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قراءة كتاب Countess Vera or, The Oath of Vengeance

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‏اللغة: English
Countess Vera
or, The Oath of Vengeance

Countess Vera or, The Oath of Vengeance

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دار النشر: Project Gutenberg
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answers with a look of heart pain flitting over the pallid face.

"I have never thought of marrying," Vera goes on musingly. "He will not be angry if I refuse, will he, mamma?"

"But, Vera, you must not refuse," the invalid cries out, in a sudden spasm of feverish anxiety. "Your future will be settled if you marry Mr. Noble. I can die in peace, leaving you in the care of a good husband. Oh, my darling, you do not know what a cruel world this is. I dare not leave you alone, my pure, white lamb, amid its terrible dangers."

Exhausted by her eager speech she breaks into a terrible fit of coughing. Vera bends over, penitent and loving.

"Cheer up, mamma," she whispers; "I am not going to refuse him. Since he wants me, I will marry him for your sake, dear."

"But you like him, Vera?" the mother asks, with piteous pleading.

"Oh, yes," calmly. "He is very nice, isn't he? But, do you know, I think, mamma, that Ivy intended to marry him herself. I heard her say so."

"Yes, I know, but you see he preferred you, my darling," the mother answers, with whitening lips.

"Then I will marry him. How angry my cousin will be," Vera answers, with all the calmness of a heart untouched by the grande passion.

"Yes, she will be very angry, but you need not care, dear," Mrs. Campbell answers faintly. "Leslie will take you away from here. You will never have to slave for the Clevelands any more."

The door opens suddenly and softly. A tall, handsome man comes into the room, followed by a clerical-looking individual.

"Oh, Leslie, you are come back again," Mrs. Campbell breathes, joyfully. "I am glad, for I cannot last but a few minutes longer."

"Not so bad as that, I hope," he says, gently, advancing to the bedside; then his hand touches lightly the golden head bowed on the pillow. "Is my little bride ready yet?" he asks.

The girl starts up with a pale, bewildered face.

"Is it to be now?" she asks, blankly. "I thought—I thought——"

But Mrs. Campbell, drawing her quickly down, checks the half protest with a feverish kiss.

"Yes, dear, it is to be now," she whispers, weakly. "I cannot die until I know that you will be safe from the Clevelands. It is my dying wish, Vera."

"Then I am ready," Vera answers, turning a pale and strangely-solemn face on the waiting bridegroom.

The bridegroom is pale, too. His handsome face gleams out as pale as marble in the flickering glare of the lamps, the dark hair tossed carelessly back from the high, white brow, gleaming like ebony in the dim light. The dark, mustached lips are set in a grave and thoughtful line, the dark blue eyes look curiously into the bride's white face as he takes her passive hand and draws her forward toward the waiting minister.

It is a strange bridal. There are no wedding-favors, no wedding-robes, no congratulations. The beautiful marriage words sound very solemn there in the presence of the dying, and the girlish bride turns silently from the side of the new-made husband to seek the arms of her dying mother.

"Bless you, my Vera, my little darling," the pale lips whisper, and then there falls a strange shadow on the room, and a strange silence, for, with the murmured words of blessing, the chords of life have gently parted in twain, and Mrs. Campbell's broken heart is at rest and at peace in that Heavenly peace that "passeth all understanding."


CHAPTER II.

The long, wintry night wanes slowly. Vera's own loving hands have robed the dead for the rest of the grave. She has gone away now to the solitude of her own little chamber under the eaves, leaving Leslie Noble keeping watch beside the loved lost one.

She has forgotten for a moment the brief and solemn words that gave her away to be a wife in her early innocent girlhood; she remembers only that the one creature that loved her, and whom she loved, is dead. Crushed to earth by her terrible loss, Vera flings herself face downward on the chilly, uncarpeted floor, and lies there mute, moveless, tearless, stricken into silence by the weight of her bitter despair.

Who that has lost a mother, the one true heart that loves us truly and unselfishly of all the world, but can sympathize with the bereaved child in her deep despair.

In vain the kind-hearted minister whispered words of comfort, in vain Leslie tried to soothe her, and win her to tears, in awe of her strange, white face and dry-lidded eyes. They could not understand her, and were fain to leave her alone, the while one quoted fearfully to the other:

"The grief that does not speak,
Whispers the o'er-fraught heart and bids it break."

So the chilly night wanes, and at three o'clock in the morning, carriage wheels echo loudly in the street below, and pause in front of the house. The haughty mistress, and Ivy, her daughter, have returned from the esthetic ball whose delights they could not forego, although their relative lay ill unto death in the house.

A tap at Vera's door, and Mrs. Brown, the chamber-maid, glances in. The worthy woman has been out at "a party" herself, and is quite unconscious of all that has happened since she left the house. Her stolid gaze falls curiously on the recumbent figure on the cold, hard floor.

"Wake up, Miss Vera! Whatever be you a-sleeping on the cold floor this night for? Miss Ivy says for you to come down to her room immejitly."

Disdaining a reply to the coarse woman, Vera drags herself up from the hard floor, and with stiffened limbs takes her way to the luxurious apartment of her cousin.

How different this large and comfortable room from Vera's bare and fireless little den. Miss Cleveland's apartment has soft hangings of pale-blue plush, bordered with silver, cream lace curtains, a blue satin counterpane embroidered with silvery water-lilies. The atmosphere is warm and dreamy, and languid with the scent of hot-house flowers in blue and silver vases. The mistress of all this elegance stands in the center of the room, clothed in an esthetic gown of pale-blue, embroidered down the front with small sunflowers. She is a pretty blonde, with straw-colored hair in loose waves, and turquoise blue eyes, that usually wear an expression of infantine appeal and innocence. Just now the eyes look heavy and dull, and there is a tired, impatient look on her delicate-featured face.

"Here you are at last," she says, as Vera comes slowly in with her white face and heavy eyes, with their look of dumb and hopeless pain. "Hurry up now and undress me; I'm tired and sleepy, and ready to drop!"

Vera stands still, looking gravely at her, and making no move to obey the cool and insolent mandate. For years her cousin has ruthlessly trampled her under foot, and made her a despised slave.

It comes to the girl with a sudden thrill of triumph now that this is the last time Ivy will ever order her about. She is Leslie Noble's wife, and he will shield her from her cousin's abuse.

"Come, don't stand staring like a fool," Ivy breaks out coarsely and impatiently. "Don't you see I'm waiting? Here, pull off these tight slippers. I cannot stand them a minute longer!"

She throws herself into a blue-cushioned chair, and thrusts forward her small feet encased in white kid slippers and blue silk hose, and Vera, conquering her strong impulse of rebellion, kneels down to perform the menial service.

After all, what does this last time matter? she asks herself, wearily. After to-morrow she will be out of their power. Tonight, while that dear, dead mother lies in the house, she will keep still, she will have peace, no matter how bitter the cup of degradation pressed to her loathing lips.

With steady hands she

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