قراءة كتاب Chap-books of the Eighteenth Century With Facsimiles, Notes, and Introduction

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Chap-books of the Eighteenth Century
With Facsimiles, Notes, and Introduction

Chap-books of the Eighteenth Century With Facsimiles, Notes, and Introduction

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دار النشر: Project Gutenberg
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somewhat different sense, making him more of a general dealer, as in "Love's Labour's Lost," Act ii. sc. I:

"Princess of France. Beauty is bought by judgment of the eye,

Not uttered by base sale of Chapmen's tongues."

And in "Troilus and Cressida," Act iv. sc. I:

"Paris. Fair Diomed, you do as Chapmen do,

Dispraise the thing that you desire to buy."

Unlike his modern congener, the colporteur, the Chapman's life seems to have been an exceptionally hard one, especially if we can trust a description, professedly by one of the fraternity, in "The History of John Cheap the Chapman," a Chap-book published early in the present century. He appears, on his own confession, to have been as much of a rogue as he well could be with impunity and without absolutely transgressing the law, and, as his character was well known, very few roofs would shelter him, and he had to sleep in barns, or even with the pigs. He had to take out a licence, and was classed in old bye-laws and proclamations as "Hawkers, Vendors, Pedlars, petty Chapmen, and unruly people." In more modern times the literary Mercury dropped the somewhat besmirched title of Chapmen, and was euphoniously designated the "Travelling," "Flying," or "Running Stationer."

Little could he have dreamed that his little penny books would ever have become scarce, and prized by book collectors, and fetch high prices whenever the rare occasion happened that they were exposed for sale. I have taken out the prices paid in 1845 and 1847 for nine volumes of them, bought at as many different sales. These nine volumes contain ninety-nine Chap-books, and the price paid for them all was £24 13s. 6d., or an average of five shillings each—surely not a bad increment in a hundred years on the outlay of a penny; but then, these volumes were bought very cheaply, as some of their delighted purchasers record.

The principal factory for them, and from which certainly nine-tenths of them emanated, was No. 4, Aldermary Churchyard, afterwards removed to Bow Churchyard, close by. The names of the proprietors were William and Cluer Dicey—afterwards C. Dicey only—and they seem to have come from Northampton, as, in "Hippolito and Dorinda," 1720, the firm is described as "Raikes and Dicey, Northampton;" and this connection was not allowed to lapse, for we see, nearly half a century later, that "The Conquest of France" was "printed and sold by C. Dicey in Bow Church Yard: sold also at his Warehouse in Northampton."

From Dicey's house came nearly all the original Chap-books, and I have appended as perfect a list as I can make, amounting to over 120, of their publications. Unscrupulous booksellers, however, generally pirated them very soon after issue, especially at Newcastle, where certainly the next largest trade was done in this class of books. The Newcastle editions are rougher in every way, in engravings, type, and paper, than the very well got up little books of Dicey's, but I have frequently taken them in preference, because of the superior quaintness of the engravings.

After the commencement of the present century reading became more popular, and the following, which are only the names of a few places where Chap-books were published, show the great and widely spread interest taken in their production:—Edinburgh, Glasgow, Paisley, Kilmarnock, Penrith, Stirling, Falkirk, Dublin, York, Stokesley, Warrington, Liverpool, Banbury, Aylesbury, Durham, Dumfries, Birmingham, Wolverhampton, Coventry, Whitehaven, Carlisle, Worcester, Cirencester, etc., etc. And they flourished, for they formed nearly the sole literature of the poor, until the Penny Magazine and Chambers's penny Tracts and Miscellanies gave them their deathblow, and relegated them to the book-shelves of collectors.

That these histories were known and prized in Queen Anne's time, is evidenced by the following quotation from the Weekly Comedy, January 22, 1708:—"I'll give him Ten of the largest Folio Books in my Study, Letter'd on the Back, and bound in Calves Skin. He shall have some of those that are the most scarce and rare among the Learned, and therefore may be of greater use to so Voluminous an Author; there is 'Tom Thumb' with Annotations and Critical Remarks, two volumes in folio. The 'Comical Life and Tragical Death of the Old Woman that was Hang'd for Drowning herself in Ratcliffe High-Way:' One large Volume, it being the 20th Edition, with many new Additions and Observations. 'Jack and the Gyants;' formerly Printed in a small Octavo, but now Improv'd to three Folio Volumes by that Elaborate Editor, Forestus, Ignotus Nicholaus Ignoramus Sampsonius; then there is 'The King and the Cobler,' a Noble piece of Antiquity, and fill'd with many Pleasant Modern Intrigues fit to divert the most Curious."

And Steele, writing in the Tatler, No. 95, as Isaac Bickerstaff, and speaking of his godson, a little boy of eight years of age, says, "I found he had very much turned his studies, for about twelve months past, into the lives and adventures of Don Bellianis of Greece, Guy of Warwick, The Seven Champions, and other historians of that age.... He would tell you the mismanagements of John Hickerthrift, find fault with the passionate temper in Bevis of Southampton and loved St. George for being Champion of England."

As before said, their great variety adapted them for every purchaser, and they may be roughly classed under the following heads:—Religious, Diabolical, Supernatural, Superstitious, Romantic, Humorous, Legendary, Historical, Biographical, and Criminal, besides those which cannot fairly be put in any of the above categories; and under this classification and in this sequence I have taken them. The Religious, strictly so called, are the fewest, the subjects, such as "Dr. Faustus," etc., connected with his Satanic Majesty being more exciting, and probably paying better; whilst the Supernatural, such as "The Duke of Buckingham's Father's Ghost," "The Guildford Ghost," etc., trading upon man's credulity and his love of the marvellous, afford a far larger assortment. About the same amount of popularity may be given to the Superstitious Chap-books—those relating to fortune telling and the interpretation of Dreams and Moles, etc. But they were nothing like the favourites those of the Romantic School were. These dear old romances, handed down from the days when printing was not—some, like "Jack the Giant Killer," of Norse extraction; others, like "Tom Hickathrift," "Guy of Warwick," "Bevis of Hampton," etc., records of the doughty deeds of local champions; and others, again, "Reynard the Fox," "Valentine and Orson," and "Fortunatus," of foreign birth—hit the popular taste, and many were the editions of them. Naturally, however, the Humorous stories were the prime favourites. The Jest-books, pure and simple, are, from their extremely coarse witticisms, utterly incapable of being reproduced for general reading nowadays, and the whole of them are more or less highly spiced; but even here were shades of humour to suit all classes, from the solemn foolery of the "Wise Men of Gotham," or the "World turned upside down," to the rollicking fun of "Tom Tram," "The Fryer and the Boy," or "Jack Horner." In reading these books we must not, however, look upon them from our present point of view. Whether men and women are better now than they used to be, is a moot point, but things used to be spoken of openly, which are now never whispered, and no harm was done, nor offence taken; so the broad humour of the jest-books was, after all, only exuberant fun, and many of the bonnes

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