The Project Gutenberg eBook, A Popular History of the Art of Music, by W. S. B. Mathews
Title: A Popular History of the Art of Music
From the Earliest Times Until the Present
Author: W. S. B. Mathews
Release Date: January 5, 2007 [eBook #20293]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK A POPULAR HISTORY OF THE ART OF MUSIC***
E-text prepared by Juliet Sutherland, Linda Cantoni,
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Thanks to Alex Guzman
for help with the modern transcription of neume notation.
A POPULAR HISTORY
OF THE
ART OF MUSIC
From the Earliest Times Until the Present.
With Accounts of the Chief Musical Instruments and Scales; the
Principles and Artistic Value of Their Music; together
with Biographical Notices of the Greater
Composers, Chronological Charts,
Specimens of Music, and
Many Engravings.
BY W. S. B. MATHEWS,
Editor of "Music" Magazine,
Author of "How to Understand Music," "Studies in Phrasing," "Twenty
Lessons to a Beginner," "Primer of Musical Forms," Associate
Editor of Mason's "Pianoforte Technics," etc., etc.
CONTENTS
CHICAGO:
THE "MUSIC" MAGAZINE PUBLISHING CO.
1402-5 THE AUDITORIUM.
Copyright by W. S. B. Mathews, 1891.
TO
DR. FLORENCE ZIEGFELD,
President of the Chicago Musical College
THIS WORK IS
RESPECTFULLY DEDICATED.
PREFACE.
HAVE here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.
The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.
I have divided the entire history into books, placing at the beginning of each book a general chapter defining the central idea and salient features of the step in development therein recounted. The student who will attentively peruse these chapters in succession will have in them a fairly complete account of the entire progress.
W. S. B. MATHEWS.
Chicago, May 5, 1891.
LIST OF ILLUSTRATIONS.
PAGE. Chart of Greatest Composers 11 Chart of Italian Composers 12 Chart of German Composers 13 Pianists and Composers for Piano 14 King David Playing the Three-stringed Crwth 24 Egyptian Representations, 4th Dynasty 28 Bruce's Harpers 30 Harp and Musicians of 20th Dynasty 32
Transcriber's Note: The listed illustration of Sterndale-Bennett is not in the original book, and the illustration of Gade is actually on page 518. There are additional illustrations, not listed above, of Glinka, Tchaikovsky, Smetana, Dvorak, and Grieg. Some illustrations have been moved slightly from their original locations to avoid breaking the flow of text. The page numbers above are the originals; the links point to the actual locations of the illustrations in this e-text.
CONTENTS.
PAGE. LIST OF ILLUSTRATIONS 4