COOK. Well! You are sharp! [Opening another dresser drawer] Here's the vinegar! And here's the sweets, and [rather anxiously] you mustn't eat them.
FAITH. I wasn't in for theft.
COOK. [Shocked at such rudimentary exposure of her natural misgivings] No, no! But girls have appetites.
FAITH. They didn't get much chance where I've been.
COOK. Ah! You must tell me all about it. Did you have adventures?
FAITH. There isn't such a thing in a prison.
COOK. You don't say! Why, in the books they're escapin' all the time. But books is books; I've always said so. How were the men?
FAITH. Never saw a man—only a chaplain.
COOK. Dear, dear! They must be quite fresh to you, then! How long was it?
FAITH. Two years.
COOK. And never a day out? What did you do all the time? Did they learn you anything?
FAITH. Weaving. That's why I hate it.
COOK. Tell me about your poor little baby. I'm sure you meant it for the best.
FAITH. [Sardonically] Yes; I was afraid they'd make it a ward in Chancery.
COOK. Oh!