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قراءة كتاب Love, the Fiddler

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‏اللغة: English
Love, the Fiddler

Love, the Fiddler

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دار النشر: Project Gutenberg
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disregard of those who failed to please her. She convulsed one personage by describing another as "that tiresome old man who's really too disreputable to have tagging around me any longer"; and had a quarrel and a making up with a reigning duke about a lighter of coal that their respective crews had come to blows over. Everybody adored her, and she seldom put to sea without a love-sick yacht in her wake.

Of course, here as elsewhere, every phase of human character was displayed, and most conspicuous of all amongst the evil was the determination of many to win Florence's millions for themselves. Amid that noble concourse of vessels, every one of which stood for a princely income, there were adventurers as needy and as hungry as any sharper in the streets of New York. There is an aristocratic poverty, none the less real because three noughts must be added to all the figures, that first surprised and then disgusted the pretty American. Her first awakening to the fact was when, as a special favour, she sold her best steam launch to a French marquise at the price it had cost her. Though that lady was very profuse with little pink notes and could purr over Florence by the hour, her signature on a cheque was never forthcoming, and our heroine had a fit of fury to think of having been so deceived.

"It was a downright confidence trick," she burst out to the comte de Souvary, firing up afresh with the memory of her wrongs. "I loved my launch. It was a beauty. It never went dotty at the time you needed it most and it was a vertical inverted triple-expansion direct-acting propeller!' (Florence could always rattle off technical details and showed her Americanism in her catalogue-like fluency in this respect.) "And I miss it and I want it back, and the horrid old woman never means to pay me a penny!"

"Oh, my child!" said the count, "she never pays anybody ze penny. She is a stone from which one looks in vain for blood. Your launch is—what do you call it in ze Far Vest—a goner!"

"But she's descended from Charlemagne," cried Florence. "She has the entree to all the courts. She ought to be exposed for stealing my boat!"

"What does anybody do when he is robbed?" said the count philosophically. He could afford to be philosophical: it wasn't HIS vertical inverted triple-expansion direct-acting propeller. "Smile and be more careful ze next time," he went on. "The marquise's reputation is international for what is charitably called her eccentricity."

"In America they put people in jail for that kind of eccentricity!" exclaimed Florence.

"Oh, the best way in Europe is money-with-order," said the count, "what I remember once a friend seeing in that great country of which you are ze ornament—in God we trust: all others cash!"

"Well, it's a shame," said Florence, "and if I ever get the chance of a dark night I'll ram her with the Minnehaha!"

Florence's mother, a dear little old lady who did tatting and read the Christian Herald, was always the particular target of the fortune-hunters who pursued her daughter. It seemed such a brilliant idea to capture the mother first as the preparatory step of getting into the good graces of the heiress; and the old lady, who was one of the most guileless of her sex, never failed to fall into the trap and take the attentions all in earnest. Comte de Souvary used to say that if you wished to find the wickedest men in Europe you had only to cast your eyes in the direction of Florence's mother; and she would be trotted off to church and driven in automobiles and lunched in casinos by the most notorious and unprincipled scapegraces of the Old World.

Florence, who, like all heiresses, had developed a positive instinct for the men who meant her mischief, was always delighted at the repeated captures of the old lady; and it was an endless entertainment to her when her mother was induced to champion the cause of some aristocratic ne'er-do-well.

"But, Mamma," she would say, "I hate to call your friends names, but really he's a perfect scamp, and underneath all his fine manners he is no better than a wolf ravening for rich young lambs!"

"Oh, Florence, how can you be so uncharitable!" her mother would retort. "If you could only hear the way he speaks of his mother and his ruined life, and how he is trying to be a better man for your sake—"

"Always the same old story," said Florence. "It's wonderful the good I do just sailing around and radiating moral influence. The count says I ought to get a medal from the government with my profile on one side and a composite picture of my admirers on the other! And if I do, Mamsey, I'll give it to you to keep!"

Frank Rignold was sometimes tempted to curse the day that had ever brought him aboard the Minnehaha. To be a silent spectator of gaieties and festivities he could not share; to be condemned to stand aloof while he saw the woman he loved petted and sought after by men of exalted position—what could be imagined more detestable to a lover without hope, without the shadow of a claim, with nothing to look forward to except the inevitable day when a luckier fellow would carry her off before his eyes. He moped in secret and often spent hours locked in his cabin, sitting with his face in his hands, a prey to the bitterest melancholy and dejection. In public, however, he always bore himself unflinchingly, and was too proud a man and too innately a gentleman to allow his face to be read even by her. It was incumbent on him, so long as he drew her pay and wore her uniform, to act in all respects the part he was cast to play; and no one could have guessed, except perhaps the girl herself, that he had any other thought save to do his duty cheerfully and well.

Captain Landry sat in the saloon at the bottom of the table, Florence herself taking the head; but the other officers of the ship had a cosey messroom of their own, presided over by Frank Rignold as the officer second in rank on board. Thus whole days might pass with no further exchange between himself and Florence than the customary good-morning when they happened to meet on deck. Except on the business of the ship it was tacitly understood that no officer should speak to her without being first addressed. The discipline of a man-of-war prevailed; everything went forward with stereotyped precision and formality; the officers were supposed to comport themselves with impassivity and self- effacement. Florence had no more need of being conscious of their presence than if they had been so many automatons.

Her life and theirs offered a strange contrast. She in her little court of idlers and merry-makers; they, the grave men who were answerable for her safety, the exponents of a rigid routine, to whom the clang of the bells brought recurring duties and the exercise of their professional knowledge. To her, yachting was a play: to them, a business.

"I often remark your chief engineer," said the comte de Souvary to Florence. "A handsome man, with an air at once sad and noble—one of zoze extraordinary Americans who keep for their machines the ardour we Europeans lavish on the women we love—and whose spirits when zey die turn without doubt into petrole or electricity."

"I have known Mr. Rignold ever since I was a child," said Florence, pleased to hear Frank praised. "I regard him as one of my best and dearest friends."

"The more to his credit," said the count, astonished. "Many in such a galere would prove themselves presumptuous and troublesome."

"He is almost too much the other way," said Florence, with a sigh.

"Ah, that appeals to me!" said the count. "I should be such anozzer in his place. Proud, silent, unobtrusive, who gives dignity to what otherwise would be a false position."

"I came

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