قراءة كتاب The Heart Line A Drama of San Francisco

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‏اللغة: English
The Heart Line
A Drama of San Francisco

The Heart Line A Drama of San Francisco

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دار النشر: Project Gutenberg
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do everything right, and I love you!"

With a quick impulse she clasped him to her, but even as she did so, her face changed again, this time with an expression of pain. She put her hand to her heart suddenly and moaned. He watched her in terror.

"Get the bottle!" she commanded huskily, dropping to the floor, to support herself on her elbow.

He ran to a little bath-room beside the closet, brought a bottle and spoon, poured out a dose of the medicine and put it to her lips. Finally she sat up, listening.

"Somebody's coming. She is coming! Come here, Francis! Quickly!"

Taking him by the hand, she led him to the closet in the back room, pushed him inside, closed the door and locked it.

It was dark in the closet, but he knew its contents as well as if he could see them. Upon a row of shelves were account-books and papers covered with dust. On nails in the wall his own small stock of clothes hung, and in a wooden box on the floor were his playthings—blocks, a wooden horse, several precious bits of twine and leather, a collection of spools and a toy globe. He sat down on this box patiently and waited.

Presently there came a knock at the hall door. Madam Grant opened it and some one entered. He heard his guardian's voice saying:

"Come in, Grace, here I am, such as I am, and here you are, such as you are." Then her voice changed, becoming tremulous and excited. "Ah, but she's beautiful! May I kiss her, Grace? Oh, what eyes! Her father's eyes, aren't they? Don't be afraid, Grace, let her come to me."

There was a reply in a soft voice which Francis could not make out, as they passed into the front room. He tried to peep through the keyhole, but as the key had been left in, he could see nothing. He sat down upon the box again to wait, playing with his toy globe. After a while he noticed a thin streak of light admitted by a crack in the panel of the door, and rose to see if he could see through it. At the height of his eye it was too narrow to show him anything in the room, but farther up it widened. He pulled down several account-books from the shelves and piled them upon the box. Standing tiptoe upon these, he found that he could get a clear though limited view of the bay-window.

Here a little girl sat quietly, vividly illuminated in the sunshine. She was scarcely more than four years of age and was dressed in a navy blue silk frock whose collar and pockets were elaborately trimmed with ruffles of white satin and bows of ribbon. She wore a white muslin cap decorated with ribbon, lace and rosebuds; white stockings showed above her high buttoned boots; her hair was a truant mass of fine-spun threads, curling, tawny yellow. Her face was round, her eyes extraordinarily wide apart under level, straight brows. What caught and held his attention, however, as he watched, was a velvety mole upon her left cheek, so placed as to be a piquant ornament rather than a disfigurement to her countenance. She sat listening, tightly holding a woolly lamb in her plump little arms. The two women were out of his range of vision.

The steady low sound of voices came to him, but he made no attempt to listen—his attention was riveted upon the figure of the little girl who was sharply focused, as in an opera-glass, directly in his field of view. Occasionally, as she was spoken to, she smiled, and her cheek dimpled; but she seemed to be looking at him, through the door. She scarcely moved her eyes, but kept them fixed in his direction, as if conscious of an invisible presence.

The women talked on. Occasionally Madam Grant's voice rose to a more excited note, and a few words came to him, betraying to his knowledge of her that her mood had been interrupted by her customary vagaries. At such times the little girl would withdraw her glance to gaze solemnly in Madam Grant's direction; she showed, however, no signs of alarm. It seemed, indeed, as if the little girl understood, even as he understood, the temporary aberration. Then her eyes would return to his, as if drawn back by his gaze.

So the scene lasted for a half-hour, during which time he caught no glimpse of the other visitor. At last a hand was outstretched and the little girl rose. Francis stepped down for a moment to rest himself from his strained position; when he had put his eye again to the crack she had passed out of his line of sight.

He was to catch a few words more, however, before the callers left.

"I'm glad you came to-day," Madam Grant said. "You were just in time."

"Why, are you going to leave here?"

"Yes, I'm going away."

"Felicia," the visitor said earnestly, "why won't you let us take care of you? This is no place for you—it is dreadful to think of you here! Now, while you are able to talk to me, do let me do something for you!"

"No; it's too late. Besides, there is Francis," said Madam Grant.

"Let Francis come, too. This is a terrible place for a child. Look at this room—look at the filth and disorder!"

Madam Grant's voice rose again. "Take her away, take her away!" she cried raucously. "She'll go to New York, she'll go to Toledo—I don't want her in Toledo meddling! She'll be in New Orleans the first thing you know; there she goes now! Take her away, take her away!"

The door closed. Francis heard the key turn in the lock. Then there was the jarring sound of a fall and finally all was still. He waited for some moments, then he called out:

"Mamsy, let me out! let me out!"

There was no reply.

"Mamsy!" he called out again. "Where are you? Come and let me out, please let me out!"

There was still no answer to his pleadings. In terror now, he pounded the panels, shook the handle of the door, and then began to cry. Climbing upon the box again, he caught sight of Madam Grant's skirt. She was lying prone upon the floor. As he wept on, she moved and began to crawl slowly toward him. At last her hand groped to the door and the key was turned in the lock. He burst out into her arms.

The blood was gone from her tense, anguished face; one hand clutched at her heart. She did not speak, but gasped horribly for breath. There was no need now for her to direct him. He poured out a dose of medicine and forced it between her lips. He gave her another spoonful; the drops trickled from her mouth and stained the front of her crimson gown. Then, with his assistance, she crept to his couch, pulled herself upon it and lay down, groaning. He sat on the floor beside her, stroking her hand.

For some time she was too weak to speak. Her black eyebrows were drawn down, the cleft between them was deep, like the gash of a knife. Her white hair fell about her head in disorder. She drew a ragged coverlid over her chest, as if suffering from the cold, though the sun shone in upon her as she lay and mercilessly illumined her desperate face. The spasm of agony abated, and after some minutes she breathed more freely. Then, with a sigh, her muscles relaxed and her voice came clear and calm.

"You must be a good boy, Francis," she began, "for I am going away. It's all over now with the worry and the puzzle and the pain. What will you

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