for maintaining a perpetual fire from which embers could be carried to other households. This is not so strange when we recall that only 100 years ago pioneer neighbors sometimes called on each other to borrow a coal of fire.

These Sinagua Indians were artisans who manufactured pottery, and stone and shell ornaments. Their pottery was a reddish-brown ware (so colored from minerals in the native clay) and it was usually undecorated, though sometimes painted red. Sand was used as a tempering or binding agent. They made pottery bowls, cooking pots, and water jars—some of the latter of 3- or 4-gallon capacity. In refuse dumps near the dwellings, archeologists have found quantities of broken pottery—it is principally through a study of these dumps that the chronology of Indian occupation in this area is revealed.

Pottery was made from clay found in the region. After the clay was pulverized, the correct amounts of water and tempering materials were added. There were no potter’s wheels, so the vessels were shaped by hand. The Sinagua accomplished this with the aid of a stone “anvil” held inside the pot and a wooden paddle used against the outside. Finishing was usually done by rubbing the surface perfectly smooth with a polishing stone or pebble dipped in water. Although some Indian pottery has a high polish, none of it carries a true, over-all glaze.

Modern Indians, in firing their pottery, usually burn animal dung for fuel, but the pre-Columbian Indians used vegetable material, possibly juniper wood. Several pieces of pottery might be stacked together so that all would be evenly exposed to the heat of the fire. Large pieces of broken pottery were used to protect the new pieces from direct contact with the flames. The firing process required several hours, with time allowed for the pottery to cool slowly.

Stone and shell ornaments are examples of other crafts, and some beautiful specimens have been found. The shells came from the Pacific Ocean or the Gulf of California and are believed to have been imported through trade with neighboring tribes. Prehistoric trade routes, over which specific types of shells were distributed, extended from the Gulfs of Mexico and California to north-central New Mexico and from the Pacific Ocean to southern Utah.

The shell was worked in various ways. The tips were ground from olivella shells which were then strung on sinew and worn as beads. Larger shells were sometimes covered with a mosaic of turquoise and colored stones. The turquoise was mined with stone tools, and by the time it was removed from its matrix, cut, and polished, it represented a considerable investment of labor. Argillite found in the Verde River region was also mined. Lac, an insect secretion found on creosote bushes, was sometimes used to cement the turquoise and argillite to the shell base.

The Sinagua also excelled in the art of weaving. They wove sandals, baskets, mats, and cotton fabrics. Some of the latter exhibit lace-like open work while other pieces are tightly woven resembling modern canvas. Cotton was raised here, near the fields of corn, and woven by the Sinagua into the finished articles. A few cotton bolls with lint and seeds have been found in the dwellings.

Instead of spinning wheels, the Indians used a wooden spindle about the thickness of a lead pencil and perhaps 18 inches long. About 5 or 6 inches from one end there was a disc- or sphere-shaped counterweight made from a piece of wood or pottery. Corded cotton was spun into yarn by feeding it onto the end of the spindle as it was twirled between the thumb and fingers, or, between the hand and the thigh as the spinner sat on the ground.

Among the modern Indians of the Southwest, the most and the best weaving is done by the Navajo, an Apache people who learned weaving only a few hundred years ago from the Pueblos. Modern Navajo weaving is done by the women. Weaving among modern Pueblos, notably the Hopi, is done by men; and ancient weaving of pre-Spanish Pueblos may have been men’s work also.

Bird-shaped ornament of turquoise mosaic on seashell.

Pre-Columbian weaving with openwork design.

Child burial in floor of third-story room in Montezuma Castle.

Most weaving required the use of a loom, a rectangular vertical framework somewhat larger than the size of the finished product. Proper tension on vertical (warp) threads was maintained by lashing at the ends of the loom. Black and white patterns were known, and some red was used. The museum at Montezuma Castle exhibits some of the finest examples of prehistoric Pueblo Indian weaving.

The Sinagua Indians in the Verde Valley apparently had no formal cemeteries. Children were often buried near the dwellings or under the floor. We learn from modern Pueblo Indians that some prefer to bury a child near the home. This comes from the belief that the child’s spirit will remain until the death of the mother and can then be guided safely to the hereafter; or, that it will return in the person of the next baby to be born in the family. Occasional child burials were found in wall cavities in the pueblo ruin at Tuzigoot National Monument. Tuzigoot is a few miles northwest of Montezuma Castle and was occupied during the same general period.

Adults were buried in the refuse dump near a settlement, or placed in a cavity or under a ledge along the base of a cliff. Most bodies were buried at full length, lying on the back, and were generally accompanied by offerings or grave gifts. Pioneers reported several burials beneath floors in Montezuma Castle, and one additional burial was located in 1939. It contained the remains of a child about 5 years old, which had been wrapped first in a cotton blanket and then in a yucca leaf mat. The child had been buried in the corner of a room about 2 feet below the floor level. Some rooms in Montezuma Castle were built directly above others; therefore, no floor burials were possible in these upper rooms. This might explain why one shallow grave was found on a narrow ledge at the base of the building. The mummified remains of a 2-year-old child from this grave can now be seen in the museum.

The undercut graves dug into soft bedrock at Montezuma Well constitute one of the unusual features of that area. Sometimes similar individual burials are found in other Indian ruins. In contrast to most sites, including others in the Verde Valley, there is at the Well a fairly definite cemetery—an area in which these peculiar graves are concentrated.

Now, let us turn from the general story of customs and way of life to a detailed description of the Castle and the Well.

Montezuma Castle

Montezuma Castle is one of the best preserved cliff dwellings in America. About 600 years ago, it was an apartment house occupied by perhaps 45 or 50 individuals.

The Castle might be called a 5-story structure, though there is no place where 5 stories have been built directly above each other. It is actually a 4-story building of 17 rooms, plus a “basement” of 2 store-rooms. The building was fitted into the ledges of the natural cave in such a way that it appears terraced. There are 2 rooms in the first story, 4 in the second, 8 in the third, 3 in the fourth, and 2 in the fifth.

The Indians