THE LAST CALL.
THE LAST CALL.
A Romance.
BY
RICHARD DOWLING,
AUTHOR OF "THE MYSTERY OF KILLARD," "THE WEIRD SISTERS,"
"SWEET INISFAIL," ETC.
IN THREE VOLUMES.
VOL. III.
LONDON:
TINSLEY BROTHERS, 8, CATHERINE ST., STRAND.
1884.
[All rights reserved.]
CHARLES DICKENS AND EVANS
CRYSTAL PALACE PRESS.
CONTENTS.
PART II.--Continued.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.
CHAPTER XXI.
CHAPTER XXII.
CHAPTER XXIII.
CHAPTER XXIV.
CHAPTER XXV.
CHAPTER XXVI.
CHAPTER XXVII.
CHAPTER XXVIII.
CHAPTER XXIX.
CHAPTER XXX.
THE LAST CALL.
* * * * *
Part II.--Continued.
THE LAST CALL.
CHAPTER IX.
At half-past six a train left Rathclare for Dublin. The evenings were now cold and short. It was getting near winter, the end of autumn. As the train was about to start from the platform, a man with the collar of a large boat-cloak turned up about his ears, and a soft felt hat pressed low over his brows, stepped into an unoccupied first-class compartment, and took his seat. He did not speak to the guard who checked his ticket, nor had the guard any opportunity of seeing his face, as the man in the cloak kept his face carefully averted. He sat muffled up in the corner without moving, hour after hour, as the train sped on through the darkness. Every time the speed slackened and they drew near a station at which they were to stop, he shook himself slightly, straightened his hat down over his eyes, and pushed up the collar of his cloak. All the way from Rathclare to Dublin fortune favoured him, if he desired to be alone. For, although they stopped several times, and came to a junction where he had to change, he succeeded in making his journey in solitude. On three occasions the door of the compartment in which he sat had been opened, and a passenger was about to step in. On each occasion that passenger drew back, repelled by the motionless, dark figure, and by a sense of solitude surrounding that figure. Not one of the three passengers knew what it was which gave the air of this solitude, and yet each had felt that around that motionless figure were gloom and loneliness which startled and repelled. Yet the reason was very simple. Between that muffled form and the surrounding world there was no link, no band of union, however slight. There was an absolute figure, set in the absolute vacuity of the compartment. Beside, above, or beneath that figure was no article such as is usually seen by a traveller. No baggage of any kind; no stick; no umbrella; no newspaper; no rug; no book; no bag. Nothing but the bare figure and the bare compartment. Under that hat and
CHAPTER X.
For a while neither James O'Donnell nor Dominique Lavirotte moved. At last the old man said: "Whether I shoot you or not is a matter of perfect indifference to me. There would be no pity, no shame in doing so. I look on myself as a dead man, and I am not only dead in my own eyes, but also dishonoured. I do not say you were the cause of my dishonour, but you are a criminal with regard to my son, and an unprincipled liar with regard to myself. I do not know why I am talking to you. The sight of your dead body would be better for me than those shaking limbs and that craven face. Shall I put you out of your pain? Shall I fire?" "For God's sake, Mr. O'Donnell, put down that dreadful thing, and let us talk like men." "You a man!" cried the old man, in a low, scoffing voice. "Who, in the darkness of the night, sprang upon an unarmed man, who had never done you any harm, and sought to stab him to death without giving him one chance for his life! You, who not only did this, but did this to your greatest friend, call yourself a man! You are a low, mean, cowardly hound, and shooting is too good for you!" A queer look came into Lavirotte's eyes. "If you put down that revolver," he said more collectedly, and with a ghastly smile, "I will tell you how all that thing happened. How is it that, although, as you say--to my shame I confess it--I made a murderous assault upon my dear good friend Eugene----" "If you wish to live a few minutes longer," said James O'Donnell, "you had better give up that horrible, lying slang of dear good friend Eugene. I am in no humour to dry the crocodile's tears of an arch-blasphemous hypocrite like you." Lavirotte seemed gaining courage. With a wave of his hand he put aside the old man's violent interruption and proceeded: "How is it that, after an occurrence such as you describe, Eugene forgave me?" "Because he is too noble and good a fellow for a cowardly wretch like you to know." Lavirotte now smiled a smile of self-assurance and ease. "Mr. O'Donnell," he said, making a motion towards a chair, "have the goodness to sit down. This house is not all my own. I rent only two rooms, this one and the one behind. I do not think it would be fair of you to disturb the quiet of this house with anything so rude as a pistol-shot, or to shock the
CHAPTER XI.
"Personally," continued Lavirotte, "I have no desire to shoot you. You are at perfect liberty to live. But as you were so sure a little while ago that you were a dead man, and I was one also, it doesn't make much difference who pulls the trigger. Yet I think, before we take our final leave of the world, it would be just as well we had a quiet little chat." "You don't mean to say," cried James O'Donnell, "that you would murder me in cold blood?" "How can I murder you in cold blood, or in heat, since you say you are already dead? When a man is dead to the law, as in the case of a man sentenced to death, no one ever thinks of calling the hangman's office that of a murderer. Viewing your case from my point, I cannot see that death would be any grievous harm to you. By your stupid folly you have ruined yourself, your family, and been accessory to the ruin of hundreds. You are old, and have no reason to hope for any great
CHAPTER XII.
The crash at last came on the firm of O'Donnell. The business was sold; but the creditors would not be as severe on the old man as he would be on himself. They refused to leave him absolutely penniless; and when the whole affair was wound up he found he had a sum of money which, if carefully invested, would secure the declining years of his wife and himself against absolute want. Eugene was offered the managership of the old business, but would not take it, saying, with words of gratitude for the offer, that he would rather seek his fortune in another field, and that Rathclare would always in his mind be haunted by the ghost of their more prosperous years. He told his personal friends that while he was abroad on his honeymoon he had had his voice tried, and competent judges told him that, with study, he could make a living by it. He had always a desire to go on the stage. He was not too old to begin now. He intended selling up all his immediate personal belongings, and on the proceeds of the sale he calculated that he and his wife could, with great thrift, manage to live until he was able to earn money by singing. Three months after the last call, James O'Donnell and his wife had given up their large house in Rathclare, and taken a modest cottage in Glengowra, where they purposed passing the remainder of their days, and Eugene O'Donnell and his wife were settled in lodgings in London. By this time, all that had hitherto been concealed by Lavirotte was revealed. He had anticipated Cassidy's story by himself telling Dora of the infatuation he had once experienced for Nellie Creagh; and having explained to her that this condition of mind or heart had immediately preceded the onslaught he made on O'Donnell, she adopted his view, namely, that the whole thing was the outcome of an abnormal mental condition likely to arise once in the lifetime of the average man. He explained to her that upon certain occasions the sanest and greatest of men had behaved like idiots or poltroons, and that the very desperation of his circumstances at the time had left him to drift into a flirtation, which had never gone beyond a dozen civil words on one particular occasion. She believed all he said; and once she got over the first shock of the affair, banished it for ever from her mind, as though it had no longer any more existence than the moonlight of last month. Lavirotte and O'Donnell were now as inseparable as ever. They attended the same lessons together, and Dora waited for Lavirotte with Nellie at Eugene's lodgings, where the two unmarried lovers now met, when they met indoors. Lavirotte had still some of the money Lionel Crawford gave him, and when the affairs of the dead man were investigated it was found that he had some money left. This naturally became Dora's. Eugene's reverse of fortune arose at a time when his father believed matters would still come right, and that there would be no risk in his son's marrying. But the reverse of fortune, or rather the disappointment of expectations, had come upon Lavirotte before he was married, and while there was yet time to prevent a headlong plunge of their two lives into an uncertain future. He had put the whole matter cogently to Dora. He had told her that both he and Eugene were advised by the best judges to study music in Italy for about two years before appearing on the stage. To ensure success this was essential. Would it not then be wiser that they should wait as they now were, until he came back from Italy fully qualified to take his place in the front rank of tenors? Everyone said his voice was excellent. Everyone said it required training. He proposed to go to Italy with the O'Donnells, and he suggested that she should stay where she was, in the lodgings she now occupied, until his return. Eugene approved of this he said. Nellie thought it hard on her, Dora. Dora smiled faintly, and sighed and said: "No doubt the men knew best. They were sure to be wiser over the affair than she." He said they were both very young still, and could afford to wait in order to be sure of success. When he was gone she wept to think that her life seemed destined to be one of delays in love. After all had been settled between her and Dominique, he had been compelled to leave her, to leave London, and to live hundreds of miles away. The sea, and weary leagues of miles, had separated them long; and often in those early days of dereliction she had imagined that the space was bridgeless, and that he would never stand by her side again, take her hand in his, call her his own. Then he had come to London, and that tyranny of search for the treasure had come between them and parted them again. Before she knew, in that London period, what absorbed Dominique's time, she had taken it for granted that it was something upon which there was little or no need to fear the risks. Now, this separation between her and Dominique, which would necessitate his going to Italy, seemed of greater import than any which had occurred before. Ireland was a portion of these kingdoms in which people spoke the same language as she did. She had the average knowledge of school-girl French, and could speak to him, after a fashion, in his own tongue. Now he was to go among people of whom she knew little, and be subject to conditions with which she was wholly unfamiliar. What could be harder on a girl than that she should love as she loved, and be so constantly, so completely denied? It seemed to her that, notwithstanding his professions of unmixed devotion, there was always something which occupied more of his attention than thoughts of her. This was a cruel reflection for her, who could think of nothing but him all day, all night. He was the sun, the moon, of her existence. How could he, if she were to take his words literally, love her as she loved him, when he could say he loved her above all other things on earth, and yet could neglect her for the ordinary pursuits of material advancement? She did not understand such matters. She heard that love in woman was an essence, in man an accident. This she believed now. But why could not the accident of his love be complete, even for a while? Why could not his regard for her be so all-absorbing as to make everything else seem small; her love for him dwarfed all other things when brought into comparison with it? But there was now no use in thinking, no use in even mental protest. He, being a man, was naturally wiser than she, being a woman, and there could be no doubt this going of his to Italy was approved of by all other men, who were also wiser than she. It was in sorrowful mood she parted from him. The slenderness of their means, and the great distance between London and Milan, made it unlikely he should return more than once or twice during the two years or so. He, however, promised faithfully to come back at the end of the first year, if not before, and on this understanding they parted; he, Eugene O'Donnell, and Nellie getting into the train at Charing Cross, with brave words and encouraging gestures; she weeping a little there and then, and much after. They had arranged between them that each was to write to the other once a week. He was much better than this, for during the first two or three months he wrote her always twice, and sometimes thrice a week. Then his letters dropped to once a week, and after that to once a fortnight. He playfully explained to her that as during the earlier portion of
CHAPTER XIII.
The news of Dora's death was a great shock to the O'Donnells. The girl's landlady had telegraphed to them in order that they might break it to Lavirotte. Of late, O'Donnell had begun to think that Lavirotte was not treating Dora very well, and Nellie was distinctly of opinion that his conduct towards the poor girl was very far from what it ought to be. Neither knew exactly to what extent his neglect had gone. He spoke little of Dora of late. They knew she wrote to him regularly every week, and in palliation of the tone which he took when speaking of her, O'Donnell said: "Smooth water runs deep. He may be fonder of her than ever. It may be only his way of trying her constancy." At this Mrs. O'Donnell would become very wroth, and cry out: "Trying her constancy indeed! That is an odd way for you who know everything about him to put it. Whether is it he or she is more likely to be inconstant?" If Lavirotte had had any notice that Dora was ill, he had kept it to himself. The telegram was very brief. It simply stated that the girl died after a few days' illness, and that they were to break the news to Lavirotte. In the face of her sad end, both their hearts softened towards the Frenchman. Whatever may have been his past, even if he had been a little careless of her, and had carried on an undignified flirtation with the flower-girl, Luigia, it never occurred to either of them he had the faintest notion of finally abandoning Dora. Now there was but one thing to be thought of, and that was how they could best break the sad news. They sent for him, and it was agreed before he came that O'Donnell should speak to him alone. "Something wrong?" said Lavirotte, on entering the room where he found Eugene. "I wanted to see you particularly," said the other. "Are you prepared for any unpleasant news?" Lavirotte started and coloured, and looked uneasily about the room. "Has anyone come from London? I swear to you, Eugene, there is nothing in that Luigia affair. I know I shouldn't have started even a flirtation. I am sure you did not tell Dora. She has come to Milan, and is with your wife? Am I not right?" "No, Dominique. No, my dear Dominique. I wish she were." "Then, the girl is dead?" cried Lavirotte. "My Dora is dead! Tell me so at once, and put me out of pain, Eugene!" "I had a telegram, Dominique." "Yes, yes. I know. You need say no more," said the Frenchman, as he threw himself on a chair. "I am accursed! Poor girl! Poor child!" He covered his face with his hands and sobbed. Eugene put his hand softly on the shoulder of his friend as a token of his sympathy, and then stole quietly out through the window into the little garden behind the house. He thought he would leave Lavirotte alone in the first burst of his grief. In a few minutes O'Donnell came back to the room and found it empty. He consulted for a short time with his wife, and they came to the conclusion that it was better not to follow Lavirotte, but to leave him in solitude and grief. The afternoon passed away, and it was late in the evening before they decided that Eugene should look him up at his lodgings. Here again the Irishman drew a blank. The Signor had left that day for his country, for England, and would be away for example, a day for every finger--one, two, three, four, five. The Signor had not said why he was going. He had taken nothing whatever with him but his purse, out of which he had given her, the landlady, before the Signor went away, this gold piece, which was over and above the money due to her. He seemed in great grief and spoke to himself, not in Italian, and it seemed to her, who now spoke English somewhat, not in English. It may have been French. It seemed as though he cursed and threatened, for he ground his teeth and shook his fists, thus, and thus, and again in this manner, the last greatly terrifying her, the landlady. And she left the room, fearing he might, without reason, take vengeance on her, who had done nothing. For he seemed as one distraught, as one mad, who might easily strike one who had done no harm. Ah! Was it so? His sweetheart dead! In that far-away country! Then, perhaps, when he recovered from this he would marry Luigia, who had the most wonderful hair in the world, and was so fair, as to seem as though she had come from the place where his, Signor O'Donnell's, wife had come from. Luigia was a good girl, and not like others, and if the Signor did marry her, she would make him a good wife; for having been poor she would know the value of his money. But the poor Signor who had gone away that day was in no humour to think of marriage now. Only of death and the grave. Did Signor O'Donnell know of the sweetheart of the other? Yes. And she was also fair, like the Signora and Luigia? No; dark. Ah, how strange. How incomprehensible. Here in this country they were nearly all dark, and when a fair woman came among them, no dark woman had a chance against her. But if what people said was true, there were the dark and the fair in the place from which the Signora came, and a man could choose, after his liking, the dark or the fair. Yet the poor Signor, who had lost his sweetheart, had chosen, in his own country, a dark woman for a sweetheart, and here, for a sweetheart, a fair woman. He was fickle in love. Had Signor O'Donnell noticed that Luigia had a strong resemblance to the Signora? Luigia was a good girl. God keep her from harm. Eugene came back and told Nellie that Lavirotte had suddenly left for London, without, as far as he knew, saying a word to anyone. According to what his landlady had said, Lavirotte must have gone
CHAPTER XIV.
Before leaving Milan, Lavirotte had telegraphed to London, saying he would be over for the funeral. When he got to London he drove straight to Charterhouse Square. The landlady thought he looked wild, and two or three other sympathetic people who lived in the house said he ought to be looked after. But his words were sane, and he made only one request, which, under the circumstances, was reasonable--namely, that he might be allowed some time in the room alone with her. He went into that silent room where the dead girl lay, and closed the door softly behind him. It was broad daylight, and although Charterhouse Square is, at the busiest time of the day, comparatively quiet for a place in the City, he could hear the great muffled rumble of traffic that overhung the whole place, like a cloud that lay around on all sides, like a soft cushion against which silence beat. He drew down the lid and looked at the dead, the lovely dead. So like, and so absolutely unlike. All was here, and yet nothing. Here was a mask, the pallid mask of his dearest love, his sweetest girl. Here was the sleeping form round which his arms had often clung lovingly, tenderly, hopefully, with joyous anticipation of long years full of happiness, spent by them together. Now all the charm was gone; all the sacredness had departed. There was nothing more worthy of his regard in these still, silent features, than in the wooden box which was to be the mute and viewless partner of their decay. Here was the hair with which he had so often played, the unwrinkled brow which he had so often, with supererogatory fingers, smoothed. The eyes were closed; there was no longer any light in them. The light had gone out for ever. There was here a cessation of light, such as had occurred in that vault when the lantern failed. In those veiled eyes lay the darkness of the tomb, as in that vault, veiled from the light of heaven, had lain the darkness of the nether deep. The lips were closed and bloodless and placid. Those were the lips that he had loved to kiss, that he had hoped to think were his for ever. The sculptor would have seen little change, the painter much, the poet more, the lover all. Nothing was that had been. What had happened to the trustful spirit, quiet laughter, the quick irritability to smiles, the joyous movements of approach, when he was there, the sweet confidence, the gentle voice, the hand that came forth, anxious to be clasped, the yielding form? All, all the qualities, which had in time to him stood as divine expression of a beautiful decree, had passed into nothingness, had left no more behind than the wind leaves on the rock. All that was sweet and pure, guileless and joyous, vital and fresh, had gone away for ever, and left nothing. Why should he call this Dora? It could not hear him. It could not answer him. He might as well throw up his arms and plead his piteous grief into the vacant air. Dora was dead, and this thing here was no more than the mask of Dora. Only the mask of Dora, and yet a mask which he could not preserve. To-morrow they would take this coffin away and put it somewhere or other, he knew not, he cared not where. There would be a ceremony, at which people would look solemn, out of a general sense of fitness, rather than because of individual grief. They would lower that coffin down nine feet or so into the solid earth, and cover it up, and then come away. And the men whose business it was to attend to the material portions of the burial would stop at the first public-house and have a drink, after they had buried his Dora. Buried his Dora! No,
CHAPTER XV.
The pain in Lavirotte's chest did not last long, but when it had passed away he felt weak and dispirited. A while ago he had thought how good it was to be here, remote from the bustle and noise of the town below. Now he felt oppressed by the thought that he was feeble, had suffered from some acute and paralysing pain, and was practically out of the reach of human aid. This tower seemed indeed fated to take a prominent if not a final part in his career. He had, more than a year ago, narrowly escaped death in the vault beneath. Was he now threatened with death in this loft above? for he felt spent and broken, and as though the effort of getting down once more would be more than he ever would accomplish. It was plain to him something serious was the matter with him. Three or four times before this he had felt the same pain, followed by the same prostration of body and depression of mind. He had never consulted anyone about it. If it was serious, let it kill him. If it was not serious, why should he care? Why should he care about anything now? Dora was dead and his life was in ashes. True, he had not been as faithful to Dora as he might have been, but then who was perfect? And he had meant to marry Dora; and he would have married Dora only that Dora had died. He was too weary to take off his clothes. It was better for him to lie thus than to run the risk of again experiencing that terrible pain. The lassitude now was tolerable, and gradually the despondency was lifting. He would sleep, and upon waking should be refreshed. When it was day, no doubt he would wake, or a little after day. There was no great hurry. They were not going to bury Dora until noon; and he had come a long way, was overwrought, ill, and might indulge himself in a long, peaceful rest. It was the beginning of autumn, and he did not need, while sleeping, much, if any more covering. There was a rug on a chair hard by. He would just take off his boots, draw that rug over him, and go to sleep. Lavirotte rose carefully from the couch, took off his boots, stretched out his arm, and seized the rug, shook the dust out of it, and drawing it up under his chin, sank back again upon the couch and was soon asleep. For a while he slept so soundly, so softly, one might have supposed he was dead. He did not move a muscle, and his breathing was so quiet it could not be heard by anyone standing