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قراءة كتاب Sylvie and Bruno Concluded (Illustrated)

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Sylvie and Bruno Concluded (Illustrated)

Sylvie and Bruno Concluded (Illustrated)

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دار النشر: Project Gutenberg
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class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">p. 374. The dialogue between Sylvie and Bruno, which occupies lines 6 to 15, is a verbatim report (merely substituting “cake” for “penny”) of a dialogue overheard between two children.

One story in this Volume—‘Bruno’s Picnic’—I can vouch for as suitable for telling to children, having tested it again and again; and, whether my audience has been a dozen little girls in a village-school, or some thirty or forty in a London drawing-room, or a hundred in a High School, I have always found them earnestly attentive, and keenly appreciative of such fun as the story supplied.

May I take this opportunity of calling attention to what I flatter myself was a successful piece of name-coining, at p. 42 of Vol. I. Does not the name ‘Sibimet’ fairly embody the character of the Sub-Warden? The gentle Reader has no doubt observed what a singularly useless article in a house a brazen trumpet is, if you simply leave it lying about, and never blow it!

Readers of the first Volume, who have amused themselves by trying to solve the two puzzles propounded at pp. xi., xii. of the Preface, may perhaps like to exercise their ingenuity in discovering which (if any) of the following parallelisms were intentional, and which (if any) accidental.

“Little Birds.” Events, and Persons.
Stanza 1. Banquet.
2. Chancellor.
3. Empress and Spinach (II. 325).
4. Warden’s Return.
5. Professor’s Lecture (II. 339).
6. Other Professor’s song (I. 138).
7. Petting of Uggug.
8. Baron Doppelgeist.
9. Jester and Bear (I. 119). Little Foxes.
10. Bruno’s Dinner-Bell; Little Foxes.

I will publish the answer to this puzzle in the Preface to a little book of “Original Games and Puzzles,” now in course of preparation.

I have reserved, for the last, one or two rather more serious topics.

I had intended, in this Preface, to discuss more fully, than I had done in the previous Volume, the ‘Morality of Sport’, with special reference to letters I have received from lovers of Sport, in which they point out the many great advantages which men get from it, and try to prove that the suffering, which it inflicts on animals, is too trivial to be regarded.

But, when I came to think the subject out, and to arrange the whole of the arguments ‘pro’ and ‘con’, I found it much too large for treatment here. Some day, I hope to publish an essay on this subject. At present, I will content myself with stating the net result I have arrived at.

It is, that God has given to Man an absolute right to take the lives of other animals, for any reasonable cause, such as the supply of food: but that He has not given to Man the right to inflict pain, unless when necessary: that mere pleasure, or advantage, does not constitute such a necessity: and, consequently, that pain, inflicted for the purposes of Sport, is cruel, and therefore wrong. But I find it a far more complex question than I had supposed; and that the ‘case’, on the side of the Sportsman, is a much stronger one than I had supposed. So, for the present, I say no more about it.

Objections have been raised to the severe language I have put into the mouth of ‘Arthur’, at p. 277, on the subject of ‘Sermons,’ and at pp. 273, 274, on the subjects of Choral Services and ‘Choristers.’

I have already protested against the assumption that I am ready to endorse the opinions of characters in my story. But, in these two instances, I admit that I am much in sympathy with ‘Arthur.’ In my opinion, far too many sermons are expected from our preachers; and, as a consequence, a great many are preached, which are not worth listening to; and, as a consequence of that, we are very apt not to listen. The reader of this paragraph probably heard a sermon last Sunday morning? Well, let him, if he can, name the text, and state how the preacher treated it!

Then, as to ‘Choristers,’ and all the other accessories—of music, vestments, processions, &c.,—which have come, along with them, into fashion—while freely admitting that the ‘Ritual’ movement was sorely needed, and that it has effected a vast improvement in our Church-Services, which had become dead and dry to the last degree, I hold that, like many other desirable movements, it has gone too far in the opposite direction, and has introduced many new dangers.

For the Congregation this new movement involves the danger of learning to think that the Services are done for them; and that their bodily presence is all they need contribute. And, for Clergy and Congregation alike, it involves the danger of regarding these elaborate Services as ends in themselves, and of forgetting that they are simply means, and the very hollowest of mockeries, unless they bear fruit in our lives.

For the Choristers it seems to involve the danger of self-conceit, as described at p. 274, the danger of regarding those parts of the Service, where their help is not required, as not worth attending to, the danger of coming to regard the Service as a mere outward form—a series of postures to be assumed, and of words to be said or sung, while the thoughts are elsewhere—and the danger of ‘familiarity’ breeding ‘contempt’ for sacred things.

Let me illustrate these last two forms of danger, from my own experience. Not long ago, I attended a Cathedral-Service, and was placed immediately behind a row of men, members of the Choir; and I could not help noticing that they treated the Lessons as a part of the Service to which they needed not to give any attention, and as affording them a convenient opportunity for arranging music-books, &c., &c. Also I have frequently seen a row of little choristers, after marching in procession to their places, kneel down, as if about to pray, and rise from their knees after a minute spent in looking about them, it being but too evident that the attitude was a mere mockery. Surely it is very dangerous, for these children, to thus accustom them to pretend to pray? As an instance of

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