we get a glimpse of Lord Randolph Churchill's return to the political arena and echoes of the unbridled loquacity of Mr. Sexton. The cartoons are more instructive, notably that on the introduction of the "Guillotine" by Gladstone, with the G.O.M. as chief operator, Harcourt and Morley as republican soldiers, and Amendments, as heads, falling into a waste-paper basket. The fate of the measure is neatly hit off in the "Little Billee" cartoon; Home Rule as "Little Billee" is about to be massacred by the House of Lords, represented by Salisbury and Hartington as chief villains. "Little Billee" in the legend not only survived but attained high distinction in after life; but it is hard to say whether Punch implied a similar resurrection for the Bill of 1893. But whatever were his views on the merits of Home Rule, Punch was decidedly critical of the Government's naval policy, and when Mr. Gladstone and Mr. Morley had simultaneously made seemingly irreconcilable speeches on the subject, he adroitly invoked the shade of Cobden, who had, in certain conditions, proclaimed himself a Big Navyite. Punch fortified the argument by a set of verses headed "Rule Britannia" and ending with this stanza:—

Yet when Mr. Gladstone resigned the premiership, early in 1894, Punch's tribute is an unqualified eulogy of the "Lancelot of our lists":—

The "last stroke" referred to was doubtless the speech in which Mr. Gladstone uttered his warning to the Lords, a warning translated into action by the Parliament Act of 1910. Lord Rosebery, his successor, came from the gilded chamber, and, in spite of his democratic record and brilliant gifts, was not enthusiastically welcomed by the Liberal Party. But Punch had no misgivings at the moment and acclaimed him in a cartoon in which he enters the lists, "from spur to plume a star of tournament," with Harcourt as his squire, a reading of their relations hardly borne out by the sequel. The Cabinet were not a "band of brothers," and, as we have said above, the most notable legislative feature of the Liberal administration was the "Radical Budget" of Sir William Harcourt. Punch's comment, in the cartoon "The Depressed Dukes" and the verses on "The Stately Homes of England," combined prescience with a touch of malice. The Duke of Devonshire is shown saying to the Duke of Westminster, "If this Budget passes, I don't know how I am going to keep up Chatsworth," and the Duke of Westminster replies, "If you come to that, we may consider ourselves lucky if we can keep a tomb over our heads." Mr. Chamberlain's famous phrase about "ransom" is recalled, in view of his rapprochement to the Tories, to illustrate his falling away from Radicalism, and Punch's references to him are, for a while, critical to the verge of hostility. Sambourne's picture of the interesting development of the "Josephus Cubicularius (orchidensis)" exhibits his evolution from the manufacturer of screws, the republican and the radical, to the patriot, society pet, and full-blown Conservative with a peerage looming in the future; while in the "Essence of Parliament" he is ironically complimented on investing the High Court of Westminster with "the tone and atmosphere of the auction-room."

On the other hand, Punch recognized that a disposition to add to our Imperial responsibilities was no longer a Tory monopoly. Uganda was annexed in 1894, and John Bull is seen finding a black baby on his doorstep: "What, another! Well, I suppose I must take it in," the explanatory verses being headed "Prestige oblige." The assassination of President Carnot prompts a tribute to France:—

an obvious adaptation of Sir Philip Sidney's "that sweet enemy France." But in the realm of foreign affairs the most striking event was the Chino-Japanese war. Here Punch's sympathies are clearly revealed in his cartoon, "Jap the Giant-killer," with an up-to-date fairy-tale text; in the picture of Japan as the Infant Phenomenon lecturing on the Art of War to John Bull, Jonathan, the Kaiser and other crowned heads; and in the condemnation of the jealous intervention of Russia and Germany to rob Japan, who had "played a square game," of the fruits of victory. The death of the Tsar Alexander III in November, 1894, is commemorated in a cartoon in which Peace is chief mourner. Punch, as we have seen, had not been enthusiastic over the gravitation of Russia towards a French alliance; but no official declaration of its existence was made until 1897, though it was mentioned publicly by M. Ribot in 1895.

"WHO SAID—'ATROCITIES'?"

(After the popular engraving)

"Old as I am my feelings have not been deadened in regard to matters of such a dreadful description." (Mr. Gladstone's Birthday speech at Hawarden on the Armenian atrocities.)

The Rosebery Cabinet resigned in June, 1895. Punch's admiration for Lord Rosebery had steadily waned during his brief tenure of the Premiership, and distrust of his versatility is revealed in the versified comment on