class="center pfirst">PROLOGUE

From the house a broad white stone path runs to the very heart of the garden and there opens out into a wide circle in the middle of which is set a sundial, and here too are placed some great benches of the same white stone; where, when the heat of the sun is not too great, it is pleasant enough to sit and watch the glory of the flowers.

They are wealthy folk, the Elmacotts, and they love their garden and pride themselves on it and hold that in all Sussex no soil can produce finer flowers and sweeter fruit, and though in this year of grace seventeen hundred and three the house, which is the Manor House of the Parish of Homewood, has no great antiquity, being scarce more than sixty years old, it has about it that completeness, those niceties of detail, the neatness and the order and the well being that are found only in the home which is ruled by a house-proud mistress.

And Madame Elmacott is proud of her house, proud of her garden, proud of the flowers that grow in it and above all proud of her stalwart sons, Master Nat and Master Dick, who are at this time with his Grace of Marlborough in Flanders, fighting their country's battles.

To-day the sun shines on the garden and the flowers stir gently, swaying in the light breeze that also lifts the white dimity at the open windows of the house, whence comes the sweet tinkling of a spinet, the keys of which are touched by the skilled white fingers of Mistress Phyllis Elmacott.

The tall hollyhocks that cast wavering blue shadows on the white stone pathway nod to one another in the breeze, nod, it seems, knowingly, for from the pathway one may see into the pleasant room where the spinet and its fair player are and seeing these may also see the handsome figure of the Captain, who leans upon the spinet, the better to see into those bright eyes that have brought him home to England and Sussex from across the seas, though at this time in the service of his Grace the Captain General there is much to be done and much to be won.

He has but waited to see and share in the victory of Donauwort and then has come hastening home on the wings of love and with the merry peal of marriage bells a-ringing in his ears.

But it is not of these, not of the dashing Captain in his red coat and fair-haired Mistress Elmacott, who thinks him the most perfect and wonderful, as well as the bravest and handsomest of all created beings. It is of the garden and of a lad who sits on the grassy bank at the edge of the lake and watches with eyes, that yet seem scarcely to see, the slim white figure of a maiden wrought of stone. She stands up from the green waters, in the center of the lake and on her sun-kissed shoulder she holds a pitcher, from which the glittering water is flung aloft into, the air to fall with a pleasant tinkling, back into the green pool beneath.

And so silent, so motionless does he sit here, that the swallows that now and again skim the water, the dragon flies in all the glory of their green and crimson, and blue sheen that dart hither and thither take no heed of him, no more heed than if he too were of senseless stone.

In all the colour, in all the glory of the garden, he is the sombre, the one sombre note. His clothes are drab, his shoes are stout and thick and ungainly and clasped with great brass buckles. His hands are the hands of a man who toils for his living, rough and hardened by spade and hoe and rake and scythe, and stained by the good earth of the garden. His eyes that stare so unceasingly on that white stone figure are blue, his face is lean and tanned, his neck too is tanned deeply to the very shoulders where the coarse shirt falls open.

Straight and strong and courageous he is. Has he not listened with bated breath and with quick beating heart to the brave stories told in the bar parlour of the "Fighting Cocks" in Stretton. Cross? Has he not watched the Serjeant who has told these thrilling tales, of every one of which, who should be the hero but the Serjeant himself, in his fine red coat and his crossed belts and his tall hat, that makes him, fine man that he is, seem almost a giant?

He has done well here in Stretton and Homewood and at Bush Corner and in all those other quiet places, has the Serjeant. There are at least a score of fine young Sussex lads, even at this very moment on their way to Harwich, en route for Flanders and glory, who have been wheedled from field and wood and garden and alehouse and stable by the Serjeant's persuasive tongue, his jolly laugh and his generous hand.

And Allan Pringle, sitting here by the green pool, clasping his strong brown chin with his hands, knows that he too would have been of that score, but for one reason—one reason that now, alas, is no more!

It is the first grief he has ever known and it is a bitter one, for what more bitter sorrow can youth feel than for wasted hopes, for broken faith, for misplaced love?

Only Betty and his love for her, only the happiness that she had promised should one day be his, had deafened him to the persuasive eloquence of the Serjeant.

But it is not too late now, others will hearken to the Serjeant and set off for Harwich and he will be among the next. Yes, he will be among the next to go, and pray God that he may never return!

He does not hear a light step on the long stone pathway, for it is scarce heavier than a bird might make. From the house a little maid comes hurrying. Now she stands hesitatingly and looks about her, her finger on her lips, as one a little fearful, a little anxious. Again and yet again, she pauses, as she looks about her, then comes to where beyond the great hedge of clipped yew trees the green waters of the pool reflect the golden, sunshine.

And now she sees him and stands watching, a tender smile on her lips. A dainty slip of a maiden is she, with hair that gleams gold under her cap, the soft rounded arms are bare to the dimpled elbows, save for the thin black lace mittens, through which her white skin shines.

Though he, the silent, solitary figure sitting beside the pool is but ten paces from her, yet she hesitates, half a score of times, making a timorous step and then pausing before the next, her blue eyes filled, now with mischief and love and now clouded by some fear. And then suddenly she makes a brave little run to him and drops lightly on her knees behind him and lifts her hands and clasps them over his eyes.

"And you—you would leave your Betty? Oh, Allan, you would leave your Betty who loves you and go away to the cruel wars?" she sobs.

He has taken her hands, has taken them strongly in his hold and holding them yet, he turns to her. "Why did you come, why did you come to me, Betty?"

"Because," and the blue eyes are lifted to his filled with an innocence and candour that even he, jealous and despairing though he is, cannot but recognise, "because I do love thee so and cannot let thee go!"

"And why, loving me, Betty, do you suffer the kisses of such a man as Timothy Burnand, a rascally tinker and a thieving poacher, a man whose hand I would not have touch thee, Betty?"

Into her face there flames a great flush, a look of anger, then it dies out and the laughter comes rippling to her lips and into her eyes come back the mischief and the love and a little pride too, for she realises that he is