The Project Gutenberg eBook, The Ingoldsby Country, by Charles G. (Charles George) Harper, Illustrated by Charles G. (Charles George) Harper
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Title: The Ingoldsby Country
Literary Landmarks of the "Ingoldsby Legends"
Author: Charles G. (Charles George) Harper
Release Date: July 23, 2014 [eBook #46385]
Language: English
Character set encoding: ISO-8859-1
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THE INGOLDSBY COUNTRY
"A long narrow vaulted passage, paved with flagstones, vulgarly known by the name of the 'Dark Entry.'"
The Legend of "Nell Cook."
Frontispiece.
THE INGOLDSBY COUNTRY
LITERARY LANDMARKS OF
THE "INGOLDSBY LEGENDS"
BY
CHARLES G. HARPER
AUTHOR OF "THE BRIGHTON ROAD," "THE PORTSMOUTH ROAD," "THE DOVER ROAD," "THE BATH ROAD," "THE EXETER ROAD," "THE GREAT NORTH ROAD," "THE NORWICH ROAD," "THE HOLYHEAD ROAD," "THE CAMBRIDGE, ELY, AND KING'S LYNN ROAD," AND "STAGE-COACH AND MAIL IN DAYS OF YORE"
ILLUSTRATED BY THE AUTHOR
LONDON
ADAM & CHARLES BLACK
1904
"Ingoldsby" has always been of that comparatively small number of authors who command a personal interest and affection. Reading the "Legends" you cannot choose but see that when he sat down, often at the midnight hour, to dash off the fun and frolic that came so readily to his mind, it was a part of himself that appeared upon the page. He did not and could not, when he wrote for publication under a pseudonym, be other than himself, and did not self-consciously draw a veil of style around him and speak, a cloaked figure lacking ordinary human attributes, or as other than a man of the world. He claimed no sacerdotal privileges, and we know, from the published "Life and Letters" by his son, that he was in his life and intimacies, as the Reverend R. H. Barham, the same genial wit and humorist he appeared as "Tom Ingoldsby." He must, therefore, have been a likeable man, and those who knew him were fortunate persons. The next best thing to knowing him is to know something of the Ingoldsby Country, that corner of Kent where he was born and whose legends he has put to such splendid literary uses. The "Ingoldsby Legends" have so long since become a classic that it is indeed somewhat surprising that no literary pilgrim, for love of their author and interest in his career, has before this traced the landmarks of his storied district.
CHARLES G. HARPER.
Petersham, Surrey.
January, 1904.
CONTENTS
PAGE The "Dark Entry," Canterbury, From the Green Court Frontispiece Sketch Map: The Ingoldsby Country 5 "Tom Ingoldsby:" the Rev. Richard Harris Barham 13 No. 61, Burgate Street, Canterbury Facing 14 St. Mary Magdalene, Burgate Street, Canterbury 15 Westwell 16 The Hall, No. 61, Burgate Street, Canterbury Facing 16 The Barham Coat-of-Arms 18 No. 4, St. Paul's Churchyard 22 Amen Corner, where Barham died.... 24 Ruins of St. Mary Magdalene, after the Fire of December 1886 26 Canterbury Castle 32 The Dane John, Canterbury 34 The Dark Entry 37 " " " 38 "The Martyrdom," Canterbury Cathedral 52 The Vale of Barham 65 The "Eagle Gates," Broome Park 67 Broome Park, the Real Original of Tappington Hall Facing 68 Tappington, from the Folkestone Road 69 Denton Facing 70 Denton Church and Court 71 Tappington Hall 73 The "Merchant's-Mark" of Thomas Marsh of Marston 74 Tappington Hall: Night Facing
CHAPTER I
INTRODUCTORY
The present writer foregathered a little while since with a man who had been to the uttermost parts of the earth. He had just returned from Australia, and was casually met on what the vulgar call the "Tuppenny Tube," travelling from the Bank to Shepherd's Bush. It was a humorous anti-climax to all those other journeys, but that is not the point here to be made. He was full, as might have been expected, of tales strange and curious of those outposts of civilisation he had visited, and of legends of places—whose names generally ended with two gulps and a click—where civilisation was an unknown quantity. But to this man, who had been everywhere and elsewhere, who had crossed the Dark Continent when it was still dark, England, his native land, was
When he was done talking of places with savage and infinitely-repetitive names, composed of fantastically-arranged vowels, with never a consonant to consort with them, he was asked if he knew Kent. "Kent?" he repeated, in Jingle-like fashion, "why, yes. Canterbury Cathedral, hop-gardens, Charles Dickens, Rochester, Dover, and—and all that," he concluded, with a vague sweep of his arm. "Run through it on y'r way to Paris," he added, in an explanatory way. And that was all he knew of Kent: a place you run through, on the way to somewhere else! a country observed from fleeting and not very attentive glances obtained from a railway-carriage window! Such glances furnished him fully forth in all he had cared to know of the Garden of England!
Not that one fully subscribes to that familiar epithet of praise, which must have originally been given by a Cockney who knew no better. Who that ever has sojourned in the west, and has known lovely Devon, would for a moment give Kent that pride of place? Now, if it were called the "Market Garden of England——!" What?
But this is not to say that Kent is not very beautiful; only it is not Devon. I do not pillory Kent because it is not something else, and would by no means contemn its chalky soil because of any affection for the good red earth of that other shire. Kent has its lovable qualities, and when you have eliminated the thronging tramps, the paper and other factories, the objectionable hop-pickers, the beanfeasters, and the multitudinous yahoos who people its nearer Cockneyfied districts, there is a very considerable residuum of exquisite country. The elimination of all those items would be what the slangy term a "big order"; but the tourist who knows, and even the tourist who does not actually know, but can infer and deduce, need never lose himself in the Kent of commerce and blackguardism. He seeks out, and by instinct finds, the best; and, having found the best that Kent affords, is ready to declare that it is hard to beat. It is, for example, impossible to match, even in Devon, the beauty of that fertile fruit and hop-bearing belt of country which begins at Newington, a few miles below Chatham, and continues beside the Dover Road, past Teynham and Faversham, and on to Canterbury. It is a beauty that appeals alike and at once to the artist and the man with carnal appetites and fleshly longings; for, once off the dusty high-road, it is a constant succession of orchards and hop-gardens, wherein it is pleasant to lie on sunny afternoons in the dappled shade of the apple, pear, or cherry-trees, with the swede-eating sheep for sole companions, and the noise of the toilsome world coming restfully over the hedgerows.
It is a noisy and a toilsome world. There goes the roar of the big guns down at the Medway forts; the clear note of the bugles sings up faintly—like an anthem from amid a naughty nest of vipers—out of Chatham and New Brompton (we are being duly taken care of!); the whistling and rushing of the railway trains are never still, and you can hear that holiday world which takes its vacation strenuously, "pip-pipping" on cycles, "poop-pooping" on motor-cars, and playing the yearnful concertina on the passing break like anything, t'other side of the merciful hedge. Even if you could not hear them, the signs of their passing would be evident in the cloud of chalk-dust which, like the pillar of cloud by day that guided the Children of Israel, marks their route. But the Land of Promise sought by those pilgrims, at such speed, is not ours. How should it be? Theirs is ever the Next Place; ours is Here. Theirs is the Promise without fruition; ours is granted to the full, and Now, wherever we be. That is if we be indeed wise in our generation, and content with the happy moment. One understands that same happy moment, here and now, to be passed in the consumption of ripe cherries out of a cool cabbage-leaf, in the shade of the boughs that bore them. This is one way in which beauteous Kent appeals, as we have said, to the carnal man, who perceives that if indeed Devonshire cream be good, equally good are the kindly fruits of Kent.
If Kent be essentially the Market Garden of England, rather than pre-eminently the Garden in the picturesque sense, certainly this country yields to none other in historic or literary interest. That coast where Cæsar and Augustine, easily first among the great personages of history, landed; this fertile county which contains the Metropolitan Cathedral of the Church of England; the neighbourhood of Rochester and Maidstone, linked with the literary activities of Charles Dickens, must needs hold the affections of Englishmen, irrespective of the physical and æsthetic attractions of scenery. But there is another great literary figure connected with Kent, both by birth and by reason of his having exploited many of its rural legends in his merry verse. Richard Harris Barham was born at Canterbury, and in his Ingoldsby Legends created an Ingoldsby Country, which he had already peopled with many notable characters before death cut him off in his prime. The capital of the Ingoldsby Country is Canterbury; its very heart and core is comprised within the district to the east of a line drawn due south from Whitstable to Canterbury, Denton, and Hythe; and its frontiers make an indeterminate line to the west, beyond Romney Marsh and Ashford. The whole north coast of Kent, including Sheppey, the Swale, and the littoral of the Thames and Medway, is part and parcel of Ingoldsby Land, whose isolated and far-off dependencies are found at Shrewsbury, the scene of "Bloudie Jack"; or Salisbury Plain, where the "Dead Drummer" is located; at Wayland Wood, near Wymondham, in Norfolk, where the legend of the "Babes in the Wood" belongs; and at Netley Abbey, the scene of a fine poem. London, too, has its Ingoldsby associations, duly set forth in these pages.
CHAPTER II
BARHAM: THE AUTHOR OF THE INGOLDSBY LEGENDS
There are coteries, circles inner and outer, in the world of letters, and there have always been. There are some in this time of ours whose members think they are of the giants whose memory the world will not willingly let die. There were other coterie when the nineteenth century was but newly come into its second quarter, when the period that is now known as Early Victorian was in the making, and when the Queen was young. The members of those literary brotherhoods are gone, each one to his place, and the memories of the most of them, of the books they wrote, the jokes they cracked, of their friendships and quarrels, are dim and dusty to-day. The taste in humour and pathos is not the taste of this time, which laughs at the pathos, and finds the humour, when not dull, merely spiteful and vindictive. When you rise from a perusal of Douglas Jerrold's wounding wit, you think him ungenerous and a cad, De Quincey's frolics merely elephantine, Hood's facilities dull, and Leigh Hunt's performances but journalism.
All this is but the foil to show the brilliant humour, the fun, and the truly pathetic note of Richard Harris Barham's writings to
The Ingoldsby Legend will never be allowed to die. Indeed, we live in times when their admirable sanity might well be invoked as a counterblast to modern neurotic conditions, and a healthy revulsion from superstitious revivals. Written at that now historic time when the Ritualistic innovations and tendency towards Roman Catholicism of the new school of theology at Oxford were agitating English thought, they express the common-sense scorn of the healthy mind against the mystification and deceit of the religion that the Reformation pitched, neck and crop, out of England, close upon three hundred and seventy years ago, and for which the large-minded tolerance of to-day is not enough. Domination is its aim, but no mind that can enjoy the mirth and marvels of the Legends has any room for such ghostly pretensions, and their continued popularity is thus, by parity of reasoning, something of an assurance. The Ingoldsby Legends are included in the Index Expurgatorium of Rome.
Superfine critics have in recent years declared that Barham's fun has grown out of date, and that they cannot read him as of old. But your critic commonly speaks only for himself; and moreover, the superfine, who cannot read Dickens, for example, have been sadly flouted of late by the still increasing popular favour of that novelist.
It was in the fertile county of Kent that Barham was born, in the midst of a district that has ever been the cradle of Barhams. Eight miles to the south of the old Cathedral of Canterbury, and near by the Folkestone Road, there lies, secluded in a deep valley, an old-fashioned farmhouse, unpretending enough to the outward glance, but quaint and curious within. This is the old manor house of Tappington Everard, mentioned so often and so familiarly in the Ingoldsby Legend, and for many centuries the home of Richard Harris Barham's ancestors. "Tom Ingoldsby" himself was, indeed, born at Canterbury, near the Cathedral precincts, and first saw the world beneath the shadow of that great Church, of whose glories he was in after years to tell in his own peculiar and inimitable way. His father, made rich by hops, was a man of consideration at Canterbury, and filled an Aldermanic chair with all the dignity that comes of adipose tissue largely developed. He was, in fact and few words, a fat man, and it was probably in reference to him that Tom Ingoldsby, in later years, wrote of the "aldermanic nose" trumpeting in the Cathedral during service.
The Rev. Richard Harris Barham, the self-styled "Thomas Ingoldsby", claimed descent from the De Bearhams, anciently the FitzUrses, whose possessions extended round about Tappington for many miles of this fair county of Kent. He delighted to think that he was descended from one of those four knights who, on that dark December day of 1170, broke in upon the religious quiet of the Cathedral and slaughtered Becket in the north transept. When their crime was wrought the murderers fled, FitzUrse escaping to Ireland, where he is said to have taken the name of MacMahon, the Irish equivalent of his original patronymic, which was just the Norman-Latin for "Bear's Son".
He died an exile, leaving his Manor of Barham to his brother, who, so odious had the name of FitzUrse now become, changed it for an Anglicised variant, and called himself "De Bearham." Eventually the aristocratic prefix "De" fell out of use, and in course of time even Bearham became "Barham."
The Barhams held place and power here for centuries, giving their name to the village of Barham, which nestles, embowered in foliage, beneath the bleak and bare expanse of Barham Downs; their estates dropping from them little by little until, in the time of James I., the remaining property was alienated by a Thomas Barham, a nerveless, unworthy descendant of the fierce FitzUrses, who sold it to the Reverend Charles Fotherby, Archdeacon of Canterbury. Thus were the Barhams torn from their native soil and rendered landless.
The adjoining manor of Tappington, next Barham, had been held in 1272 by one Gerrard de Tappington, as one knight's fee. In the reign of Henry VIII. it was purchased by a certain John Boys, who died in 1544, when his son, William Boys, alienated a small portion of the demesne to a person named Verrier, and the manor, with the remainder of the demesne, to one Marsh, to whose descendants it passed until at length sold by Colonel Thomas Marsh to Mr. Thomas Harris, hopfactor of Canterbury, who died in 1729, and whose daughter and sole heiress had, by a singular freak of fate, married a John Barham, bringing him not only the old manor of Tappington, or Tapton Wood, as it has sometimes been styled, as her dower, but also some portions of the long-lost lands of those whom he claimed for ancestors, including the manors of Parmstead (called in olden times Barhamstead).
It will be noted that it was a John Barham—not necessarily one of the Barhams of Tappington—who thus secured the Harris heiress. Kent contains more than one family of the name, but let us hope, for the sake of sentiment, that all Barhams, of whatever district, descend from the original assassin. It would certainly have been a grievous thing to Tom Ingoldsby if he had been compelled to cherish a doubt of the blood-boltered genuineness of his own ancestry. We have, indeed, some slightly different versions of what became of the FitzUrse family. One tells us that a branch lingered long in the neighbourhood of Williton, in Somerset, under their proper name, which became successively corrupted into Fitzour, and Fishour, and at last assumed the common form of Fisher. This is good news for Fishers anxious to assume long descent, even if they have to date from a murderer. Time throws an historic condonation over such things, and many an ambitious person who would not willingly kill a fly, and who would very naturally shrink from owning any connection with a homicidal criminal now on his trial, would glow with pride at an attested family tree springing from that blood-thirsty knight.
Another tales gives the Italian name of Orsini as a variant of FitzUrse. If there be anything in it, then assuredly the notorious Orsini of the infernal machine, who attempted the life of Napoleon III., was a reversion to twelfth century type.
Other Barhams there are known to fame: Henry, surgeon and natural history writer, who died in 1726, and was one of the family of Barhams of Barham Court; and Nicholas Barham, lawyer, of Wadhurst, Sussex, who died in 1577, and was descended from the Barhams of Teston, near Maidstone. Nicholas was ever a favourite Christian name with all branches of the family, and Tom Ingoldsby so named his youngest son—the "Little Boy Ned" of the Legends.
The witty and mirth-provoking Reverend Richard Harris Barham, destined to bear the most distinguished name of all his race, was fourth in descent from the peculiarly fortunate John Barham who wedded the Harris hopfields and the Harris daughter. His father, himself a "Richard Harris" Barham—was that alderman of capacious paunch of whom mention has already been made. He resided at 61, Burgate Street, Canterbury, a large, substantial house of pallid grey brick, plain almost to ugliness outside, but remarkably comfortable and beautifully appointed within, standing at the corner of Canterbury Lane. A brick of the garden wall facing the lane may be observed, scratched lightly with "M. B. 1733."
To