A CLUSTER OF GRAPES
A BOOK OF TWENTIETH CENTURY POETRY
By
GALLOWAY KYLE
"Hee doth not onely shew the way, as will entice anie man to enter into it: nay he doth as if your journey should lye through a faire vineyard, at the verie first, give you a cluster of grapes, that full of that taste, you may long to passe further."
LONDON: ERSKINE MACDONALD
1914
The contents of this volume are copyright and may not be reproduced without the permission of the respective authors and publishers.
PREFACE
If the existence and contents of this book require any explanation, the compiler may adopt the words of a famous defender of poetry:
"Hee doth not onely shew the way but giveth so sweet a prospect into the way as will entice anie man into it.
"Nay, hee doth as if your journey should lye through a faire Vineyard, at the verie first give you a cluster of Grapes that full of that taste you may long to passe further. He beginneth not with obscure definitions, which must blurre the margent with interpretations and loade the memorie with doubtfulnesse, but hee cometh to you with words set in delightful proportion, either accompanied with or prepared for the well-enchanting skill of musicke, and with a tale forsoothe he cometh unto you, with a tale which holdeth children from play and olde men from the chimney-corner, and pretending no more, doth intend the winning of the minde from wickedness to vertue."
These excellent words of Sir Philip Sidney give the reason and scope of this collection of examples of the poetry of the present century. No attempt at arbitrary classification or labelling has been made; it is not intended to show that any poet, deliberately or otherwise, is a Neo-Symbolist or Paroxyst or is afflicted with any other 'ist or 'ism; it is not compiled to assert that any one group of poets is superior to any other group of poets or to poets who had the misfortune to have their corporeal existence cut short before the dawn of the twentieth century; it is not even intended to prove that good poetry is written in our time. All such purposes and particularly the latter are superfluous and may be left to dogmatic disputants who have little care for the grace and harmony of poetry.
The scheme of the Anthology is simple and without guile. It does not presuppose an abrupt period, but for the sake of convenience and in justification of its existence includes only the work of living writers produced during the present century and therefore most likely to be representative of the poetry of to-day. No editorial credit can be claimed for the selections; they are not the reflex of one individual's taste and preferences, but have been made by the writers themselves, to whom—and their respective publishers—for their cordial co-operation the collator of this distinctive volume is exceedingly grateful, not on his own account only but also on behalf of those readers to whom this volume will open out so fair a prospect that they will long to pass further, this "cluster of grapes" being one of the "lures immortal" for the rapidly increasing number of discriminating lovers of the high poetry that is the touchstone of beauty. The finest lyric work of our day needs no further introduction; the poet is his own best interpreter; but it may be added, in anticipation of adventitious criticism of the limitations of these examples, that the capacity of the present volume and the absence abroad of some potential contributors account for the non-inclusion of certain writers who otherwise would have been represented here.
GALLOWAY KYLE.
May, 1914.
BIBLIOGRAPHY AND CONTENTS
- A.E.:
- Collected Poems (Macmillan), 1913.
- Reconciliation1
- The Man to the Angel2
- Babylon3
- Collected Poems (Macmillan), 1913.
- ARTHUR CHRISTOPHER BENSON:
- Le Cahier Jaune (privately printed), 1892. Poems, 1893; Lyrics, 1895; Lord Vyet, and other Poems, 1897; The Professor and other Poems, 1900; Peace and other Poems, 1905; Collected Poems (John Lane, The Bodley Head), 1909.
- Making Haste5
- At Eventide6
- In a College Garden7
- Le Cahier Jaune (privately printed), 1892. Poems, 1893; Lyrics, 1895; Lord Vyet, and other Poems, 1897; The Professor and other Poems, 1900; Peace and other Poems, 1905; Collected Poems (John Lane, The Bodley Head), 1909.
- ANNA BUNSTON (Mrs de Bary):
- Leaves from a Woman's Manuscript, 1904 (out of print); Mingled Wine (Longmans), 1909; The Porch of Paradise (Herbert & Daniel), 1911; Songs of God and Man (Herbert & Daniel), 1912; Letters of a Schoolma'am (Dent), 1913; Jephthah's Daughter (Erskine MacDonald), 1914; Mingled Wine (Cheaper re-issue, Erskine MacDonald), 1914.
- A Mortgaged Inheritance8
- The Wilderness9
- Under a Wiltshire Apple Tree11
- Leaves from a Woman's Manuscript, 1904 (out of print); Mingled Wine (Longmans), 1909; The Porch of Paradise (Herbert & Daniel), 1911; Songs of God and Man (Herbert & Daniel), 1912; Letters of a Schoolma'am (Dent), 1913; Jephthah's Daughter (Erskine MacDonald), 1914; Mingled Wine (Cheaper re-issue, Erskine MacDonald), 1914.
- G. K. CHESTERTON:
- (b. 1873). Poems in Novels and the Commonwealth, the New Witness, etc.; The Wild Knight and other Poems (Richards), 1900; Browning, in "English Men of Letters" (Macmillan), 1903; Ballad of the White Horse (Methuen), 1911.
- Sonnet with the Compliments of the Season13
- When I came back to Fleet Street14
- The Truce of Christmas17
- (b. 1873). Poems in Novels and the Commonwealth, the New Witness, etc.; The Wild Knight and other Poems (Richards), 1900; Browning, in "English Men of Letters" (Macmillan), 1903; Ballad of the White Horse (Methuen), 1911.
- FRANCES CORNFORD:
- Poems (Bowes & Bowes, Cambridge), 1910. Death and the Princess, a Morality (Bowes & Bowes), 1913.
- The Princess and the Gypsies19
- The
- Poems (Bowes & Bowes, Cambridge), 1910. Death and the Princess, a Morality (Bowes & Bowes), 1913.
- WALTER DE LA MARE:
- (b. 1873). Songs of Childhood (Longmans), 1902; Henry Brocken (Murray), 1904; Poems, 1906: The Three Mulla Malgars (Duckworth); The Return (Arnold), 1910; The Listeners and other Poems (Constable), 1911; Peacock Pie (Constable), 1913.
- An Epitaph24
- Arabia25
- Nod26
- (b. 1873). Songs of Childhood (Longmans), 1902; Henry Brocken (Murray), 1904; Poems, 1906: The Three Mulla Malgars (Duckworth); The Return (Arnold), 1910; The Listeners and other Poems (Constable), 1911; Peacock Pie (Constable), 1913.
- JOHN GALSWORTHY:
- (b. 1867). Novels, Studies, and Verse; Villa Rubein, 1901; The Island Pharisees, 1904; The Man of Property, 1906; The Country House, 1907; A Commentary, 1908; Fraternity, 1909; A Motley, 1910; The Patrician, 1911; The Inn of Tranquillity; and Moods, Songs and Doggerels, 1913; The Dark Flower (Heinemann), 1913; Plays: Vol. I, The Silver Box; Joy; Strife, 1909. Vol. II, Justice; The Little Dream; The Eldest Son, 1912. Vol. III, The Fugitive; The Pigeon; The Mob, 1914.
- The Downs27
- The Prayer27
- Devon to Me28
- (b. 1867). Novels, Studies, and Verse; Villa Rubein, 1901; The Island Pharisees, 1904; The Man of Property, 1906; The Country House, 1907; A Commentary, 1908; Fraternity, 1909; A Motley, 1910; The Patrician, 1911; The Inn of Tranquillity; and Moods, Songs and Doggerels, 1913; The Dark Flower (Heinemann), 1913; Plays: Vol. I, The Silver Box; Joy; Strife, 1909. Vol. II, Justice; The Little Dream; The Eldest Son, 1912. Vol. III, The Fugitive; The Pigeon; The Mob, 1914.
- EVA GORE-BOOTH:
- Poems (Longmans, Green & Co.), 1898; Unseen Kings (Longmans), 1904; The One and the Many (Longmans), 1904; The Three Resurrections and the Triumph of Maeve (Longmans), 1905; The Sorrowful Princess (Longmans), 1907; The Egyptian Pillar (Maunsel & Co., Dublin), 1907; The Agate Lamp (Longmans), 1912.
- Maeve of the Battles29
- Re-Incarnation31
- Leonardo Da Vinci34
- Poems (Longmans, Green & Co.), 1898; Unseen Kings (Longmans), 1904; The One and the Many (Longmans), 1904; The Three Resurrections and the Triumph of Maeve (Longmans), 1905; The Sorrowful Princess (Longmans), 1907; The Egyptian Pillar (Maunsel & Co., Dublin), 1907; The Agate Lamp (Longmans), 1912.
- JOHN GURDON:
- Erinna, a Tragedy (Edward Arnold), 1913; Dramatic Lyrics (Elkin Matthews), 1906; Enchantments (Erskine Macdonald), 1912.
- Surrender36
- Before the Fates38
- Erinna, a Tragedy (Edward Arnold), 1913; Dramatic Lyrics (Elkin Matthews), 1906; Enchantments (Erskine Macdonald), 1912.
- THOMAS HARDY:
- (b. 1840). Wessex Poems, 1898; Poems of the Past and Present, 1901; The Dynasts; An Epic Drama, Part I, 1903-4; Part II, 1906; Part III, 1908; Time's Laughing Stocks and other Verses (Macmillan), 1910.
- A Trampwoman's Tragedy42
- Chorus from "The Dynasts" (Part III)47
- The Ballad Singer49
- (b. 1840). Wessex Poems, 1898; Poems of the Past and Present, 1901; The Dynasts; An Epic Drama, Part I, 1903-4; Part II, 1906; Part III, 1908; Time's Laughing Stocks and other Verses (Macmillan), 1910.
- RALPH HODGSON:
- Contributions to the Saturday Review; Flying Fame Chap Books.
- The Moor50
- Time, You Old Gipsy Man51
- Ghoul Care53
- Contributions to the Saturday Review; Flying Fame Chap Books.
- W. G. HOLE:
- Procris and other Poems (Paul); Amoris Imago (Paul); Poems, Lyrical and Dramatic (Matthews), 1902; Queen Elizabeth, An Historical Drama (Geo. Bell & Sons), 1904; New Poems (Geo. Bell & Sons), 1907; The Chained Titan (Geo. Bell & Sons,) 1910; The Master: A Poetical Play in Two Acts (Erskine Macdonald), 1913.
- Roosevelt-Village Street54
- The Haunted Fields58
- Captive in London Town60
- Procris and other Poems (Paul); Amoris Imago (Paul); Poems, Lyrical and Dramatic (Matthews), 1902; Queen Elizabeth, An Historical Drama (Geo. Bell & Sons), 1904; New Poems (Geo. Bell & Sons), 1907; The Chained Titan (Geo. Bell & Sons,) 1910; The Master: A Poetical Play in Two Acts (Erskine Macdonald), 1913.
- LAURENCE HOUSMAN:
- (b. 1867). Mendicant Rimes; Selected Poems (Sidgwick & Jackson).
- The Fellow-Travellers61
- The Settlers62
- Song63
- (b. 1867). Mendicant Rimes; Selected Poems (Sidgwick & Jackson).
- EMILIA S. LORIMER:
- Songs of Alban (Constable), 1912.
- Love Songs64
- Storm65
- Songs of Alban (Constable), 1912.
- JAMES A. MACKERETH:
- In Grasmere Vale and other Poems, 1907; The Cry on the Mountain, 1908; When We Dreamers Wake, a Drama for To-day (Nutt), 1909; A Son of Cain and
- To a Blackbird on New Year's Day66
- La Danseuse68
- God Returns70
- ALICE MEYNELL:
- Poems (Collected Edition), 1913. Essays (selected from The Rhythm of Life, etc.) (Burns & Oates), 1914.
- To the Body72
- Christ in the Universe73
- Maternity74
- Poems (Collected Edition), 1913. Essays (selected from The Rhythm of Life, etc.) (Burns & Oates), 1914.
- WILL H. OGILVIE:
- The Overlander; The Land we Love; Whaup o' the Rede (Thomas Fraser, Dalbeattie); Rainbows and Witches (Elkin Matthews); Fair Girls and Grey Horses; Hearts of Gold (Angus & Robertson, Australia).
- There's a Clean Wind Blowing75
- The Garden of the Night76
- The Crossing Swords79
- The Overlander; The Land we Love; Whaup o' the Rede (Thomas Fraser, Dalbeattie); Rainbows and Witches (Elkin Matthews); Fair Girls and Grey Horses; Hearts of Gold (Angus & Robertson, Australia).
- STEPHEN PHILLIPS:
- Eremus (Paul), 1894; Christ in Hades (Matthews), 1896; Poems, 1897; Paolo and Francesca, 1899; Marpessa, 1900; Herod, 1900; Ulysses, 1902; Nero, 1906; The New Inferno, 1910; New Poems, Lyrics and Dramas (John Lane), 1913.
- Lures Immortal80
- Beautiful lie the Dead82
- Lyric from "The Sin of David"83
- Eremus (Paul), 1894; Christ in Hades (Matthews), 1896; Poems, 1897; Paolo and Francesca, 1899; Marpessa, 1900; Herod, 1900; Ulysses, 1902; Nero, 1906; The New Inferno, 1910; New Poems, Lyrics and Dramas (John Lane), 1913.
- EDEN PHILLPOTTS:
- Many novels: Dance of the Months; Sketches of Dartmoor and Poems (Gowans & Gray), 1911; The Iscariot, a Poem (Murray), 1912; Up-Along and Down-Along (Methuen), 1905; Wild Fruit (John Lane), 1911.
- A Devon Courting84
- A Litany to Pan85
- Swinburne87
- Many novels: Dance of the Months; Sketches of Dartmoor and Poems (Gowans & Gray), 1911; The Iscariot, a Poem (Murray), 1912; Up-Along and Down-Along (Methuen), 1905; Wild Fruit (John Lane), 1911.
- DORA SIGERSON SHORTER:
- Verses, 1894; The Fairy Changeling, and other Poems, 1897; My Lady's Slipper and other Poems, 1898; Ballads and Poems, 1899; The Father Confessor, 1900; The Woman who went to Hell, 1902; As the Sparks fly Upward, 1904; The Story and Song of Earl Roderick, 1906; Collected Poems, 1909; The Troubadour, 1910; New Poems, 1912; Madge Linsey and other Poems (Maunsel, Dublin), 1913.
- The Watcher in the Wood88
- The Nameless One89
- When I shall Rise91
- Verses, 1894; The Fairy Changeling, and other Poems, 1897; My Lady's Slipper and other Poems, 1898; Ballads and Poems, 1899; The Father Confessor, 1900; The Woman who went to Hell, 1902; As the Sparks fly Upward, 1904; The Story and Song of Earl Roderick, 1906; Collected Poems, 1909; The Troubadour, 1910; New Poems, 1912; Madge Linsey and other Poems (Maunsel, Dublin), 1913.
- ARTHUR SYMONS:
- Images of Good and Evil, 1900; Poems, 1901; The Fool of the World and other Poems, 1906; The Knave of Hearts (Heinemann), 1913; Cities of Italy, 1908; The Romantic Movement in English Poetry, 1909.
- Tanagra92
- Giovanni Malatesta at Rimini93
- La Melinite: Moulin Rouge95
- Images of Good and Evil, 1900; Poems, 1901; The Fool of the World and other Poems, 1906; The Knave of Hearts (Heinemann), 1913; Cities of Italy, 1908; The Romantic Movement in English Poetry, 1909.
- EVELYN UNDERHILL:
- Immanence, A Book of Verses (J. M. Dent & Sons), 1912; Mysticism; The Mystic Way.
- Immanence97
- Introversion99
- Ichthus100
- Immanence, A Book of Verses (J. M. Dent & Sons), 1912; Mysticism; The Mystic Way.
- MARGARET L. WOODS:
- Poems, Collected Edition (John Lane), 1913.
- Songs102
- The Changeling103
- Poems, Collected Edition (John Lane), 1913.
Æ
RECONCILIATION
I begin through the grass once again to be bound to the Lord;
I can see, through a face that has faded, the face full of rest
Of the earth, of the mother, my heart with her heart in accord,
As I lie mid the cool green tresses that mantle her breast
I begin with the grass once again to be bound to the Lord.
By the hand of a child I am led to the throne of the King
For a touch that now fevers me not is forgotten and
And His infinite sceptred hands that sway us can bring
Me in dreams from the laugh of a child to the song of a star.
On the laugh of a child I am borne to the joy of the King.
THE MAN TO THE ANGEL
I have wept a million tears:
Pure and proud one, where are thine,
What the gain though all thy years
In unbroken beauty shine?
All your beauty cannot win
Truth we learn in pain and sighs:
You can never enter in
To the circle of the wise.
They are but the slaves of light
Who have never known the gloom,
And between the dark and bright
Willed in freedom their own doom.
Think not in your pureness there,
That our pain but follows sin:
There are fires for those who dare
Seek the throne of might to win.
Pure one, from your pride refrain:
Dark and lost amid the strife
I am myriad years of pain
Nearer to the fount of life.
When defiance fierce is thrown
At the god to whom you bow,
Rest the lips of the Unknown
Tenderest upon my brow.
BABYLON
The blue dusk ran between the streets: my love was winged within my mind,
It left to-day and yesterday and thrice a thousand years behind.
To-day was past and dead for me, for from to-day my feet had run
Through thrice a thousand years to walk the ways of ancient Babylon.
On temple top and palace roof the burnished gold flung back the rays
Of a red sunset that was dead and lost beyond a million days.
The tower of heaven turns darker blue, a starry sparkle now begins;
The mystery and magnificence, the myriad beauty and the sins
Come back to me. I walk beneath the shadowy multitude of towers;
Within the gloom the fountain jets its pallid mist in lily flowers.
The waters lull me and the scent of many gardens, and I hear
Familiar voices, and the voice I love is whispering in my ear.
Oh real as in dream all this; and then a hand on mine is laid:
The wave of phantom time withdraws; and that young Babylonian maid,
One drop of beauty left behind from all the flowing of that tide,
Is looking with the self-same eyes, and here in Ireland by my side.
Oh light our life in Babylon, but Babylon has taken wings,
While we are in the calm and proud procession of eternal things.
ARTHUR CHRISTOPHER BENSON
MAKING HASTE
"Soon!" says the Snowdrop, and smiles at the motherly earth,
"Soon!—for the Spring with her languors comes stealthily on
Snow was my cradle, and chill winds sang at my birth;
Winter is over—and I must make haste to be gone!"
"Soon," says the Swallow, and dips to the wind-ruffled stream,
"Grain is all garnered—the Summer is over and done;
Bleak to the eastward the icy battalions gleam,
Summer is over—and I must make haste to be gone!"
"Soon—ah, too soon!" says the Soul, with a pitiful gaze,
"Soon!—for I rose like a star, and for aye would have shone!
See the pale shuddering dawn, that must wither my rays,
Leaps from the mountains—and I must make haste to be gone!"
AT EVENTIDE
At morn I saw the level plain
So rich and small beneath my feet,
A sapphire sea without a stain,
And fields of golden-waving wheat;
Lingering I said, "At noon I'll be
At peace by that sweet-scented tide.
How far, how fair my course shall be,
Before I come to the Eventide!"
Where is it fled, that radiant plain?
I stumble now in miry ways;
Dark clouds drift landward, big with rain,
And lonely moors their summits raise.
On, on with hurrying feet I range,
And left and right in the dumb hillside
Grey gorges open, drear and strange,
And so I come to the Eventide!
IN A COLLEGE GARDEN
Birds, that cry so loud in the old, green bowery garden,
Your song is of Love! Love! Love!
Will ye weary not nor cease?
For the loveless soul grows sick, the heart that the grey days harden;
I know too well that ye love! I would ye should hold your peace.
I too have seen Love rise, like a star; I have marked his setting;
I dreamed in my folly and pride that Life without Love were peace.
But if Love should await me yet, in the land of sleep and forgetting—
Ah, bird, could you sing me this, I would not your song should cease!
ANNA BUNSTON (Mrs de BARY)
A MORTGAGED INHERITANCE
I knew a land whose streams did wind
More winningly than these,
Where finer shadows played behind
The clean-stemmed beechen trees.
The maidens there were deeper eyed,
The lads more swift and fair,
And angels walked at each one's side—
Would God that I were there!
Here daffodils are dressed in gold,
But there they wore the sun,
And here the blooms are bought and sold,
But there God gave each one.
There all roads led to fairyland
That here do lead to care,
And stars were lamps on Heaven's strand—
Would God, that I were there!
Here worship crawls upon her course
That there with larks would cope,
And here her voice with doubt is hoarse
That there was sweet with hope.
O land of Peace! my spirit dies
For thy once tasted air,
O earliest loss! O latest prize!
Would God that I were there!
THE WILDERNESS
From Life's enchantments,
Desire of place,
From lust of getting
Turn thou away, and set thy face
Toward the wilderness.
The tents of Jacob
As valleys spread,
As goodly cedars,
Or fair lign aloes, white and red,
Shall share thy wilderness.
With awful judgments,
The law, the rod,
With soft allurements
And comfortable words, will God
Pass o'er the wilderness.
The bitter waters
Are healed and sweet,
The ample heavens
Pour angel's bread about thy feet
Throughout the wilderness.
And Carmel's glory
Thou thoughtest gone,
And Sharon's roses,
The excellency of Lebanon
Delight thy wilderness.
Who passeth Jordan
Perfumed with myrrh,
With myrrh and incense?
Lo! on his arm Love leadeth her
Who trod the wilderness.
UNDER A WILTSHIRE APPLE
Some folks as can afford,
So I've heard say,
Sets up a sort of cross
Right in the garden way
To mind 'em of the Lord.
But I, when I do see
Thic apple tree
An' stoopin' limb
All spread wi' moss,
I think of Him
And how he talks wi' me.
I think of God
And how he trod
That garden long ago:
He walked, I reckon, to and fro
And then sat down
Upon the groun'
Or some low limb
What suited Him
Same as you see
On many a tree,
And on this very one
Where I at set o' sun
Do sit and talk wi' He.
An' mornings, too, I rise an' come
An' sit down where the branch be low;
A bird do sing, a bee do hum,
The flowers in the border blow,
An' all my heart's so glad an' clear
As pools be when the sun do peer:
As pools a laughin' in the light
When mornin' air is swep' an' bright,
As pools what got all Heaven in sight
So's my heart's cheer
When He be near.
He never pushed the garden door,
He left no footmark on the floor;
I never heard 'Un stir nor tread
An' yet His Hand do bless my head,
And when 'tis time for work to start
I takes Him with me in my heart.
And when I die, pray God I see
At very last thic apple tree
An' stoopin' limb,
An' think o' Him
And all He been to me.
G. K. CHESTERTON
SONNET WITH THE COMPLIMENTS OF THE SEASON
(To a popular leader, to be congratulated on the avoidance of a strike at Christmas.)
I know you. You will hail the huge release,
Saying the sheathing of a thousand swords,
In silence and injustice, well accords
With Christmas bells. And you will gild with grease
The papers, the employers, the police,
And vomit up the void your windy words
To your new Christ; who bears no whip of cords
For them that traffic in the doves of peace.
The feast of friends, the candle-fruited tree,
I have not failed to honour. And I say
It would be better for such men as we
And we be nearer Bethlehem, if we lay
Shot dead on snows scarlet for Liberty,
Dead in the daylight; upon Christmas Day.
WHEN I CAME BACK TO FLEET STREET
When I came back to Fleet Street,
Through a sunset-nook at night,
And saw the old Green Dragon
With the windows all alight,
And hailed the old Green Dragon
And the Cock I used to know,
Where all the good fellows were my friends
A little while ago.
I had been long in meadows,
And the trees took hold of me,
And the still towns in the beech-woods,
Where men were meant to be;
But old things held; the laughter,
The long unnatural night,
And all the truth the talk in hell,
And all the lies they write.
For I came back to Fleet Street,
And not in peace I came;
A cloven pride was in my heart,
And half my love was shame.
I came to fight in fairy tale,
Whose end shall no man know—
To fight the old Green Dragon
Until the Cock shall crow!
Under the broad bright windows
Of men I serve no more,
The groaning of the old great wheels
Thickened to a throttled roar;
All buried things broke upwards;
And peered from its retreat,
Ugly and silent, like an elf,
The secret of the street.
They did not break the padlocks,
Or clear the wall away.
The men in debt that drank of old
Still drink in debt to-day;
Chained to the rich by ruin,
Cheerful in chains, as then
When old unbroken Pickwick walked
Among the broken men.
Still he that dreams and rambles
Through his own elfin air,
Knows that the street's a prison,
Knows that the gates are there:
Still he that scorns or struggles,
Sees frightful and afar
All that they leave of rebels
Rot high on Temple Bar.
All that I loved and hated,
All that I shunned and knew,
Clears in broad battle lightening;
Where they, and I, and you,
Run high the barricade that breaks
The barriers of the Street,
And shout to them that shrink within,
The Prisoners of the Fleet!
THE TRUCE OF CHRISTMAS
Passionate peace is in the sky
And on the snow in silver sealed
The beasts are perfect in the field
And men seem men so suddenly
But take ten swords, and ten times ten,
And blow the bugle in praising men
For we are for all men under the sun
And they are against us every one
And misers haggle, and mad men clutch
And there is peril in praising much
And we have the terrible tongues un-curled
That praise the world to the sons of the world.
The idle humble hill and wood
Are bowed about the sacred Birth
And for one little while the earth
Is lazy with the love of good
But ready are you and ready am I
If the battle blow and the guns go by
For we are for all men under the sun
And they are against us every one
For the men that hate herd altogether
To pride and gold and the great white feather
And the thing is graven in star and stone
That the men that love are all alone.
Hunger is hard and time is tough
But bless the beggars and kiss the kings
For hope has broken the heart of things
And nothing was ever praised enough
But hold the shield for a sudden swing
And point the sword in praising a thing
For we are for all men under the sun
And they are against us every one
And mime and merchant, thane and thrall,
Hate us because we love them all
Only till Christmas time goes by
Passionate peace is in the sky.
FRANCES CORNFORD
THE PRINCESS AND THE GIPSIES
As I looked out one May morning,
I saw the tree-tops green;
I said: "My crown I will lay down
And live no more a queen."
Then I tripped down my golden steps
All in my silken gown,
And when I stood in the open wood,
I met some gipsies brown.
"O gentle, gentle gipsies,
That roam the wide world through,
Because I hate my crown and state
O let me come with you.
"My councillors are old and grey,
And sit in narrow chairs;
But you can hear the birds sing clear,
And your hearts are as light as theirs."
"If you would come along with us,
Then you must count the cost;
For though in Spring the sweet birds sing,
In Winter comes the frost.
"Your ladies serve you all the day
With courtesy and care;
Your fine-shod feet they tread so neat,
But a gipsy's feet go bare.
"You wash in water running warm
Through basins all of gold;
The streams where we roam have silvery foam,
But the streams, the streams are cold.
"And barley-bread is bitter to taste,
While sugary cakes they please—
Which will you choose, O which will you choose,
Which will you choose of these?
"For if you choose the mountain streams
And barley-bread to eat,
Your heart will be free as the birds in the tree,
But the stones will cut your feet.
"The mud will spoil your silken gown,
And stain your insteps high;
The dogs in the farm will wish you harm
And bark as you go by.
"And though your heart grow deep and gay,
And your heart grow wise and rich,
The cold will make your bones to ache
And you will die in a ditch."
"O gentle, gentle gipsies,
That roam the wide world through,
Although I praise your wandering ways,
I dare not come with you."
I hung about their fingers brown
My ruby rings and chain,
And with my head as heavy as lead,
I turned me back again.
As I went up the palace steps,
I heard the gipsies laugh;
The birds of Spring so sweet did sing;
My heart it broke in half.
THE DANDELION
The dandelion is brave and gay,
And loves to grow beside the way;
A braver thing was never seen
To praise the grass for growing green;
You never saw a gayer thing,
To sit and smile and praise the Spring.
The children with their simple hearts,
The lazy men that come in carts,
The little dogs that lollop by,
They all have seen its shining eye:
And every one of them would say,
They never saw a thing so gay.
SOCIAL INTERCOURSE
Like to islands in the seas,
Stand our personalities—
Islands where we always face
One another's watering-place.
When we promenade our sands
We can hear each other's bands,
We can see on festal nights
Red and green and purple lights,
Gilt pavilions in a row,
Stucco houses built for show.
But our eyes can never reach
Further than the tawdry beach,
Never can they hope to win
To the wonders far within:
Jagged rocks against the sky
Where the eagles haunt and cry,
Forests full of running rills,
Darkest forests, sunny hills,
Hollows where a dragon lowers,
Sweet and unimagined flowers.
WALTER DE LA MARE
AN EPITAPH
Here lies a most beautiful lady,
Light of step and heart was she:
I think she was the most beautiful lady
That ever was in the West Country.
But beauty vanishes; beauty passes;
However rare—rare it be;
And when I crumble who will remember
This lady of the West Country?
ARABIA