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قراءة كتاب Past Redemption A Drama in Four Acts
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Past Redemption A Drama in Four Acts
PAST REDEMPTION.
A DRAMA IN FOUR ACTS.
BY
GEORGE M. BAKER.
This play is protected by law, and can only be performed by
special arrangement with the author.
BOSTON:
GEORGE M. BAKER AND COMPANY.
1875.
PAST REDEMPTION.
A DRAMA IN FOUR ACTS.
BY
GEORGE M. BAKER.
This play is protected by law, and can only be performed by
special arrangement with the author.
BOSTON:
GEORGE M. BAKER AND COMPANY.
1875.
COSTUMES.
John Maynard. Act I. Mixed pants and vest, blue striped shirt, collar rolled over vest, without necktie, straw hat, bald gray wig, heavy gray side-whiskers. Act II. and IV. Add a dark coat.
Harry Maynard. Act I. Neat gray suit, with game-bag, felt hat, leggings. Act III. White shirt without collar, rusty black pants, and coat out at elbows, unshorn face, hollow eyes. Act IV. Light pants, dark vest and coat, with white overcoat, high-colored handkerchief thrown about the neck, felt hat.
Robert Thornton. Act I. Light gray suit, leggings, game-bag, felt hat, heavy watch-chain, and full black beard and moustache. Act II. Handsome black suit, black hat, light overcoat on his arm. Act III. Fashionable suit, with a liberal display of jewelry. Act IV. Dirty black pants, torn at the knee, white shirt, soiled and ragged, showing a red shirt beneath; rough grizzled beard and wig; pale and haggard; dark, ragged coat.
Tom Larcom. Act I. and II. Rough farmer's suit. Act III. Flashy mixed suit, false moustache and chin-whiskers. Act IV. Neat suit with overcoat and felt hat.
Nat Harlow. Neat mixed business suit; a little dandified.
Hanks and Huskers. Farmer's rough suits.
Capt. Bragg. Dark pants, white vest, blue coat with brass buttons, military stock and dickey; tall felt hat; bald gray wig, and military whiskers.
Murdock. Fashionable dress.
Daley. Dark pants and vest, white apron, sleeves rolled up, no coat.
Stub. Act I. Gray pants, blue striped shirt. Act III. Dark pants, white vest, red necktie, standing collar, black hat, short black coat. Acts II. and IV. Same as first with the addition of a coat.
Mrs. Maynard. Acts I. and II. Cheap calico dress. Act IV. Brown dress, with white apron, collar and cuffs. Gray wig for all.
Charity, age about thirty-five. Act II. Pretty muslin dress, with a white apron, tastefully trimmed, lace cap, light wig. Act III. Gray dress handsomely trimmed, gray waterproof cloak. Act III. Dark travelling dress, handsome cloak and hat.
Jessie. Act I. Muslin dress, with collar and cuffs. Act II. Something of the same kind. Act III. Handsome dress of light color. Act IV. Gray travelling dress, with cloak and hat.
Kitty. Act I. Light muslin dress. Act II. Something of the same kind. Act IV. Red dress, white collar and cuffs, shawl and hat.
Chorus of Ladies for Act III. Dark and light dresses, with "clouds" of different colors about their heads.
A DRAMA IN FOUR ACTS.
Act I.—A Husking at the Old Home.
Scene.—A barn. In flat, large door to roll back l., closed; above door, hay-mow, practicable staging, loose hay piled upon it; over that, window, through which moonbeams stream. l., stalls with harness suspended from pegs, bench on which are two basins and towels. r., bins, above stalls and bins, r. and l., hay-mow with hay (painted). r. c., two benches thus:
b d a c, on which are seated a. Tom Larcom, b. Nat Harlow, and between them four farmers, three girls; another girl standing c.; beside her on floor, kneeling, a farmer picks up the husks thrown by the huskers, and puts them in a basket. A small pile of corn, d., which the occupants of the benches are at work on, throwing the corn into bins, r.; the husks behind. Just back of b., Hanks seated on a barrel with violin playing, "In the sweet by and by." Stub leaning against wing, l., i e. listening; stool r., i e.; red lanterns hung r. and l., red light from footlights. Hanks plays the air through during the rising of curtain.
Stub. Golly! hear dat now, will you? D-d-dat what I call music in de har, fur it jes make my har stan' on end, yes, it does. And I feel—I feel jes as dough I was skewered onto dat ar fiddle-bow, an' bein' drawed frou a sea ob bilin' merlasses. Golly, so sweet!
Nat. There's a first-class puff for you, Hanks, from the mouth of a critic—with a black border.
Tom. You do beat all nater, Hanks, with the fiddle; your hand is as cute, and your ear as fine, as though the one had never held a plough, or the other listened to the jingling of a cowbell. Talk of your genuses. Give me the chap that's a Jack at any thing, from digging ninety tater-hills afore breakfast, to sparking a pretty girl at 'leven o'clock on a starlight night.
Stub. Wid de ole man comin' roun' de corner ob de house wid a double-barrel rebolver, "You scoot or I shoot." Don't forget de embellishments, Tom Larcom. (All laugh.)
Nat. Ha, ha! had you there, Tom.
Tom. What are you laughing at? If old Corum mistook me for a prowler one night, am I to blame?
Stub. Coorse not, coorse not, when you didn't stop to 'lucidate, but jumped de fence and scooted down de road hollering "Murder!" (Laugh.)
Tom (flinging an ear of corn at Stub). A little more ear and less tongue, Stub.
Stub (ducking his head). Don't waste de fodder. Had ear enough dat night. Golly! jes woke de whole neighborhood.
Tom. Ah! the course of true love never did run smooth.
Stub. By golly! you—you found it pretty smoove runnin' dat night.
Tom (threatening Stub). Will you