partially understanding each other, from the variety of tongues among them, ever chose the most visible subject for comment.

"What a brilliant turn-out," said one, in honest admiration.

"Those leaders are as proud as their master," said another.

"But he becomes his state well, if he is proud," answered a third.

"Newman couldn't get up a better four in hand," said the first speaker, a young Londoner.

"Who is that by the side of the duke?" asked one.

"The English consul," replied his countryman; "you ought to know him."

"The whole affair now is wanting to my eye," said a young, sentimental artist.

"And what does it want, pray, Mister Critic?" asked the Englishman.

"A woman."

"Egad, that's true! There should be a woman in the picture, if it was to be painted, if only to introduce color."

"Don't be so mercenary," added the other.

And the group thus idly conversing lounged on their way to dine. But see, one of their number still lingers near the base of the shaft, apparently absorbed in admiring its beautiful proportions; his pale but fine intellectual features overspread by a spirit of admiration as he beholds the column. But still there is some other motive than mere curiosity that engages him thus; he seems to have thus designedly dropped the company of the party he was just with. Now suddenly turning and satisfying himself that his late companions were out of sight, the young artist-for so his appearance evidently bespoke him-slowly and sadly retraced his steps toward the grand gallery.

The expression of his countenance was that of suffering and physical pain, as well as of mental inquietude; but his late companions had none of them noticed or cared for this. They could take especial cognizance of the points of excellence in the duke's horses, but not of the grief that shaded a fellow-being's countenance. No, the single artist, who now retraced his steps from the base of the Campanile, let his cause for sadness arise from whatever source it might, was alone in his sufferings, and without any one to share his sorrows.

Once or twice he seemed to hesitate and half turn round again, as if to join the party he had left; but some inward prompting appeared to prevent him from doing so, and once more he walked on by the same street which he had just came. A sigh now and then heaved his breast, as though some mental or physical suffering moved him, but his form was erect, and his step not that of one weakened by physical disease. And yet in looking upon him, an instinctive desire would have possessed the careful observer to offer him aid in some form.

CHAPTER II.

OUR HERO AND HEROINE.

But love is blind, and lovers cannot see.

-Merchant of Venice.

AT the close of a long summer's day under the skies of Italy, the shades of twilight were deepening on a verdant and vine-clad hillside of the Val d'Arno, when two lovers, who had evidently been strolling together, sat down side by side under a natural trellis of vines. The twilight hour of midsummer will lend enchantment to almost any scene; but this is peculiarly the case in Italy, where every shadow seems poetic-every view fit for the painter's canvass.

The gentleman was of frank and manly bearing, and as he had approached the spot where they now sat, with the graceful figure of his fair companion leaning upon his arm, he evinced that soft and persuasive mien, that easy elegance of manner and polish in his address, which travel and good society can alone impart. Around his noble forehead, now bared to the gentle breeze, his long auburn hair hung in waving ringlets, after the style of the period, while his countenance was of that intelligent and thoughtful cast, tinted by a shade of sorrow, which rarely fails to captivate the eye.

In person, he was rather tall, erect and well-proportioned, though perhaps he was rather thin in flesh to appear to so good advantage as he might have done, yet altogether he was of handsome form and pleasant mien. His dress bespoke the hollowness of his purse, notwithstanding he bore about him the indelible marks of a gentleman; and the careful observer would have recognized in him the artist that had separated from his companions on the Plaza at noonday near the shaft of the Campanile.

His companion was manifestly a lady of rank and a most lovely female, satisfying the eye at the first glance, and constantly pleasing the longer it dwelt upon her. When we describe an Italian lady as being beautiful, she must be so indeed; for there is no half way between beauty and the opposite extreme here. There are but few really handsome women in Tuscany, but these few are of a class of beauty that may well have ravished the rest of their sex in this fair clime. Her countenance was radiant with thought and feeling, and her large and dewy eyes of blue—nature's own sweet tint—rested fondly on him by her side.

Her rich and abundant dark hair was parted smoothly across her unblemished forehead, which might have been marble, so smooth and pure, but for the warm blood that flowed through those delicate blue channels. The mouth and features were of the Grecian model, and when she smiled she showed a ravishing sweetness of expression, and teeth that rivalled those of an Indian. In form, her person was slightly voluptuous, though strictly within the most true female delicacy. Such is a sketch of the two whom we at the outset denominated as lovers; and such they were, as the progress of our story will disclose.

"There is much between thee and me, Florinda," said her companion, sighing heavily; "and of a metal worse than all others-pride and gold! jailors both of the daring heart!"

"Nay, dear Carlton, thou art ever foreboding ills," said the lady persuasively, and in a voice as sweet as that of the idolized Pagoda Thrush of India.

"Perhaps so; and yet full well I know that I am no favorite of fortune, by stern experience."

"She will smile on thee yet, believe me, Carlton; and the more sweetly for this seeming neglect. She's a fickle goddess, and often plays the coquette, but, like others of this class, she seldom chides but she smiles again the more winningly."

"She has already done so through thee, Florinda."

Florinda answered with her eyes.

"Ah, I am blessed indeed in thee; and poorly do I appreciate the blessing of thy love, when I forget myself and complain."

"Now thou art content."

"In thy smiles, dearest, ever."

And Carlton pressed the hand with fervor to his lip that was smilingly extended towards him.

"Ah, how long it may be, before I can call this little hand mine."

"It is thine already, Carlton."

"Thy heart is, I trust; but the hand, Florinda, is quite another thing."

"True, Carlton."

"My means are so humble."

"You would make them so."

"But are they not, Florinda?"

"Not in my eyes."

"The future looks dark to me."

"The great proficiency you have attained in your profession, as an artist, dear Carlton, argues well for our hopes. Already has thy name reached the Grand Duke as one of remarkable ability in thy noble art; and such constant attention and unwearied industry must ensure improvement."

"True, dearest, I may in time hope to be counted, a worthy follower of those whose noble efforts grace the grand gallery, and the halls of