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قراءة كتاب Valentine and Orson, a Romantic Melo-Drame, as Performed at the Theatre-Royal Covent-Garden

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Valentine and Orson, a Romantic Melo-Drame, as Performed at the Theatre-Royal Covent-Garden

Valentine and Orson, a Romantic Melo-Drame, as Performed at the Theatre-Royal Covent-Garden

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دار النشر: Project Gutenberg
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class="smcap">Hugo, who puts down a basket containing some cordage, fruits, and a flask, and seems very anxious to be dismissed—Valentine, in dumb shew, charges him with a token for Eglantine and the King, and recommending himself to heaven, takes his way into the thicket.

Hugo, being left alone, seems terrified, and as much afraid to go back, as to follow Valentine—looks warily about him, hears a noise, and runs to the cave for shelter—a roar is heard from the cave, Hugo instantly returns running, most whimsically terrified, and pursued by OrsonHugo throws his cloak at the wild man, and while he is tearing it to pieces, Hugo runs off—Orson throws down the cloak, and doubly enraged by the escape of his intended victim, follows.

Valentine re-enters, cannot find the wild man—sees Hugo's cloak, laments his supposed death, and mounts a tree to look out for his enemy.

Orson re-enters, and expresses disappointment at not having overtaken Hugo—as he approaches the tree where Valentine is, Valentine plucks a branch, and throws it at him—Orson looks up with astonishment, chatters uncouthly to Valentine, throws the branch back to him, and beckons him to come down—Valentine hesitates—Orson enraged, immediately ascends the tree—and while he is climbing up one side, Valentine gets down on the other, and in turn beckons his opponent.—Orson makes but one jump from the tree to the ground—runs to Valentine, who opposes his polished shield—Orson seeing his own figure reflected in it, suddenly starts back—Valentine, with his sword drawn, keeps Orson at bay, and leads him round the stage, still wondering at the figure he sees.—Orson at length struggles for the shield, takes it from Valentine, and throws it away—Valentine has another shield at his back, which he immediately uses, slightly wounds Orson with the point of his sword, at which he, enraged, looks round for a weapon, pulls up a young tree by the roots, and uses it as a club.

A fierce combat ensues—Valentine, by his lightness and activity, escapes many dreadful blows, aimed at him by Orson.—They stand to breathe awhile, when the Bear suddenly totters from the cave—Valentine, at the moment she opens her mouth, presents his sword in the attitude of thrusting it down her throat—Orson, as if instinctively apprised of the danger of his foster-mother, drops his club, and seems to implore mercy for the old and feeble Bear—Valentine retires, the Bear follows—Orson recovers his club, and is about to attack Valentine, when the latter cuts Orson's hand—the club falls, and Valentine is once more attacking the Bear, when Orson supplicates—Valentine suddenly throws a cord round Orson's hands, and bids him follow him—Valentine holding the other end of the cord.—Orson looks at the Bear, and then at Valentine, who throws him fruit—he gives it to the Bear—Valentine gives him wine from a flask, he tastes it, likes it, and gives some to the Bear, who seems half strangled with it, and totters towards the cave.

Valentine again bids Orson follow him—Orson suddenly snaps the cord, and follows the Bear—the Bear unable to reach the cave, drops with a faint roar, and dies, as if from old age.

Orson shakes her, puts the food and bottle by her, throws himself on the ground, and seems to weep.

Valentine ventures to caress him—Orson turns short on him, snatches at his sword by the blade, and again cuts his fingers—resumes his club, but throws it down again on seeing the dead Bear.—Valentine caresses Orson again (still keeping on his guard), Orson seeing Valentine's attention to himself and the Bear, seems pleased and overcome by it—presents Valentine with one end of the cord, and holding the other, suffers himself to be led off, looking back from time to time, at the dead Bear, and making an uncouth and mournful kind of lamentation.


ACT II.

SCENE I.A Court-Yard of the Palace at Orleans—(Phillips.)— in front a pair of great Gates, with Posts before them, and a Chain across from one to the other.

(Pantomime Music.)

Officers and Servants run on terrified—go in at the great gates, and make them fast—Valentine enters on horseback, leading Orson, who seems amazed at every thing around him—Valentine blows a horn at the gate, Orson is surprised at the noise, tries to blow it, but cannot, which makes him very angry—Some one looks out from above, sees Orson, shakes his head and retires—Orson imitates him—Valentine angrily tries to force the gate, but is unable; Orson assists, without effect—at length, seeing that Valentine is eager to obtain entrance, Orson pulls up a post, breaks the chain by which it is attached to the next post, and batters the gate open—attendants rush out armed, are going to attack OrsonValentine interposes—Henry and Haufray enter, shake hands with ValentineHenry, in turning from Valentine, half draws his sword, Orson sees him, and pushes it rudely back into the scabbard—Valentine signifies to Orson that he must shake hands with his friends—he takes a hand of each, and squeezes them violently—he then shakes hands with the others—Eglantine enters, runs into Valentine's arms—Orson is astonished, delighted at her beauty, he runs to embrace her, as Valentine has done,

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