Project Gutenberg Etext of Tales From Shakespeare, by the Lambs
This is version tshak10a.txt, you may want to compare it to:
Tales of Shakespeare, by Charles and Mary Lamb
Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!!
Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*These Etexts Prepared By Hundreds of Volunteers and Donations*
Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations.
Tales From Shakespeare
by Charles and Mary Lamb
April, 1998 [Etext #1286]
Project Gutenberg Etext of Tales From Shakespeare, by the Lambs
*****This file should be named 1286.txt or 1286.zip*****
This etext was prepared by Dianne Bean of Phoenix, Arizona, using OmniPage Pro software donated by Caere.
We are now trying to release all our books one month in advance of the official release dates, for time for better editing.
Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-two text files per month, or 384 more Etexts in 1997 for a total of 1000+ If these reach just 10% of the computerized population, then the total should reach over 100 billion Etexts given away.
The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is only 10% of the present number of computer users. 2001 should have at least twice as many computer users as that, so it will require us reaching less than 5% of the users in 2001.
We need your donations more than ever!
All donations should be made to "Project Gutenberg/CMU": and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University).
For these and other matters, please mail to:
Project Gutenberg
P. O. Box 2782
Champaign, IL 61825
When all other email fails try our Executive Director:
Michael S. Hart <[email protected]>
We would prefer to send you this information by email
(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
******
If you have an FTP program (or emulator), please
FTP directly to the Project Gutenberg archives:
[Mac users, do NOT point and click. . .type]
ftp uiarchive.cso.uiuc.edu login: anonymous password: your@login cd etext/etext90 through /etext96 or cd etext/articles [get suggest gut for more information] dir [to see files] get or mget [to get files. . .set bin for zip files] GET INDEX?00.GUT for a list of books and GET NEW GUT for general information and MGET GUT* for newsletters.
**Information prepared by the Project Gutenberg legal advisor** (Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you can distribute copies of this etext if you want to.
*BEFORE!* YOU USE OR READ THIS ETEXT By using or reading any part of this PROJECT GUTENBERG-tm etext, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this etext by sending a request within 30 days of receiving it to the person you got it from. If you received this etext on a physical medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- tm etexts, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association at Carnegie-Mellon University (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project's "PROJECT GUTENBERG" trademark.
To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
TALES FROM SHAKESPEARE
by
CHARLES AND MARY LAMB
CONTENTS
AUTHOR'S PREFACE
THE TEMPEST
A MIDSUMMER NIGHT's DREAM
WINTER'S TALE
MUCH ADO ABOUT NOTHING
AS YOU LIKE IT
TWO GENTLEMEN OF VERONA
MERCHANT OF VENICE
CYMBELINE
KING LEAR
MACBETH
ALL'S WELL THAT ENDS WELL
TAMING OF THE SHREW
COMEDY OF ERRORS
MEASURE FOR MEASURE
TWELFTH NIGHT; OR, WHAT YOU WILL
TIMON OF ATHENS
ROMEO AND JULIET
HAMLET, PRINCE OF DENMARK
OTHELLO
PERICLES, PRINCE OF TYRE
PREFACE
The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.
In those Tales which have been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to the dramatic form of writing. But this fault, if it be a fault, has been caused by an earnest wish to give as much of Shakespeare's own words as possible: and if the "He said" and "She said," the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way in which could be given to them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted; pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places, where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young readers into the belief that they are reading prose, yet still his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.
It has been wished to make these Tales easy reading for very young children. To the utmost of their ability the writers have constantly kept this in mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies, too, it has been the intention chiefly to write; because boys being generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently have the best scenes of Shakespeare by heart, before their sisters are permitted to look into this manly book; and, therefore, instead of recommending these Tales to the perusal, of young gentlemen who can read them so much better in the originals, their kind assistance is rather requested in explaining to their sisters such parts as are hardest for them to understand: and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken; and it is hoped they will find that the beautiful extracts,
What these Tales shall have been to the YOUNG readers, that and much more it is the writers' wish that the true Plays of Shakespeare may prove to them in older years—enrichers of the fancy, strengtheners of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honorable thoughts d actions, to teach courtesy, benignity, generosity, humanity: for of examples, teaching these virtues, his pages are full.
THE TEMPEST
There was a certain island in the sea, the only inhabitants of which were an old man, whose name was Prospero, and his daughter Miranda, a very beautiful young lady. She came to this island so young that she had no memory of having seen any other human face than her father's.
They lived in a cave or cell, made out of a rock; it was divided into several apartments, one of which Prospero called his study; there he kept his books, which chiefly treated of magic, a study at that time much affected by all learned men: and the knowledge of this art he found very useful to him; for being thrown by a strange chance upon this island, which had been enchanted by a witch called Sycorax, who died there a short time before his arrival, Prospero, by virtue of his art, released many good spirits that Sycorax had imprisoned in the bodies of large trees, because they had refused to execute her wicked commands. These gentle spirits were ever after obedient to the will of Prospero. Of these Ariel was the chief.
The lively little sprite Ariel had nothing mischievous in his nature, except that he took rather too much pleasure in tormenting an ugly monster called Caliban, for be owed him a grudge because he was the son of his old enemy Sycorax. This Caliban, Prospero found in the woods, a strange misshapen thing, far less human in form than an ape: he took him home to his cell, and taught him to speak; and Prospero would have been very kind to him, but the bad nature which Caliban inherited from his mother, Sycorax, would not let him learn anything good or useful: therefore he was employed like a slave, to fetch wood and do the most laborious offices; and Ariel had the charge of compelling him to these services.
When Caliban was lazy and neglected his work, Ariel (who was invisible to all eyes but Prospero's) would come slyly and pinch him, and sometimes tumble him down in the mire; and then Ariel, in the likeness of an ape, would make mouths at him. Then swiftly changing his shape, in the likeness of a hedgehog, he would lie tumbling in Caliban's way, who feared the hedgehog's sharp quills would prick his bare feet. With a variety of such-like vexatious tricks Ariel would often torment him, whenever Caliban neglected the work which Prospero commanded him to do.
Having these powerful spirits obedient to his will, Prospero could by their means command the winds, and the waves of the sea. By his orders they raised a violent storm, in the midst of which, and struggling with the wild sea-waves that every moment,threatened to swallow it up, he showed his daughter a fine large ship, which he told her was full of living beings like themselves. "O my dear father," said she, "if by your art you have raised this dreadful storm, have pity on their sad distress. See! the vessel will be dashed to pieces. Poor souls! they will all perish. If I had power I would sink the sea beneath the earth, rather than the good ship should be destroyed, with all the precious souls within her."
"Be not amazed, daughter Miranda," said Prospero; "there. is no harm done. I have so ordered it, that no person in the ship shall receive any hurt. What I have done has been in care of you, my dear child. You are ignorant who you are, or where you came from, and you know no more of me, but that I am your father and live in this poor cave. Can you remember a time before you came to this cell? I think you cannot, for you were not then three years of age."
"Certainly I can, sir," replied Miranda.
"By what?" asked Prospero; "by any other house or person? Tell me what you can remember, my child."
Miranda said: "It seems to me like the recollection of a dream. But had I not once four or five women who attended upon me?" Prospero answered: "You had, and more. How is it that this still lives in your mind? Do you remember how you came here?" "No, sir," said Miranda, "I remember nothing more."
"Twelve years ago, Miranda," continued Prospero, "I was Duke of Milan, and you were a princess, and my only heir. had a younger brother, whose name was Antonio, to whom I trusted everything; and as I was fond of retirement and deep study I commonly left the management of my state affairs to your uncle, my false brother (for so indeed he proved). 1, neglecting all worldly ends, buried among my books, did dedicate whole time to the bettering of my mind. My brother Antonio, being thus in possession of my power, began to think himself the duke indeed. The opportunity I gave him of making himself popular among my subjects awakened in his bad nature a proud ambition to deprive me of my dukedom; this he soon effected with the aid of the King of Naples, a powerful prince, who was my enemy."
"Wherefore," said Miranda, "did they not that hour destroy us?"
"My child," answered her father, "they durst not, so dear was the love that my people bore me. Antonio carried us on board a ship, and when we were some leagues out at sea, he forced us into a small boat, without either tackle, sail, or mast; there he left us, as he thought, to perish. But a kind lord of my court, one Gonzalo, who loved me, had privately placed in the boat water, provisions, apparel, and some books which I prize above my dukedom."
"O my father," said Miranda, "what a trouble must I have been to you then!"
"No, my love,"' said Prospero, "you were a little cherub that did preserve me.Your innocent smiles made me bear up against my misfortunes. Our food lasted till we landed on this desert island, since when my chief delight has been in teaching you, Miranda, and well have you profited by my instructions."
"Heaven thank you, my dear father," said Miranda. "Now pray tell me, sir, your reason for raising this sea-storm?"
"Know then," said her father, ""that by means of this storm, my enemies, the King of Naples and my cruel brother, are cast ashore upon this island."
Having so said, Prospero gently touched his daughter with his magic wand, and she fell fast asleep; for the spirit Ariel just then presented himself before his master., to give an account of the tempest, and how he had disposed of the ship's company, and though the spirits were always invisible to Miranda, Prospero did not choose she should hear him holding converse (as would seem to her) with the empty air.
"Well, my brave spirit," said Prospero to
Ariel gave a lively description of the storm, and of the terrors of the mariners, and how the king's son, Ferdinand, was the first who leaped into the sea; and his father thought he saw his dear son swallowed up by the waves and lost. "But he is safe," said Ariel, "in a corner of the isle, sitting with his arms folded, sadly lamenting the loss of the king, his father, whom he concludes drowned. Not a hair of his head is injured, and his princely garments, though drenched in the sea-waves, look fresher than before."
"That's my delicate Ariel," said Prospero. "Bring him hither: my daughter must see this young prince. Where is the king, and my brother?"
"I left them," answered Ariel, "searching for Ferdinand, whom they have little hopes of finding, thinking they saw him perish. Of the ship's crew not one is missing; though each one thinks himself the only one saved; and the ship, though invisible to them, is safe in the harbor."
"Ariel," said Prospero, "thy charge is faithfully performed; but there is more work yet."
"Is there more work?" said Ariel. "Let me remind you, master, you have promised me my liberty. I pray, remember, , I have done you worthy service, told you no lies, made no mistakes, served you without grudge or grumbling."
"How now!" said Prospero. "You do not recollect what a torment I freed you from. Have you forgot the wicked witch Sycorax, who with age and envy was almost bent double? Where was she born? Speak; tell me."
"Sir, in Algiers," said Ariel.
"Oh, was she so?" said Prospero. "I must recount what you have been, which I find you do not remember. This bad witch, Sycorax, for her witchcrafts, too terrible to enter human hearing, was banished from Algiers, and here left by the sailors-; and because you were a spirit too delicate to execute her wicked commands, she shut you up in a tree, where I found you howling. This torment, remember, I did free you from."
"Pardon me, dear master," said Ariel, ashamed to seem ungrateful;
"I will obey your commands."
"Do so," said Prospero, "and I will set you free." He then gave orders what further he would have him do; and away went Ariel, first to where he had left Ferdinand, and found him still sitting on the grass in the same melancholy posture.
"Oh, my young gentleman," said Ariel, when he saw him, 'I will soon move you. You must be brought, I find, for the Lady Miranda to have a sight of your pretty person. Come. sir,, follow me." He then began singing:
"Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Hark! now I hear them—Ding-dong, bell."
This strange news of his lost father soon roused the prince from the stupid fit into which he had fallen. He followed in amazement the sound of Ariel's voice, till it led him to Prospero and Miranda, who were sitting under the shade of a large tree. Now Miranda had never seen a man before, except her own father.
"Miranda," said Prospero, "tell me what you are looking at yonder."
"Oh, father," said Miranda, in a strange surprise, "surely that is a spirit. Lord! how it looks about! Believe me, sir, it is a beautiful creature. Is it not a spirit?"
"No, girl," answered her father; "it eats, and sleeps, and has senses such as we have. This young man you see was in the ship. He is somewhat altered by grief, or you might call him a handsome person. He has lost his companions, and is wandering about to find them."
Miranda, who thought all men had grave faces and gray beards like her father, was delighted with the appearance of this beautiful young prince; and Ferdinand, seeing such a lovely lady in this desert place, and from the strange sounds he had heard, expecting nothing but wonders, thought be was upon an enchanted island, and that Miranda was the goddess of the place, and as such he began to address her.
She timidly answered, she was no goddess, but a simple maid and was going to give him an account of herself, when Prospero interrupted her. He was well pleased to find they admired each other, for he plainly perceived they had (as we say) fallen in love at first sight: but to try Ferdinand's constancy, he resolved to throw some difficulties in their way: therefore, advancing forward, be addressed the prince with a stern air, telling him, he came to the island as a spy, to take it from him who was the lord of it. "Follow me," said be. "I will tie your neck and feet together. You shall drink sea-water; shell-fish, withered roots, and husks of acorns shall be your food."
"No," said Ferdinand, "I will resist such entertainment till I see a more powerful enemy," and drew his sword; but Prospero, waving his magic wand, fixed him to the spot where he stood, so that he had no power to move.
Miranda hung upon her father, saying: "Why are you so ungentle? Have pity, I will be his surety. This is the second man I ever saw, and to me he seems a true one."
"Silence!" said the father. "One word more will make me chide you, girl! What! an advocate for an impostor! You think there are no more such fine men, having seen only him and Caliban. I tell you, foolish girl, most men as far excel this as he does Calliban." This he said to prove his daughter's constancy; and she replied:
"My affections are most humble. I have no wish to see a goodlier man."
"Come on, young man," said Prospero to the prince; "you have no power to disobey -me."
"I have not indeed," answered Ferdinand; and not knowing that it was by magic he was deprived of all power of resistance,
they were going to eat, he appeared visible before them in the shape of a harpy, a voracious monster with wings, and the feast vanished away. Then, to their utter amazement, this seeming harpy spoke to them, reminding them of their cruelty in driving Prospero from his dukedom, and leaving him and his infant daughter to perish in the sea, saying, that for this cause these terrors were suffered to afflict them.
The King of Naples, and Antonio the false brother, repented the injustice they had done to Prospero; and Ariel told his master he was certain their penitence was sincere, and that he, though a spirit, could not but pity them.
"Then bring them hither, Ariel," said Prospero: "if you, who are but a spirit, feel for their distress, shall not I, who am a human being like themselves, have compassion on them? Bring them quickly, my dainty Ariel."
Ariel soon returned with the king, Antonio, and old Gonzalo in their train, who had followed him, wondering at the wild music he played in the air to draw them on to his master's presence. This Gonzalo was the same who had so kindly provided Prospero formerly with books and provisions, when his wicked brother left him, as he thought, to perish in an open boat in the sea.
Grief and terror had so stupefied their senses that they did not know Prospero. He first discovered himself to the good old Gonzalo, calling him the preserver of his life; and then his brother and the king knew that he was the injured Prospero.
Antonio, with tears and sad words of sorrow and true repentance, implored his brother's forgiveness, and the king expressed his sincere remorse for having assisted Antonio to depose his brother: and Prospero forgave them; and, upon their engaging to restore his dukedom, he said to the King of Naples, "I have a gift in
Nothing could exceed the joy of the father and the son at this unexpected meeting, for they each thought the other drowned in the storm.
"Oh wonder!" said Miranda, "what noble creatures these are! It must surely be a brave world that has such people in it."
The King of Naples was almost as much astonished at the beauty and excellent graces of the young Miranda as his son had been. "Who is this maid?" said he; "she seems the goddess that has parted us, and brought us thus together."
"No, sir," answered Ferdinand, smiling to find his father had fallen into the same mistake that he had done when he first saw Miranda, "she is a mortal, but by immortal Providence she is mine; I chose her when I could not ask you, my father, for your consent, not thinking you were alive. She is the daughter this Prospero, who is the famous Duke of Milan, of whose renown I have heard so much, but never saw him till now: of him I have received a new life: he has made himself to me a second father, giving me this dear lady."
"Then I must be her father," said the king; "but, oh, how oddly will it sound, that I must ask my child forgiveness."
"No more of that," said Prospero: "let us not remember our troubles past, since they so happily have ended." And then Prospero embraced his brother, and again assured him of his forgiveness; and said that a wise overruling Providence had permitted that he should be driven from his poor dukedom of Milan, that his daughter might inherit the crown of Naples, for that by their meeting in this desert island it had happened that the king's son had loved Miranda.
These kind words which Prospero spoke, meaning to comfort his brother, so filled Antonio with shame and remorse that be wept and was unable to speak; and the kind old Gonzalo wept to see this joyful reconciliation, and prayed for blessings on the young couple.
Prospero now told them that their ship was safe in the harbor, and the sailors all on board her, and that he and his daughter would accompany them home the next morning. "In the mean time," says he, "partake of such refreshments as my poor cave affords; and for your evening's entertainment I will relate the history of my life from my first landing in this desert island." He then called for Caliban to prepare some food, and set the cave in order; and the company were astonished at the uncouth form and savage appearance of this ugly monster, who (Prospero said) was the only attendant he had to wait upon him.
Before Prospero left the island he dismissed Ariel from service, to the great joy of that lively little spirit, who, though he had been a faithful servant to his master, was always longing to enjoy his free liberty, to wander uncontrolled in the air, like a wild bird, under green trees, among pleasant fruits, and sweet-smelling flowers.
"My quaint Ariel," said Prospero to the little sprite when he made him free, "I shall miss you; yet you shall have your freedom."
"Thank you, my dear master," said Ariel; "but give me leave to attend your ship home with prosperous gales, before you bid farewell to the assistance of your faithful spirit; and then, master, when I am free, how merrily I shall live!" Here Ariel sang this pretty song:
"Where the bee sucks, there suck !;
In a cowslip's bell I lie:
There I crouch when owls do cry.
On the bat's back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough."
Prospero then buried deep in the earth his magical books and wand, for he was resolved never more to make use of the magic art. And having thus overcome his enemies, and being reconciled to his brother and the King of Naples, nothing now remained to complete his happiness but to revisit his native land, to take possession of his dukedom, and to witness the happy nuptials of his daughter and Prince Ferdinand, which the king said should be instantly celebrated with great splendor on their return to Naples. At which place, under the safe convoy of the spirit Ariel they, after a pleasant voyage, soon arrived.
A MIDSUMMER NIGHT'S DREAM
There was a law in the city of Athens which gave to its citizens the power of compelling their daughters to marry whomsoever they pleased; for upon a daughter's refusing to marry the man her father had chosen to be her husband, the father was empowered by this law to cause her to be put to death; but as fathers do not often desire the death of their own daughters, even though they do happen to prove a little refractory, this law was seldom or never put in execution, though perhaps the young ladies of that city were not unfrequently threatened by their parents with the terrors of it.
There was one instance, however, of an old man, whose name was Egeus, who actually did come before Theseus (at that time the reigning Duke of Athens), to complain that his daughter whom he had commanded to marry Demetrius, a young man of a noble Athenian family, refused to obey him, because she loved another young Athenian, named Lysander. Egeus demanded justice of Theseus, and desired that this cruel law might be put in force against his daughter.
Hermia pleaded in excuse for her disobedience that Demetrius had formerly professed love for her dear friend Helena, and that Helena loved Demetrius to distraction; but this honorable reason, which Hermia gave for not obeying her father's command, moved not the stern Egeus.
Theseus, though a great and merciful prince, had no power to alter the laws of his country; therefore he could only give Hermia four days to consider of it: and at the end of that time, if she still refused to marry Demetrius, she was to be put to death.
When Hermia was dismissed from the presence of the duke, she went to her lover Lysander and told him the peril she was in, and that she must either give him up and marry Demetrius or lose her life in four days.
Lysander was in great affliction at hearing these evil tidings; but, recollecting that be had an aunt who lived at some distance from Athens, and that at the place where she lived the cruel law could not be put in force against Hermia (this law not extending beyond the boundaries of the city), he proposed to Hermia that she should steal out of her father's house that night, and go with him to his aunt's house, where he would marry her. "I will meet you," said Lysander, "in the wood a few miles without the city; in that delightful wood where we have so often walked with Helena in the pleasant month of May."
To this proposal Hermia joyfully agreed; and she told no one of her intended flight but her friend Helena. Helena (as maidens will do foolish things for love) very ungenerously resolved to go and tell this to Demetrius, though she could hope no benefit from betraying her friend's secret but the poor pleasure of following her faithless lover to the wood; for she well knew that Demetrius would go thither in pursuit of Hermia.
The wood in which Lysander and Hermia proposed to meet was the favorite haunt of those little beings known by the name of "fairies."
Oberon the king, and Titania the queen of the fairies, with all their tiny train of followers, in this wood held their midnight revels.
Between this little king and queen of sprites there happened, at this time, a sad disagreement; they never met by moonlight in the shady walk of this pleasant wood but they were quarreling, till all their fairy elves would creep into acorn-cups and hide themselves for fear.
The cause of this unhappy
The night on which the lovers were to meet in this wood, as
Titania was walking with some of her maids of honor, she met
Oberon attended by his train of fairy courtiers.
"Ill met by moonlight, proud Titania," said the fairy king.
The queen replied: "What, jealous Oberon, is it you? Fairies, skip hence; I have forsworn his company."
"Tarry, rash fairy," said Oberon. "Am I not thy lord? Why does Titania cross her Oberon? Give me your little changeling boy to be my page."
"Set your heart at rest," answered the queen; "your whole fairy kingdom buys not the boy of me." She then left her lord in great anger.
"Well, go your way," said Oberon; "before the morning dawns I will torment you for this injury."
Oberon then sent for Puck, his chief favorite and privy counselor.
Puck (or, as he was sometimes called, Robin Goodfellow) was a shrewd and knavish sprite, that used to play comical pranks in the neighboring villages; sometimes getting into the dairies and skimming the milk, sometimes plunging his light and airy form into the butter-churn, and while he was dancing his fantastic shape in the churn, in vain the dairymaid would labor to change her cream into butter. Nor had the village swains any better success; whenever Puck chose to play his freaks in the brewing copper, the ale was sure to be spoiled. When a few good neighbors were met to drink some comfortable ale together, Puck would jump into the bowl of ale in the likeness of a roasted crab, and when some old goody was going to drink he would bob against her lips, and spill the ale over her withered chin; and presently after, when the same old dame was gravely seating herself to tell her neighbors a sad and melancholy story, Puck would slip her three-legged stool from under her, and down toppled the poor old woman, and then the old gossips would hold their sides and laugh at her, and swear they never wasted a merrier hour.
"Come hither, Puck," said Oberon to this little merry wanderer of the night; "fetch me the flower which maids call 'Love in, Idleness'; the juice of that little purple flower laid on the eyelids of those who sleep will make them, when they awake, dote on the first thing they see. Some of the juice of that flower I will drop on the eyelids of my Titania when she is asleep; and the first thing she looks upon when she opens her eyes she will fall in love with, even though it be a lion or a bear, a meddling monkey or a busy ape; and before I will take this charm from off her sight, which I can do with another charm I know of, I will make her give me that boy to be my page."
Puck, who loved mischief to his heart, was highly diverted with this intended frolic of his master, and ran to seek the flower; and while Oberon was waiting the return of Puck he observed Demetrius and Helena enter the wood: he overheard Demetrius reproaching Helena for following him, and after many unkind words on his part, and gentle expostulations from Helena, reminding him of his former love and professions of true faith to her, he left her (as he said) to the mercy of the wild beasts, and she ran after him as swiftly as she could.
The fairy king, who was always friendly to true lovers, felt great compassion for Helena; and perhaps, as Lysander said they used to walk by moonlight in this pleasant wood, Oberon might have seen Helena in those happy times when she was beloved by Demetrius. However that might be, when Puck returned with the little purple flower, Oberon said to his favorite: "Take a part of this flower; there has been a sweet Athenian lady here, who is in love with a disdainful youth; if you find him sleeping, drop some of the love-juice in his eyes, but contrive to do it when she is near him, that the first thing he sees when he awakes may be this despised lady. You will know the man ]by the Athenian garments which be wears."
Puck promised to manage this matter very dexterously: and then Oberon went, unperceived by Titania, to her bower, where she was preparing to go to rest. Her fairy bower was a bank, where grew wild thyme, cowslips, and sweet violets, under a canopy of woodbine, musk-roses, and eglantine. There Titania always slept some part of the night; her coverlet the enameled skin of a snake, which, though a small mantle, was wide enough to wrap a fairy in.
He found Titania giving orders to her fairies, how they were to employ themselves while she slept. "Some of you," said her Majesty, "must kill cankers in the musk-rose buds, and some wage war with the bats for their leathern wings, to make my small elves coats; and some of you keep watch that the clamorous owl, that nightly boots, come not near me: but first sing me to sleep." Then they began to sing this song:
"You spotted snakes, with double tongue,
Thorny hedgehogs, be not seen;
Newts and blind-worms do no wrong;
Come not near our fairy queen:
"Philomel, with melody,
Sing in our sweet lullaby;
Lulla, lulla, lullaby; lulla, lulla, lullaby;
Never harm, nor spell, nor charm,
Come our lovely lady nigh;
So, good night, with lullaby."
When the fairies had sung their queen asleep with this pretty lullaby, they left her to perform the important services she had enjoined them. Oberon then softly drew near his Titania and dropped some of the love-juice on her eyelids, saying:
"What thou seest when thou dost wake,
Do it for thy true-love take."
But to return to Hermia, who made her escape out of her father's house that night, to avoid the death she was doomed to for refusing to marry Demetrius. When she entered the wood, she found her dear Lysander waiting for her, to conduct her to his aunt's house; but before they had passed half through the wood Hermia was so much fatigued that Lysander, who was very careful of this dear lady, who had proved her affection for him even by hazarding her life for his sake, persuaded her to rest till morning on a bank of soft moss, and, lying down himself on the ground at some little distance, they soon fell fast asleep. Here they were found by Puck, who, seeing a handsome young man asleep, and perceiving that his clothes were made in the Athenian fashion, and that a pretty lady was sleeping near him, concluded that this must be the Athenian maid and her disdainful lover whom Oberon had sent him to seek; and he naturally enough conjectured that, as they were alone together, she must be the first thing he would see when he awoke; so, without more ado, he proceeded to pour some of the juice of the little purple flower into his eyes. But it so fell out that Helena came that way, and, instead of Hermia, was the first object Lysander beheld when he opened his eyes; and strange to relate, so powerful was the love-charm, all his love for Hermia vanished away and Lysander fell in love with Helena.
Had he first seen Hermia when he awoke, the blunder Puck committed would have been of no consequence, for he could not love that faithful lady too well; but for poor Lysander to be forced by a fairy love-charm to forget his own true Hernia, and to run after another lady, and leave Hermia asleep quite alone in a wood at midnight, was a sad chance indeed.
Thus this misfortune happened. Helena, as has been before related, endeavored to keep pace with Demetrius when he ran away so rudely from her; but she could not continue this unequal race long, men being always better runners in a long race than ladies. Helena soon lost sight of Demetrius; and as she was
When Hermia awoke she was in a sad fright at finding herself alone. She wandered about the wood, not knowing what was become of Lysander, or which way to go to seek for him. In the mean time Demetrius, not being able to find Hermia and his rival Lysander, and fatigued with his fruitless search, was observed by Oberon fast asleep. Oberon had learned by some questions he had asked of Puck that he had applied the lovecharm to the wrong person's eyes; and now, having found the person first intended, he touched the eyelids of the sleeping Demetrius with the love-juice, and he instantly awoke; and the first thing he saw being Helena, he, as Lysander had done before, began to address love-speeches to her; and just at that moment Lysander, followed by Hermia (for through Puck's unlucky mistake it was now become Hermia's turn to run after her lover), made his appearance; and then Lysander and Demetrius, both speaking together, made love to Helena, they being each one under the influence of the same potent charm.
The astonished Helena thought that Demetrius, Lysander, and her once dear friend Hermia were all in a plot together to make a jest of her.
Hermia was as much surprised as Helena; she knew not why Lysander and Demetrius, who both before loved her, were now become the lovers of Helena, and to Hermia the matter seemed to be no jest.
The ladies, who before bad always been the dearest of friends, now fell to high words together.
"Unkind. Hermia," said Helena, "it is you have set Lysander on to vex me with mock praises; and your other lover, Demetrius, who used almost to spurn me with his foot, have you not bid him call me goddess, nymph, rare, precious, and celestial? He would not speak thus to me, whom he hates, if you did not set him on to make a jest of me. Unkind Hermia, to join with men in scorning your poor friend. Have you forgot our schoolday friendship? How often, Hermia, have we two, sitting on one cushion, both singing one song, with our needles working the same flower, both on the same sampler wrought; growing up together in fashion of a double cherry, scarcely seeming parted! Hermia, it is not friendly in you, it is not maidenly to join with men in scorning your poor friend."
"I am amazed at your passionate words," said Hermia: "I scorn you not; it seems you scorn me."
"Aye, do," returned Helena, "persevere, counterfeit serious looks, and make mouths at me when I turn my back; then wink at each other, and hold the sweet jest up. If you had any pity, grace, or manners, you would not use me thus."
While Helena and Hermia were speaking these angry words to each other, Demetrius and Lysander left them, to fight together in the wood for the love of Helena.
When they found the gentlemen had left them, they departed, and once more wandered weary in the wood in search of their lovers.
As soon as they were gone the fairy king, who with little Puck had been listening to their quarrels, said to him, "This is your negligence, Puck; or did you do this wilfully?"
"Believe me, king of shadows," answered Puck, "it was a mistake. Did not you tell me I should know the man by his Athenian garments? However, I am not sorry this has happened, for I think their jangling makes excellent sport."
"You heard," said Oberon, "that Demetrius and Lysander are gone to seek a convenient place to fight in. I command you to overhang the night with a thick fog, and lead these quarrelsome lovers so astray in' the dark that they shall not be able to find each other. Counterfeit each of their voices to the other, and with bitter taunts provoke them to follow you, while they think it is their rival's tongue they hear. See you do this, till they are so weary they can go no farther; and when you find they are asleep, drop the juice of this other flower into Lysander's eyes, and when he awakes he will forget his new love for Helena, and return to his old passion for Hermia; and then the two fair ladies may each one be happy with the man she loves and they will think all that has passed a vexatious dream. About this quickly, Puck, and I will go and see what sweet love my Titania has found."
Titania was still sleeping, and Oberon, seeing a clown near her who had lost his way in the wood and was likewise asleep, "This fellow," said he, "shall be my Titania's true love"; and clapping an ass's head over the clown's, it seemed to fit him as well as if it had grown upon his own shoulders. Though Oberon fixed the ass's head on very gently, it awakened him, and, rising up, unconscious of what Oberon had done to him, he went toward the bower where the fairy queen slept.
"Ah I what angel is that I see?" said Titania, opening her eyes, and the juice of the little purple flower beginning to take effect. "Are you as wise as you are beautiful?"
"Why, mistress," said the foolish clown, "if I have wit enough to find the way out of this wood, I have enough to serve my turn."
"Out of the wood do not desire to go," said the enamoured queen. "I am a spirit of no common rate. I love you. Go with me, and I will give you fairies to attend upon you."
She then called four of her fairies. Their names were
Peas-blossom, Cobweb, Moth, and Mustard-seed.
"Attend," said the queen, "upon this sweet gentleman. Hop in his walks and gambol in his sight; feed him with grapes and apricots, and steal for him the honey-bags from the bees. Come, sit with me," said she to the clown., "and let me play with your amiable hairy cheeks, my beautiful ass! and kiss your fair large ears, my gentle joy."
"Where is Peas-blossom?" said the ass-headed clown, not much regarding the fairy queen's courtship, but very proud of his new attendants.
"Here, sir," said little Peas-blossom.
"Scratch my head," said the clown. "Where is Cobweb?"
"Here, sir," said Cobweb.
"Good Mr. Cobweb," said the foolish clown, "kill me the red humblebee on the top of that thistle yonder; and, good Mr. Cobweb, bring me the honey-bag. Do not fret yourself too much in the action, Mr. Cobweb, and take care the honey-bag break not; I should be sorry to have you overflown with a honey-bag. Where is Mustard-seed?"
"Here, sir, " said Mustard-seed. "What is your will?"
"Nothing," said the clown, "good Mr. Mustard-seed, but to help
Mr. Peas-blossom to scratch; I must go to a barber's, Mr.
Mustard-seed, for methinks I am marvelous hairy about the face."
"My sweet
"I had rather have a handful of dried peas,"' said the clown, who with his ass's head had got an ass's appetite. "But, I pray, let none of your people disturb me, for I have a mind to sleep."
"Sleep, then," said the queen, "and I will wind you in my arms.
Oh, how I love you! how I dote upon you!"
When the fairy king saw the clown sleeping in the arms of his queen, he advanced within her sight, and reproached her with having lavished her favors upon an ass.
This she could not deny, as the clown was then sleeping within her arms, with his ass's head crowned by her with flowers.
When Oberon had teased her for some time, he again demanded the changeling boy; which she, ashamed of being discovered by her lord with her new favorite, did not dare to refuse him.
Oberon, having thus obtained the little boy he had so long wished for to be his page, took pity on the disgraceful situation into which, by his merry contrivance, he had brought his Titania, and threw some of the juice of the other flower into her eyes; and the fairy queen immediately recovered her senses, and wondered at her late dotage, saying how she now loathed the sight of the strange monster.
Oberon likewise took the ass's head from off the clown, and left him to finish his nap with his own fool's head upon his shoulders.
Oberon and his Titania being now perfectly reconciled, he related to her the history of the lovers and their midnight quarrels, and she agreed to go with him and see the end of their adventures.
The fairy king and queen found the lovers and their fair ladies, at no great distance from one another, sleeping on a grass-plot; for Puck, to make amends for his former mistake, had contrived with the utmost diligence to bring them all to the same spot, unknown to one another; and he bad carefully removed the charm from off the eyes of Lysander with the antidote the fairy king gave to him.
Hermia first awoke, and, finding her lost Lysander asleep so near her, was looking at him and wondering at his strange inconstancy. Lysander presently opening his eyes, and seeing his dear Hermia, recovered his reason which the fairy charm had before clouded, and with his reason his love for Hermia; and they began to talk over the adventures of the night, doubting if these things had really happened, or if they bad both been dreaming the same bewildering dream.
Helena and Demetrius were by this time awake; and a sweet sleep having quieted Helena's disturbed and angry spirits, she listened with delight to the professions of love which Demetrius still made to her, and which, to her surprise as well as pleasure, she began to perceive were sincere.
These fair night-wandering ladies, now no longer rivals, became once more true friends; all the unkind words which had passed were forgiven, and they calmly consulted together what was best to be done in their present situation. It was soon agreed that, as Demetrius bad given up his pretensions to Hermia, he should endeavor to prevail upon her father to revoke the cruel sentence of death which had been passed against her. Demetrius was preparing to return to Athens for this friendly purpose, when they were surprised with the sight of Egeus, Hermia's father, who came to the wood in pursuit of his runaway daughter.
When Egeus understood that Demetrius would not now marry his daughter, he no longer opposed her marriage with Lysander, but gave his consent that they should be wedded on the fourth day from that time, being the same day on which Hermia had been condemned to lose her life; and on that same day Helena joyfully agreed to marry her beloved and now faithful Demetrius.
The fairy king and queen, who were invisible spectators of this reconciliation, and now saw the happy ending of the lovers' history, brought about through the good offices of Oberon, received so much pleasure that these kind spirits resolved to celebrate the approaching nuptials with sports and revels throughout their fairy kingdom.
And now, if any are offended with this story of fairies and their pranks, as judging it incredible and strange, they have only to think that they have been asleep and dreaming, and that all these adventures were visions which they saw in their sleep. And I hope none of my readers will be so unreasonable as to be offended with a pretty, harmless Midsummer Night's Dream.
WINTER'S TALE
Leontes, King of Sicily, and his queen, the beautiful and virtuous Hermione, once lived in the greatest harmony together. So happy was Leontes in the love of this excellent lady that he had no wish ungratified, except that he some times desired to see again and to present to his queen his old companion and schoolfellow, Polixenes, King of Bohemia. Leontes and Polixenes were brought up together from their infancy, but being, by the death of their fathers, called to reign over their respective kingdoms, they had not met for many years, though they frequently interchanged gifts, letters, and loving embassies.
At length, after repeated invitations, Polixenes came from Bohemia to the Sicilian court, to make his friend Leontes a visit.
At first this visit gave nothing but pleasure to Leontes. He recommended the friend of his youth to the queen's particular attention, and seemed in the presence of his dear friend and old companion to have his felicity quite completed. They talked over old times; their school-days and their youthful pranks were remembered, and recounted to Hermione, who always took a cheerful part in these conversations.
When, after a long stay, Polixenes was preparing to depart, Hermione, at the desire of her husband, joined her entreaties to his that Polixenes would prolong his visit.
And now began this good queen's sorrow; for Polixenes, refusing to stay at the request of Leontes, was won over by Hermione's gentle and persuasive words to put off his departure for some weeks longer. Upon this, although Leontes had so long known the integrity and honorable principles of his friend Polixenes, as well as the excellent disposition of his virtuous queen, he was seized with an ungovernable jealousy. Every attention Hermione showed to Polixenes, though by her husband's particular desire and merely to please him, increased the unfortunate king's jealousy; and from being a loving and a true friend, and the best and fondest of husbands, Leontes became suddenly a savage and inhuman monster. Sending for Camillo, one of the lords of his court, and telling him of the suspicion he entertained, he commanded him to poison Polixenes.
Camillo was a good man, and he, well knowing that the jealousy of Leontes had not the slightest foundation in truth, instead of poisoning Polixenes, acquainted him with the king his master's orders, and agreed to escape with him out of the Sicilian dominions; and Polixenes, with the assistance of Camillo, arrived safe in his own kingdom of Bohemia, where Camillo lived from that time in the king's court and became the chief friend and favorite of Polixenes.
The flight of Polixenes enraged the jealous Leontes still more; he went to the queen's apartment, where the good lady was sitting with her little son Mamillius, who was just beginning to tell one of his best stories to amuse his mother, when the king entered and, taking the child away, sent Hermione to prison.
Mamillius, though but a very young child, loved his mother tenderly; and when he saw her so dishonored, and found she was taken from him to be put into a prison, he took it deeply to heart and drooped and pined away
The king, when he had sent his queen to prison, commanded Cleomenes and Dion, two Sicilian lords, to go to Delphos, there to inquire of the oracle at the temple of Apollo if his queen had been unfaithful to him.
When Hermione had been a short time in prison she was brought to bed of a daughter; and the poor lady received much comfort from the sight of her pretty baby, and she said to it, "My poor little prisoner, I am as innocent as you are."
Hermione had a kind friend in the noble-spirited Paulina, who was the wife of Antigonus, a Sicilian lord; and when the lady Paulina heard her royal mistress was brought to bed she went to the prison where Hermione was confined; and she said to Emilia, a lady who attended upon Hermione, "I pray you, Emilia, tell the good queen, if her Majesty dare trust me with her little babe, I will carry it to the king, its father: we do not know how he may soften at the sight of his innocent child."
"Most worthy madam," replied Emilia, "I will acquaint the queen with your noble offer. She was wishing to-day that she had any friend who would venture to present the child to the king."
"And tell her," said Paulina. "that I will speak boldly to
Leontes in her defense."
"May you be forever blessed," said Emilia, "for your kindness to our gracious queen!"
Emilia then went to Hermione, who joyfully gave up her baby to the care of Paulina, for she had feared that no one would dare venture to present the child to its father.
Paulina took the new-born infant and, forcing herself into the king's presence, notwithstanding her husband, fearing the king's anger, endeavored to prevent her, she laid the babe at its father's feet; and Paulina made a noble speech to the king in defense of Hermione, and she reproached him severely for his inhumanity and implored him to have mercy on his innocent wife and child. But Paulina's spirited remonstrances only aggravated Leontes's displeasure, and he ordered her husband Antigonus to take her from his presence.
When Paulina went away she left the little baby at its father's feet, thinking when he was alone with it he would look upon it and have pity on its helpless innocence.
The good Paulina was mistaken, for no sooner was she gone than the merciless father ordered Antigonus, Paulina's husband, to take the child and carry it out to sea and leave it upon some desert shore to perish.
Antigonus, unlike the good Camillo, too well obeyed the orders of Leontes; for he immediately carried the child on shipboard, and put out to sea, intending to leave it on the first desert coast he could find.
So firmly was the king persuaded of the guilt of Hermione that he would not wait for the return of Cleomenes and Dion; whom he had sent to consult the oracle of Apollo at Delphos, but before the queen was recovered from her lying-in, and from the grief for the loss of her precious baby, he had her brought to a public trial before all the lords and nobles of his court. And when all the great lords, the judges, and all the nobility of the land were assembled together to try Hermione, and that unhappy queen was standing as a prisoner before her subjects to receive their judgment, Cleomenes and Dion entered the assembly and presented to the king the answer of the oracle, sealed up; and Leontes commanded the seal to be broken, and the words of the oracle to be read aloud, and these were the words:
"Hermione is innocent, Polixenes blameless, Camillo a true subject, Leontes a jealous tyrant, and the king shall live without an heir if that which is lost be not found."
The king would give no credit to the words of the oracle. He said it was a falsehood invented by the queen's friends, and be desired the judge to proceed in the trial of the queen; but while Leontes was speaking a man entered and told him that the Prince Mamillius, hearing his mother was to be tried for her life, struck with grief and shame, had suddenly died.
Hermione, upon hearing of the death of this dear, affectionate child, who had lost his life in sorrowing for her misfortune, fainted; and Leontes, pierced to the heart by the news, began to feel pity for his unhappy queen, and he ordered Paulina, and the ladies who were her attendants, to take her away and use means for her recovery. Paulina soon returned and told the king that Hermione was dead.
When Leontes heard that the queen was dead he repented of his cruelty to her; and now that he thought his ill-usage had broken Hermione's heart, he believed her innocent; and now he thought the words of the oracle were true, as he knew "if that which was lost was not found," which he concluded was his young daughter, he should be without an heir, the young Prince Mamillius being dead; and he would give his kingdom now to recover his lost daughter. And Leontes gave himself up to remorse and passed many years in mournful thoughts and repentant grief.
The ship in which Antigonus carried the infant princess out to sea was driven by a storm upon the coast of Bohemia, the very kingdom of the good King Polixenes. Here Antigonus landed and here he left the little baby.
Antigonus never returned to Sicily to tell Leontes where he had left his daughter, for, as he was going back to the ship, a bear came out of the woods and tore him to pieces; a just punishment on him for obeying the wicked order Leontes.
The child was dressed in rich clothes and jewels; for Hermione had made it very fine when she sent it to Leontes, and Antigonus had pinned a paper to its mantle, and the name of "Perdita" written thereon, and words obscurely intimating its high birth and untoward fate.
This poor, deserted baby was found by a shepherd. He was a humane man, and so he carried the little Perdita home to his wife, who nursed it tenderly. But poverty tempted the shepherd to conceal the rich prize be had found; therefore he left that part of the country, that no one might know where he got his riches, and with part of Perdita's jewels be bought herds of sheep and became a wealthy shepherd. He brought up Perdita as his own child, and she knew not she was any other than a shepherd's daughter.
The little Perdita grew up a lovely maiden; and though she had no better education than that of a shepherd's daughter, yet so did the natural graces she inherited from her royal mother shine forth in her untutored mind that no one, from her behavior, would have known she had not been brought up in her father's court.
Polixenes, the King of Bohemia, had an only son, whose name was Florizel. As this young prince was hunting near the shepherd's dwelling he saw the old man's supposed daughter; and the beauty, modesty, and queenlike deportment of Perdita caused him instantly to fall in love with her. He soon, under the name of Doricles, and in the disguise of a private gentleman, became a constant visitor at the old shepherd's house. Florizel's frequent absences from court alarmed Polixenes; and setting people to watch his son, he discovered his love for the shepherd's fair daughter.
Polixenes then called for Camillo, the faithful Camillo, who had preserved his life from the fury of Leontes, and desired that he would accompany him to the house of the shepherd, the supposed father of Perdita. Polixenes and Camillo, both in disguise, arrived at the old shepherd's dwelling while they were celebrating the feast of sheep-shearing; and though they were strangers, yet at the sheep-shearing, every guest being made welcome, they were invited to walk in and join in the general festivity.