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The Hesperides & Noble Numbers: Vol. 1 and 2
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The Hesperides & Noble Numbers: Vol. 1 and 2

by Herrick Robert

Page 1

ROBERT HERRICK

THE HESPERIDES & NOBLE
NUMBERS: EDITED BY
ALFRED POLLARD
WITH A PREFACE BY
A. C. SWINBURNE

Vol. I.    Vol. II.

REVISED EDITION

LONDON:
LAWRENCE & BULLEN, Ltd.,
16 Henrietta Street, W.C.
1898. NEW YORK:
LAWRENCE & BULLEN, Ltd.,
153-157 Fifth Avenue
1898.

CONTENTS

VOLUME I

  • EDITOR'S NOTE.
  • PREFACE.
  • LIFE OF HERRICK.
  • NOTE TO SECOND EDITION.
  • HESPERIDES.
    • DEDICATION.
    • 1. THE ARGUMENT OF HIS BOOK.
    • 2. TO HIS MUSE.
    • 3. TO HIS BOOK.
    • 4. ANOTHER.
    • 7. TO HIS BOOK.
    • 8. WHEN HE WOULD HAVE HIS VERSES READ.
    • 9. UPON JULIA'S RECOVERY.
    • 10. TO SILVIA TO WED.
    • 11. THE PARLIAMENT OF ROSES TO JULIA.
    • 12. NO BASHFULNESS IN BEGGING.
    • 13. THE FROZEN HEART.
    • 14. TO PERILLA.
    • 15. A SONG TO THE MASKERS.
    • 16. TO PERENNA.
    • 17. TREASON.
    • 18. TWO THINGS ODIOUS.
    • 19. TO HIS MISTRESSES.
    • 20. THE WOUNDED HEART.
    • 21. NO LOATHSOMENESS IN LOVE.
    • 22. TO ANTHEA.
    • 23. THE WEEPING CHERRY.
    • 24. SOFT MUSIC.
    • 25. THE DIFFERENCE BETWIXT KINGS AND SUBJECTS.
    • 26. HIS ANSWER TO A QUESTION.
    • 27. UPON JULIA'S FALL.
    • 28. EXPENSES EXHAUST.
    • 29. LOVE, WHAT IT IS.
    • 30. PRESENCE AND ABSENCE.
    • 31. NO SPOUSE BUT A SISTER.
    • 32. THE POMANDER BRACELET.
    • 33. THE SHOE-TYING.
    • 34. THE CARCANET.
    • 35. HIS SAILING FROM JULIA.
    • 36. HOW THE WALL-FLOWER CAME FIRST, AND WHY SO CALLED.
    • 37. WHY FLOWERS CHANGE COLOUR.
    • 38. TO HIS MISTRESS OBJECTING TO HIM NEITHER TOYING OR TALKING.
    • 39. UPON THE LOSS OF HIS MISTRESSES.
    • 40. THE DREAM.
    • 42. TO LOVE.
    • 43. ON HIMSELF.
    • 44. LOVE'S PLAY AT PUSH-PIN.
    • 45. THE ROSARY.
    • 46. UPON CUPID.
    • 47. THE PARCÆ; OR, THREE DAINTY DESTINIES: THE ARMILLET.
    • 48. SORROWS SUCCEED.
    • 49. CHERRY-PIT.
    • 50. TO ROBIN REDBREAST.
    • 51. DISCONTENTS IN DEVON.
    • 52. TO HIS PATERNAL COUNTRY.
    • 53. CHERRY-RIPE.
    • 54. TO HIS MISTRESSES.
    • 55. TO ANTHEA.
    • 56. THE VISION TO ELECTRA.
    • 57. DREAMS.
    • 58. AMBITION.
    • 59. HIS REQUEST TO JULIA.
    • 60. MONEY GETS THE MASTERY.
    • 61. THE SCARE-FIRE.
    • 62. UPON SILVIA, A MISTRESS.
    • 63. CHEERFULNESS IN CHARITY; OR, THE SWEET SACRIFICE.
    • 65. SWEETNESS IN SACRIFICE.
    • 66. STEAM IN SACRIFICE.
    • 67. UPON JULIA'S VOICE.
    • 68. AGAIN.
    • 69. ALL THINGS DECAY AND DIE.
    • 70. THE SUCCESSION OF THE FOUR SWEET MONTHS.
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class="pgexternal" tag="{http://www.w3.org/1999/xhtml}a">71. NO SHIPWRECK OF VIRTUE. TO A FRIEND.
  • 72. UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETH HERRICK.
  • 73. OF LOVE. A SONNET.
  • 74. TO ANTHEA.
  • 75. THE ROCK OF RUBIES, AND THE QUARRY OF PEARLS.
  • 76. CONFORMITY.
  • 77. TO THE KING, UPON HIS COMING WITH HIS ARMY INTO THE WEST.
  • 78. UPON ROSES.
  • 79. TO THE KING AND QUEEN UPON THEIR UNHAPPY DISTANCES.
  • 80. DANGERS WAIT ON KINGS.
  • 81. THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST.
  • 82. TO THE REVEREND SHADE OF HIS RELIGIOUS FATHER.
  • 83. DELIGHT IN DISORDER.
  • 84. TO HIS MUSE.
  • 85. UPON LOVE.
  • 86. TO DEAN BOURN, A RUDE RIVER IN DEVON, BY WHICH SOMETIMES HE LIVED.
  • 87. KISSING USURY.
  • 88. TO JULIA.
  • 89. TO LAURELS.
  • 90. HIS CAVALIER.
  • 91. ZEAL REQUIRED IN LOVE.
  • 92. THE BAG OF THE BEE.
  • 93. LOVE KILLED BY LACK.
  • 94. TO HIS MISTRESS.
  • 95. TO THE GENEROUS READER.
  • 96. TO CRITICS.
  • 97. DUTY TO TYRANTS.
  • 98. BEING ONCE BLIND, HIS REQUEST TO BIANCA.
  • 100. NO WANT WHERE THERE'S LITTLE.
  • 101. BARLEY-BREAK; OR, LAST IN HELL.
  • 102. THE DEFINITION OF BEAUTY.
  • 103. TO DIANEME.
  • 104. TO ANTHEA LYING IN BED.
  • 105. TO ELECTRA.
  • 106. A COUNTRY-LIFE: TO HIS BROTHER, MR. THO. HERRICK.
  • 107. DIVINATION BY A DAFFODIL.
  • 108. TO THE PAINTER, TO DRAW HIM A PICTURE.
  • 111. A LYRIC TO MIRTH.
  • 112. TO THE EARL OF WESTMORELAND.
  • 113. AGAINST LOVE.
  • 114. UPON JULIA'S RIBAND.
  • 115. THE FROZEN ZONE; OR, JULIA DISDAINFUL.
  • 116. AN EPITAPH UPON A SOBER MATRON.
  • 117. TO THE PATRON OF POETS, M. END. PORTER.
  • 118. THE SADNESS OF THINGS FOR SAPPHO'S SICKNESS.
  • 119. LEANDER'S OBSEQUIES.
  • 120. HOPE HEARTENS.
  • 121. FOUR THINGS MAKE US HAPPY HERE.
  • 122. HIS PARTING FROM MRS. DOROTHY KENNEDY.
  • 123. THE TEAR SENT TO HER FROM STAINES.
  • 124. UPON ONE LILY, WHO MARRIED WITH A MAID CALLED ROSE.
  • 125. AN EPITAPH UPON A CHILD.
  • 127. THE HOUR-GLASS.
  • 128. HIS FAREWELL TO SACK.
  • 130. UPON MRS. ELIZABETH WHEELER, UNDER THE NAME OF AMARILLIS.
  • 132. TO MYRRHA, HARD-HEARTED.
  • 133. THE EYE.
  • 134. UPON THE MUCH-LAMENTED MR. J. WARR.
  • 136. THE SUSPICION UPON HIS OVER-MUCH FAMILIARITY WITH A GENTLEWOMAN.
  • 137. SINGLE LIFE MOST SECURE.
  • 138. THE CURSE. A SONG.
  • 139. THE WOUNDED CUPID. SONG.
  • 140. TO DEWS. A SONG.
  • 141. SOME COMFORT IN CALAMITY.
  • 142. THE VISION.
  • 143. LOVE ME LITTLE, LOVE ME LONG.
  • 144. UPON A VIRGIN KISSING A ROSE.
  • 145. UPON A WIFE THAT DIED MAD WITH JEALOUSY.
  • 146. UPON THE BISHOP OF LINCOLN'S IMPRISONMENT.
  • 147. DISSUASIONS FROM IDLENESS.
  • 149. AN EPITHALAMY TO SIR THOMAS SOUTHWELL AND HIS LADY.
  • 150. TEARS ARE TONGUES.
  • 151. UPON A YOUNG MOTHER OF MANY CHILDREN.
  • 152. TO ELECTRA.
  • 153. HIS WISH.
  • 154. HIS PROTESTATION TO PERILLA.
  • 155. LOVE PERFUMES ALL PARTS.
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    tag="{http://www.w3.org/1999/xhtml}a">156. TO JULIA.
  • 157. ON HIMSELF.
  • 158. VIRTUE IS SENSIBLE OF SUFFERING.
  • 159. THE CRUEL MAID.
  • 160. TO DIANEME.
  • 161. TO THE KING, TO CURE THE EVIL.
  • 162. HIS MISERY IN A MISTRESS.
  • 164. TO A GENTLEWOMAN OBJECTING TO HIM HIS GRAY HAIRS.
  • 165. TO CEDARS.
  • 166. UPON CUPID.
  • 167. HOW PRIMROSES CAME GREEN.
  • 168. TO JOS., LORD BISHOP OF EXETER.
  • 169. UPON A BLACK TWIST ROUNDING THE ARM OF THE COUNTESS OF CARLISLE.
  • 170. ON HIMSELF.
  • 172. A RING PRESENTED TO JULIA.
  • 173. TO THE DETRACTOR.
  • 174. UPON THE SAME.
  • 175. JULIA'S PETTICOAT.
  • 176. TO MUSIC.
  • 177. DISTRUST.
  • 178. CORINNA'S GOING A-MAYING.
  • 179. ON JULIA'S BREATH.
  • 180. UPON A CHILD. AN EPITAPH.
  • 181. A DIALOGUE BETWIXT HORACE AND LYDIA, TRANSLATED ANNO 1627, AND SET BY MR. RO. RAMSEY.
  • 182. THE CAPTIV'D BEE, OR THE LITTLE FILCHER.
  • 185. AN ODE TO MASTER ENDYMION PORTER, UPON HIS BROTHER'S DEATH.
  • 186. TO HIS DYING BROTHER, MASTER WILLIAM HERRICK.
  • 187. THE OLIVE BRANCH.
  • 189. TO CHERRY-BLOSSOMS.
  • 190. HOW LILIES CAME WHITE.
  • 191. TO PANSIES.
  • 192. ON GILLY-FLOWERS BEGOTTEN.
  • 193. THE LILY IN A CRYSTAL.
  • 194. TO HIS BOOK.
  • 195. UPON SOME WOMEN.
  • 196. SUPREME FORTUNE FALLS SOONEST.
  • 197. THE WELCOME TO SACK.
  • 198. IMPOSSIBILITIES TO HIS FRIEND.
  • 201. TO LIVE MERRILY AND TO TRUST TO GOOD VERSES.
  • 202. FAIR DAYS: OR, DAWNS DECEITFUL.
  • 203. LIPS TONGUELESS.
  • 204. TO THE FEVER, NOT TO TROUBLE JULIA.
  • 205. TO VIOLETS.
  • 207. TO CARNATIONS. A SONG.
  • 208. TO THE VIRGINS, TO MAKE MUCH OF TIME.
  • 209. SAFETY TO LOOK TO ONESELF.
  • 210. TO HIS FRIEND, ON THE UNTUNABLE TIMES.
  • 211. HIS POETRY HIS PILLAR.
  • 212. SAFETY ON THE SHORE.
  • 213. A PASTORAL UPON THE BIRTH OF PRINCE CHARLES. PRESENTED TO THE KING, AND SET BY MR. NIC. LANIERE.
  • 214. TO THE LARK.
  • 215. THE BUBBLE. A SONG.
  • 216. A MEDITATION FOR HIS MISTRESS.
  • 217. THE BLEEDING HAND; OR, THE SPRIG OF EGLANTINE GIVEN TO A MAID.
  • 218. LYRIC FOR LEGACIES.
  • 219. A DIRGE UPON THE DEATH OF THE RIGHT VALIANT LORD, BERNARD STUART.
  • 220. TO PERENNA, A MISTRESS.
  • 223. THE FAIRY TEMPLE; OR, OBERON'S CHAPEL DEDICATED TO MR. JOHN MERRIFIELD, COUNSELLOR-AT-LAW.
  • 224. TO MISTRESS KATHERINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH LAUREL.
  • 225. THE PLAUDITE, OR END OF LIFE.
  • 226. TO THE MOST VIRTUOUS MISTRESS POT, WHO MANY TIMES ENTERTAINED HIM.
  • 227. TO MUSIC, TO BECALM HIS FEVER.
  • 228. UPON A GENTLEWOMAN WITH A SWEET VOICE.
  • 229. UPON CUPID.
  • 230. UPON JULIA'S BREASTS.
  • 231. BEST TO BE MERRY.
  • 232. THE CHANGES TO CORINNA.
  • 234. NEGLECT.
  • 235. UPON HIMSELF.
  • 236. UPON A PHYSICIAN.
  • 238. TO THE ROSE. A SONG.
  • 240. TO HIS BOOK.
  • 241. UPON A PAINTED GENTLEWOMAN.
  • 243. DRAW-GLOVES.
  • 244. TO MUSIC, TO BECALM A SWEET-SICK YOUTH.
  • 245. TO THE HIGH AND NOBLE PRINCE GEORGE, DUKE, MARQUIS, AND EARL OF BUCKINGHAM.
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    class="pgexternal" tag="{http://www.w3.org/1999/xhtml}a">246. HIS RECANTATION.
  • 247. THE COMING OF GOOD LUCK.
  • 248. THE PRESENT; OR, THE BAG OF THE BEE.
  • 249. ON LOVE.
  • 250. THE HOCK-CART OR HARVEST HOME. TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORELAND.
  • 251. THE PERFUME.
  • 252. UPON HER VOICE.
  • 253. NOT TO LOVE.
  • 254. TO MUSIC. A SONG.
  • 255. TO THE WESTERN WIND.
  • 256. UPON THE DEATH OF HIS SPARROW. AN ELEGY.
  • 257. TO PRIMROSES FILLED WITH MORNING DEW.
  • 258. HOW ROSES CAME RED.
  • 259. COMFORT TO A LADY UPON THE DEATH OF HER HUSBAND.
  • 260. HOW VIOLETS CAME BLUE.
  • 262. TO THE WILLOW-TREE.
  • 263. MRS. ELIZ. WHEELER, UNDER THE NAME OF THE LOST SHEPHERDESS.
  • 264. TO THE KING.
  • 265. TO THE QUEEN.
  • 266. THE POET'S GOOD WISHES FOR THE MOST HOPEFUL AND HANDSOME PRINCE, THE DUKE OF YORK.
  • 267. TO ANTHEA, WHO MAY COMMAND HIM ANYTHING.
  • 268. PREVISION OR PROVISION.
  • 269. OBEDIENCE IN SUBJECTS.
  • 270. MORE POTENT, LESS PECCANT.
  • 271. UPON A MAID THAT DIED THE DAY SHE WAS MARRIED.
  • 274. TO MEADOWS.
  • 275. CROSSES.
  • 276. MISERIES.
  • 278. TO HIS HOUSEHOLD GODS.
  • 279. TO THE NIGHTINGALE AND ROBIN REDBREAST.
  • 280. TO THE YEW AND CYPRESS TO GRACE HIS FUNERAL.
  • 281. I CALL AND I CALL.
  • 282. ON A PERFUMED LADY.
  • 283. A NUPTIAL SONG OR EPITHALAMY ON SIR CLIPSEBY CREW AND HIS LADY.
  • 284. THE SILKEN SNAKE.
  • 285. UPON HIMSELF.
  • 286. UPON LOVE.
  • 287. REVERENCE TO RICHES.
  • 288. DEVOTION MAKES THE DEITY.
  • 289. TO ALL YOUNG MEN THAT LOVE.
  • 290. THE EYES.
  • 291. NO FAULT IN WOMEN.
  • 293. OBERON'S FEAST.
  • 294. EVENT OF THINGS NOT IN OUR POWER.
  • 295. UPON HER BLUSH.
  • 296. MERITS MAKE THE MAN.
  • 297. TO VIRGINS.
  • 298. VIRTUE.
  • 299. THE BELLMAN.
  • 300. BASHFULNESS.
  • 301. TO THE MOST ACCOMPLISHED GENTLEMAN, MASTER EDWARD NORGATE, CLERK OF THE SIGNET TO HIS MAJESTY. EPIG.
  • 302. UPON PRUDENCE BALDWIN: HER SICKNESS.
  • 303. TO APOLLO. A SHORT HYMN.
  • 304. A HYMN TO BACCHUS.
  • 306. ON HIMSELF.
  • 307. CASUALTIES.
  • 308. BRIBES AND GIFTS GET ALL.
  • 309. THE END.
  • 310. UPON A CHILD THAT DIED.
  • 312. CONTENT, NOT CATES.
  • 313. THE ENTERTAINMENT; OR, PORCH-VERSE, AT THE MARRIAGE OF MR. HENRY NORTHLY AND THE MOST WITTY MRS. LETTICE YARD.
  • 314. THE GOOD-NIGHT OR BLESSING.
  • 316. TO DAFFODILS.
  • 318. UPON A LADY THAT DIED IN CHILD-BED, AND LEFT A DAUGHTER BEHIND HER.
  • 319. A NEW-YEAR'S GIFT SENT TO SIR SIMON STEWARD.
  • 320. MATINS; OR, MORNING PRAYER.
  • 321. EVENSONG.
  • 322. THE BRACELET TO JULIA.
  • 323. THE CHRISTIAN MILITANT.
  • 324. A SHORT HYMN TO LAR.
  • 325. ANOTHER TO NEPTUNE.
  • 327. HIS EMBALMING TO JULIA.
  • 328. GOLD BEFORE GOODNESS.
  • 329. THE KISS. A DIALOGUE.
  • 330. THE ADMONITION.
  • 331. TO HIS HONOURED KINSMAN, SIR WILLIAM SOAME. EPIG.
  • 332. ON HIMSELF.
  • 333.
  • Page 5
    TO LAR.
  • 334. THE DEPARTURE OF THE GOOD DEMON.
  • 335. CLEMENCY.
  • 336. HIS AGE, DEDICATED TO HIS PECULIAR FRIEND, M. JOHN WICKES, UNDER THE NAME OF POSTHUMUS.
  • 337. A SHORT HYMN TO VENUS.
  • 338. TO A GENTLEWOMAN ON JUST DEALING.
  • 339. THE HAND AND TONGUE.
  • 340. UPON A DELAYING LADY.
  • 341. TO THE LADY MARY VILLARS, GOVERNESS TO THE PRINCESS HENRIETTA.
  • 342. UPON HIS JULIA.
  • 343. TO FLOWERS.
  • 344. TO MY ILL READER.
  • 345. THE POWER IN THE PEOPLE.
  • 346. A HYMN TO VENUS AND CUPID.
  • 347. ON JULIA'S PICTURE.
  • 348. HER BED.
  • 349. HER LEGS.
  • 350. UPON HER ALMS.
  • 351. REWARDS.
  • 352. NOTHING NEW.
  • 353. THE RAINBOW.
  • 354. THE MEADOW-VERSE; OR, ANNIVERSARY TO MISTRESS BRIDGET LOWMAN.
  • 355. THE PARTING VERSE, THE FEAST THERE ENDED.
  • 356. UPON JUDITH. EPIG.
  • 359. TO THE RIGHT HONOURABLE PHILIP, EARL OF PEMBROKE AND MONTGOMERY.
  • 360. AN HYMN TO JUNO.
  • 362. UPON SAPPHO SWEETLY PLAYING AND SWEETLY SINGING.
  • 364. CHOP-CHERRY.
  • 365. TO THE MOST LEARNED, WISE, AND ARCH-ANTIQUARY, M. JOHN SELDEN.
  • 366. UPON HIMSELF.
  • 367. UPON WRINKLES.
  • 370. PRAY AND PROSPER.
  • 371. HIS LACHRYMÆ; OR, MIRTH TURNED TO MOURNING.
  • 375. TO THE MOST FAIR AND LOVELY MISTRESS ANNE SOAME, NOW LADY ABDIE.
  • 376. UPON HIS KINSWOMAN, MISTRESS ELIZABETH HERRICK.
  • 377. A PANEGYRIC TO SIR LEWIS PEMBERTON.
  • 378. TO HIS VALENTINE ON ST. VALENTINE'S DAY.
  • 382. UPON M. BEN. JONSON. EPIG.
  • 383. ANOTHER.
  • 384. TO HIS NEPHEW, TO BE PROSPEROUS IN HIS ART OF PAINTING.
  • 386. A VOW TO MARS.
  • 387. TO HIS MAID, PREW.
  • 388. A CANTICLE TO APOLLO.
  • 389. A JUST MAN.
  • 390. UPON A HOARSE SINGER.
  • 391. HOW PANSIES OR HEART'S-EASE CAME FIRST.
  • 392. TO HIS PECULIAR FRIEND, SIR EDWARD FISH, KNIGHT BARONET.
  • 393. LAR'S PORTION AND THE POET'S PART.
  • 394. UPON MAN.
  • 395. LIBERTY.
  • 396. LOTS TO BE LIKED.
  • 397. GRIEFS.
  • 399. THE DREAM.
  • 402. CLOTHES DO BUT CHEAT AND COZEN US.
  • 403. TO DIANEME.
  • 404. UPON ELECTRA.
  • 405. TO HIS BOOK.
  • 406. OF LOVE.
  • 407. UPON HIMSELF.
  • 408. ANOTHER.
  • 412. THE MAD MAID'S SONG.
  • 413. TO SPRINGS AND FOUNTAINS.
  • 414. UPON JULIA'S UNLACING HERSELF.
  • 415. TO BACCHUS, A CANTICLE.
  • 416. THE LAWN.
  • 417. THE FRANKINCENSE.
  • 420. TO SYCAMORES.
  • 421. A PASTORAL SUNG TO THE KING: MONTANO, SILVIO, AND MIRTILLO, SHEPHERDS.
  • 422. THE POET LOVES A MISTRESS, BUT NOT TO MARRY.
  • 425. THE WILLOW GARLAND.
  • 427. A HYMN TO SIR CLIPSEBY CREW.
  • 430. EMPIRES.
  • 431. FELICITY QUICK OF FLIGHT.
  • 436. THE CROWD AND COMPANY.
  • 438. POLICY IN PRINCES.
  • 440. UPON THE NIPPLES OF JULIA'S BREAST.
  • 441. TO DAISIES, NOT TO SHUT SO SOON.
  • 442. TO THE LITTLE SPINNERS.
  • 443. OBERON'S PALACE.
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    tag="{http://www.w3.org/1999/xhtml}a">444. TO HIS PECULIAR FRIEND, MR. THOMAS SHAPCOTT, LAWYER.
  • 445. TO JULIA IN THE TEMPLE.
  • 446. TO OENONE.
  • 447. HIS WEAKNESS IN WOES.
  • 448. FAME MAKES US FORWARD.
  • 449. TO GROVES.
  • 450. AN EPITAPH UPON A VIRGIN.
  • 451. TO THE RIGHT GRACIOUS PRINCE, LODOWICK, DUKE OF RICHMOND AND LENNOX.
  • 452. TO JEALOUSY.
  • 453. TO LIVE FREELY.
  • 455. HIS ALMS.
  • 456. UPON HIMSELF.
  • 457. TO ENJOY THE TIME.
  • 458. UPON LOVE.
  • 459. TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORELAND.
  • 460. THE PLUNDER.
  • 461. LITTLENESS NO CAUSE OF LEANNESS.
  • 464. THE JIMMALL RING OR TRUE-LOVE KNOT.
  • 465. THE PARTING VERSE OR CHARGE TO HIS SUPPOSED WIFE WHEN HE TRAVELLED.
  • 466. TO HIS KINSMAN, SIR THOS. SOAME.
  • 467. TO BLOSSOMS.
  • 468. MAN'S DYING-PLACE UNCERTAIN.
  • 469. NOTHING FREE-COST.
  • 470. FEW FORTUNATE.
  • 471. TO PERENNA.
  • 472. TO THE LADIES.
  • 473. THE OLD WIVES' PRAYER.
  • 475. UPON HIS DEPARTURE HENCE.
  • 476. THE WASSAIL.
  • 477. UPON A LADY FAIR BUT FRUITLESS.
  • 478. HOW SPRINGS CAME FIRST.
  • 479. TO ROSEMARY AND BAYS.
  • 481. UPON A SCAR IN A VIRGIN'S FACE.
  • 482. UPON HIS EYESIGHT FAILING HIM.
  • 483. TO HIS WORTHY FRIEND, M. THOS. FALCONBIRGE.
  • 484. UPON JULIA'S HAIR FILL'D WITH DEW.
  • 485. ANOTHER ON HER.
  • 486. LOSS FROM THE LEAST.
  • 487. REWARD AND PUNISHMENTS.
  • 488. SHAME NO STATIST.
  • 489. TO SIR CLIPSEBY CREW.
  • 490. UPON HIMSELF.
  • 491. FRESH CHEESE AND CREAM.
  • 492. AN ECLOGUE OR PASTORAL BETWEEN ENDYMION PORTER AND LYCIDAS HERRICK, SET AND SUNG.
  • 493. TO A BED OF TULIPS.
  • 494. A CAUTION.
  • 495. TO THE WATER NYMPHS DRINKING AT THE FOUNTAIN.
  • 496. TO HIS HONOURED KINSMAN, SIR RICHARD STONE.
  • 497. UPON A FLY.
  • 499. TO JULIA.
  • 500. TO MISTRESS DOROTHY PARSONS.
  • 502. HOW HE WOULD DRINK HIS WINE.
  • 503. HOW MARIGOLDS CAME YELLOW.
  • 504. THE BROKEN CRYSTAL.
  • 505. PRECEPTS.
  • 506. TO THE RIGHT HONOURABLE EDWARD, EARL OF DORSET.
  • 507. UPON HIMSELF.
  • 508. HOPE WELL AND HAVE WELL: OR, FAIR AFTER FOUL WEATHER.
  • 509. UPON LOVE.
  • 510. TO HIS KINSWOMAN, MRS. PENELOPE WHEELER.
  • 511. ANOTHER UPON HER.
  • 513. CROSS AND PILE.
  • 514. TO THE LADY CREW, UPON THE DEATH OF HER CHILD.
  • 515. HIS WINDING-SHEET.
  • 516. TO MISTRESS MARY WILLAND.
  • 517. CHANGE GIVES CONTENT.
  • 519. ON HIMSELF.
  • 520. FORTUNE FAVOURS.
  • 521. TO PHYLLIS, TO LOVE AND LIVE WITH HIM.
  • 522. TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK.
  • 523. UPON MISTRESS SUSANNA SOUTHWELL, HER CHEEKS.
  • 524. UPON HER EYES.
  • 525. UPON HER FEET.
  • 526. TO HIS HONOURED FRIEND, SIR JOHN MINCE.
  • 527. UPON HIS GREY HAIRS.
  • 528. ACCUSATION.
  • 529. PRIDE ALLOWABLE IN POETS.
  • 530. A VOW TO MINERVA.
  • 534. TO ELECTRA.
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  • 535. DISCORD NOT DISADVANTAGEOUS.
  • 536. ILL GOVERNMENT.
  • 537. TO MARIGOLDS.
  • 538. TO DIANEME.
  • 539. TO JULIA, THE FLAMINICA DIALIS OR QUEEN-PRIEST.
  • 540. ANACREONTIC.
  • 541. MEAT WITHOUT MIRTH.
  • 542. LARGE BOUNDS DO BUT BURY US.
  • 543. UPON URSLEY.
  • 544. AN ODE TO SIR CLIPSEBY CREW.
  • 545. TO HIS WORTHY KINSMAN, MR. STEPHEN SOAME.
  • 546. TO HIS TOMB-MAKER.
  • 547. GREAT SPIRITS SUPERVIVE.
  • 548. NONE FREE FROM FAULT.
  • 549. UPON HIMSELF BEING BURIED.
  • 550. PITY TO THE PROSTRATE.
  • 552. HIS CONTENT IN THE COUNTRY.
  • 553. THE CREDIT OF THE CONQUEROR.
  • 554. ON HIMSELF.
  • 556. THE FAIRIES.
  • 557. TO HIS HONOURED FRIEND, M. JOHN WEARE, COUNCILLOR.
  • 560. THE WATCH.
  • 561. LINES HAVE THEIR LININGS, AND BOOKS THEIR BUCKRAM.
  • 562. ART ABOVE NATURE: TO JULIA.
  • 564. UPON HIS KINSWOMAN, MISTRESS BRIDGET HERRICK.
  • 565. UPON LOVE.
  • 566. UPON A COMELY AND CURIOUS MAID.
  • 567. UPON THE LOSS OF HIS FINGER.
  • 568. UPON IRENE.
  • 569. UPON ELECTRA'S TEARS.
  • NOTES.
  • VOLUME II