قراءة كتاب The Bases of Design

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The Bases of Design

The Bases of Design

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دار النشر: Project Gutenberg
الصفحة رقم: 6

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Assur Beni Pal, Assyrian Lions from the British Museum. 203 Lion modelled by Alfred Stevens and cast in iron. 205 Greek Stele or Head-stone. 206 Indian Flame Halo or Nimbus. 207 Persian Pomegranate forms, from a goat-hair Carpet (South Kensington Museum). 208 Celtic design, from a Cross at Campbeltown, Argyllshire. 209 Typical ornamental Forms in Persian, Indian, and Chinese designs. 211 Arabian Fourteenth Century carved and inlaid Pulpit, Cairo (South Kensington Museum), drawn by W. Cleobury. 213, 215 Panel in carved and inlaid Wood, from the Mosque of Tooloon in Cairo, Fourteenth or Fifteenth Century Saracenic. 217 The Fylfot or Sauvastika, and its incorporation in ornament. 224 Primitive Symbols, Sun, Fire, Water. 224 Polynesian Carved Ornament, from Hervey Island Paddle. 225 Polynesian Ornament—Evolution of the Zigzag. 227 Hindu Symbol of the Universe. 229 Examples of Egyptian Symbolism. 231 Il Nilo (Vatican, Rome). 235 Venus and Paris—the Apples of the Hesperides (from a relief at Wilton House). 237 Christian Emblem: Stags Drinking (Mausoleo di Galla Placidia, Ravenna). 240 Christian Emblem: Peacocks and Vine (Sarcophagus, St. Apollinare in Classe, Ravenna). 241 Fra Angelico, Angel (Uffizi, Florence). 242, 243 Orcagna, Fiends from "The Triumph of Death," Fresco (Campo Santo, Pisa). 245 Combat of King with Griffin (Ancient Persian Sculpture, Persepolis). 247 Typical Forms of Shields and of Heraldic Treatment. 249 Sicilian Silk Tissue, Twelfth century (South Kensington Museum). 251 Alciati's Emblems, designed by Solomon Bernard, Ex Bello Pax, Fortune, Ambition, Avarice. 253, 254, 255, 256 Prehistoric Graphic Art of the Cave Men. 260,

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