The Project Gutenberg Etext of Prince Zilah, by Jules Claretie, v1 #14 in our series The French Immortals Crowned by the French Academy #1 in our series by Jules Claretie
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Title: Prince Zilah, v1
Author: Jules Claretie
Release Date: April, 2003 [Etext #3927]
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The Project Gutenberg Etext of Prince Zilah, v1, by Gustave Droz
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PRINCE ZILAH
By JULES CLARETIE
With a Preface by Compte d'Haussonville of the French Academy
JULES CLARETIE
Arsene Arnaud Claretie (commonly called Jules), was born on December 3, 1840, at Limoges, the picturesque and smiling capital of Limousin. He has been rightly called the "Roi de la Chronique" and the "Themistocle de la Litterature Contemporaine." In fact, he has written, since early youth, romances, drama, history, novels, tales, chronicles, dramatic criticism, literary criticism, military correspondence, virtually everything! He was elected to the French Academy in 1888.
Claretie was educated at the Lycee Bonaparte, and was destined for a commercial career. He entered a business-house as bookkeeper, but was at the same time contributing already to newspapers and reviews. In 1862 we find him writing for the Diogene; under the pseudonym, "Olivier de Jalin," he sends articles to La France; his nom-deplume in L'Illustration is "Perdican"; he also contributes to the Figaro, 'L'Independence Belge, Opinion Nationale' (1867-1872); he signs articles in the 'Rappel; as "Candide"; in short, his fecundity in this field of literature is very great. He is today a most popular journalist and writes for the 'Presse, Petit Journal, Temps', and others. He has not succeeded as a politician. Under the second Empire he was often in collision with the Government; in 1857 he was sentenced to pay a fine of 1,000 francs, which was a splendid investment; more than once lectures to be given by him were prohibited (1865-1868); in 1871 he was an unsuccessful candidate for L'Assemblee Nationale, both for La Haute Vienne and La Seine. Since that time he has not taken any active part in politics. Perhaps we should also mention that as a friend of Victor Noir he was called as a witness in the process against Peter Bonaparte; and that as administrator of the Comedie Francaise he directed, in 1899, an open letter to the "President and Members of the Court Martial trying Captain Dreyfus" at Rennes, advocating the latter's acquittal. So much about Claretie as a politician!
The number of volumes and essays written by Jules Claretie surpasses imagination, and it is, therefore, almost impossible to give a complete list. As a historian he has selected mostly revolutionary subjects. The titles of some of his prominent works in this field are 'Les Derniers Montagnards (1867); Histoire de la Revolution de 1870-71 (second edition, 1875, 5 vols.); La France Envahie (1871); Le Champ de Bataille de Sedan (1871); Paris assiege and Les Prussiens chez eux (1872); Cinq Ans apres, L'Alsace et la Lorraine depuis l'Annexion (1876); La Guerre Nationale 1870-1871', etc., most of them in the hostile, anti-German vein, natural to a "Chauvinist"; 'Ruines et Fantomes (1873). Les Femmes de la Revolution (1898)' contains a great number of portraits, studies, and criticisms, partly belonging to political, partly to literary, history. To the same category belong: Moliere, sa Vie et ses OEuvres (1873); Peintres et Sculpteurs Contemporains, and T. B. Carpeaux (1875); L'Art et les Artistes Contemporains (1876)', and others. Quite different from the above, and in another phase of thought, are: 'Voyages d'un Parisien (1865); Journees de Voyage en Espagne et France (1870); Journees de Vacances (1887)'; and others.
It is, however, as a novelist that the fame of Claretie will endure. He has followed the footsteps of George Sand and of Balzac. He belongs to the school of "Impressionists," and, although he has a liking for exceptional situations, wherefrom humanity does not always issue without serious blotches, he yet is free from pessimism. He has no nervous disorder, no "brain fag," he is no pagan, not even a nonbeliever, and has happily preserved his wholesomeness of thought; he is averse to exotic ideas, extravagant depiction, and inflammatory language. His novels and tales contain the essential qualities which attract and retain the reader. Some of his works in chronological order, omitting two or three novels, written when only twenty or twenty-one years old, are: 'Pierrille, Histoire de Village (1863); Mademoiselle Cachemire (1867); Un Assassin, also known under the title Robert Burat (1867); Madeleine Bertin, replete with moderated sentiment, tender passion, and exquisite scenes of social life (1868); Les Muscadins (1874, 2 vols.); Le Train No. 17 (1877); La Maison Vide (1878); Le Troisieme dessous (1879); La Maitresse (1880); Monsieur le Ministre (1882); Moeurs du Jour (1883); Le Prince Zilah (1884), crowned by the Academy four years before he was elected; Candidat!(1887); Puyjoli (1890); L'Americaine (1892); La Frontiere (1894); Mariage Manque (1894); Divette (1896); L'Accusateur (1897), and others.
It is, perhaps, interesting to know that after the flight of the Imperial family from the Tuileries, Jules Claretie was appointed to put into order the various papers, documents, and letters left behind in great chaos, and to publish them, if advisable.
Very numerous and brilliant have also been the incursions of Jules Claretie into the theatrical domain, though he is a better novelist than playwright. He was appointed director of the Comedie Francaise in 1885. His best known dramas and comedies are: 'La Famille de Gueux, in collaboration with Della Gattina (Ambigu, 1869); Raymond Lindey (Menus Plaisirs, 1869, forbidden for some time by French censorship); Les Muscadins (Theatre Historique, 1874); Un Pyre (with Adrien Decourcelle, Gymnase, 1874); Le Regiment de Champagne (Theatre Historique, 1877); Monsieur le Ministre, together with Dumas fils and Busnach (Gymnase, 1883); and Prince Zilah (Gymnase, 1885).
Some of them, as will be noticed, are adapted to the stage from his novels. In Le Regiment de Champagne, at least, he has written a little melodramatically. But thanks to the battles, fumes of powder, muskets, and cannons upon the stage the descendants of Jean Chauvin accept it with frenetic applause. In most of the plays, however, he exhibits a rather nervous talent, rich imagination, and uses very scintillating and picturesque language, if he is inclined to do so—and he is very often inclined. He received the "Prix Vitet" in 1879 from the Academy for Le Drapeau. Despite our unlimited admiration for Claretie the journalist, Claretie the historian, Claretie the dramatist, and Claretie the art- critic, we think his novels conserve a precious and inexhaustible mine for the Faguets and Lansons of the twentieth century, who, while frequently utilizing him for the exemplification of the art of fiction, will salute him as "Le Roi de la Romance."
COMPTE D'HAUSSONVILLE de L'Academie Francaise.
PRINCE ZILAH
BOOK 1.
CHAPTER I
THE BETROTHAL FETE
The question was addressed to a small, dark man, who, leaning upon the parapet of the Quai des Tuileries, was rapidly writing in a note-book with a large combination pencil, containing a knife, a pen, spare leads, and a paper-cutter—all the paraphernalia of a reporter accustomed to the expeditions of itinerant journalism.
When he had filled, in his running hand, a leaf of the book, the little man tore it hastily off, and extended it to a boy in dark blue livery with silver buttons, bearing the initial of the newspaper, L'Actualite; and then, still continuing to write, he replied:
"Prince Andras Zilah is giving a fete on board one of the boats belonging to the Compagnie de la Seine."
"A fete? Why?"
"To celebrate his approaching marriage, Monsieur."
"Prince Andras! Ah!" said the first speaker, as if he knew the name well; "Prince Andras is to be married, is he? And who does Prince Andras Zil—"
"Zilah! He is a Hungarian, Monsieur."
The reporter appeared to be in a hurry, and, handing another leaf to the boy, he said:
"Wait here a moment. I am going on board, and I will send you the rest of the list of guests by a sailor. They can prepare the article from what you have, and set it up in advance, and I will come myself to the office this evening and make the necessary additions."
"Very well, Monsieur Jacquemin."
"And don't lose any of the leaves."
"Oh, Monsieur Jacquemin! I never lose anything!"
"They will have some difficulty, perhaps, in reading the names—they are all queer; but I shall correct the proof myself."
"Then, Monsieur," asked the lounger again, eager to obtain all the information he could, "those people who are going on board are almost all foreigners?"
"Yes, Monsieur; yes, Monsieur; yes, Monsieur!" responded jacquemin, visibly annoyed. "There are many foreigners in the city, very many; and I prefer them, myself, to the provincials of Paris."
The other did not seem to understand; but he smiled, thanked the reporter, and strolled away from the parapet, telling all the people he met: "It is a fete! Prince Andras, a Hungarian, is about to be married. Prince Andras Zilah! A fete on board a steamer! What a droll idea!"
Others, equally curious, leaned over the Quai des Tuileries and watched the steamer, whose tricolor flag at the stern, and red streamers at the mastheads, floated with gay flutterings in the fresh morning breeze. The boat was ready to start, its decks were waxed, its benches covered with brilliant stuffs, and great masses of azaleas and roses gave it the appearance of a garden or conservatory. There was something highly attractive to the loungers on the quay in the gayly decorated steamer, sending forth long puffs of white smoke along the bank. A band of dark- complexioned musicians, clad in red trousers, black waistcoats heavily embroidered in sombre colors, and round fur caps, played odd airs upon the deck; while bevies of laughing women, almost all pretty in their light summer gowns, alighted from coupes and barouches, descended the flight of steps leading to the river, and crossed the plank to the boat, with little coquettish graces and studied raising of the skirts, allowing ravishing glimpses of pretty feet and ankles. The defile of merry, witty Parisiennes, with their attendant cavaliers, while the orchestra played the passionate notes of the Hungarian czardas, resembled some vision of a painter, some embarkation for the dreamed-of Cythera, realized by the fancy of an artist, a poet, or a great lord, here in nineteenth century Paris, close to the bridge, across which streamed, like a living antithesis, the realism of crowded cabs, full omnibuses, and hurrying foot-passengers.
Prince Andras Zilah had invited his friends, this July morning, to a breakfast in the open air, before the moving panorama of the banks of the Seine.
Very well known in Parisian society, which he had sought eagerly with an evident desire to be diverted, like a man who wishes to forget, the former defender of Hungarian independence, the son of old Prince Zilah Sandor, who was the last, in 1849, to hold erect the tattered standard of his country, had been prodigal of his invitations, summoning to his side his few intimate friends, the sharers of his solitude and his privacy, and also the greater part of those chance fugitive acquaintances which the life of Paris inevitably gives, and which are blown away as lightly as they appeared, in a breath of air or a whirlwind.
Count Yanski Varhely, the oldest, strongest, and most devoted friend of all those who surrounded the Prince, knew very well why this fanciful idea had come to Andras. At forty-four, the Prince was bidding farewell to his bachelor life: it was no folly, and Yanski saw with delight that the ancient race of the Zilahs, from time immemorial servants of patriotism and the right, was not to be extinct with Prince Andras. Hungary, whose future seemed brightening; needed the Zilahs in the future as she had needed them in the past.
"I have only one objection to make to this marriage," said Varhely; "it should have taken place sooner." But a man can not command his heart to love at a given hour. When very young, Andras Zilah had cared for scarcely anything but his country; and, far from her, in the bitterness of exile, he had returned to the passion of his youth, living in Paris only upon memories of his Hungary. He had allowed year after year to roll by, without thinking of establishing a home of his own by marriage. A little late, but with heart still warm, his spirit young and ardent, and his body strengthened rather than worn out by life, Prince Andras gave to a woman's keeping his whole being, his soul with his name, the one as great as the other. He was about to marry a girl of his own choice, whom he loved romantically; and he wished to give a surrounding of poetic gayety to this farewell to the past, this greeting to the future. The men of his race, in days gone by, had always displayed a gorgeous, almost Oriental originality: the generous eccentricities of one of Prince Andras's ancestors, the old Magyar Zilah, were often cited; he it was who made this answer to his stewards, when, figures in hand, they proved to him, that, if he would farm out to some English or German company the cultivation of his wheat, corn, and oats, he would increase his revenue by about six hundred thousand francs a year:
"But shall I make these six hundred thousand francs from the nourishment of our laborers, farmers, sowers, and gleaners? No, certainly not; I would no more take that money from the poor fellows than I would take the scattered grains from the birds of the air."
It was also this grandfather of Andras, Prince Zilah Ferency, who, when he had lost at cards the wages of two hundred masons for an entire year, employed these men in constructing chateaux, which he burned down at the end of the year to give himself the enjoyment of fireworks upon picturesque ruins.
The fortune of the Zilahs was then on a par with the almost fabulous, incalculable wealth of the Esterhazys and Batthyanyis. Prince Paul Esterhazy alone possessed three hundred and fifty square leagues of territory in Hungary. The Zichys, the Karolyis and the Szchenyis, poorer, had but two hundred at this time, when only six hundred families were proprietors of six thousand acres of Hungarian soil, the nobles of Great Britain possessing not more than five thousand in England. The Prince of Lichtenstein entertained for a week the Emperor of Austria, his staff and his army. Old Ferency Zilah would have done as much if he had not
From his ancestors Prince Andras inherited, therefore, superb liberality, with a fortune greatly diminished by all sorts of losses and misfortunes —half of it confiscated by Austria in 1849, and enormous sums expended for the national cause, Hungarian emigrants and proscribed compatriots. Zilah nevertheless remained very rich, and was an imposing figure in Paris, where, some years before, after long journeyings, he had taken up his abode.
The little fete given for his friends on board the Parisian steamer was a trifling matter to the descendant of the magnificent Magyars; but still there was a certain charm about the affair, and it was a pleasure for the Prince to see upon the garden-like deck the amusing, frivolous, elegant society, which was the one he mingled with, but which he towered above from the height of his great intelligence, his conscience, and his convictions. It was a mixed and bizarre society, of different nationalities; an assemblage of exotic personages, such as are met with only in Paris in certain peculiar places where aristocracy touches Bohemianism, and nobles mingle with quasi-adventurers; a kaleidoscopic society, grafting its vices upon Parisian follies, coming to inhale the aroma and absorb the poison of Paris, adding thereto strange intoxications, and forming, in the immense agglomeration of the old French city, a sort of peculiar syndicate, an odd colony, which belongs to Paris, but which, however, has nothing of Paris about it except its eccentricities, which drive post-haste through life, fill the little journals with its great follies, is found and found again wherever Paris overflows—at Dieppe, Trouville, Vichy, Cauteret, upon the sands of Etretat, under the orange-trees of Nice, or about the gaming tables of Monaco, according to the hour, season, and fashion.
This was the sort of assemblage which, powdered, perfumed, exquisitely dressed, invaded, with gay laughter and nervous desire to be amused, the boat chartered by the Prince. Above, pencil in hand, the little dark man with the keen eyes, black, pointed beard and waxed moustache, continued to take down, as the cortege defiled before him, the list of the invited guests: and upon the leaves fell, briskly traced, names printed a hundred times a day in Parisian chronicles among the reports of the races of first representations at the theatres; names with Slav, Latin, or Saxon terminations; Italian names, Spanish, Hungarian, American names; each of which represented fortune, glory, power, sometimes scandal—one of those imported scandals which break out in Paris as the trichinae of foreign goods are hatched there.
The reporter wrote on, wrote ever, tearing off and handing to the page attached to 'L'Actualite' the last leaves of his list, whereon figured Yankee generals of the War of the Rebellion, Italian princesses, American girls flirting with everything that wore trousers; ladies who, rivals of Prince Zilah in wealth, owned whole counties somewhere in England; great Cuban lords, compromised in the latest insurrections and condemned to death in Spain; Peruvian statesmen, publicists, and military chiefs at once, masters of the tongue, the pen, and the revolver; a crowd of originals, even a Japanese, an elegant young man, dressed in the latest fashion, with a heavy sombrero which rested upon his straight, inky-black hair, and which every minute or two he took off and placed under his left arm, to salute the people of his acquaintance with low bows in the most approved French manner.
All these odd people, astonishing a little and interesting greatly the groups of Parisians gathered above on the sidewalks, crossed the gangway leading to the boat, and, spreading about on the deck, gazed at the banks and the houses, or listened to the czardas which the Hungarian musicians were playing with a sort of savage frenzy beneath the French tricolor united to the three colors of their own country.
The Tzigani thus saluted the embarkation of the guests; and the clear, bright sunshine enveloped the whole boat with a golden aureole, joyously illuminating the scene of feverish gayety and childish laughter.
CHAPTER II
THE BARONESS'S MATCHMAKING
The Prince Zilah met his guests with easy grace, on the deck in front of the foot-bridge. He had a pleasant word for each one as they came on board, happy and smiling at the idea of a breakfast on the deck of a steamer, a novel amusement which made these insatiable pleasure-seekers forget the fashionable restaurants and the conventional receptions of every day.
"What a charming thought this was of yours, Prince, so unexpected, so
Parisian, ah, entirely Parisian!"
In almost the same words did each newcomer address the Prince, who smiled, and repeated a phrase from Jacquemin's chronicles: "Foreigners are more Parisian than the Parisians themselves."
A smile lent an unexpected charm to the almost severe features of the host. His usual expression was rather sad, and a trifle haughty. His forehead was broad and high, the forehead of a thinker and a student rather than that of a soldier; his eyes were of a deep, clear blue, looking directly at everything; his nose was straight and regular, and his beard and moustache were blond, slightly gray at the corners of the mouth and the chin. His whole appearance, suggesting, as it did, reserved strength and controlled passion, pleased all the more because, while commanding respect, it attracted sympathy beneath the powerful exterior, you felt there was a tender kindliness of heart.
There was no need for the name of Prince Andras Zilah—or, as they say in Hungary, Zilah Andras—to have been written in characters of blood in the history of his country, for one to divine the hero in him: his erect figure, the carriage of his head, braving life as it had defied the bullets of the enemy, the strange brilliance of his gaze, the sweet inflections of his voice accustomed to command, and the almost caressing gestures of his hand used to the sword—all showed the good man under the brave, and, beneath the indomitable soldier, the true gentleman.
When they had shaken the hand of their host, the guests advanced to the bow of the boat to salute a young girl, an exquisite, pale brunette, with great, sad eyes, and a smile of infinite charm, who was half-extended in a low armchair beneath masses of brilliant parti-colored flowers. A stout man, of the Russian type, with heavy reddish moustaches streaked with gray, and an apoplectic neck, stood by her side, buttoned up in his frock-coat as in a military uniform.
Every now and then, leaning over and brushing with his moustaches her delicate white ear, he would ask:
"Are you happy, Marsa?"
And Marsa would answer with a smile ending in a sigh, as she vaguely contemplated the scene before her:
"Yes, uncle, very happy."
Not far from these two was a little woman, still very pretty, although of a certain age—the age of embonpoint—a brunette, with very delicate features, a little sensual mouth, and pretty rosy ears peeping forth from skilfully arranged masses of black hair. With a plump, dimpled hand, she held before her myopic eyes a pair of gold-mounted glasses; and she was speaking to a man of rather stern aspect, with a Slav physiognomy, a large head, crowned with a mass of crinkly hair as white as lamb's wool, a long, white moustache, and shoulders as broad as an ox; a man already old, but with the robust strength of an oak. He was dressed neither well nor ill, lacking distinction, but without
"Indeed, my dear Varhely, I am enchanted with this idea of Prince Andras. I am enjoying myself excessively already, and I intend to enjoy myself still more. Do you know, this scheme of a breakfast on the water is simply delightful! Don't you find it so? Oh! do be a little jolly, Varhely!"
"Do I seem sad, then, Baroness?"
Yanski Varhely, the friend of Prince Andras, was very happy, however, despite his rather sombre air. He glanced alternately at the little woman who addressed him, and at Marsa, two very different types of beauty: Andras's fiancee, slender and pale as a beautiful lily, and the little Baroness Dinati, round and rosy as a ripe peach. And he was decidedly pleased with this Marsa Laszlo, against whom he had instinctively felt some prejudice when Zilah spoke to him for the first time of marrying her. To make of a Tzigana—for Marsa was half Tzigana— a Princess Zilah, seemed to Count Varhely a slightly bold resolution. The brave old soldier had never understood much of the fantastic caprices of passion, and Andras seemed to him in this, as in all other things, just a little romantic. But, after all, the Prince was his own master, and whatever a Zilah did was well done. So, after reflection, Zilah's marriage became a joy to Varhely, as he had just been declaring to the fiancee's uncle, General Vogotzine.
Baroness Dinati was therefore wrong to suspect old Yanski Varhely of any 'arriere-pensee'. How was it possible for him not to be enchanted, when he saw Andras absolutely beaming with happiness?
They were now about to depart, to raise the anchor and glide down the river along the quays. Already Paul Jacquemin, casting his last leaves to the page of L'Actualite, was quickly descending the gangplank. Zilah scarcely noticed him, for he uttered a veritable cry of delight as he perceived behind the reporter a young man whom he had not expected.
"Menko! My dear Michel!" he exclaimed, stretching out both hands to the newcomer, who advanced, excessively pale. "By what happy chance do I see you, my dear boy?"
"I heard in London that you were to give this fete. The English newspapers had announced your marriage, and I did not wish to wait longer—I——."
He hesitated a little as he spoke, as if dissatisfied, troubled, and a moment before (Zilah had not noticed it) he had made a movement as if to go back to the quay and leave the boat.
Michel Menko, however, had not the air of a timid man. He was tall, thin, of graceful figure, a man of the world, a military diplomat. For some reason or other, at this moment, he exhibited a certain uneasiness in his face, which ordinarily bore a rather brilliant color, but which was now almost sallow. He was instinctively seeking some one among the Prince's guests, and his glance wandered about the deck with a sort of dull anger.
Prince Andras saw only one thing in Menko's sudden appearance; the young man, to whom he was deeply attached, and who was the only relative he had in the world (his maternal grandmother having been a Countess Menko), his dear Michel, would be present at his marriage. He had thought Menko ill in London; but the latter appeared before him, and the day was decidedly a happy one.
"How happy you make me, my dear fellow!" he said to him in a tone of affection which was almost paternal.
Each demonstration of friendship by the Prince seemed to increase the young Count's embarrassment. Beneath a polished manner, the evidence of an imperious temperament appeared in the slightest glance, the least gesture, of this handsome fellow of twenty-seven or twenty-eight years. Seeing him pass by, one could easily imagine him with his fashionable clothes cast aside, and, clad in the uniform of the Hungarian hussars, with closely shaven chin, and moustaches brushed fiercely upward, manoeuvring his horse on the Prater with supple grace and nerves like steel.
Menko's gray eyes, with blue reflections in them, which made one think of the reflection of a storm in a placid lake, became sad when calm, but were full of a threatening light when animated. The gaze of the young man had precisely this aggressive look when he discovered, half hidden among the flowers, Marsa seated in the bow of the boat; then, almost instantaneously a singular expression of sorrow or anguish succeeded, only in its turn to fade away with the rapidity of the light of a falling star; and there was perfect calm in Menko's attitude and expression when Prince Zilah said to him:
"Come, Michel, let me present you to my fiancee. Varhely is there also."
And, taking Menko's arm, he led him toward Marsa. "See," he said to the young girl, "my happiness is complete."
She, as Michel Menko bowed low before her, coldly and almost imperceptibly inclined her dark head, while her large eyes, under the shadow of their heavy lashes, seemed vainly trying to meet the gray eyes of the young man.
Andras beckoned Varhely to come to Marsa, who was white as marble, and said softly, with a hand on the shoulder of each of the two friends, who represented to him his whole life—Varhely, the past; Michel Menko, his recovered youth and the future.
"If it were not for that stupid superstition which forbids one to proclaim his happiness, I should tell you how happy I am, very happy. Yes, the happiest of men," he added.
Meanwhile, the little Baroness Dinati, the pretty brunette, who had just found Varhely a trifle melancholy, had turned to Paul Jacquemin, the accredited reporter of her salon.
"That happiness, Jacquemin," she said, with a proud wave of the hand, "is my work. Without me, those two charming savages, so well suited to each other, Marsa and Andras Zilah, would never have met. On what does happiness depend!"
"On an invitation card engraved by Stern," laughed Jacquemin. "But you have said too much, Baroness. You must tell me the whole story. Think what an article it would make: The Baroness's Matchmaking! The romance! Quick, the romance! The romance, or death!"
"You have no idea how near you are to the truth, my dear Jacquemin: it is indeed a romance; and, what is more, a romantic romance. A romance which has no resemblance to—you have invented the word—those brutalistic stories which you are so fond of."
"Which I am very fond of, Baroness, I confess, especially when they are just a little—you know!"
"But this romance of Prince Andras is by no means just a little—you know! It is—how shall I express it? It is epic, heroic, romantic—what you will. I will relate it to you."
"It will sell fifty thousand copies of our paper," gayly exclaimed
Jacquemin, opening his ears, and taking notes mentally.
CHAPTER III
THE STORY OF THE ZILAHS
Andras Zilah, Transylvanian Count and Prince of the Holy Empire, was one of those heroes who devote their whole lives to one aim, and, when they love, love always.
Born for action, for chivalrous and incessant struggle, he had sacrificed his first youth to battling for his country. "The Hungarian was created on horseback," says a proverb, and Andras did not belie the saying. In '48, at the age of fifteen, he was in the saddle, charging the Croatian hussars, the redcloaks, the terrible darkskinned Ottochan horsemen, uttering frightful yells, and brandishing their big damascened guns. It seemed then to young Andras that he was assisting at one of the combats of the Middle Ages, during one of those revolts against the Osmanlis, of which he had heard so much when a child.
In the old castle, with towers painted red in
Once at Buda, the father had taken the son to the spot, where, in 1795, fell the heads of noble Hungarians, accused of republicanism; and he said to him, as the boy stood with uncovered head:
"This place is called the Field of Blood. Martinowitz was beheaded here for his faith. Remember, that a man's life belongs to his duty, and not to his happiness."
And when he returned to the great sombre halls of the castle, whence in bygone days the Turks had driven out his ancestors, and whence, in their turn, throwing off the yoke of the conquerors, his ancestors had driven out the Turks, little Prince Andras found again examples before him in the giants in semi-oriental costumes, glittering in steel or draped in purple, who looked down upon him from their frames; smoke-blackened paintings wherein the eagle eyes and long moustaches of black hussars, contemporaries of Sobieski, or magnates in furred robes, with aigrettes in their caps, and curved sabres garnished with precious stones and enamel, attracted and held spellbound the silent child, while through the window floated in, sung by some shepherd, or played by wandering Tzigani, the refrain of the old patriotic ballad 'Czaty Demeter', the origin of which is lost in the mist of ages
Remember, oh, yes! remember our ancestors! Brave, proud Magyars, when you left the land of the Scythians, brave ancestors, great forefathers, you did not suspect that your sons would be slaves! Remember, oh, yes! remember our ancestors!
Andras did remember them, and he knew by heart their history. He knew the heroism of Prince Zilah Sandor falling in Mohacz in 1566 beside his wife Hanska who had followed him, leaving in the cradle her son Janski, whose grandson, Zilah Janos, in 1867, at the very place where his ancestor had been struck, sabred the Turks, crying: "Sandor and Hanska, look down upon me; your blood avenges you!"
There was not one of those men, whose portraits followed the child with their black eyes, who was not recorded in the history of his country for some startling deed or noble sacrifice. All had fought for Hungary: the greater part had died for her. There was a saying that the deathbed of the Zilahs was a bloody battleground. When he offered his name and his life to Maria Theresa, one of the Zilah princes had said proudly to the Empress: "You demand of the Hungarians gold, they bring you steel. The gold was to nourish your courtiers, the steel will be to save your crown. Forward!" These terrible ancestors were, besides, like all the magnates of Hungary, excessively proud of their nobility and their patriarchal system of feudalism. They knew how to protect their peasants, who were trained soldiers, how to fight for them, and how to die at their head; but force seemed to them supreme justice, and they asked nothing but their sword with which to defend their right. Andras's father, Prince Sandor, educated by a French tutor who had been driven from Paris by the Revolution, was the first of all his family to form any perception of a civilization based upon justice and law, and not upon the almighty power of the sabre. The liberal education which he had received, Prince Sandor transmitted to his son. The peasants, who detested the pride of the Magyars, and the middle classes of the cities, mostly tradesmen who envied the castles of these magnates, soon became attracted, fascinated, and enraptured with this transformation in the ancient family of the Zilahs. No man, not even Georgei, the Spartanlike soldier, nor the illustrious Kossuth, was more popular in 1849, at the time of the struggle against Austria, than Prince Sandor Zilah and his son, then a handsome boy of sixteen, but strong and well built as a youth of twenty.
At this youthful age, Andras Zilah had been one of those magnates, who, the 'kalpach' on the head, the national 'attila' over the shoulder and the hand upon the hilt of the sword, had gone to Vienna to plead before the Emperor the cause of Hungary. They were not listened to, and one evening, the negotiations proving futile, Count Batthyanyi said to Jellachich:
"We shall soon meet again upon the Drave!"
"No," responded the Ban of Croatia, "I will go myself to seek you upon the Danube!"
This was war; and Prince Sandor went, with his son, to fight bravely for the old kingdom of St. Stephen against the cannon and soldiers of Jellachich.
All these years of blood and battle were now half forgotten by Prince Andras; but often Yanski Varhely, his companion of those days of hardship, the bold soldier who in former times had so often braved the broadsword of the Bohemian cuirassiers of Auersperg's regiment, would recall to him the past with a mournful shake of the head, and repeat, ironically, the bitter refrain of the song of defeat:
Dance, dance, daughters of Hungary!
Tread now the measure so long delayed.
Murdered our sons by the shot or the hangman!
In this land of pleasure, oh! be not dismayed;—
Now is the time, brown daughters of Hungary,
To dance to the measure of true hearts betrayed!
And then, these melancholy words calling up the memory of disaster, all would revive before Andras Zilah's eyes—the days of mourning and the days of glory; the exploits of Bem; the victories of Dembiski; the Austrian flags taken at Goedolloe; the assaults of Buda; the defence of Comorn; Austria, dejected and defeated, imploring the aid of Russia; Hungary, beaten by the force of numbers, yet resisting Paskiewich as she had resisted Haynau, and appealing to Europe and the world in the name of the eternal law of nations, which the vanquished invoke, but which is never listened to by the countries where the lion is tearing his prey. And again, Zilah would remember the heroic fatherland struck down at Temesvar; the remnants of an armed people in refuge at Arad; and Klapka still holding out in the island of Comorn at the moment when Georgei had surrendered. Then, again, the obscure deaths of his comrades; the agonies in the ditches and in the depths of the woods; the last despairing cries of a conquered people overwhelmed by numbers:
Dance, dance, daughters of Hungary!
All this bloody past, enveloped as in a crimson cloud, but glorious with its gleams of hope and its flashes of victory, the Prince would revive with old Varhely, in the corner of whose eye at intervals a tear would glisten.
They both saw again the last days of
Beloved Hungary, whose sons, disdaining the universe, used proudly to boast: "Have we not all that man needs? Banat, which gives us wheat; Tisza, wine; the mountain, gold and salt. Our country is sufficient for her children!" And this country, this fruitful country, was now covered with gibbets and corpses.
CHAPTER IV
"WHEN HUNGARY IS FREE!"
All these bitter memories Prince Andras, in spite of the years that had passed, kept ever in his mind one sad and tragic event—the burial of his father, Sandor Zilah, who was shot in the head by a bullet during an encounter with the Croats early in the month of January, 1849.
Prince Sandor was able to grasp the hand of his son, and murmur in the ear of this hero of sixteen:
"Remember! Love and defend the fatherland!"
Then, as the Austrians were close at hand, it was necessary to bury the
Prince in a trench dug in the snow, at the foot of a clump of fir-trees.
Some Hungarian 'honveds, bourgeois' militia, and Varhely's hussars held at the edge of the black opening resinous torches, which the wintry wind shook like scarlet plumes, and which stained the snow with great red spots of light. Erect, at the head of the ditch, his fingers grasping the hand of Yanski Varhely, young Prince Andras gazed upon the earthy bed, where, in his hussar's uniform, lay Prince Sandor, his long blond moustache falling over his closed mouth, his blood-stained hands crossed upon his black embroidered vest, his right hand still clutching the handle of his sabre, and on his forehead, like a star, the round mark of the bit of lead that had killed him.
Above, the whitened branches of the firs looked like spectres, and upon the upturned face of the dead soldier fell flakes of snow like congealed tears. Under the flickering of the torch-flames, blown about by the north wind, the hero seemed at times to move again, and a wild desire came to Andras to leap down into the grave and snatch away the body. He was an orphan now, his mother having died when he was an infant, and he was alone in the world, with only the stanch friendship of Varhely and his duty to his country to sustain him.
"I will avenge you, father," he whispered to the patriot, who could no longer hear his words.
The hussars and honveds had advanced, ready to fire a final salvo over the grave of the Prince, when, suddenly, gliding between the ranks of the soldiers, appeared a band of Tzigani, who began to play the March of Rakoczy, the Hungarian Marseillaise, the stirring melody pealing forth in the night-air, and lending a certain mysteriously touching element to the sad scene. A quick shudder ran through the ranks of the soldiers, ready to become avengers.
The national hymn rang out like a song of glory over the resting-place of the vanquished. The soul of the dead seemed to speak in the voice of the heroic music, recalling to the harassed contestants for liberty the great days of the revolts of the fatherland, the old memories of the struggles against the Turks, the furious charges of the cavaliers across the free puszta, the vast Hungarian plain.
And while, with long sweeps of his arm, the chief of the Tzigani marked the measure, and the 'czimbalom' poured forth its heartrending notes, it seemed to the poor fellows gathered about that the music of the March of Rakoczy summoned a whole fantastic squadron of avengers, horsemen with floating pelisses and herons' plumes in their hats, who, erect in their saddles and with sabres drawn, struck, struck the frightened enemy, and recovered, foot by foot, the conquered territory. There was in this exalted march a sound of horses' hoofs, the clash of arms, a shaking of the earth under the gallop of horsemen, a flash of agraffes, a rustle of pelisses in the wind, an heroic gayety and a chivalrous bravery, like the cry of a whole people of cavaliers sounding the charge of deliverance.
And the young Prince, gazing down upon his dead father, remembered how many times those mute lips had related to him the legend of the czardas, that legend, symbolic of the history of Hungary, summing up all the bitter pain of the conquest, when the beautiful dark girls of Transylvania danced, their tears burning their cheeks, under the lash of the Osmanlis. At first, cold and motionless, like statues whose calm looks silently insulted their possessors, they stood erect beneath the eye of the Turk; then little by little, the sting of the master's whip falling upon their shoulders and tearing their sides and cheeks, their bodies twisted in painful, revolted spasms; the flesh trembled under the cord like the muscles of a horse beneath the spur; and, in the morbid exaltation of suffering, a sort of wild delirium took possession of them, their arms were waved in the air, their heads with hair dishevelled were thrown backward, and the captives, uttering a sound at once plaintive and menacing, danced, their dance, at first slow and melancholy, becoming gradually active, nervous, and interrupted by cries which resembled sobs. And the Hungarian czardas, symbolizing thus the dance of these martyrs, kept still, will always keep, the characteristic of contortions under the lash of bygone days; and, slow and languishing at first, then soon quick and agitated, tragically hysterical, it also is interrupted by melancholy chords, dreary, mournful notes and plaintive accents like drops of blood from a wound-from the mortal wound of Prince Sandor, lying there in his martial uniform.
The bronzed Tzigani, fantastically illumined by the red glare of the torches, stood out against the white background like demons of revenge; and the hymn, feverish, bold, ardent, echoed through the snow-covered branches like a hurricane of victory. They were wandering musicians, who, the evening before, had been discovered in a neighboring village by some of Jellachich's Croats, and whom Prince Sandor had unceremoniously rescued at the head of his hussars; and they had come, with their ancient national airs, the voice of their country, to pay their debt to the fallen hero.
When they had finished, the wintry night-wind bearing away the last notes of their war-song, the pistols of the hussars and the guns of the honveds discharged a salute over the grave. The earth and snow were shovelled in upon the body of Sandor Zilah, and Prince Andras drew away, after marking with a cross the place where his father reposed.
A few paces away, he perceived, among the Tzigani musicians, a young girl, the only woman of the tribe, who wept with mournful sobbings like the echoes of the deserts of the Orient.
He wondered why the girl wept so bitterly, when he, the son, could not shed a tear.
"Because Prince Zilah Sandor was valiant among the valiant," she replied, in answer to his question, "and he died because he would not wear the talisman which I offered him."
Andras looked at the girl.
"What talisman?"
"Some pebbles from the lakes of Tatra, sewn up in a little leather bag."
Andras knew what a
"Give me what you wished to give my father," he said. "I will keep it in memory of him."
A bright, joyous light flashed for a moment across the face of the Tzigana. She extended to the young Prince the little bag of leather containing several small, round pebbles like grains of maize.
"At all events," exclaimed the young. girl, "there will be one Zilah whom the balls of the Croats will spare for the safety of Hungary."
Andras slowly detached from his shoulder the silver agraffe, set with opals, which clasped his fur pelisse, and handed it to the gypsy, who regarded it with admiring eyes as it flashed in the red light.
"The day when my father is avenged," he said, "and our Hungary is free, bring me this jewel, and you and yours come to the castle of the Zilahs. I will give you a life of peace in memory of this night of mourning."
Already, at a distance, could be heard a rapid fusillade about the outposts. The Austrians had perhaps perceived the light from the torches, and were attempting a night attack.
"Extinguish the torches!" cried Yanski Varhely.
The resinous knots hissed as they were thrust into the snow, and the black, sinister night of winter, with the cries of the wind in the branches, fell upon the troop of men, ready to die as their chief had died; and all disappeared vision, phantoms—the Tzigani silently taking refuge in the sombre forest, while here and there could be heard the rattle of the ramrods as the honveds loaded their guns.
This January night appeared now to Andras as an almost fantastic dream. Since then he had erected a mausoleum of marble on the very spot where Prince Sandor fell; and of all the moments of that romantic, picturesque war, the agonizing moment, the wild scene of the burial of his father, was most vivid in his memory—the picture of the warrior stretched in the snow, his hand on the handle of his sword, remained before his eyes, imperishable in its melancholy majesty.