two Roman emperors perished in battle with them. Of the precise seat of the Gothic nation it is hard to speak with certainty. It is, however, known that they came from the extreme north, spreading to the borders of the Black Sea, into Asia Minor in the east, and to the south of Spain in the west. They are mentioned by Pliny, about sixty years before Christ, and later by Tacitus, who twice refers to them as “Gothones.” There were so many tribes, Visigoths, Astrogoths, Gepidæ, and even Vandals, that their story is as a tangled web, mixed with that of all nations, but it is clear that those who concern our present purpose came down into Spain from Narbonne and Toulouse.

It is strange how soon these savage northmen discarded their wooden idols, Woden, Thor, and Balder, the gods of thunder and of the sun—so that when Constantine the Great christianised the world, the Gothic chief Wulfila was ready to become a convert. Who this Wulfila was, and how he came to be at Constantinople, is not clear. As Bishop of the Goths he returned to missionarise his countrymen, the Dacian tribes, in the mighty plains of Philippopolis (A.D. 310-314), and made a translation of the Bible into Gothic. Even in our own day something of this precious manuscript remains, beautifully written in letters of gold on purple vellum, at the Swedish University of Upsala.

From the earliest times the Goths had a rude alphabet (Runes), which Wulfila increased, with letters closely resembling English, in his translation of the Scriptures.

Rude indeed! The letters were formed by staves on wooden boards, but all the same were destined to become most ornamental. Gothic letters are still in use for decorative purposes. Numerous Gothic manuscripts exist, written in these picturesque characters, and the inscription over the portal of Pedro el Cruel at the Alcazar at Seville is in Gothic. To this day, too, in the Muzaraba Chapel, under the eastern tower of the Cathedral of Toledo, the service is celebrated according to the Christian rite from Gothic missals, dating from the time of King Recaredo.

The line of Gothic rulers in Spain lasted for nearly two centuries and a half. No less than thirty kings succeeded each other in that period, most of whom died either by violence or in battle.

Alaric, “the scourge of God,” never came into Spain, but Eurico, his immediate successor, did. Eurico was the greatest warrior of his time, and so versed in Christian polemics that he insisted on the entire nation becoming Arians like himself. Nothing but the close contact of the Goths with that hotbed of heresy, Constantinople, can account for a semi-barbarian indulging in a choice of divers forms of doctrine, nor for the power the Gothic bishops arrogated to themselves after the precedent of the Eastern prelates up to the time of Witica. Like the Greek patriarchs they were mixed up in every political intrigue, conspiracy, and revolution; made and unmade kings at their pleasure, and greatly influenced the ecclesiastical world by the decrees of their councils at Toledo. The Goths were, indeed, for ages a priest-ridden nation, and the names of their great archbishops have come down to us as landmarks in the land.

So high did party feeling run between Arians and Orthodox that Leovigildô caused his only son to be executed because he had called an Arian bishop “a servant of the devil,” and refused to “communicate” with him. Yet Leovigildô was a great king according to his lights, sat on a raised throne among his long-haired chiefs, and had money coined in his name bearing an effigy of himself. Even now a dim halo of the pomp of the Basileus seems to shine around him, as we picture him wearing the Gothic crown, clothed in an ermine mantle, with the purple sandals of empire on his feet.

How early is the religion of peace turned to strife! We are in the sixth century among a new race, and already the flames of persecution are blazing. Two parties divide the kingdom, “the bigots” and “the Romanisers,” degenerate Goths, who aspire in dress and manners to ape the culture of Byzantium, as opposed to the cloddish habits of the “bigots,” content to know how to master a horse, draw the long bow, launch the javelin, and follow their king to battle. Whether this type of original Goth would have brought back the worship of Thor and Woden does not appear. At least under these idols there was unity; the sacrifice of human victims formed a convenient method of getting rid of prisoners, and the temporary altars among migratory tribes, served by male and female priests, were simple and convenient.

But Recaredo, on his accession, settled the question by becoming (like the mass of his subjects) a Catholic, after a synod of sixty-seven bishops, held at Toledo, had solemnly decided in favour of the orthodoxy of that Church. Perhaps his religious divergences might not have been so unquestioningly accepted, had he not defeated King Gouteran and 60,000 Franks. A Goth must know how to fight, or he was nothing; and thus it came to pass that the theology of a commander, brave enough to hurl destruction on his foes, was thankfully accepted.

Unlike the majority of his predecessors, Recaredo died in his bed (A.D. 601), applauded by all men for his wisdom in completing the union of the conquered Iberians with the Goths, and forming what was destined to become the future kingdom of Spain.

Eleven kings pass, and now (A.D. 680) Recesvinto, whom all men loved, son of Chindavinto, lies dead upon a bed of state, raised on a dais, draped with purple hangings; the four pillars of the canopy are plated with sheets of gold, and a crown formed by strings of jewels, depending from a circlet set with uncut stones, hangs over his head.

So bushy and matted is his hair—worn in the fashion of the Goths, in long loose curls—and so thick his beard, that the sunken features of the good old King are almost hidden. For twenty-three years Recesvinto has reigned in peace, and now he lies in honoured death, while gathered around him is such pomp as the nation possesses of golden crome and kingly insignia; ermine-lined robe, and silken vest, sandals and buskins laced with gold, the baton of command and the Gothic sceptre long borne in battle by their kings.

The vaulted chamber in which he lies in the castle of Gerticos is lined with planks of shining pine, on which some rude embroidery is stretched. The hallowed roof is formed of thick beams and rafters, and huge fireplaces flank either end, filled now with strong-smelling herbs, rosemary and wild myrtle, lavender and thyme, loose sprigs of which, with yew and cypress, are strewn on the rudely worked counterpane which covers the corpse. Broadswords with huge hilts are crossed upon the walls, along with solidly embossed shields and heavily topped lances, the implements of the chase, and skins of wolves and deer, which have fallen by the prowess of those royal hands, now lying white and cold in death, crossed on his breast, clasping a crucifix! Saddles, too, and the silver trappings of his war-horse, are there, and Runic bracelets, collars, and buckles; all the paraphernalia of a Gothic chief, come down from Dacian ancestors, ranged on tables full in the crimson rays of the setting sun, streaming through the small bars of the uncurtained casements, and illuminating each detail in flickering patches as of flame.

On an oaken bench an altar has been raised to receive his last confession, devoutly made, as he felt death approaching. The Eucharist is still present in a jewelled box, the cup, platter, and crucifix, while priests and acolytes, in stoles and copes, offer up silent prayers for his departed soul. Clouds of incense darken the room and