قراءة كتاب A History of Sumer and Akkad
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class="block02">XIX. Mace-heads and part of a diorite statuette dedicated to various deities 206
XX. Mace-head dedicated to the Sun-god by Shar-Gani-sharri, and other votive objects 218
XXI. Cruciform stone object inscribed with a votive text of an early Semitic king of Kish 224
XXII. Impressions of the cylinder-seals of Ubil-Ishtar, Khashkhamer, and Kilulla 247
XXIII. Clay cones of Galu-Babbar and other rulers 259
XXIV. Brick pillar at Tello, of the time of Gudea 263
XXV. Seated figure of Gudea 268
XXVI. Votive cones and figures 273
XXVII. Gate-socket of Gudea, recording the restoration of the temple of the goddess Ninâ 274
XXVIII. Brick of Ur-Engur, King of Ur, recording the rebuilding of the temple of Ninni in Erech 280
XXIX. Votive tablets of Dungi, King of Ur, and other rulers 288
XXX. Clay tablets of temple-accounts, drawn up in Dungi's reign 292
XXXI. Circular tablets of the reign of Bûr-Sin, King of Ur 298
XXXII. Bricks of Bûr-Sin, King of Ur, and Ishme-Dagan, King of Isin 310
XXXIII. Specimens of clay cones bearing votive inscriptions 314
XXXIV. (i and ii) The North and South Kurgans at Anau in Russian Turkestan. (iii) Terra-cotta figurines of the copper age culture from the South Kurgan at Anau 352
ILLUSTRATIONS IN THE TEXT
1-2. Figures of early Sumerians engraved upon fragments of shell. Earliest period: from Tello 41
3-5. Later types of Sumerians, as exhibited by heads of male statuettes from Tello 42
6-8. Examples of sculpture of the later period, representing different racial types 44
9-11. Fragments of a circular bas-relief of the earliest period, commemorating the meeting of two chieftains and their followers 45
12. Limestone panel representing Gudea being led by Ningishzida and another deity into the presence of a seated god 47
13. Figure of the seated god on the cylinder-seal of Gudea 48
14-15. Examples of early Sumerian deities on votive tablets from Nippur 49
16. Fragment of an archaic relief from Tello, representing a god smiting a bound captive with a heavy club or mace 50
17-19. Earlier and later forms of divine headdresses 51
20. Perforated plaque engraved with a scene representing the pouring out of a libation before a goddess 68
21. Fragments of sculpture belonging to the best period of Sumerian art 69
22. Limestone head of a lion from the corner of a basin in Ningirsu's temple 70