href="@public@vhost@g@gutenberg@html@files@47967@[email protected]#CHAPTER_IV_ON_THE_INFLUENCE" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">123
| V |
OF THE CLIMATIC INFLUENCE IN DESIGN—CHIEFLY IN REGARD TO COLOUR AND PATTERN |
160 |
| VI |
OF THE RACIAL INFLUENCE IN DESIGN |
191 |
| VII |
OF THE SYMBOLIC INFLUENCE, OR EMBLEMATIC ELEMENT IN DESIGN |
222 |
| VIII |
OF THE GRAPHIC INFLUENCE, OR NATURALISM IN DESIGN |
259 |
| IX |
OF THE INDIVIDUAL INFLUENCE IN DESIGN |
302 |
| X |
OF THE COLLECTIVE INFLUENCE IN DESIGN |
350 |
|
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LIST OF ILLUSTRATIONS
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PAGE |
| Three typical Constructive Forms in Architecture—Lintel, Round Arch, Pointed Arch. |
5 |
| Gate of Mycenæ. |
6 |
| Imitation of Wooden Construction in Stone Tomb in Lycia. |
7 |
| Ornamental lines in the Frieze of the Parthenon. |
8 |
| Metope of the Parthenon, showing relation and proportions of the masses in relief to the ground. |
9 |
| The Parthenon. |
11 |
| The Parthenon—Eastern Pediment, sketches showing relation of lines of sculpture to angle of Pediment. |
12 |
| The Parthenon—Elevation showing portion of Pediment, Frieze and Columns. |
13 |
| Architectural influence in design of small accessories (Greek). |
15 |
| Section of the Colosseum. |
17 |
| Hanging the Festal Garland—Visit of Bacchus to Icarius. |
18 |
| Arch of Constantine. |
19 |
| Mosaic, St. Apollinare in Classe, Ravenna. |
21 |
| Part of Interior of Dome of St. Mark's, Venice. |
23 |
| Mosaic of the Empress Theodora, St. Vitale. |
24 |
| Anselm's Tower, Canterbury. |
27 |
| Transitional Arcade, South Transept, Canterbury. |
28 |
| Typical Forms of Arches. |
30 |
| Typical Forms of Gothic Geometric Foliation. |
30 |
| Westminster Abbey: the Nave, looking east. |
31 |
| Wells Cathedral, West Front. |
33 |
| Westminster Abbey, Fan Tracery in Henry VII.'s Chapel. |
35 |
| The Five Sisters of
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