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A Heap o' Livin'
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A Heap o' Livin'

by Guest Edgar A (Edgar Albert)

Page 1

The Project Gutenberg EBook of A Heap o' Livin', by Edgar A. Guest

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Title: A Heap o' Livin'

Author: Edgar A. Guest

Release Date: April 29, 2008 [EBook #328]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK A HEAP O' LIVIN' ***

A Heap o' Livin'

by

Edgar A. Guest

    To
    Marjorie and Buddy
    this little book of verse
    is affectionately
    dedicated
    by their Daddy

{11}

WHEN YOU KNOW A FELLOW

  When you get to know a fellow, know his joys
    and know his cares,
  When you've come to understand him and the
    burdens that he bears,
  When you've learned the fight he's making and
    the troubles in his way,
  Then you find that he is different than you
    thought him yesterday.
  You find his faults are trivial and there's not so
    much to blame
  In the brother that you jeered at when you only
    knew his name.

  You are quick to see the blemish in the distant
    neighbor's style,
  You can point to all his errors and may sneer
    at him the while,
  And your prejudices fatten and your hates
    more violent grow
  As you talk about the failures of the man you
    do not know,
  But when drawn a little closer, and your hands
    and shoulders touch,
  You find the traits you hated really don't
    amount to much.

  When you get to know a fellow, know his every
    mood and whim,
  You begin to find the texture of the splendid
    side of him;
  You begin to understand him, and you cease to
    scoff and sneer,
  For with understanding always prejudices disappear.
  You begin to find his virtues and his faults you
    cease to tell,
  For you seldom hate a fellow when you know
    him very well.

  When next you start in sneering and your
    phrases turn to blame,
  Know more of him you censure than his business
    and his name;
  For it's likely that acquaintance would your
    prejudice dispel
  And you'd really come to like him if you
    knew him very well.
  When you get to know a fellow and you understand
    his ways,
  Then his faults won't really matter, for you'll
    find a lot to praise.

{13}

THE ROUGH LITTLE RASCAL

  A smudge on his nose and a smear on his cheek
  And knees that might not have been washed in a week;
  A bump on his forehead, a scar on his lip,
  A relic of many a tumble and trip:
  A rough little, tough little rascal, but sweet,
  Is he that each evening I'm eager to meet.

  A brow that is beady with jewels of sweat;
  A face that's as black as a visage can get;
  A suit that at noon was a garment of white,
  Now one that his mother declares is a fright:
  A fun-loving, sun-loving rascal, and fine,
  Is he that comes placing his black fist in mine.

  A crop of brown hair that is tousled and tossed;
  A waist from which two of the buttons are lost;
  A smile that shines out through the dirt and the grime,
  And eyes that are flashing delight all the time:
  All these are the joys that I'm eager to meet
  And look for the moment I get to my street.

{14}

IT ISN'T COSTLY

  Does the grouch get richer quicker than the
     friendly sort of man?
  Can the grumbler labor better than the cheerful
     fellow can?
  Is the mean and churlish neighbor any cleverer
     than the one
  Who shouts a glad "good morning," and then
     smiling passes on?

  Just stop and think about it. Have you ever
     known or seen
  A mean man who succeeded, just because he
     was so mean?
  When you find a grouch with honors and with
     money in his pouch,
  You can bet he didn't win them just because
     he was a grouch.

  Oh, you'll not be any poorer if you smile along
     your way,
  And your lot will not be harder for the kindly
     things you say.
  Don't imagine you are wasting time for others
     that you spend:
  You can rise to wealth and glory and still pause
     to be a friend.

{15}

MY CREED

  To live as gently as I can;
  To be, no matter where, a man;
  To take what comes of good or ill
  And cling to faith and honor still;
  To do my best, and let that stand
  The record of my brain and hand;
  And then, should failure come to me,
  Still work and hope for victory.

  To have no secret place wherein
  I stoop unseen to shame or sin;
  To be the same when I'm alone
  As when my every deed is known;
  To live undaunted, unafraid
  Of any step that I have made;
  To be without pretense or sham
  Exactly what men think I am.

  To leave some simple mark behind
  To keep my having lived in mind;
  If enmity to aught I show,
  To be an honest, generous foe,
  To play my little part, nor whine
  That greater honors are not mine.
  This, I believe, is all I need
  For my philosophy and creed.

{16}

A WISH

  I'd like to be a boy again, a care-free prince of
      joy again,
    I'd like to tread the hills and dales the way I
      used to do;
  I'd like the tattered shirt again, the knickers
      thick with dirt again,
    The ugly, dusty feet again that long ago I
      knew.
  I'd like to play first base again, and Sliver's
      curves to face again,
    I'd like to climb, the way I did, a friendly
      apple tree;
  For, knowing what I do to-day, could I but
      wander back and play,
    I'd get full measure of the joy that boyhood
      gave to me.

  I'd like to be a lad again, a youngster, wild and
      glad again,
    I'd like to sleep and eat again the way I used
      to do;
  I'd like to race and run again, and drain from
      life its fun again,
    And start another round of joy the moment
      one was through.
  But care and strife have come to me, and often
      days are glum to me,

{17}

    And sleep is not the thing it was and food

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      is not the same;
  And I have sighed, and known that I must
      journey on again to sigh,
    And I have stood at envy's point and heard
      the voice of shame.

  I've learned that joys are fleeting things; that
      parting pain each meeting brings;
    That gain and loss are partners here, and so
      are smiles and tears;
  That only boys from day to day can drain and
      fill the cup of play;
    That age must mourn for what is lost
      throughout the coming years.
  But boys cannot appreciate their priceless joy
      until too late
    And those who own the charms I had will
      soon be changed to men;
  And then, they too will sit, as I, and backward
      turn to look and sigh
    And share my longing, vain, to be a care-free boy again.

{18}

WHAT A BABY COSTS

  "How much do babies cost?" said he
  The other night upon my knee;
  And then I said: "They cost a lot;
  A lot of watching by a cot,
  A lot of sleepless hours and care,
  A lot of heart-ache and despair,
  A lot of fear and trying dread,
  And sometimes many tears are shed
  In payment for our babies small,
  But every one is worth it all.

  "For babies people have to pay
  A heavy price from day to day—
  There is no way to get one cheap.
  Why, sometimes when they're fast asleep
  You have to get up in the night
  And go and see that they're all right.
  But what they cost in constant care
  And worry, does not half compare
  With what they bring of joy and bliss—
  You'd pay much more for just a kiss.

  "Who buys a baby has to pay
  A portion of the bill each day;
  He has to give his time and thought
  Unto the little one he's bought.
  He has to stand a lot of pain
  Inside his heart and not complain;
  And pay with lonely days and sad
  For all the happy hours he's had.
  All this a baby costs, and yet
  His smile is worth it all, you bet."

{19}

MOTHER

  Never a sigh for the cares that she bore for me
    Never a thought of the joys that flew by;
  Her one regret that she couldn't do more for me,
    Thoughtless and selfish, her Master was I.

  Oh, the long nights that she came at my call to me!
    Oh, the soft touch of her hands on my brow!
  Oh, the long years that she gave up her all to me!
    Oh, how I yearn for her gentleness now!

  Slave to her baby! Yes, that was the way of her,
    Counting her greatest of services small;
  Words cannot tell what this old heart would say of her,
    Mother—the sweetest and fairest of all.

{20}

SELFISH

  I am selfish in my wishin' every sort o' joy for
     you;
  I am selfish when I tell you that I'm wishin'
     skies o' blue
  Bending o'er you every minute, and a pocketful
     of gold,
  An' as much of love an' gladness as a human
     heart can hold.
  Coz I know beyond all question that if such a
     thing could be
  As you cornerin' life's riches you would share
     'em all with me.

  I am selfish in my wishin' every sorrow from
     your way,
  With no trouble thoughts to fret you at the
     closin' o' the day;
  An' it's selfishness that bids me wish you
     comforts by the score,
  An' all the joys you long for, an' on top o'
     them, some more;
  Coz I know, old tried an' faithful, that if such
     a thing could be
  As you cornerin' life's riches you would share
     'em all with me.

{21}

RICH

  Who has a troop of romping youth
    About his parlor floor,
  Who nightly hears a round of cheers,
    When he is at the door,
  Who is attacked on every side
    By eager little hands
  That reach to tug his grizzled mug,
    The wealth of earth commands.

  Who knows the joys of girls and boys,
    His lads and lassies, too,
  Who's pounced upon and bounced upon
    When his day's work is through,
  Whose trousers know the gentle tug
    Of some glad little tot,
  The baby of his crew of love,
    Is wealthier than a lot.

  Oh, be he poor and sore distressed
    And weary with the fight,
  If with a whoop his healthy troop
    Run, welcoming at night,
  And kisses greet him at the end
    Of all his toiling grim,
  With what is best in life he's blest
    And rich men envy him.

{22}

MA AND THE AUTO

  Before we take an auto ride Pa says to Ma:
     "My dear,
  Now just remember I don't need suggestions
     from the rear.
  If you will just sit still back there and hold
     in check your fright,
  I'll take you where you want to go and get
     you back all right.
  Remember that my hearing's good and also I'm
     not blind,
  And I can drive this car without suggestions
     from behind."

  Ma promises that she'll keep still, then off we
     gayly start,
  But soon she notices ahead a peddler and his
     cart.
  "You'd better toot your horn," says she, "to let
     him know we're near;
  He might turn out!" and Pa replies: "Just
     shriek at him, my dear."
  And then he adds: "Some day, some guy will
     make a lot of dough
  By putting horns on tonneau seats for women-folks
     to blow!"

  A little farther on Ma cries: "He signaled for
     a turn!"
  And Pa says: "Did he?" in a tone that's hot
     enough to burn.
  "Oh, there's a boy on roller skates!" cries Ma.
     "Now do go slow.
  I'm sure he doesn't see our car." And Pa says:
     "I dunno,
  I think I don't need glasses yet, but really it
     may be
  That I am blind and cannot see what's right
     in front of me."

  If Pa should speed the car a bit some rigs to
     hurry past
  Ma whispers: "Do be careful now. You're
     driving much too fast."
  And all the time she's pointing out the dangers
     of the street
  And keeps him posted on the roads where
     trolley cars he'll meet.
  Last night when we got safely home, Pa sighed
     and said: "My dear,
  I'm sure we've all enjoyed the drive you gave
     us from the rear!"

{24}

ON GOING HOME FOR CHRISTMAS

  He little knew the sorrow that was in his vacant
      chair;
  He never guessed they'd miss him, or he'd
      surely have been there;
  He couldn't see his mother or the lump that
      filled her

Page 3
throat,
  Or the tears that started falling as she read
      his hasty note;
  And he couldn't see his father, sitting sorrowful
      and dumb,
  Or he never would have written that he thought
      he couldn't come.

  He little knew the gladness that his presence
      would have made,
  And the joy it would have given, or he never
      would have stayed.
  He didn't know how hungry had the little
      mother grown
  Once again to see her baby and to claim him
      for her own.
  He didn't guess the meaning of his visit
      Christmas Day
  Or he never would have written that he
      couldn't get away.

  He couldn't see the fading of the cheeks that
      once were pink,
  And the silver in the tresses; and he didn't
      stop to think
  How the years are passing swiftly, and next
      Christmas it might be
  There would be no home to visit and no mother
      dear to see.
  He didn't think about it—I'll not say he didn't
      care.
  He was heedless and forgetful or he'd surely
      have been there.

  Are you going home for Christmas? Have you
      written you'll be there?
  Going home to kiss the mother and to show
      her that you care?
  Going home to greet the father in a way to
      make him glad?
  If you're not I hope there'll never come a time
      you'll wish you had.
  Just sit down and write a letter—it will make
      their heart strings hum
  With a tune of perfect gladness—if you'll tell
      them that you'll come.

{26}

AT SUGAR CAMP

  At Sugar Camp the cook is kind
    And laughs the laugh we knew as boys;
  And there we slip away and find
    Awaiting us the old-time joys.
  The catbird calls the selfsame way
    She used to in the long ago,
  And there's a chorus all the day
    Of songsters it is good to know.

  The killdeer in the distance cries;
    The thrasher, in her garb of brown,
  From tree to tree in gladness flies.
    Forgotten is the world's renown,
  Forgotten are the years we've known;
    At Sugar Camp there are no men;
  We've ceased to strive for things to own;
    We're in the woods as boys again.

  Our pride is in the strength of trees,
    Our pomp the pomp of living things;
  Our ears are tuned to melodies
    That every feathered songster sings.
  At Sugar Camp our noonday meal
    Is eaten in the open air,
  Where through the leaves the sunbeams steal
    And simple is our bill of fare.

  At Sugar Camp in peace we dwell
    And none is boastful of himself;
  None plots to gain with shot and shell
    His neighbor's bit of land or pelf.
  The roar of cannon isn't heard,
    There stilled is money's tempting voice;
  Someone detects a new-come bird
    And at her presence all rejoice.

  At Sugar Camp the cook is kind;
    His steak is broiling o'er the coals
  And in its sputtering we find
    Sweet harmony for tired souls.
  There, sheltered by the friendly trees,
    As boys we sit to eat our meal,
  And, brothers to the birds and bees,
    We hold communion with the real.

{28}

HOME

  It takes a heap o' livin' in a house t' make it
     home,
  A heap o' sun an' shadder, an' ye sometimes
     have t' roam
  Afore ye really 'preciate the things ye lef'
     behind,
  An' hunger fer 'em somehow, with 'em allus
     on yer mind.
  It don't make any differunce how rich ye get
     t' be,
  How much yer chairs an' tables cost, how great
     yer luxury;
  It ain't home t' ye, though it be the palace of a
     king,
  Until somehow yer soul is sort o' wrapped round
     everything.

  Home ain't a place that gold can buy or get up
     in a minute;
  Afore it's home there's got t' be a heap o' livin'
     in it;
  Within the walls there's got t' be some babies
     born, and then
  Right there ye've got t' bring 'em up t' women
     good, an' men;
  And gradjerly as time goes on, ye find ye
     wouldn't part
  With anything they ever used—they've grown
     into yer heart:
  The old high chairs, the playthings, too, the
     little shoes they wore
  Ye hoard; an' if ye could ye'd keep the
     thumb-marks on the door.

  Ye've got t' weep t' make it home, ye've got t'
     sit an' sigh
  An' watch beside a loved one's bed, an' know
     that Death is nigh;
  An' in the stillness o' the night t' see Death's
     angel come,
  An' close the eyes o' her that smiled, an' leave
     her sweet voice dumb.
  Fer these are scenes that grip the heart, an'
     when yer tears are dried,
  Ye find the home is dearer than it was, an'
     sanctified;
  An' tuggin' at ye always are the pleasant
     memories
  O' her that was an' is no more—ye can't escape
     from these.

  Ye've got t' sing an' dance fer years, ye've got
     t' romp an' play,
  An' learn t' love the things ye have by usin' 'em
     each day;
  Even the roses 'round the porch must blossom
     year by year
  Afore they 'come a part o' ye, suggestin'
     someone dear
  Who used t' love 'em long ago, an' trained 'em
     jes t' run
  The way they do, so's they would get the early
     mornin' sun;
  Ye've got t' love each brick an' stone from
     cellar up t' dome:
  It takes a heap o' livin' in a house t' make it
     home.

{30}

THE PATH THAT LEADS TO HOME

  The little path that leads to home,
    That is the road for me,
  I know no finer path to roam,
    With finer sights to see.
  With thoroughfares the world is lined
    That lead to wonders new,
  But he who treads them leaves behind
    The tender things and true.

  Oh, north and south and east and west
    The crowded roadways go,
  And sweating brow and weary breast
    Are all they seem to know.
  And mad for pleasure some are bent,
    And some are seeking fame,
  And some are sick with discontent,
    And some are bruised and lame.

  Across the world the gleaming steel
    Holds out its lure for men,
  But no one finds his comfort real
    Till he comes home again.
  And charted lanes now line the sea
    For weary hearts to roam,
  But, Oh, the finest path to me
    Is that which leads to home.

  'Tis there I come to laughing eyes
    And find a welcome true;
  'Tis there

Page 4
all care behind me lies
    And joy is ever new.
  And, Oh, when every day is done
    Upon that little street,
  A pair of rosy youngsters run
    To me with flying feet.

  The world with myriad paths is lined
    But one alone for me,
  One little road where I may find
    The charms I want to see.
  Though thoroughfares majestic call
    The multitude to roam,
  I would not leave, to know them all,
    The path that leads to home.

{32}

A FRIEND'S GREETING

  I'd like to be the sort of friend that you have
      been to me;
  I'd like to be the help that you've been always
      glad to be;
  I'd like to mean as much to you each minute
      of the day
  As you have meant, old friend of mine, to me
      along the way.

  I'd like to do the big things and the splendid
      things for you,
  To brush the gray from out your skies and
      leave them only blue;
  I'd like to say the kindly things that I so oft
      have heard,
  And feel that I could rouse your soul the way
      that mine you've stirred.

  I'd like to give you back the joy that you have
      given me,
  Yet that were wishing you a need I hope will
      never be;
  I'd like to make you feel as rich as I, who
      travel on
  Undaunted in the darkest hours with you to
      lean upon.

  I'm wishing at this Christmas time that I could
      but repay
  A portion of the gladness that you've strewn
      along my way;
  And could I have one wish this year, this only
      would it be:
  I'd like to be the sort of friend that you have
      been to me.

{33}

A SONG

  None knows the day that friends must part
    None knows how near is sorrow;
  If there be laughter in your heart,
    Don't hold it for to-morrow.
  Smile all the smiles you can to-day;
  Grief waits for all along the way.

  To-day is ours for joy and mirth;
    We may be sad to-morrow;
  Then let us sing for all we've worth,
    Nor give a thought to sorrow.
  None knows what lies along the way;
  Let's smile what smiles we can to-day.

{34}

OLD FRIENDS

  I do not say new friends are not considerate and
     true,
  Or that their smiles ain't genuine, but still I'm
     tellin' you
  That when a feller's heart is crushed and achin'
     with the pain,
  And teardrops come a-splashin' down his cheeks
     like summer rain,
  Becoz his grief an' loneliness are more than
     he can bear,
  Somehow it's only old friends, then, that really
     seem to care.
  The friends who've stuck through thick an'
     thin, who've known you, good an' bad,
  Your faults an' virtues, an' have seen the
     struggles you have had,
  When they come to you gentle-like an' take
     your hand an' say:
  "Cheer up! we're with you still," it counts, for
     that's the old friends' way.

  The new friends may be fond of you for what
     you are to-day;
  They've only known you rich, perhaps, an' only
     seen you gay;
  You can't tell what's attracted them; your
     station may appeal;
  Perhaps they smile on you because you're doin'
     something real;
  But old friends who have seen you fail, an' also
     seen you win,
  Who've loved you either up or down, stuck
     to you, thick or thin,
  Who knew you as a budding youth, an' watched
     you start to climb,
  Through weal an' woe, still friends of yours
     an' constant all the time,
  When trouble comes an' things go wrong, I
     don't care what you say,
  They are the friends you'll turn to, for you
     want the old friends' way.

  The new friends may be richer, an' more stylish,
     too, but when
  Your heart is achin' an' you think your sun
     won't shine again,
  It's not the riches of new friends you want, it's
     not their style,
  It's not the airs of grandeur then, it's just the
     old friend's smile,
  The old hand that has helped before, stretched
     out once more to you,
  The old words ringin' in your ears, so sweet an',
     Oh, so true!
  The tenderness of folks who know just what
     your sorrow means,
  These are the things on which, somehow, your
     spirit always leans.
  When grief is poundin' at your breast—the
     new friends disappear
  An' to the old ones tried an' true, you turn for
     aid an' cheer.

{36}

FOLKS

  We was speakin' of folks, jes' common folks,
    An' we come to this conclusion,
  That wherever they be, on land or sea,
    They warm to a home allusion;
  That under the skin an' under the hide
    There's a spark that starts a-glowin'
  Whenever they look at a scene or book
    That something of home is showin'.

  They may differ in creeds an' politics,
    They may argue an' even quarrel,
  But their throats grip tight, if they catch a sight
    Of their favorite elm or laurel.
  An' the winding lane that they used to tread
    With never a care to fret 'em,
  Or the pasture gate where they used to wait,
    Right under the skin will get 'em.

  Now folks is folks on their different ways,
    With their different griefs an' pleasures,
  But the home they knew, when their years were few,
    Is the dearest of all their treasures.
  An' the richest man to the poorest waif
    Right under the skin is brother
  When they stand an' sigh, with a tear-dimmed eye,
    At a thought of the dear old mother.

  It makes no difference where it may be,
    Nor the fortunes that years may alter,
  Be they simple or wise, the old home ties
    Make all of 'em often falter.
  Time may robe 'em in sackcloth coarse
    Or garb 'em in gorgeous splendor,
  But whatever their lot, they keep one spot
    Down deep that is sweet an' tender.

  We was speakin' of folks, jes' common folks,
    An' we come to this conclusion,
  That one an' all, be they great or small,
    Will warm to a home allusion;
  That under the skin an' the beaten hide
    They're kin in a real affection
  For the joys they knew, when their years were few,
    An' the home of their recollection.

{38}

LITTLE MASTER MISCHIEVOUS

  Little Master Mischievous, that's the name for you;
  There's no better title that describes the things you do:
  Into something all the while where you shouldn't be,

Page 5
  Prying into matters that are not for you to see;
  Little Master Mischievous, order's overthrown
  If your mother leaves you for a minute all alone.

  Little Master Mischievous, opening every door,
  Spilling books and papers round about the parlor floor,
  Scratching all the tables and marring all the chairs,
  Climbing where you shouldn't climb and tumbling down the stairs.
  How'd you get the ink well? We can never guess.
  Now the rug is ruined; so's your little dress.

  Little Master Mischievous, in the cookie jar,
  Who has ever told you where the cookies are?
  Now your sticky fingers smear the curtains white;
  You have finger-printed everything in sight.
  There's no use in scolding; when you smile that way
  You can rob of terror every word we say.

  Little Master Mischievous, that's the name for you;
  There's no better title that describes the things you do:
  Prying into corners, peering into nooks,
  Tugging table covers, tearing costly books.
  Little Master Mischievous, have your roguish way;
  Time, I know, will stop you, soon enough some day.

{39}

OPPORTUNITY

  So long as men shall be on earth
    There will be tasks for them to do,
  Some way for them to show their worth;
    Each day shall bring its problems new.

  And men shall dream of mightier deeds
    Than ever have been done before:
  There always shall be human needs
    For men to work and struggle for.

{40}

THE SORROW TUGS

  There's a lot of joy in the smiling world,
     there's plenty of morning sun,
  And laughter and songs and dances, too, whenever
     the day's work's done;
  Full many an hour is a shining one, when
     viewed by itself apart,
  But the golden threads in the warp of life are
     the sorrow tugs at your heart.

  Oh, the fun is froth and it blows away, and
     many a joy's forgot,
  And the pleasures come and the pleasures go,
     and memory holds them not;
  But treasured ever you keep the pain that causes
     your tears to start,
  For the sweetest hours are the ones that bring
     the sorrow tugs at your heart.

  The lump in your throat and the little sigh when
     your baby trudged away
  The very first time to the big red school—how
     long will their memory stay?
  The fever days and the long black nights you
     watched as she troubled, slept,
  And the joy you felt when she smiled once
     more—how long will that all be kept?

  The glad hours live in a feeble way, but the sad
     ones never die.
  His first long trousers caused a pang and you
     saw them with a sigh.
  And the big still house when the boy and girl,
     unto youth and beauty grown,
  To college went; will you e'er forget that first
     grim hour alone?

  It seems as you look back over things, that all
     that you treasure dear
  Is somehow blent in a wondrous way with a
     heart pang and a tear.
  Though many a day is a joyous one when
     viewed by itself apart,
  The golden threads in the warp of life are the
     sorrow tugs at your heart.

{42}

ONLY A DAD

  Only a dad with a tired face,
  Coming home from the daily race,
  Bringing little of gold or fame
  To show how well he has played the game;
  But glad in his heart that his own rejoice
  To see him come and to hear his voice.

  Only a dad with a brood of four,
  One of ten million men or more
  Plodding along in the daily strife,
  Bearing the whips and the scorns of life,
  With never a whimper of pain or hate,
  For the sake of those who at home await.

  Only a dad, neither rich nor proud,
  Merely one of the surging crowd,
  Toiling, striving from day to day,
  Facing whatever may come his way,
  Silent whenever the harsh condemn,
  And bearing it all for the love of them.

  Only a dad but he gives his all,
  To smooth the way for his children small,
  Doing with courage stern and grim
  The deeds that his father did for him.
  This is the line that for him I pen:
  Only a dad, but the best of men.

{43}

HARD KNOCKS

  I'm not the man to say that failure's sweet,
    Nor tell a chap to laugh when things go wrong;
  I know it hurts to have to take defeat
    An' no one likes to lose before a throng;
  It isn't very pleasant not to win
    When you have done the very best you could;
  But if you're down, get up an' buckle in—
    A lickin' often does a fellow good.

  I've seen some chaps who never knew their power
    Until somebody knocked 'em to the floor;
  I've known men who discovered in an hour
    A courage they had never shown before.
  I've seen 'em rise from failure to the top
    By doin' things they hadn't understood
  Before the day disaster made 'em drop—
    A lickin' often does a fellow good.

  Success is not the teacher, wise an' true,
    That gruff old failure is, remember that;
  She's much too apt to make a fool of you,
    Which isn't true of blows that knock you flat.
  Hard knocks are painful things an' hard to bear,
    An' most of us would dodge 'em if we could;
  There's something mighty broadening in care—
    A lickin' often does a fellow good.

{44}

SPRING IN THE TRENCHES

  It's coming time for planting in that little patch of ground,
  Where the lad and I made merry as he followed me around;
  Now the sun is getting higher, and the skies above are blue,
  And I'm hungry for the garden, and I wish the war was through.
      But it's tramp, tramp, tramp,
      And it's never look behind,
      And when you see a stranger's kids
      Pretend that you are blind.

  The spring is coming back again, the birds begin to mate;
  The skies are full of kindness, but the world is full of hate.
  And it's I that should be bending now in peace above the soil
  With laughing eyes and little hands about to bless the toil.
      But it's fight, fight, fight,
      And it's charge at double-quick;
      A soldier thinking thoughts of home
      Is one more soldier sick.

  Last year I brought the bulbs to bloom and saw the roses bud;
  This year I'm ankle deep in mire, and most of it is blood.
  Last year the mother in the door was glad as she could be;
  To-day her heart is full of pain, and mine is hurting me.
      But it's shoot, shoot, shoot,
      And when the bullets hiss,
      Don't let the tears fill up your eyes,
      For weeping

Page 6
soldiers miss.

  Oh, who will tend the roses now and who will sow the seeds?
  And who will do the heavy work the little garden needs?
  And who will tell the lad of mine the things he wants to know,
  And take his hand and lead him round the paths we used to go?
      For it's charge, charge, charge,
      And it's face the foe once more;
      Forget the things you love the most
      And keep your mind on gore.

{46}

FATHER

  Used to wonder just why father
    Never had much time for play,
  Used to wonder why he'd rather
    Work each minute of the day.
  Used to wonder why he never
    Loafed along the road an' shirked;
  Can't recall a time whenever
    Father played while others worked.

  Father didn't dress in fashion,
    Sort of hated clothing new;
  Style with him was not a passion;
    He had other things in view.
  Boys are blind to much that's going
    On about 'em day by day,
  And I had no way of knowing
    What became of father's pay.

  All I knew was when I needed
    Shoes I got 'em on the spot;
  Everything for which I pleaded,
    Somehow, father always got.
  Wondered, season after season,
    Why he never took a rest,
  And that I might be the reason
    Then I never even guessed.

  Father set a store on knowledge;
    If he'd lived to have his way
  He'd have sent me off to college
    And the bills been glad to pay.
  That, I know, was his ambition:
    Now and then he used to say
  He'd have done his earthly mission
    On my graduation day.

  Saw his cheeks were getting paler,
    Didn't understand just why;
  Saw his body growing frailer,
    Then at last I saw him die.
  Rest had come! His tasks were ended,
    Calm was written on his brow;
  Father's life was big and splendid,
    And I understand it now.

{48}

LADDIES

  Show me the boy who never threw
    A stone at someone's cat,
  Or never hurled a snowball swift
    At someone's high silk hat—
  Who never ran away from school,
    To seek the swimming hole,
  Or slyly from a neighbor's yard
    Green apples never stole—

  Show me the boy who never broke
    A pane of window glass,
  Who never disobeyed the sign
    That says: "Keep off the grass."
  Who never did a thousand things,
    That grieve us sore to tell,
  And I'll show you a little boy
    Who must be far from well.

{49}

THE LIVING BEAUTIES

  I never knew, until they went,
  How much their laughter really meant
  I never knew how much the place
  Depended on each little face;
  How barren home could be and drear
  Without its living beauties here.

  I never knew that chairs and books
  Could wear such sad and solemn looks!
  That rooms and halls could be at night
  So still and drained of all delight.
  This home is now but brick and board
  Where bits of furniture are stored.

  I used to think I loved each shelf
  And room for what it was itself.
  And once I thought each picture fine
  Because I proudly called it mine.
  But now I know they mean no more
  Than art works hanging in a store.

  Until they went away to roam
  I never knew what made it home.
  But I have learned that all is base,
  However wonderful the place
  And decked with costly treasures, rare,
  Unless the living joys are there.

{50}

AT BREAKFAST TIME

  My Pa he eats his breakfast in a funny sort of way:
  We hardly ever see him at the first meal of the day.
  Ma puts his food before him and he settles in his place
  An' then he props the paper up and we can't see his face;
  We hear him blow his coffee and we hear him chew his toast,
  But it's for the morning paper that he seems to care the most.

  Ma says that little children mighty grateful ought to be
  To the folks that fixed the evening as the proper time for tea.
  She says if meals were only served to people once a day,
  An' that was in the morning just before Pa goes away,
  We'd never know how father looked when he was in his place,
  Coz he'd always have the morning paper stuck before his face.

  He drinks his coffee steamin' hot, an' passes Ma his cup
  To have it filled a second time, an' never once looks up.
  He never has a word to say, but just sits there an' reads,
  An' when she sees his hand stuck out Ma gives him what he needs.
  She guesses what it is he wants, coz it's no use to ask:
  Pa's got to read his paper an' sometimes that's quite a task.

  One morning we had breakfast an' his features we could see,
  But his face was long an' solemn an' he didn't speak to me,
  An' we couldn't get him laughin' an' we couldn't make him smile,
  An' he said the toast was soggy an' the coffee simply vile.
  Then Ma said: "What's the matter? Why are you so cross an' glum?"
  An' Pa 'most took her head off coz the paper didn't come.

{52}

CAN'T

  Can't is the worst word that's written or spoken;
    Doing more harm here than slander and lies;
  On it is many a strong spirit broken,
    And with it many a good purpose dies.
  It springs from the lips of the thoughtless each morning
    And robs us of courage we need through the day:
  It rings in our ears like a timely-sent warning
    And laughs when we falter and fall by the way.

  Can't is the father of feeble endeavor,
    The parent of terror and half-hearted work;
  It weakens the efforts of artisans clever,
    And makes of the toiler an indolent shirk.
  It poisons the soul of the man with a vision,
    It stifles in infancy many a plan;
  It greets honest toiling with open derision
    And mocks at the hopes and the dreams of a man.

  Can't is a word none should speak without blushing;
    To utter it should be a symbol of shame;
  Ambition and courage it daily is crushing;
    It blights a man's purpose and shortens his aim.
  Despise it with all of your hatred of error;
    Refuse it the lodgment it seeks in your brain;
  Arm against it as a creature of terror,
    And all that you dream of you some day shall gain.

  Can't is the word that is foe to ambition,
    An enemy ambushed to shatter your will;
  Its prey is forever the man with a mission
    And bows but to courage and patience and skill.
  Hate it, with hatred that's deep and undying,
    For once it is welcomed 'twill break any man;
  Whatever the goal you are seeking, keep trying
    And

Page 7
answer this demon by saying: "I can."

{54}

JAMES WHITCOMB RILEY

Written July 22, 1916, when the world lost its "Poet of Childhood."

  There must be great rejoicin' on the Golden
     Shore to-day,
  An' the big an' little angels must be feelin'
     mighty gay:
  Could we look beyond the curtain now I fancy
     we should see
  Old Aunt Mary waitin', smilin', for the coming
     that's to be,
  An' Little Orphant Annie an' the whole excited
     pack
  Dancin' up an' down an' shoutin': "Mr. Riley's
     comin' back!"

  There's a heap o' real sadness in this good old
     world to-day;
  There are lumpy throats this morning now that
     Riley's gone away;
  There's a voice now stilled forever that in
     sweetness only spoke
  An' whispered words of courage with a faith that
     never broke.
  There is much of joy and laughter that we
     mortals here will lack,
  But the angels must be happy now that Riley's
     comin' back.

  The world was gettin' dreary, there was too
     much sigh an' frown
  In this vale o' mortal strivin', so God sent Jim
     Riley down,
  An' He said: "Go there an' cheer 'em in your
     good old-fashioned way,
  With your songs of tender sweetness, but don't
     make your plans to stay,
  Coz you're needed up in Heaven. I am lendin'
     you to men
  Just to help 'em with your music, but I'll want
     you back again."

  An' Riley came, an' mortals heard the music of
     his voice
  An' they caught his songs o' beauty an' they
     started to rejoice;
  An' they leaned on him in sorrow, an' they
     shared with him their joys,
  An' they walked with him the pathways that
     they knew when they were boys.
  But the heavenly angels missed him, missed his
     tender, gentle knack
  Of makin' people happy, an' they wanted Riley
     back.

  There must be great rejoicin' on the streets of
     Heaven to-day
  An' all the angel children must be troopin'
     down the way,
  Singin' heavenly songs of welcome an' preparin'
     now to greet
  The soul that God had tinctured with an
     ever-lasting sweet;
  The world is robed in sadness an' is draped in
     sombre black;
  But joy must reign in Heaven now that Riley's
     comin' back.

{56}

RESULTS AND ROSES

  The man who wants a garden fair,
    Or small or very big,
  With flowers growing here and there,
    Must bend his back and dig.

  The things are mighty few on earth
    That wishes can attain.
  Whate'er we want of any worth
    We've got to work to gain.

  It matters not what goal you seek
    Its secret here reposes:
  You've got to dig from week to week
    To get Results or Roses.

{57}

THE OTHER FELLOW

  Are you fond of your wife and your children fair?
    So is the other fellow.
  Do you crave pleasures for them to share?
    So does the other fellow.
  Does your heart rejoice when your own are glad?
  And are you troubled when they are sad?
  Well, it's that way, too, in this life, my lad,
    That way with the other fellow.

  Do you want the best for your own to know?
    So does the other fellow.
  Do you stoop to kiss them before you go?
    So does the other fellow.
  When your baby lies on a fevered bed,
  Does your heart run cold with a silent dread?
  Well, it's that way, too, where all mortals tread—
    That way with the other fellow.

  Does it hurt when they want what you cannot buy?
    It does with the other fellow.
  Do you for their comfort yourself deny?
    So does the other fellow.
  Would you wail aloud if your babe should die
  For the lack of care you could not supply?
  Well, it's that way, too, as he travels by,
    That way with the other fellow.

{58}

OUR DUTY TO OUR FLAG

  Less hate and greed
  Is what we need
  And more of service true;
  More men to love
  The flag above
  And keep it first in view.

  Less boast and brag
  About the flag,
  More faith in what it means;
  More heads erect,
  More self-respect,
  Less talk of war machines.

  The time to fight
  To keep it bright
  Is not along the way,
  Nor 'cross the foam,
  But here at home
  Within ourselves—to-day.

  'Tis we must love
  That flag above
  With all our might and main;
  For from our hands,
  Not distant lands,
  Shall come dishonor's stain.

  If that flag be
  Dishonored, we
  Have done it, not the foe;
  If it shall fall
  We first of all
  Shall be to strike a blow.

{59}

THE HUNTER

  Cheek that is tanned to the wind of the north.
    Body that jests at the bite of the cold,
  Limbs that are eager and strong to go forth
    Into the wilds and the ways of the bold;
  Red blood that pulses and throbs in the veins,
    Ears that love silences better than noise;
  Strength of the forest and health of the plains;
    These the rewards that the hunter enjoys.

  Forests were ever the cradles of men;
    Manhood is born of a kinship with trees.
  Whence shall come brave hearts and stout
     muscles, when
    Woods have made way for our cities of ease?
  Oh, do you wonder that stalwarts return
    Yearly to hark to the whispering oaks?
  'Tis for the brave days of old that they yearn:
    These are the splendors the hunter invokes.

{60}

IT'S SEPTEMBER

  It's September, and the orchards are afire with
      red and gold,
  And the nights with dew are heavy, and the
     morning's sharp with cold;
  Now the garden's at its gayest with the salvia
     blazing red
  And the good old-fashioned asters laughing
     at us from their bed;
  Once again in shoes and stockings are the children's
     little feet,
  And the dog now does his snoozing on the
     bright side of the street.

  It's September, and the cornstalks are as high
     as they will go,
  And the red cheeks of the apples everywhere
     begin to show;
  Now the supper's scarcely over ere the darkness
     settles down
  And the moon looms big and yellow at the
     edges of the town;
  Oh, it's good to see the children, when

Page 8
their
     little prayers are said,
  Duck beneath the patchwork covers when they
     tumble into bed.

  It's September, and a calmness and a sweetness
     seem to fall
  Over everything that's living, just as though it
     hears the call
  Of Old Winter, trudging slowly, with his pack
     of ice and snow,
  In the distance over yonder, and it somehow
     seems as though
  Every tiny little blossom wants to look its very
     best
  When the frost shall bite its petals and it droops
     away to rest.

  It's September! It's the fullness and the ripeness
     of the year;
  All the work of earth is finished, or the final
     tasks are near,
  But there is no doleful wailing; every living
     thing that grows,
  For the end that is approaching wears the
     finest garb it knows.
  And I pray that I may proudly hold my head
     up high and smile
  When I come to my September in the golden
     afterwhile.

{62}

HOW DO YOU TACKLE YOUR WORK?

  How do you tackle your work each day?
    Are you scared of the job you find?
  Do you grapple the task that comes your way
    With a confident, easy mind?
  Do you stand right up to the work ahead
    Or fearfully pause to view it?
  Do you start to toil with a sense of dread
    Or feel that you're going to do it?

  You can do as much as you think you can,
    But you'll never accomplish more;
  If you're afraid of yourself, young man,
    There's little for you in store.
  For failure comes from the inside first,
    It's there if we only knew it,
  And you can win, though you face the worst,
    If you feel that you're going to do it.