TEN YEARS LATER
by Alexandre Dumas
THE PROJECT GUTENBERG EDITOR'S NOTE TO THE PG D'ARTAGNAN SERIES
LINKED INDEX OF PROJECT GUTENBERG VOLUMES:
ORDER TITLE PG ETEXT# DATES VOLUME CHAPTERS
1 The Three Musketeers 1257 1625-1628 1
2 Twenty Years After 1259 1648-1649 2
3 The Vicomte de Bragelonne 2609 1660 3 1-75
4 Ten Years Later 2681 1660-1661 3 76-140
5 Louise de la Valliere 2710 1661 3 141-208
6 The Man in the Iron Mask 2759 1661-1673 3 209-269
PROJECT GUTENBERG TRANSCRIBER'S NOTES:
The Vicomte de Bragelonne is the final volume of D'Artagnan Romances: it is usually split into three or four parts, and the final portion is entitled The Man in the Iron Mask. The Man in the Iron Mask we're familiar with today is the last volume of the four-volume edition. [Not all the editions split them in the same manner, hence some of the confusion. . .but wait. . .there's yet more reason for confusion.]
One thing that may be causing confusion is that the etext entitled Ten Years Later, says it's the sequel to The Three Musketeers. While this is technically true, there's another book, Twenty Years After, that comes between. The confusion is generated by the two facts that many people see those titles as meaning Ten and Twenty Years "After" the original story . . . however, this is why the different words "After" and "Later" . . . the Ten Years "After" is ten years after the Twenty Years later. . . as per history. Also, the third book of the D'Artagnan Romances, while entitled The Vicomte de Bragelonne, has the subtitle Ten Years Later. These two titles are also given to different volumes: The Vicomte de Bragelonne can refer to the whole book, or the first volume of the three or four-volume editions. Ten Years Later can, similarly, refer to the whole book, or the second volume of the four-volume edition. Here is a guide to the series which may prove helpful:
The Three Musketeers: Etext 1257 - First book of the D'Artagnan Romances. Covers the years 1625-1628.
Twenty Years After: Etext 1259 - Second book of the D'Artagnan Romances. Covers the years 1648-1649.
Ten Years Later: Etext 1258 - First 104 chapters of the third book of the D'Artagnan Romances. Covers the years 1660-1661.
The Vicomte de Bragelonne: Etext 2609 (first in the new series) - First 75 chapters of the third book of the D'Artagnan Romances. Covers the year 1660.
Ten Years Later: Etext 2681 Chapters 76-140 of that third book of the D'Artagnan Romances. Covers the years 1660-1661.
Louise de la Valliere: Chapters 141-208 of the third book of the D'Artagnan Romances. Covers the year 1661.
The Man in the Iron Mask: Chapters 209-269 of the third book of the D'Artagnan Romances. Covers the years 1661-1673.
Many thanks to Dr. David Coward, whose editions of the D'Artagnan Romances have proved an invaluable source of information.
Introduction:
In the months of March-July in 1844, in the magazine Le Siecle, the first portion of a story appeared, penned by the celebrated playwright Alexandre Dumas. It was based, he claimed, on some manuscripts he had found a year earlier in the Bibliotheque Nationale while researching a history he planned to write on Louis XIV. They chronicled the adventures of a young man named D'Artagnan who, upon entering Paris, became almost immediately embroiled in court intrigues, international politics, and ill-fated affairs between royal lovers. Over the next six years, readers would enjoy the adventures of this youth and his three famous friends, Porthos, Athos, and Aramis, as their exploits unraveled behind the scenes of some of the most momentous events in French and even English history.
Eventually these serialized adventures were published in novel form, and became the three D'Artagnan Romances known today. Here is a brief summary of the first two novels:
The Three Musketeers (serialized March—July, 1844): The year is 1625. The young D'Artagnan arrives in Paris at the tender age of 18, and almost immediately offends three musketeers, Porthos, Aramis, and Athos. Instead of dueling, the four are attacked by five of the Cardinal's guards, and the courage of the youth is made apparent during the battle. The four become fast friends, and, when asked by D'Artagnan's landlord to find his missing wife, embark upon an adventure that takes them across both France and England in order to thwart the plans of the Cardinal Richelieu. Along the way, they encounter a beautiful young spy, named simply Milady, who will stop at nothing to disgrace Queen Anne of Austria before her husband, Louis XIII, and take her revenge upon the four friends.
Twenty Years After (serialized January—August, 1845): The year is now 1648, twenty years since the close of the last story. Louis XIII has died, as has Cardinal Richelieu, and while the crown of France may sit upon the head of Anne of Austria as Regent for the young Louis XIV, the real power resides with the Cardinal Mazarin, her secret husband. D'Artagnan is now a lieutenant of musketeers, and his three friends have retired to private life. Athos turned out to be a nobleman, the Comte de la Fere, and has retired to his home with his son, Raoul de Bragelonne. Aramis, whose real name is D'Herblay, has followed his intention of shedding the musketeer's cassock for the priest's robes, and Porthos has married a wealthy woman, who left him her fortune upon her death. But trouble is stirring in both France and England. Cromwell menaces the institution of royalty itself while marching against Charles I, and at home the Fronde is threatening to tear France apart. D'Artagnan brings his friends out of retirement to save the threatened English monarch, but Mordaunt, the son of Milady, who seeks to avenge his mother's death at the musketeers' hands, thwarts their valiant efforts. Undaunted, our heroes return to France just in time to help save the young Louis XIV, quiet the Fronde, and tweak the nose of Cardinal Mazarin.
The third novel, The Vicomte de Bragelonne (serialized October, 1847—January, 1850), has enjoyed a strange history in its English translation. It has been split into three, four, or five volumes at various points in its history. The five-volume edition generally does not give titles to the smaller portions, but the others do. In the three-volume edition, the novels are entitled The Vicomte de Bragelonne, Louise de la Valliere, and The Man in the Iron Mask. For the purposes of this etext, I have chosen to split the novel as the four-volume edition does, with these titles: The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask. In the last etext:
The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D'Artagnan, after thirty-five years of loyal service, has become disgusted with serving King Louis XIV while the real power resides with the Cardinal Mazarin, and has tendered his resignation. He embarks on his own project, that of restoring Charles II to the throne of England, and, with the help of Athos, succeeds, earning himself quite
John Bursey, June, 2000
Transcriber's note: There is one French custom that may cause confusion. The Duc d'Orleans is traditionally called "Monsieur" and his wife "Madame." Gaston, the king's uncle, currently holds that title. Upon the event of his death, it will be conferred upon the king's brother, Philip, who is currently the Duc d'Anjou. The customary title of "Monsieur" will go to him as well, and upon his future wife, Henrietta of England, that of "Madame." Gaston's widow will be referred to as the "Dowager Madame." - JB
Contents
THE VICOMTE DE BRAGELONNE.
Volume I.
CHAPTER 1. The Letter.
CHAPTER 2. The Messenger.
CHAPTER 3. The Interview.
CHAPTER 4. Father and Son.
CHAPTER 5. In which Something will be said of Cropoli—of Cropoli and of a Great Unknown Painter.
CHAPTER 6. The Unknown.
CHAPTER 7. Parry.
CHAPTER 8. What his Majesty King Louis XIV. was at the Age of Twenty-Two
CHAPTER 9. In which the Unknown of the Hostelry of Les Medici loses his Incognito.
CHAPTER 10. The Arithmetic of M. de Mazarin
CHAPTER 11. Mazarin's Policy
CHAPTER 12. The King and the Lieutenant
CHAPTER 13. Mary de Mancini
CHAPTER 14. In which the King and the Lieutenant each give Proofs of Memory
CHAPTER 15. The Proscribed
CHAPTER 16. "Remember!"
CHAPTER 17. In which Aramis is sought and only Bazin is found
CHAPTER 18. In which D'Artagnan seeks Porthos, and only finds Mousqueton
CHAPTER 19. What D'Artagnan went to Paris for
CHAPTER 20. Of the Society which was formed in the Rue des Lombards, at the Sign of the Pilon d'Or
CHAPTER 21. In which D'Artagnan prepares to travel for the Firm of Planchet and Company
CHAPTER 22. D'Artagnan travels for the House of Planchet and Company
CHAPTER 23. In which the Author, very unwillingly, is forced to write a Little History
CHAPTER 25. The March
CHAPTER 26. Heart and Mind
CHAPTER 27. The Next Day
CHAPTER 28. Smuggling
CHAPTER 29. In which D'Artagnan begins to fear he has placed his Money and that of Planchet in the Sinking Fund
CHAPTER 30. The Shares of Planchet and Company rise again to Par
CHAPTER 31. Monk reveals himself
CHAPTER 32. Athos and D'Artagnan meet once more at the Hostelry of the Corne du Cerf
CHAPTER 33. The Audience.
CHAPTER 34. Of the Embarrassment of Riches
CHAPTER 35. On the Canal
CHAPTER 36. How D'Artagnan drew, as a Fairy would have done, a Country-seat from a Deal Box
CHAPTER 37. How D'Artagnan regulated the "Assets" of the Company before he established its "Liabilities"
CHAPTER 38. In which it is seen that the French Grocer had already been established in the Seventeenth Century
CHAPTER 39. Mazarin's Gaming Party
CHAPTER 40. An Affair of State
CHAPTER 41. The Recital
CHAPTER 42. In which Mazarin becomes Prodigal
CHAPTER 43. Guenaud
CHAPTER 44. Colbert
CHAPTER 45. Confession of a Man of Wealth
CHAPTER 46. The Donation
CHAPTER 47. How Anne of Austria gave one Piece of Advice to Louis XIV., and how M. Fouquet gave him another.
CHAPTER 48. Agony
CHAPTER 49. The First Appearance of Colbert
CHAPTER 50. The First Day of the Royalty of Louis XIV
CHAPTER 51. A Passion
CHAPTER 52. D'Artagnan's Lesson
CHAPTER 53. The King
CHAPTER 54. The Houses of M. Fouquet
CHAPTER 55. The Abbe Fouquet
CHAPTER 56. M. de la Fontaine's Wine
CHAPTER 57. The Gallery of Saint-Mande
CHAPTER 58. Epicureans
CHAPTER 59. A Quarter of an Hour's Delay
CHAPTER 60. Plan of Battle
CHAPTER 61. The Cabaret of the Image-de-Notre-Dame
CHAPTER 63. How M. d'Eymeris's Diamond passed into the Hands of M. D'Artagnan.
CHAPTER 64. Of the Notable Difference D'Artagnan finds between Monsieur the Intendant and Monsieur the Superintendent
CHAPTER 65. Philosophy of the Heart and Mind
CHAPTER 66. The Journey
CHAPTER 67. How D'Artagnan became acquainted with a Poet, who had turned Printer for the sake of printing his own Verses
CHAPTER 68. D'Artagnan continues his Investigations
CHAPTER 69. In which the Reader, no doubt, will be as astonished as D'Artagnan was to meet an Old Acquaintance
CHAPTER 70. Wherein the Ideas of D'Artagnan, at first strangely clouded, begin to clear up a little.
CHAPTER 71. A Procession at Vannes
CHAPTER 72. The Grandeur of the Bishop of Vannes
CHAPTER 73. In which Porthos begins to be sorry for having come with D'Artagnan
CHAPTER 74. In which D'Artagnan makes all Speed, Porthos snores, and Aramis counsels
CHAPTER 75. In which Monsieur Fouquet acts
CHAPTER 76. In which D'Artagnan finishes by at length placing his Hand upon his Captain's Commission
CHAPTER 77. A Lover and his Mistress
CHAPTER 78. In which we at length see the true Heroine of this History appear
CHAPTER 79. Malicorne and Manicamp
CHAPTER 80. Manicamp and Malicorne
CHAPTER 81. The Courtyard of the Hotel Grammont
CHAPTER 82. The Portrait of Madame
CHAPTER 83. Havre
CHAPTER 84. At Sea
CHAPTER 85. The Tents
CHAPTER 86. Night
CHAPTER 87. From Havre to Paris
CHAPTER 88. An Account of what the Chevalier de Lorraine thought of Madame
CHAPTER 89. A Surprise for Madame de Montalais
CHAPTER 90. The Consent of Athos
CHAPTER 91. Monsieur becomes jealous of the Duke of Buckingham
CHAPTER 92. Forever!
CHAPTER 93. King Louis XIV. does not think Mademoiselle de la Valliere either rich enough or pretty enough
CHAPTER 94. Sword-thrusts in the Water
CHAPTER 95. Sword-thrusts in the Water (concluded)
CHAPTER 96. Baisemeaux de Montlezun
CHAPTER 97. The King's Card-table
CHAPTER 99. The Breakfast at Monsieur de Baisemeaux's
CHAPTER 100. The Second Floor of la Bertaudiere
CHAPTER 101. The Two Friends
CHAPTER 102. Madame de Belliere's Plate
CHAPTER 103. The Dowry
CHAPTER 104. Le Terrain de Dieu
THE VICOMTE DE BRAGELONNE.
Volume I.
CHAPTER 1. The Letter.
Towards the middle of the month of May, in the year 1660, at nine o'clock in the morning, when the sun, already high in the heavens, was fast absorbing the dew from the ramparts of the castle of Blois a little cavalcade, composed of three men and two pages, re-entered the city by the bridge, without producing any other effect upon the passengers of the quay beyond a first movement of the hand to the head, as a salute, and a second movement of the tongue to express, in the purest French then spoken in France: "There is Monsieur returning from hunting." And that was all.
Whilst, however, the horses were climbing the steep acclivity which leads from the river to the castle, several shop-boys approached the last horse, from whose saddle-bow a number of birds were suspended by the beak.
On seeing this, the inquisitive youths manifested with rustic freedom their contempt for such paltry sport, and, after a dissertation among themselves upon the disadvantages of hawking, they returned to their occupations; one only of the curious party, a stout, stubby, cheerful lad, having demanded how it was that Monsieur, who, from his great revenues, had it in his power to amuse himself so much better, could be satisfied with such mean diversions.
"Do you not know," one of the standers-by replied, "that Monsieur's principal amusement is to weary himself?"
The light-hearted boy shrugged his shoulders with a gesture which said as clear as day: "In that case I would rather be plain Jack than a prince." And all resumed their labors.
In the meanwhile, Monsieur continued his route with an air at once so melancholy and so majestic, that he certainly would have attracted the attention of spectators, if spectators there had been; but the good citizens of Blois could not pardon Monsieur for having chosen their gay city for an abode in which to indulge melancholy at his ease, and as often as they caught a glimpse of the illustrious ennuye, they stole away gaping, or drew back their heads into the interior of their dwellings, to escape the soporific influence of that long pale face, of those watery eyes, and that languid address; so that the worthy prince was almost certain to find the streets deserted whenever he chanced to pass through them.
Now, on the part of the citizens of Blois this was a culpable piece of disrespect, for Monsieur was, after the king—nay, even, perhaps before the king—the greatest noble of the kingdom. In fact, God, who had granted to Louis XIV., then reigning, the honor of being son of Louis XIII., had granted to Monsieur the honor of being son of Henry IV. It was not then, or, at least it ought not to have been, a trifling source of pride for the city of Blois, that Gaston of Orleans had chosen it as his residence, and he his court in the ancient castle of its states.
But it was the destiny of this great prince to excite the attention and admiration of the public in a very modified degree wherever he might be. Monsieur had fallen into this situation by habit.
It was not, perhaps, this which gave him that air of listlessness. Monsieur had been tolerably busy in the course of his life. A man cannot allow the heads of a dozen of his best friends to be cut off without feeling a little excitement, and as, since the accession of Mazarin to power, no heads had been cut off, Monsieur's occupation was gone, and his morale suffered from it.
The life of the poor prince was, then, very dull. After his little morning hawking-party on the banks of the Beuvion, or in the woods of Chiverny, Monsieur crossed the Loire, went to breakfast at Chambord, with or without an appetite and the city of Blois heard no more of its sovereign lord and master till the next hawking-day.
So much for the ennui extra muros; of the ennui of the interior we will give the reader an idea if he will with us follow the cavalcade to the majestic porch of the castle of the states.
Monsieur rode a little steady-paced horse, equipped with a large saddle of red Flemish velvet, with stirrups in the shape of buskins; the horse was of a bay color; Monsieur's pourpoint of crimson velvet corresponded with the cloak of the same shade and the horse's equipment, and it was only by this red appearance of the whole that the prince could be known from his two companions, the one dressed in violet, the other in green. He on the left, in violet, was his equerry; he on the right, in green, was the grand veneur.
One of the pages carried two gerfalcons upon a perch, the other a hunting-horn, which he blew with a careless note at twenty paces from the castle. Every one about this listless prince did what he had to do listlessly.
At this signal, eight guards, who were lounging in the sun in the square court, ran to their halberts, and Monsieur made his solemn entry into the castle.
When he had disappeared under the shades of the porch, three or four idlers, who had followed the cavalcade to the castle, after pointing out the suspended birds to each other, dispersed with comments upon what they saw: and, when they were gone, the street, the place, and the court all remained deserted alike.
Monsieur dismounted without speaking a word, went straight to his apartments, where his valet changed his dress, and as Madame had not yet sent orders respecting breakfast, Monsieur stretched himself upon a chaise longue, and was soon as fast asleep as if it had been eleven o'clock at night.
The eight guards, who concluded their service for the day was over, laid themselves down very comfortably in the sun upon some stone benches; the grooms disappeared with their horses into the stables, and, with the exception of a few joyous birds, startling each other with their sharp chirping in the tufted shrubberies, it might have been thought that the whole castle was as soundly asleep as Monsieur was.
All at once, in the midst of this delicious silence, there resounded a clear ringing laugh, which caused several of the halberdiers in the enjoyment of their siesta to open at least one eye.
This burst of laughter proceeded from a window of the castle, visited at this moment by the sun, that embraced it in one of those large
The little balcony of wrought iron which advanced in front of this window was furnished with a pot of red gilliflowers, another pot of primroses, and an early rose-tree, the foliage of which, beautifully green, was variegated with numerous red specks announcing future roses.
In the chamber lighted by this window was a square table, covered with an old large-flowered Haarlem tapestry; in the center of this table was a long-necked stone bottle, in which were irises and lilies of the valley; at each end of this table was a young girl.
The position of these two young people was singular; they might have been taken for two boarders escaped from a convent. One of them, with both elbows on the table, and a pen in her hand, was tracing characters upon a sheet of fine Dutch paper; the other, kneeling upon a chair, which allowed her to advance her head and bust over the back of it to the middle of the table, was watching her companion as she wrote, or rather hesitated to write.
Thence the thousand cries, the thousand railleries, the thousand laughs, one of which, more brilliant than the rest, had startled the birds in the gardens, and disturbed the slumbers of Monsieur's guards.
We are taking portraits now; we shall be allowed, therefore, we hope, to sketch the two last of this chapter.
The one who was leaning in the chair—that is to say, the joyous, the laughing one—was a beautiful girl of from eighteen to twenty, with brown complexion and brown hair, splendid, from eyes which sparkled beneath strongly-marked brows, and particularly from her teeth, which seemed to shine like pearls between her red coral lips. Her every movement seemed the accent of a sunny nature, she did not walk—she bounded.
The other, she who was writing, looked at her turbulent companion with an eye as limpid, as pure, and as blue as the azure of the day. Her hair, of a shaded fairness, arranged with exquisite taste, fell in silky curls over her lovely mantling cheeks; she passed across the paper a delicate hand, whose thinness announced her extreme youth. At each burst of laughter that proceeded from her friend, she raised, as if annoyed, her white shoulders in a poetical and mild manner, but they were wanting in that richfulness of mold which was likewise to be wished in her arms and hands.
"Montalais! Montalais!" said she at length, in a voice soft and caressing as a melody, "you laugh too loud—you laugh like a man! You will not only draw the attention of messieurs the guards, but you will not hear Madame's bell when Madame rings."
This admonition neither made the young girl called Montalais cease to laugh and gesticulate. She only replied: "Louise, you do not speak as you think, my dear; you know that messieurs the guards, as you call them, have only just commenced their sleep, and that a cannon would not waken them; you know that Madame's bell can be heard at the bridge of Blois, and that consequently I shall hear it when my services are required by Madame. What annoys you, my child, is that I laugh while you are writing; and what you are afraid of is that Madame de Saint-Remy, your mother, should come up here, as she does sometimes when we laugh too loud, that she should surprise us, and that she should see that enormous sheet of paper upon which, in a quarter of an hour, you have only traced the words Monsieur Raoul. Now, you are right, my dear Louise, because after these words, 'Monsieur Raoul,' others may be put so significant and so incendiary as to cause Madame de Saint-Remy to burst out into fire and flames! Hein! is not that true now?—say."
And Montalais redoubled her laughter and noisy provocations.
The fair girl at length became quite angry; she tore the sheet of paper on which, in fact, the words "Monsieur Raoul" were written in good characters, and crushing the paper in her trembling hands, she threw it out of the window.
"There! there!" said Mademoiselle de Montalais; "there is our little lamb, our gentle dove, angry! Don't be afraid, Louise—Madame de Saint-Remy will not come; and if she should, you know I have a quick ear. Besides, what can be more permissible than to write to an old friend of twelve years' standing, particularly when the letter begins with the words 'Monsieur Raoul'?"
"It is all very well—I will not write to him at all," said the young girl.
"Ah, ah! in good sooth, Montalais is properly punished," cried the jeering brunette, still laughing. "Come, come! let us try another sheet of paper, and finish our dispatch off-hand. Good! there is the bell ringing now. By my faith, so much the worse! Madame must wait, or else do without her first maid of honor this morning."
A bell, in fact, did ring; it announced that Madame had finished her toilette, and waited for Monsieur to give her his hand, and conduct her from the salon to the refectory.
This formality being accomplished with great ceremony, the husband and wife breakfasted, and then separated till the hour of dinner, invariably fixed at two o'clock.
The sound of this bell caused a door to be opened in the offices on the left hand of the court, from which filed two maitres d'hotel followed by eight scullions bearing a kind of hand-barrow loaded with dishes under silver covers.
One of the maitres d'hotel, the first in rank, touched one of the guards, who was snoring on his bench, slightly with his wand; he even carried his kindness so far as to place the halbert which stood against the wall in the hands of the man stupid with sleep, after which the soldier, without explanation, escorted the viande of Monsieur to the refectory, preceded by a page and the two maitres d'hotel.
Wherever the viande passed, the soldiers ported arms.
Mademoiselle de Montalais and her companion had watched from their window the details of this ceremony, to which, by the bye, they must have been pretty well accustomed. But they did not look so much from curiosity as to be assured they should not be disturbed. So guards, scullions, maitres d'hotel, and pages having passed, they resumed their places at the table; and the sun, which, through the window-frame, had for an instant fallen upon those two charming countenances, now only shed its light upon the gilliflowers, primroses, and rosetree.
"Bah!" said Mademoiselle de Montalais, taking her place again; "Madame will breakfast very well without me!"
"Oh! Montalais, you will be punished!" replied the other girl, sitting down quietly in hers.
"Punished, indeed!—that is to say, deprived of a ride! That is just the way in which I wish to be punished. To go out in the grand coach, perched upon a doorstep; to turn to the left, twist round to the right, over roads full of ruts, where we cannot exceed a league in two hours; and then to come back straight towards the wing of the castle in which is the window of Mary de Medici, so that Madame never fails to say: 'Could one believe it possible that Mary de Medici should have escaped from that window—forty-seven feet high? The mother of two princes and three princesses!' If you call that relaxation, Louise, all I ask is to be punished every day; particularly when my punishment is to remain with you and write such interesting letters as we write!"
"Montalais! Montalais! there are duties to be performed."
"You talk of them very much at your ease, dear child!—you, who are left quite free amidst this tedious court. You are the only person that reaps the advantages of them without incurring the trouble,—you, who are really more one of Madame's maids of honor than I am, because Madame makes her affection for your father-in-law glance off upon you; so that you enter this dull house as the birds fly into yonder court, inhaling the air, pecking the flowers, picking up the grain, without having the least service to perform, or the least annoyance to undergo. And you talk to me of duties to be performed! In sooth, my pretty idler, what are your own proper duties, unless
Louise assumed a serious air, leant her chin upon her hand, and, in a tone full of candid remonstrance, "And do you reproach me with my good fortune?" said she. "Can you have the heart to do it? You have a future; you belong to the court; the king, if he should marry, will require Monsieur to be near his person; you will see splendid fetes; you will see the king, who they say is so handsome, so agreeable!"
"Ay, and still more, I shall see Raoul, who attends upon M. le Prince," added Montalais, maliciously.
"Poor Raoul!" sighed Louise.
"Now is the time to write to him, my pretty dear! Come, begin again, with that famous 'Monsieur Raoul' which figures at the top of the poor torn sheet."
She then held the pen toward her, and with a charming smile encouraged her hand, which quickly traced the words she named.
"What next?" asked the younger of the two girls.
"Why, now write what you think, Louise," replied Montalais.
"Are you quite sure I think of anything?"
"You think of somebody, and that amounts to the same thing, or rather even more."
"Do you think so, Montalais?"
"Louise, Louise, your blue eyes are as deep as the sea I saw at Boulogne last year! No, no, I mistake—the sea is perfidious: your eyes are as deep as the azure yonder—look!—over our heads!"
"Well, since you can read so well in my eyes, tell me what I am thinking about, Montalais."
"In the first place, you don't think Monsieur Raoul; you think My dear Raoul."
"Oh!——"
"Never blush for such a trifle as that! 'My dear Raoul,' we will say—'You implore me to write to you at Paris, where you are detained by your attendance on M. le Prince. As you must be very dull there, to seek for amusement in the remembrance of a provinciale——'"
Louise rose up suddenly. "No, Montalais," said she, with a smile; "I don't think a word of that. Look, this is what I think;" and she seized the pen boldly and traced, with a firm hand, the following words:—
"I should have been very unhappy if your entreaties to obtain a remembrance of me had been less warm. Everything here reminds me of our early days, which so quickly passed away, which so delightfully flew by, that no others will ever replace the charm of them in my heart."
Montalais, who watched the flying pen, and read, the wrong way upwards, as fast as her friend wrote, here interrupted by clapping her hands. "Capital!" cried she; "there is frankness—there is heart—there is style! Show these Parisians, my dear, that Blois is the city for fine language!"
"He knows very well that Blois was a Paradise to me," replied the girl.
"That is exactly what you mean to say; and you speak like an angel."
"I will finish, Montalais," and she continued as follows: "You often think of me, you say, Monsieur Raoul: I thank you; but that does not surprise me, when I recollect how often our hearts have beaten close to each other."
"Oh! oh!" said Montalais. "Beware; my lamb! You are scattering your wool, and there are wolves about."
Louise was about to reply, when the gallop of a horse resounded under the porch of the castle.
"What is that?" said Montalais, approaching the window. "A handsome cavalier, by my faith!"
"Oh!—Raoul!" exclaimed Louise, who had made the same movement as her friend, and, becoming pale as death, sunk back beside her unfinished letter.
"Now, he is a clever lover, upon my word!" cried Montalais; "he arrives just at the proper moment."
"Come in, come in, I implore you!" murmured Louise.
"Bah! he does not know me. Let me see what he has come here for."