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قراءة كتاب History of the United Netherlands, 1594

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History of the United Netherlands, 1594

History of the United Netherlands, 1594

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دار النشر: Project Gutenberg
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which were to mark the archduke's triumphal entry, "they are so deficient as to leave him unfit for arms. I consider him incapable of accompanying an army to the field, and we find him so new to all such affairs as constitute government and the conduct of warlike business, that he could not steer his way without some one to enlighten and direct him."

It was sometimes complained of in those days—and the thought has even prolonged itself until later times—that those republicans of the United Netherlands had done and could do great things; but that, after all, there was no grandeur about them. Certainly they had done great things. It was something to fight the Ocean for ages, and patiently and firmly to shut him out from his own domain. It was something to extinguish the Spanish Inquisition—a still more cruel and devouring enemy than the sea. It was something that the fugitive spirit of civil and religious liberty had found at last its most substantial and steadfast home upon those storm-washed shoals and shifting sandbanks.

It was something to come to the rescue of England in her great agony, and help to save her from invasion. It was something to do more than any nation but England, and as much as she, to assist Henry the Huguenot to the throne of his ancestors and to preserve the national unity of France which its own great ones had imperilled. It was something to found two magnificent universities, cherished abodes of science and of antique lore, in the midst of civil commotions and of resistance to foreign oppression. It was something, at the same period, to lay the foundation of a systew of common schools—so cheap as to be nearly free—for rich and poor alike, which, in the words of one of the greatest benefactors to the young republic, "would be worth all the soldiers, arsenals, armouries, munitions, and alliances in the world." It was something to make a revolution, as humane as it was effective, in military affairs, and to create an army whose camps were European academies. It was something to organize, at the same critical period, on the most skilful and liberal scale, to carry out with unexampled daring, sagacity, and fortitude, great voyages of discovery to the polar regions, and to open new highways for commerce, new treasures for science. Many things of this nature had been done by the new commonwealth; but, alas! she did not drape herself melodramatically, nor stalk about with heroic wreath and cothurn. She was altogether without grandeur.

When Alva had gained his signal victories, and followed them up by those prodigious massacres which, but for his own and other irrefragable testimony, would seem too monstrous for belief, he had erected a colossal statue to himself, attired in the most classical of costumes, and surrounded with the most mythological of attributes. Here was grandeur. But William the Silent, after he had saved the republic, for which he had laboured during his whole lifetime and was destined to pour out his heart's blood, went about among the brewers and burghers with unbuttoned doublet and woollen bargeman's waistcoat. It was justly objected to his clothes, by the euphuistic Fulke Greville, that a meanborn student of the Inns of Court would have been ashamed to walk about London streets in them.

And now the engineering son of that shabbily-dressed personage had been giving the whole world lessons in the science of war, and was fairly perfecting the work which William and his great contemporaries had so well begun. But if all this had been merely doing great things without greatness, there was one man in the Netherlands who knew what grandeur was. He was not a citizen of the disobedient republic, however, but a loyal subject of the obedient provinces, and his name was John Baptist Houwaerts, an eminent schoolmaster of Brussels. He was still more eminent as a votary of what was called "Rhetoric" and as an arranger of triumphal processions and living pictures.

The arrival of Archduke Ernest at the seat of the provincial Government offered an opportunity, which had long been wanting, for a display of John Baptist's genius. The new viceroy was in so shattered a condition of health, so crippled with the gout, as to be quite unable to stand, and it required the services of several lackeys to lift him into and out of his carriage. A few days of repose therefore were indispensable to him before he could make his "joyous entrance" into the capital. But the day came at last, and the exhibition was a masterpiece.

It might have seemed that the abject condition of the Spanish provinces— desolate, mendicant, despairing—would render holiday making impossible. But although almost every vestige of the ancient institutions had vanished from the obedient Netherlands as a reward for their obedience; although to civil and religious liberty, law, order, and a thriving commercial and manufacturing existence, such as had been rarely witnessed in the world, had succeeded the absolute tyranny of Jesuits, universal beggary, and a perennial military mutiny—setting Government at defiance and plundering the people—there was one faithful never deserted Belgica, and that was Rhetoric.

Neither the magnificence nor the pedantry of the spectacles by which the entry of the mild and inefficient Ernest into Brussels and Antwerp was now solemnized had ever been surpassed. The town councils, stimulated by hopes absolutely without foundation as to great results to follow the advent of the emperor's brother, had voted large sums and consumed many days in anxious deliberation upon the manner in which they should be expended so as most to redound to the honour of Ernest and the reputation of the country.

In place of the "bloody tragedies of burning, murdering, and ravishing," of which the provinces had so long been the theatre, it was resolved that, "Rhetoric's sweet comedies, amorous jests, and farces," should gladden all eyes and hearts. A stately procession of knights and burghers in historical and mythological costumes, followed by ships, dromedaries, elephants, whales, giants, dragons, and other wonders of the sea and shore, escorted the archduke into the city. Every street and square was filled with triumphal arches, statues and platforms, on which the most ingenious and thoroughly classical living pictures were exhibited. There was hardly an eminent deity of Olympus, or hero of ancient history, that was not revived and made visible to mortal eyes in the person of Ernestus of Austria.

On a framework fifty-five feet high and thirty-three feet in breadth he was represented as Apollo hurling his darts at an enormous Python, under one of whose fore-paws struggled an unfortunate burgher, while the other clutched a whole city; Tellus, meantime, with her tower on her head, kneeling anxious and imploring at the feet of her deliverer. On another stage Ernest assumed the shape of Perseus; Belgica that of the bound and despairing Andromeda. On a third, the interior of Etna was revealed, when Vulcan was seen urging his Cyclops to forge for Ernest their most tremendous thunderbolts with which to smite the foes of the provinces, those enemies being of course the English and the Hollanders. Venus, the while, timidly presented an arrow to her husband, which he was requested to sharpen, in order that when the wars were over Cupid, therewith might pierce the heart of some beautiful virgin, whose charms should reward Ernest—fortunately for the female world, still a bachelor—for his victories and his toils.

The walls of every house were hung with classic emblems and inscribed with Latin verses. All the pedagogues of Brussels and Antwerp had been at work for months, determined to amaze the world with their dithyrambics and acrostics, and they had outdone themselves.

Moreover, in addition to all these theatrical spectacles and pompous processions—accompanied as they were by blazing

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