her heart to somebody had of course lain behind the impulse, and Miss Verinder, although really only an acquaintance of Mildred’s parents, had been unusually kind and friendly to Mildred herself; but now, sitting in the drawing-room of Miss Verinder’s flat, listening to Miss Verinder’s pleasant emotionless voice, watching Miss Verinder with methodic care put away small odds and ends in an antique bureau, she felt the huge incongruity that there would be in speaking of love to an old maid of fifty.

“I won’t be a minute,” said Miss Verinder.

“I am not in the least hurry,” said Mildred quite untruthfully.

Waiting and watching, she thought that fifty years of age is nothing nowadays—if you are not an old maid, and if you decorate yourself properly. Some women of fifty are still dangerously attractive—they act leading parts on the stage, they appear in divorce cases, they marry their third husbands. But when once you have allowed old maidishness to take possession of you!

“A place for everything and everything in its place,” said Miss Verinder, closing a drawer and speaking as if to herself rather than to a visitor. “That is a good motto, isn’t it?” And she began to flick a silk handkerchief. “These are souvenirs—with only a sentimental value.”

Mildred glanced round the room. At the far end there were windows, through which one saw the shredded stem and drooping branches of a large plane tree, all transparent green and fiery orange now in the sunlight of a September afternoon; near the window at the other end there was a cage with a somnolent grey parrot; a singularly clean white cat lay stretching itself lazily on the seat of a chintz-covered chair; and everywhere there showed the neatness and order as well as the prettiness and taste that are only possible in rooms altogether free from the disturbing presence of clumsy man. Mildred, feeling more and more enervated, spoke admiringly but abruptly.

“I do like your flat, Miss Verinder.”

“It is convenient, isn’t it?” said Miss Verinder. “So close to the Brompton Road, so near everything. Strictly speaking,” she added with gentle precision, “it is not a flat at all, but what they call a maisonette. That straight staircase—almost like a ladder, isn’t it?—has been as it were stolen from the auctioneer’s offices on the ground floor; and it forms quite a private entrance. I prefer that. It gives a feeling,”—and she made a graceful vague gesture. “I think Oratory Gardens is the only place where you find flats constructed on this principle. I considered myself lucky in securing the lease—many years ago, you know. I wanted to be just here, because I have so many associations with this neighbourhood—the whole neighbourhood—as far as Kensington Gore and Knightsbridge, but not south or west, you know. I like the sight of the tree too.”

For a few moments she ceased dusting the small objects on the flap of the bureau and stood at the window, looking out; a tall thin dark figure with the sunlight behind her.

“It sometimes makes me feel as if I were miles away from Kensington”; and she gently nodded her head and half closed her eyes. “Far in the country. On the other side of the world, even.”

She was really a very charming, well-bred, elegant woman; and once upon a time, a long while ago, when those eyes of hers were full of brightness and lustre, when her sensitive lips were redder, when her pale unwrinkled cheeks had permanent colour instead of the fitful pinkness that now came and went so delicately, she must have been quite good-looking. Possibly she might then have been fascinating also. Her hair was really good, dark and strong, rolled in bulky waves about her forehead and in a lump at the back of her neck.

It was the demureness, the air of patience, endurance, and submissiveness proper to her age and condition, that spoilt her general effect and made her just a little dowdy, although always beautifully dressed. Even in the moment of recognising a certain natural feminine charm one sought for and found the stigmata of spinsterhood. She had no mannerisms, affectations, or silly tricks; and nevertheless.—But there is the bother of it. How and why do we judge people or form any opinion concerning them? As soon as you think you know what a woman is you begin to think she looks like what you have decided her to be. Perhaps one merely imagined and did not really see that outward suggestion of untilled fields, autumn leaves, and faded flowers, which has come to symbolise a particular combination of loneliness and neglect.

Essentially, she appeared to be spinsterhood personified. She stood so very much alone. Although, as was known, she had relatives, she did not appear to preserve any close intercourse with them. One never met robust full-blooded nieces putting up at the flat with “darling Aunt Emmeline” for a night or two; she showed you no portraits of middle-aged brothers and sisters, or snap-shots of children in embroidered aprons and sailor hats, the representatives of a budding generation; there was not even a ne’er-do-well nephew in the background, emerging into the foreground from time to time and extracting financial assistance as he passed through London on the way from Harrow to Sandhurst and from Sandhurst to his regiment.

Thus it seemed that the attitude of uninvolved spectator or disinterested critic of all that matters in life had been irrevocably forced upon her, and that, as in all such typical cases, she had taken up feeble little secondary interests to fill the vast blank spaces that should have been occupied by prime ones. She attended concerts, lectures, classes; played bridge for mild points; drank weak tea and nibbled dry biscuits at afternoon parties. Sometimes, abruptly going away by herself, she was absent for long periods; and one imagined her, charmingly and suitably dressed as usual, say in the solitude of Dartmoor, translating its purple heather and golden skies into the wishy-washy tints of her sketch-book; or gathering a sprig of fern near the Castle of Chillon in order to place it later between the pages of Byron’s poem—in a word, one imagined her travelling as old maids with ample means have always done, changing the outward scene but never the mental atmosphere. Occasionally, too, she shut herself in the flat, for weeks at a time, refusing to see anybody; and then one surmised that she was passing through those phases of nervous distress or semi-hysteria from the experience of which old maids can scarcely hope to escape altogether.

Naturally she offered a strong contrast to the very modern young lady of twenty sitting on one of the sofas, playing with her gauntlet gloves, and brimming over with youthfulness and ardent irrepressible life.

Mildred looked very pretty in her scant frock, low bodice, and short sleeves; after the manner of modern girls seeming, perhaps, a little commonplace or ordinary because so like so many others of her class and years, at once doll-like and self-possessed, shrewd and yet innocent. She was, or at least believed herself to be, entirely modern; although at the moment occupied with elemental things.

“Now,” said Miss Verinder, “I am all attention,” and she came from the bureau and drew a chair to the sofa.

“I’m so glad I’ve caught you alone,” said Mildred feebly.

“Well, my dear Mildred,” said Miss Verinder, “I am purposely alone, because, when I received your little note saying you wished to see me—I don’t know why—but somehow I had the suspicion that there was something you wanted to tell me, or to talk about.”

“Oh, Miss Verinder! How kind—how very kind!” said Mildred in a gush of gratitude.