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قراءة كتاب Aurora Floyd, Vol. I (of 3) Fifth Edition
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Aurora Floyd, Vol. I (of 3) Fifth Edition
The Project Gutenberg eBook, Aurora Floyd, Vol. I (of 3), by M. E. (Mary Elizabeth) Braddon
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Title: Aurora Floyd, Vol. I (of 3)
Fifth Edition
Author: M. E. (Mary Elizabeth) Braddon
Release Date: January 19, 2015 [eBook #48020]
Language: English
Character set encoding: UTF-8
***START OF THE PROJECT GUTENBERG EBOOK AURORA FLOYD, VOL. I (OF 3)***
E-text prepared by Clare Graham and Marc D'Hooghe
(http://www.freeliterature.org)
from page images generously made available by
Internet Archive
(https://archive.org)
Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/aurorafloyd02bradgoog Project Gutenberg has the other two volumes of this work. Volume II: see http://www.gutenberg.org/files/48021/48021-h/48021-h.htm Volume III: see http://www.gutenberg.org/files/48022/48022-h/48022-h.htm |
AURORA FLOYD.
BY
M. E. BRADDON,
AUTHOR OF "LADY AUDLEY'S SECRET."
IN THREE VOLUMES.
VOL. I.
FIFTH EDITION.
LONDON:
TINSLEY BROTHERS, 18 CATHERINE STEEET,
STRAND.
1863.
Dedicated
TO
ADMIRAL AND MRS. BASDEN,
WITH THE
AFFECTIONATE REGARDS
OF
THE AUTHOR.
CONTENTS.
CHAPTER I.
HOW A RICH BANKER MARRIED AN ACTRESS.
Faint streaks of crimson glimmer here and there amidst the rich darkness of the Kentish woods. Autumn's red finger has been lightly laid upon the foliage—sparingly, as the artist puts the brighter tints into his picture: but the grandeur of an August sunset blazes upon the peaceful landscape, and lights all into glory.
The encircling woods and wide lawn-like meadows, the still ponds of limpid water, the trim hedges, and the smooth winding roads; undulating hill-tops, melting into the purple distance; labouring men's cottages gleaming white from the surrounding foliage; solitary roadside inns with brown thatched roofs and moss-grown stacks of lop-sided chimneys; noble mansions hiding behind ancestral oaks; tiny Gothic edifices; Swiss and rustic lodges; pillared gates surmounted by escutcheons hewn in stone, and festooned with green wreaths of clustering ivy; village churches and prim school-houses: every object in the fair English prospect is steeped in a luminous haze, as the twilight shadows steal slowly upward from the dim recesses of shady woodland and winding lane, and every outline of the landscape darkens against the deepening crimson of the sky.
Upon the broad façade of a mighty red-brick mansion, built in the favourite style of the early Georgian era, the sinking sun lingers long, making gorgeous illumination. The long rows of narrow windows are all a-flame with the red light, and an honest homeward-tramping villager pauses once or twice in the roadway to glance across the smooth width of dewy lawn and tranquil lake, half fearful that there must be something more than natural in the glitter of those windows, and that maybe Maister Floyd's house is a-fire.
The stately red-brick mansion belongs to Maister Floyd, as he is called in the honest patois of the Kentish rustics; to Archibald Martin Floyd, of the great banking-house of Floyd, Floyd, and Floyd, Lombard Street, City.
The Kentish rustics know very little of this City banking-house, for Archibald Martin, the senior