قراءة كتاب Linnet A Romance

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‏اللغة: English
Linnet
A Romance

Linnet A Romance

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دار النشر: Project Gutenberg
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you’d ever been in the Tyrol before,” he objected, bluntly. And, in point of fact, when they started together from Munich that morning on their autumn tour, Florian Wood had never yet crossed the Austrian frontier. But what of that? He had got out of the train some five hours back at Jenbach station, and walked the sixteen miles from there to Zell; and in the course of the tramp he had matured his views on the characteristics of the Tyrol.

But he waved one lily-white hand over the earth none the less with airy dismissal of his friend’s implied criticism. “How often shall I have to tell you, my dear Deverill,” he said blandly, in his lofty didactic tone⁠—the tone which, as often happens with very small men, came most familiarly of all to him⁠—“that you unduly subordinate the ideal to the real, where you ought rather to subordinate the real to the ideal. This, you say, is the Tyrol⁠—the solid, uncompromising, geographically definite Tyrol of the tax-gatherer, the post-master, and the commercial traveller⁠—⁠bounded on the north by Bavaria, on the south by Italy, on the east by the rude Carinthian boor, and on the west by the collection of hotels and pensions marked down on the map as the Swiss Republic. Very well then; let me see if there’s anything Tyrolese at all to be found in it. I have instinctive within me a picture of the true, the ideal Tyrol. I know well its green pastures, its upland slopes, its innocent peasantry, its fearless chamois-hunters, its beautiful, guileless, fair-haired maidens. Arriving by rail to-day in this its prosaic prototype⁠—⁠cast up, as it were, from the train on the sea-coast of this Bohemia⁠—⁠I turn my eyes with interest upon the imitation Tyrol of real life, and strive earnestly to discover some faint points of resemblance, if such there be, with the genuine article as immediately revealed to me.”

“And you find none?” Deverill put in, smiling.

Florian waved that dainty Dresden china hand expansively once more over the landscape before him, as if it belonged to him. “Pardon me,” he said, sententiously; “in many things, I admit, the reality might be improved upon. The mountains, for example, should be higher, their forms more varied, their peaks more jagged, their sides more precipitous; the snow should drape them with more uniform white, regardless of the petty restrictions of gravity; the river should tear down far rockier ravines, in more visible cataracts. But Nature has sometimes her happy moments, too. And I call this one of them! Those women, now, so Millet-like in their patient toil⁠—⁠how sympathetic! how charming! A less primitive society, a less idyllic folk, would have imposed such burdens upon a horse or a donkey. The Tyrol knows better. It is more naïve, more picturesque⁠—⁠in one word, more original. It imposes them on the willing neck of beautiful woman!”

“It’s terribly hard work for them,” Deverill answered, observing them with half a sigh.

“For them? Ah, yes, I admit it, of course, poor souls!⁠—⁠but for me, my dear fellow⁠—⁠for me, just consider! It gives me a thrill of the intensest sensibility. In the first place, the picture is a beautiful one in itself⁠—⁠the figures, the baskets, the frame, the setting. In the second place, it suggests to the observant mind an Arcadian life, a true Dorian simplicity. In the third place⁠—⁠which is perhaps the most important of all⁠—⁠it affords me an opportunity for the luxury of sympathy. What is the trifling inconvenience of a heavy load on their backs to these poor ignorant creatures, compared with the refined and artistic pleasure⁠—⁠of an altruistic kind⁠—⁠which I derive from pitying them?”

“Florian!” his friend said, surveying him comically from head to foot, “you really are impayable. It’s no use arguing with you; it only flatters you. You know very well in your heart you never mean a word of anything you say; so stop your nonsense and put yourself in marching order again. Let’s get on to Zell, and see what sort of quarters we can find in the village.”

Florian Wood came down at once from his epicurean clouds, and strode out with his little legs in the direction of their resting-place. In spite of his tininess, he was a capital walker. If Nature, as he averred, has sometimes her happy moments, she certainly had one when she created her critic. Florian Wood was a young man of a delicate habit of mind and body⁠—⁠a just and pleasing compromise between a philosopher and a butterfly. His figure was small but extremely graceful; his limbs were dainty but well-knit and gazelle-like; his face, though small-featured, was very intelligent, and distinctly good-humoured; his voice was melodious and exquisitely modulated. And what Nature had left undone, his godfathers and godmothers did for him at his baptism when they christened him Florian. As plain John Wood, to be sure, he would have been nobody at all; as William or Thomas or Henry or George, he would have been lost in the multitudinous deep sea of London. But his parents had the glorious inspiration of dubbing him Florian, and it acted like a charm: all went well in life with him. A baronetcy would have been a far less valuable social passport⁠—⁠for there are many baronets, but only one Florian. Before the romantic rarity of that unique Christian name, the need for a surname paled and faded away into utter nothingness. Nobody ever dreamt of calling him “Wood”: they spoke of Florian as they once spoke of “Randolph.” On this somewhat illogical but very natural ground, he became from his schooldays upward the spoiled child of society. He was a toy⁠—⁠a plaything. Clubs hung on his clear voice; women petted and made much of him. When you talk of a man always by his Christian name alone, depend upon it, he becomes in the end as one of the family: mere association of ideas begets in you at last a friendly⁠—⁠nay, almost a fraternal feeling towards him.

They walked along briskly in the direction of Zell, Florian humming as he went a few stray snatches of Tyrolese songs (or what pass in the world for such), by way of putting himself in emotional harmony with the environment. For Florian was modern, intensely modern. He played with science as he played with everything else; and he could talk of the environment by the hour with the best of them, in his airy style, as if environments and he had been lifelong companions. But Zell itself, when they got to it, failed somehow to come up to either of their expectations. Florian would have made the valley narrower, or transplanted the village three hundred feet higher up the slope of the hill. As for Will Deverill, less critical of Nature’s handicraft, he found the inns over-civilised; the Post and the Bräu were too fine for his taste: they had come thus far in search of solitude and Alpine wilds, and they lighted instead on a sort of miniature Grindelwald, with half-a-dozen inns, a respectable café, experienced (or in other words extortionate) guides, and a regular tourist-trap for the sale of chamois-horns and carved models of châlets. “This will never do!” Will Deverill exclaimed, gazing round him in disgust at the Greiderer Hotel and the comfortable Welschwirth. “This is pure civilisation!”

And Florian, looking down instinctively at his dust-encumbered boots, murmured with a faint sigh, “A perfect Bond Street!” For Florian loved to do everything “consummately,”⁠—⁠’twas his own pet adverb; he aimed at universality, but he aimed quite as much at perfection in detail of the most Pharisaical description. In Piccadilly, he went clad in a faultless miniature frock-coat, surmounted by the silken sheen of Lincoln and Bennet’s glossiest; but

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