قراءة كتاب Chambers's Journal of Popular Literature, Science, and Art, No. 714 September 1, 1877

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‏اللغة: English
Chambers's Journal of Popular Literature, Science, and Art, No. 714
September 1, 1877

Chambers's Journal of Popular Literature, Science, and Art, No. 714 September 1, 1877

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دار النشر: Project Gutenberg
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reasonable improvements, would be something to point to with satisfaction, and probably go far to insure a legalised system of kind treatment of animals all over the globe.

W. C.


FROM DAWN TO SUNSET.

A STORY IN THREE PARTS.

By Alaster Græme.

INTRODUCTORY.

Every man loves the land where he got life and liberty. The heart of the mountaineer is chained to his rugged mountain-home; he loves the wild and whirling blast, the snow-storm and the brooding clouds. Every true heart beats truly for country and for home. Thus the 'children of the peat-bog' and the fen cling to the illimitable wolds and the 'level shining mere,' beautiful even now.

Beautiful then, when long ago, primeval forests clothed the land. When in later times the bells of minster towers sounded far and near, and the deep bay of the Bruneswald hounds awoke the echoes of the wold; when old Crowland's towers gleamed through mist; and the heights of that far-famed isle, the Camp of Refuge, where, amidst blood and battle, and beneath the 'White Christ' uplifted, the gallant Saxon fought the wild Viking; where the Saxon made his last dread stand for England's liberty, while men fell dead, and bones lay bleaching on every island and valley of the fen.

Beautiful now, O Fen-land! where still I seem to hear the wild shout of your outlaw hunters, hunting the red-deer and the wolf; where still I seem to hear the war-cry of the men of Danelagh, or imagine the great fires sweeping the boundless plains. Wide are your marshes still, and dark and deep your woods; the keen winds bring the driving snow; dense fog and mist and drenching rains sweep strongly from the sea; dark and capricious are the autumn days, and full of storm; yet overhead stretches a free heaven, boundless and open; underfoot stretch the free plains, wide and open; and over all sweeps the magnificence of the cloud-scenery, unbroken and unopposed; and the splendour of the sunrise and the sunset lights the low isles like flame.

PART I.—DAWN.

CHAPTER THE FIRST.

Thus did the suns rise and set in glory across the level lands of Enderby; old Enderby manor, where the Flemings had dwelt for centuries; old Enderby, with its 'clanging rookery,' its grand timber, its turrets and its towers. Under that arched gateway has swept many a gay cavalcade with hawk and hound; has passed slowly many a hearse with sable plumes and horses; has stepped many a brave bridegroom leading his blushing bride, while the far-famed bells of Enderby pealed out loud and clear.

It is nearly two centuries ago, and it is evening; the sun is setting. Sir Vincent Fleming stands under the gateway; he is booted and spurred; his jaded horse stands in the court-yard, and has been ridden fast and far. Sir Vincent puts a whistle to his lips and whistles loud and shrill; he is looking across the wide holt with a smile—his eyes laugh under his thick black brows, and his long white hair is flowing free in the wind. He opens his arms wide, and there come flying towards him two little dark figures neck and neck, shrieking with laughter and with glee. Panting, breathless from their long run, a boy and girl rush through the gateway, and leap boisterously into Sir Vincent's arms.

'My two little pets of Enderby!' he cries, and there is a wail in his voice, half of sorrow and half of joy.

'An' what have you brought us, father?' asks Deborah, leaping and dancing in her gladness. 'I see your flaps are full!—Nay, Charlie; get away; you shall not have father all to yourself!'

But the boy fights hard. 'You are a greedy Deb!' he cried. 'Your thoughts are ever o' sweetmeats an' o' toys.'

'Nay; it is not so,' retorted Deborah shrilly and scarlet as a rose. 'I am glad when things come.—But father, I am gladder to have you come.'

'I believe thee, sweet heart!' and Sir Vincent, lifting little Deborah to his shoulder, and taking his boy by the hand, turned towards the house.

In those days many a care pressed hard on Sir Vincent Fleming. His beautiful wife, the mother of his children, lay dead in the little churchyard. For a short time the children had run wild; then for a time Sir Vincent gave them a hard, hard step-mother, and the children went from bad to worse. Little Deborah cut her hair like a boy, and the two ran away from home. But ere long the hard step-mother died, leaving Sir Vincent free and the children like two mad colts. Sir Vincent tried the experiment no more. He could not cope with his two wild ones; they were beyond him; they were given over entirely to old Dame Marjory, and she voted them 'a handful.' Never wilder youngsters trod the earth. The hot blood of the Flemings and the Stuarts, with a dash of cast not so easily pedigree'd, coursed in their veins, and they could not brook a word of opposition or reproof. Dearly did they love their father, and dearly loved they one another—in a wild way more intensely than either knew.

One day they were running in one of their mad games, 'Hare and Hounds,' with all their village crew behind them, when their course led straight through the churchyard of Enderby. Vaulting over the low wall, they rushed bounding over the graves with yell and whoop and laughter. Soon the whole gay thoughtless throng passed away. But an hour after, in the twilight, a boy and girl came gliding back alone hand in hand; half-wistful and half-scared, they opened the churchyard gate, Deborah urging forward Charlie.

'What do you want?' asked the boy half sullenly. 'I'll not come!'

'I do want,' said little Deborah, 'to go to mother's grave! Dost know what we did, Charlie? An' my heart has ached ever since, nor could I hunt the hare for thinkin' of it. We trampled over mother's grave! When we jumped over yon wall, I tell you, Charlie, we ran on mother's grave! Come with me, Charlie, an' kneel down to her to forgive you an' me!' In the highest state of excitement, the little child caught his unwilling hand.

'But she won't hear us,' said the boy; 'mother's gone to heaven, Marjory saith. Thou art a girl!' he cried, as they stood beside the grave. 'These be bones that lie here. It is like your fancies! Mother's gone to heaven, I tell you.'

'That's true,' said Deborah; 'but mother sees her grave, an' she looks down an' has seen us run over it this day, an' laugh! Maybe she thinks we have forgot her; maybe she thinks we have forgot the prayers she taught us.—O mother, it is not so!' With unconscious and most exquisite fervour, the little Deborah fell on her knees, and raised her eyes and clasped hands to heaven: 'We are naughty, but we've not forgot you, sweet mother. Charlie has not forgot you, mother; an' Charlie an' me look up to you as you are lookin' down, an' ask you to forgive us for treadin' on your sweet grave. Mother, dear mother, forgive us!'

The boy stood looking on in dogged silence, knitting his brows; but when he saw Deborah's tears, tears rushed to his own bright eyes. With a cry of passionate sorrow and remorse, he flung himself on his mother's grave and cried as if his heart would break. Charlie Fleming had idolised his mother. He was two years older than Deborah; he remembered the mother better. He never forgot her memory. Proud, reserved, and shy, he hid that memory in his heart, and would let no hand drag it forth. In his mad freaks, when old Dame Marjory, driven to distraction, solemnly upbraided him about his 'poor dear mother' and what she would have thought, he mocked, and ran away shouting his derisive laughter. Seldom would a tear dim those bright roving eyes; neither rod, nor threat, nor lecture made Charlie Fleming quail; clenching his teeth and his hands, he stood his ground like a little demon: his stubborn heart would have broken rather

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