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قراءة كتاب The Complete Poetical Works of Percy Bysshe Shelley — Volume 2

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The Complete Poetical Works of Percy Bysshe Shelley — Volume 2

The Complete Poetical Works of Percy Bysshe Shelley — Volume 2

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دار النشر: Project Gutenberg
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are still, or the dry church-tower grass
Knows not their gentle motions as they pass.

Thou too, aereal Pile! whose pinnacles
Point from one shrine like pyramids of fire,
Obeyest in silence their sweet solemn spells, _15
Clothing in hues of heaven thy dim and distant spire,
Around whose lessening and invisible height
Gather among the stars the clouds of night.

The dead are sleeping in their sepulchres:
And, mouldering as they sleep, a thrilling sound, _20
Half sense, half thought, among the darkness stirs,
Breathed from their wormy beds all living things around,
And mingling with the still night and mute sky
Its awful hush is felt inaudibly.

Thus solemnized and softened, death is mild _25
And terrorless as this serenest night:
Here could I hope, like some inquiring child
Sporting on graves, that death did hide from human sight
Sweet secrets, or beside its breathless sleep
That loveliest dreams perpetual watch did keep. _30

***

TO —.

[Published with "Alastor", 1816. See Editor's Note.]

DAKRTSI DIOISO POTMON 'APOTMON.

Oh! there are spirits of the air,
And genii of the evening breeze,
And gentle ghosts, with eyes as fair
As star-beams among twilight trees:—
Such lovely ministers to meet _5
Oft hast thou turned from men thy lonely feet.

With mountain winds, and babbling springs,
And moonlight seas, that are the voice
Of these inexplicable things,
Thou didst hold commune, and rejoice _10
When they did answer thee; but they
Cast, like a worthless boon, thy love away.

And thou hast sought in starry eyes
Beams that were never meant for thine,
Another's wealth:—tame sacrifice
To a fond faith! still dost thou pine? _15
Still dost thou hope that greeting hands,
Voice, looks, or lips, may answer thy demands?

Ah! wherefore didst thou build thine hope
On the false earth's inconstancy? _20
Did thine own mind afford no scope
Of love, or moving thoughts to thee?
That natural scenes or human smiles
Could steal the power to wind thee in their wiles?

Yes, all the faithless smiles are fled _25
Whose falsehood left thee broken-hearted;
The glory of the moon is dead;
Night's ghosts and dreams have now departed;
Thine own soul still is true to thee,
But changed to a foul fiend through misery. _30

This fiend, whose ghastly presence ever
Beside thee like thy shadow hangs,
Dream not to chase;—the mad endeavour
Would scourge thee to severer pangs.
Be as thou art. Thy settled fate,
Dark as it is, all change would aggravate. _35

NOTES: _1 of 1816; in 1839. _8 moonlight 1816; mountain 1839.

***

TO WORDSWORTH.

[Published with "Alastor", 1816.]

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship and love's first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine _5
Which thou too feel'st, yet I alone deplore.
Thou wert as a lone star, whose light did shine
On some frail bark in winter's midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude: _10
In honoured poverty thy voice did weave
Songs consecrate to truth and liberty,—
Deserting these, thou leavest me to grieve,
Thus having been, that thou shouldst cease to be.

***

FEELINGS OF A REPUBLICAN ON THE FALL OF BONAPARTE.

[Published with "Alastor", 1816.]

I hated thee, fallen tyrant! I did groan
To think that a most unambitious slave,
Like thou, shouldst dance and revel on the grave
Of Liberty. Thou mightst have built thy throne
Where it had stood even now: thou didst prefer _5
A frail and bloody pomp which Time has swept
In fragments towards Oblivion. Massacre,
For this I prayed, would on thy sleep have crept,
Treason and Slavery, Rapine, Fear, and Lust,
And stifled thee, their minister. I know _10
Too late, since thou and France are in the dust,
That Virtue owns a more eternal foe
Than Force or Fraud: old Custom, legal Crime,
And bloody Faith the foulest birth of Time.

***

LINES.

[Published in Hunt's "Literary Pocket-Book", 1823, where it is headed
"November, 1815". Reprinted in the "Posthumous Poems", 1824. See
Editor's Note.]

1.
The cold earth slept below,
Above the cold sky shone;
And all around, with a chilling sound,
From caves of ice and fields of snow,
The breath of night like death did flow _5
Beneath the sinking moon.

2.
The wintry hedge was black,
The green grass was not seen,
The birds did rest on the bare thorn's breast,
Whose roots, beside the pathway track, _10
Had bound their folds o'er many a crack
Which the frost had made between.

3.
Thine eyes glowed in the glare
Of the moon's dying light;
As a fen-fire's beam on a sluggish stream _15
Gleams dimly, so the moon shone there,
And it yellowed the strings of thy raven hair,
That shook in the wind of night.

4.
The moon made thy lips pale, beloved—
The wind made thy bosom chill— _20
The night did shed on thy dear head
Its frozen dew, and thou didst lie
Where the bitter breath of the naked sky
Might visit thee at will.

NOTE: _17 raven 1823; tangled 1824.

***

NOTE ON THE EARLY POEMS, BY MRS. SHELLEY.

The remainder of Shelley's Poems will be arranged in the order in which they were written. Of course, mistakes will occur in placing some of the shorter ones; for, as I have said, many of these were thrown aside, and I never saw them till I had the misery of looking over his writings after the hand that traced them was dust; and some were in the hands of others, and I never saw them till now. The subjects of the poems are often to me an unerring guide; but on other occasions I can only guess, by finding them in the pages of the same manuscript book that contains poems with the date of whose composition I am fully conversant. In the present arrangement all his poetical translations will be placed together at the end.

The loss of his early papers prevents my being able to give any of the poetry of his boyhood. Of the few I give as "Early Poems", the greater part were published with "Alastor"; some of them were written previously, some at the same period. The poem beginning 'Oh, there are spirits in the air' was addressed in idea to Coleridge, whom he never knew; and at

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