eKtab
EN ع
The Shaving of Shagpat; an Arabian entertainment — Volume 2
Read free sample

The Shaving of Shagpat; an Arabian entertainment — Volume 2

by Meredith George

Page 1

The Project Gutenberg Etext of The Shaving of Shagpat by Meredith, v2 #8 in our series by George Meredith

Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file.

We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this.

This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext.

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*****These Etexts Are Prepared By Thousands of Volunteers!*****

Information on contacting Project Gutenberg to get etexts, and further information, is included below. We need your donations.

The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541

Title: The Shaving of Shagpat, v2

Author: George Meredith

Release Date: September, 2003 [Etext #4402]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on December 21, 2001]

Edition: 10

Language: English

The Project Gutenberg Etext of The Shaving of Shagpat by Meredith, v2
*********This file should be named 4402.txt or 4402.zip********

This etext was produced by Pat Castevans <[email protected]> and David Widger <[email protected]>

Project Gutenberg Etexts are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep etexts in compliance with any particular paper edition.

We are now trying to release all our etexts one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date.

Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.

Most people start at our sites at: http://gutenberg.net or http://promo.net/pg

These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new etexts, and how to subscribe to our email newsletter (free!).

Those of you who want to download any Etext before announcement can get to them as follows, and just download by date. This is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want, as it appears in our Newsletters.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2001 as we release over 50 new Etext files per month, or 500 more Etexts in 2000 for a total of 4000+ If they reach just 1-2% of the world's population then the total should reach over 300 billion Etexts given away by year's end.

The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users.

At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 4,000 Etexts. We need funding, as well as continued efforts by volunteers, to maintain or increase our production and reach our goals.

The Project Gutenberg Literary Archive Foundation has been created to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of November, 2001, contributions are being solicited from people
and organizations in: Alabama, Arkansas, Connecticut, Delaware,
Florida, Georgia, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky,
Louisiana, Maine, Michigan, Missouri, Montana, Nebraska, Nevada, New
Jersey, New Mexico, New York, North Carolina, Oklahoma, Oregon,
Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee,
Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin,
and Wyoming.

*In Progress

We have filed in about 45 states now, but these are the only ones that have responded.

As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally request donations in all 50 states. If your state is not listed and you would like to know if we have added it since the list you have, just ask.

While we cannot solicit donations from people in states where we are not yet registered, we know of no prohibition against accepting donations from donors in these states who approach us with an offer to donate.

International donations are accepted, but we don't know ANYTHING about how to make them tax-deductible, or even if they CAN be made deductible, and don't have the staff to handle it even if there are ways.

All donations should be made to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by the US Internal Revenue Service as a 501(c)(3) organization with EIN [Employee Identification Number] 64-622154. Donations are tax-deductible to the maximum extent permitted by law. As fundraising requirements for other states are met, additions to this list will be made and fundraising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information at:

http://www.gutenberg.net/donation.html

Page 2
style="margin-top: 2em">***

If you can't reach Project Gutenberg, you can always email directly to:

Michael S. Hart <[email protected]>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.

**The Legal Small Print**

(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you may distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT By using or reading any part of this PROJECT GUTENBERG-tm etext, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this etext by sending a request within 30 days of receiving it to the person you got it from. If you received this etext on a physical medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market any commercial products without permission.

To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] Michael Hart and the Foundation (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.

INDEMNITY You will indemnify and hold Michael Hart, the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:

[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:

[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR

[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR

[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).

[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.

[3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected]

[Portions of this header are copyright (C) 2001 by Michael S. Hart and may be reprinted only when these Etexts are free of all fees.]

Page 3
[Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg Etexts or other materials be they hardware or software or any other related product without express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*

This etext was produced by Pat Castevans <[email protected]> and David Widger <[email protected]>

THE SHAVING OF SHAGPAT

By George Meredith

AN ARABIAN ENTERTAINMENT

1898/1909

BOOK 2.

THE BETROTHAL THE PUNISHMENT OF SHAHPESH, THE PERSIAN, ON KHIPIL, THE BUILDER THE GENIE KARAZ THE WELL OF PARAVID THE HORSE GARRAVEEN THE TALKING HAWK GOORELKA OF OOLB

THE BETROTHAL

Now, when Shibli Bagarag had ceased speaking, the Vizier smiled gravely,
and shook his beard with satisfaction, and said to the Eclipser of
Reason, 'What opinest thou of this nephew of the barber, O Noorna bin
Noorka?'

She answered, "O Feshnavat, my father, truly I am content with the bargain of my betrothal. He, Wullahy, is a fair youth of flowing speech.' Then she said, 'Ask thou him what he opineth of me, his betrothed?"

So the Vizier put that interrogation to Shibli Bagarag, and the youth was in perplexity; thinking, 'Is it possible to be joyful in the embrace of one that hath brought thwackings upon us, serious blows?' Thinking, 'Yet hath she, when the mood cometh, kindly looks; and I marked her eye dwelling on me admiringly!' And he thought, 'Mayhap she that groweth younger and counteth nature backwards, hath a history that would affect me; or, it may be, my kisses—wah! I like not to give them, and it is said,

"Love is wither'd by the withered lip";

and that,

"On bones become too prominent he'll trip."

Yet put the case, that my kisses—I shower them not, Allah the All-seeing is my witness! and they be given daintily as 'twere to the leaf of a nettle, or over-hot pilau. Yet haply kisses repeated might restore her to a bloom, and it is certain youth is somehow stolen from her, if the Vizier Feshnavat went before her, and his blood be her blood; and he is powerful, she wise. I'll decide to act the part of a rejoicer, and express of her opinions honeyed to the soul of that sex.'

Now, while he was thus debating he hung his head, and the Vizier awaited his response, knitting his brows angrily at the delay, and at the last he cried, 'What! no answer? how 's this? Shall thy like dare hold debate when questioned of my like? And is my daughter Noorna bin Noorka, thinkest thou, a slave-girl in the market,—thou haggling at her price, O thou nephew of the barber?'

So Shibli Bagarag exclaimed, 'O exalted one, bestower of the bride! surely I debated with myself but for appropriate terms; and I delayed to select the metre of the verse fitting my thoughts of her, and my wondrous good fortune, and the honour done me.'

Then the Vizier, 'Let us hear: we listen.'

And Shibli Bagarag was advised to deal with illustrations in his dilemma, by-ways of expression, and spake in extemporaneous verse, and with a full voice:

     The pupils of the Sage for living Beauty sought;
     And one a Vision clasped, and one a Model wrought.
    'I have it!' each exclaimed, and rivalry arose:
    'Paint me thy Maid of air!' 'Thy Grace of clay disclose.'
    'What! limbs that cannot move!' 'What! lips that melt away!'
    'Keep thou thy Maid of air!' 'Shroud up thy Grace of clay!'
    'Twas thus, contending hot, they went before the Sage,
     And knelt at the wise wells of cold ascetic age.
    'The fairest of the twain, O father, thou record':

He answered, 'Fairest she who's likest to her lord.'

Said they, 'What fairer thing matched with them might prevail?'

The Sage austerely smiled, and said, 'Yon monkey's tail.'

    'Tis left for after-time his wisdom to declare:
     That's loveliest we best love, and to ourselves compare.
     Yet lovelier than all hands shape or fancies build,
     The meanest thing of earth God with his fire hath filled.

Now, when Shibli Bagarag ceased, Noorna bin Noorka cried, 'Enough, O wondrous turner of verse, thou that art honest!' And she laughed loudly, rustling like a bag of shavings, and rolling in her laughter.

Then said she, 'O my betrothed, is not the thing thou wouldst say no other than—

         "Each to his mind doth the fairest enfold,
          For broken long since was Beauty's mould";

and, "Thou that art old, withered, I cannot flatter thee, as I can in no way pay compliments to the monkey's tail of high design; nevertheless the Sage would do thee honour"? So read I thy illustration, O keen of wit! and thou art forgiven its boldness, my betrothed,—Wullahy! utterly so.'

Now, the youth was abashed at her discernment, and the kindliness of her manner won him to say:

     There's many a flower of sweetness, there's many a gem of earth
     Would thrill with bliss our being, could we perceive its worth.
     O beauteous is creation, in fashion and device!
     If I have fail'd to think thee fair, 'tis blindness is my vice.

And she answered him:

          I've proved thy wit and power of verse,
          That is at will diffuse and terse:
          Lest thou commence to lie—be dumb!
          I am content: the time will come!

Then she said to the Vizier Feshnavat, 'O my father, there is all in this youth, the nephew of the barber, that's desirable for the undertaking; and his feet will be on a level with the task we propose for him, he the height of man above it. 'Tis clear that vanity will trip him, but honesty is a strong upholder; and he is one that hath the spirit of enterprise and the mask of dissimulation: gratitude I observe in him; and it is as I thought when I came upon him on the sand-hill outside the city, that his star is clearly in a web with our star, he destined for the Shaving of Shagpat.'

So the Vizier replied, 'He hath had thwackings, yet is he not deterred from making further attempt on Shagpat. I think well of him, and I augur hopefully. Wullahy! the Cadi shall be sent for; I can sleep in his secresy; and he shall perform the ceremonies of betrothal, even now and where we sit, and it shall be for him to write the terms of contract: so shall we bind the youth firmly to us, and he will be one of us as we are, devoted to the undertaking by three bonds—the bond of vengeance, the bond of ambition, and that of love.'

Now, so it was that the Vizier despatched a summons for the attendance of the Cadi, and he carne and performed between Shibli Bagarag and Noorna bin Noorka ceremonies of betrothal, and wrote terms of contract; and they were witnessed duly by the legal number of witnesses, and so worded that he had no claim on her as wife till such time as the Event to which he bound himself was mastered. Then the fees being paid, and compliments interchanged, the Vizier exclaimed, 'Be ye happy! and let the weak cling to the strong; and be ye two to one in this world, and no split halves that betray division and stick not together when the gum is heated.' Then he made a sign to the

Page 4
Cadi and them that had witnessed the contract to follow him, leaving the betrothed ones to their own company.

So when they were alone Noorna gazed on the youth wistfully, and said in a soft tone, 'Thou art dazed with the adventure, O youth! Surely there is one kiss owing me: art thou willing? Am I reduced to beg it of thee? Or dream'st thou?'

He lifted his head and replied, 'Even so.'

Thereat he stood up languidly, and went to her and kissed her. And she smiled and said, 'I wot it will be otherwise, and thou wilt learn swiftness of limb, brightness of eye, and the longing for earthly beatitude, when next I ask thee, O my betrothed!'

Lo! while she spake, new light seemed in her; and it was as if a splendid jewel were struggling to cast its beams through the sides of a crystal vase smeared with dust and old dirt and spinnings of the damp spider. He was amazed, and cried, 'How's this? What change is passing in thee?'

She said, 'Joy in thy kiss, and that I have 'scaped Shagpat.'

Then he: 'Shagpat? How? had that wretch claim over thee ere I came?'

But she looked fearfully at the corners of the room and exclaimed, 'Hush, my betrothed! speak not of him in that fashion, 'tis dangerous; and my power cannot keep off his emissaries at all times.' Then she said, 'O my betrothed, know me a sorceress ensorcelled; not that I seem, but that I shall be! Wait thou for the time and it will reward thee. What! thou think'st to have plucked a wrinkled o'erripe fruit,—a mouldy pomegranate under the branches, a sour tamarind? 'Tis well! I say nought, save that time will come, and be thou content. It is truly as I said, that I have thee between me and Shagpat; and that honoured one of this city thought fit in his presumption to demand me in marriage at the hands of my father, knowing me wise, and knowing the thing that transformed me to this, the abominable fellow! Surely my father entertained not his proposal save with scorn; but the King looked favourably on it, and it is even now matter of reproach to Feshnavat, my father, that he withholdeth me from Shagpat.'

Quoth Shibli Bagarag, 'A clothier, O Noorna, control the Vizier! and demand of him his daughter in marriage! and a clothier influence the King against his Vizier!'—tis, wullahy! a riddle.'

She replied, ''Tis even so, eyes of mine, my betrothed! but thou know'st not Shagpat, and that he is. Lo! the King, and all of this city save we three, are held in enchantment by him, and made foolish by one hair that's in his head.'

Shibli Bagarag started in his seat like one that shineth with a discovery, and cried, 'The Identical!'

Then she, sighing, ''Tis that indeed! but the Identical of Identicals, the chief and head of them, and I, woe's me! I, the planter of it.'

So he said, 'How so?'

But she cried, 'I'll tell thee not here, nor aught of myself and him, and the Genie held in bondage by me, till thou art proved by adventure, and we float peacefully on the sea of the Bright Lily: there shalt thou see me as I am, and hear my story, and marvel at it; for 'tis wondrous, and a manifestation of the Power that dwelleth unseen.'

So Shibli Bagarag pondered awhile on the strange nature of the things she hinted, and laughter seized him as he reflected on Shagpat, and the whole city enchanted by one hair in his head; and he exclaimed, 'O Noorna, knoweth he, Shagpat, of the might in him?'

She answered, 'Enough for his vain soul that homage is paid to him, and he careth not for the wherefore!'

Shibli Bagarag fixed his eyes on the deep-flowered carpets of the floor, as if reading there a matter quaintly written, and smiled, saying, 'What boldness was mine—the making offer to shear Shagpat, the lion in his lair, he that holdeth a whole city in enchantment! Wah! 'twas an instance of daring!'

And Noorna said, 'Not only an entire city, but other cities affected by him, as witness Oolb, whither thou wilt go; and there be governments and states, and conditions of men remote, that hang upon him, Shagpat. 'Tis even so; I swell not his size. When thou hast mastered the Event, and sent him forth shivering from thy blade like the shorn lamb, 'twill be known how great a thing has been achieved, and a record for the generations to come; choice is that historian destined to record it!'

Quoth he, looking eagerly at her, 'O Noorna, what is it in thy speech affecteth me? Surely it infuseth the vigour of wine, old wine; and I shiver with desire to shave Shagpat, and spin threads for the historian to weave in order. I, wullahy! had but dry visions of the greatness destined for me till now, my betrothed! Shall I master an Event in shaving him, and be told of to future ages? By Allah and his Prophet (praise be to that name!), this is greatness! Say, Noorna, hadst thou foreknowledge of me and my coming to this city?'

So she said, 'I was on the roofs one night among the stars ere moonrise, O my betrothed, and 'twas close on the rise of this very month's moon. The star of our enemy, Shagpat, was large and red, mine as it were menaced by its proximity, nigh swallowed in its haughty beams and the steady overbearings of its effulgence. 'Twas so as it had long been, when suddenly, lo! a star from the upper heaven that shot down between them wildly, and my star took lustre from it; and the star of Shagpat trembled like a ring on a tightened rope, and waved and flickered, and seemed to come forward and to retire; and 'twas presently as a comet in the sky, bright,—a tadpole, with large head and lengthy tail, in the assembly of the planets. This I saw: and that the stranger star was stationed by my star, shielding it, and that it drew nearer to my star, and entered its circle, and that the two stars seemed mixing the splendour that was theirs. Now, that sight amazed me, and my heart in its beating quickened with the expectation of things approaching. Surely I rendered praise, and pressed both hands on my bosom, and watched, and behold! the comet, the illumined tadpole, was becoming restless beneath the joint rays of the twain that were dominating him; and he diminished, and lashed his tail uneasily, half madly, darting as do captured beasts from the fetters that constrain them. Then went there from thy star—for I know now 'twas thine—a momentary flash across the head of the tadpole, and again another and another, rapidly, pertinaciously. And from thy star there passed repeated flashes across the head of the tadpole, till his brilliance was as 'twere severed from him, and he, like drossy silver, a dead shape in the conspicuous heavens. And he became yellow as the rolling eyes of sick wretches in pain, and shrank in his place like pale parchment at the touch of flame; dull was he as an animal fascinated by fear, and deprived of all power to make head against the foe, darkness, that now beset him, and usurped part of his yet lively tail, and settled on his head, and coated part of his body. So when this tadpole, that was once terrible to me, became turbaned, shoed, and shawled with darkness, and there was little of him remaining visible, lo! a concluding flash shot from thy star, and he fell heavily down the sky and below the hills, into the sea, that is the Enchanted Sea, whose Queen is Rabesqurat, Mistress of Illusions. Now when my soul recovered from amazement at the marvels seen, I arose and went from the starry roofs to consult my books of magic, and 'twas revealed to me that one was wandering to a junction with my destiny, and that by his means the great aim would of a surety be accomplished—Shagpat Shaved! So my purpose was to discover him; and I made calculations, and summoned them that serve me to search for such a youth as thou art; fairly, O my betrothed, did I preconceive thee. And so it was that I traced a

Page 5
magic line from the sand-hills to the city, and from the outer hills to the sand-hills; and whoso approached by that line I knew was he marked out as my champion, my betrothed,—a youth destined for great things. Was I right? The egg hatcheth. Thou art already proved by thwackings, seasoned to the undertaking, and I doubt not thou art he that will finish with that tadpole Shagpat, and sit in the high seat, thy name an odour in distant lands, a joy to the historian, the Compiler of Events, thou Master of the Event, the greatest which time will witness for ages to come.'

When she had spoken Shibli Bagarag considered her words, and the knowledge that he was selected by destiny as Master of the Event inflated him; and he was a hawk in eagerness, a peacock in pride, an ostrich in fulness of chest, crying, 'O Noorna bin Noorka! is't really so? Truly it must be, for the readers of planets were also busy with me at the time of my birth, interpreting of me in excessive agitation; and the thing they foretold is as thou foretellest. I am, wullahy! marked: I walk manifest in the eye of Providence.'

Thereupon he exulted, and his mind strutted through the future of his days, and down the ladder of all time, exacting homage from men, his brethren; and 'twas beyond the art of Noorna to fix him to the present duties of the enterprise: he was as feathered seed before the breath of vanity.

Now, while the twain discoursed, she of the preparations for shaving Shagpat, he of his completion of the deed, and the honours due to him as Master of the Event, Feshnavat the Vizier returned to them from his entertainment of the Cadi; and he had bribed him to silence with a mighty bribe. So he called to them—

'Ho! be ye ready to commence the work? and have ye advised together as to the beginning? True is that triplet:

         "Whatever enterprize man hath,
          For waking love or curbing wrath,
          'Tis the first step that makes a path."

And how have ye determined as to that first step?'

Noorna replied, 'O my father! we have not decided, and there hath been yet no deliberation between us as to that.'

Then he said, 'All this while have ye talked, and no deliberation as to that! Lo, I have drawn the Cadi to our plot, and bribed him with a mighty bribe; and I have prepared possible disguises for this nephew of the barber; and I have had the witnesses of thy betrothal despatched to foreign parts, far kingdoms in the land of Roum, to prevent tattling and gabbling; and ye that were left alone for debating as to the great deed, ye have not yet deliberated as to that! Is't known to ye, O gabblers, aught of the punishment inflicted by Shahpesh, the Persian, on Khipil, the Builder?—a punishment that, by Allah!'

Shibli Bagarag said, 'How of that punishment, O Vizier?'

And the Vizier narrated as followeth.

AND THIS IS THE PUNISHMENT OF SHAHPESH, THE PERSIAN, ON KHIPIL, THE BUILDER

They relate that Shahpesh, the Persian, commanded the building of a palace, and Khipil was his builder. The work lingered from the first year of the reign of Shahpesh even to his fourth. One day Shahpesh went to the riverside where it stood, to inspect it. Khipil was sitting on a marble slab among the stones and blocks; round him stretched lazily the masons and stonecutters and slaves of burden; and they with the curve of humorous enjoyment on their lips, for he was reciting to them adventures, interspersed with anecdotes and recitations and poetic instances, as was his wont. They were like pleased flocks whom the shepherd hath led to a pasture freshened with brooks, there to feed indolently; he, the shepherd, in the midst.

Now, the King said to him, 'O Khipil, show me my palace where it standeth, for I desire to gratify my sight with its fairness.'

Khipil abased himself before Shahpesh, and answered, ''Tis even here, O King of the age, where thou delightest the earth with thy foot and the ear of thy slave with sweetness. Surely a site of vantage, one that dominateth earth, air, and water, which is the builder's first and chief requisition for a noble palace, a palace to fill foreign kings and sultans with the distraction of envy; and it is, O Sovereign of the time, a site, this site I have chosen, to occupy the tongues of travellers and awaken the flights of poets!'

Shahpesh smiled and said, 'The site is good! I laud the site! Likewise
I laud the wisdom of Ebn Busrac, where he exclaims:

         "Be sure, where Virtue faileth to appear,
          For her a gorgeous mansion men will rear;
          And day and night her praises will be heard,
          Where never yet she spake a single word."'

Then said he, 'O Khipil, my builder, there was once a farm servant that, having neglected in the seed-time to sow, took to singing the richness of his soil when it was harvest, in proof of which he displayed the abundance of weeds that coloured the land everywhere. Discover to me now the completeness of my halls and apartments, I pray thee, O Khipil, and be the excellence of thy construction made visible to me!'

Quoth Khipil, 'To hear is to obey.'

He conducted Shahpesh among the unfinished saloons and imperfect courts and roofless rooms, and by half erected obelisks, and columns pierced and chipped, of the palace of his building. And he was bewildered at the words spoken by Shahpesh; but now the King exalted him, and admired the perfection of his craft, the greatness of his labour, the speediness of his construction, his assiduity; feigning not to behold his negligence.

Presently they went up winding balusters to a marble terrace, and the King said, 'Such is thy devotion and constancy in toil, Khipil, that thou shaft walk before me here.'

He then commanded Khipil to precede him, and Khipil was heightened with the honour. When Khipil had paraded a short space he stopped quickly, and said to Shahpesh, 'Here is, as it chanceth, a gap, O King! and we can go no further this way.'

Shahpesh said, 'All is perfect, and it is my will thou delay not to advance.'

Khipil cried, 'The gap is wide, O mighty King, and manifest, and it is an incomplete part of thy palace.'

Then said Shahpesh, 'O Khipil, I see no distinction between one part and another; excellent are all parts in beauty and proportion, and there can be no part incomplete in this palace that occupieth the builder four years in its building: so advance, do my bidding.'

Khipil yet hesitated, for the gap was of many strides, and at the bottom of the gap was a deep water, and he one that knew not the motion of swimming. But Shahpesh ordered his guard to point their arrows in the direction of Khipil, and Khipil stepped forward hurriedly, and fell in the gap, and was swallowed by the water below. When he rose the second time, succour reached him, and he was drawn to land trembling, his teeth chattering. And Shahpesh praised him, and said, 'This is an apt contrivance for a bath, Khipil O my builder! well conceived; one that taketh by surprise; and it shall be thy reward daily when much talking hath fatigued thee.'

Then he bade Khipil lead him to the hall of state. And when they were there Shahpesh said, 'For a privilege, and as a mark of my approbation, I give thee permission to sit in the marble chair of yonder throne, even in my presence, O Khipil.'

Khipil said, 'Surely, O King, the chair is not yet executed.'

And Shahpesh exclaimed, 'If this be so, thou art but the length of thy measure on the ground, O

Page 6
talkative one!'

Khipil said, 'Nay, 'tis not so, O King of splendours! blind that I am! yonder's indeed the chair.'

And Khipil feared the King, and went to the place where the chair should be, and bent his body in a sitting posture, eyeing the King, and made pretence to sit in the chair of Shahpesh, as in conspiracy to amuse his master.

Then said Shahpesh, 'For a token that I approve thy execution of the chair, thou shalt be honoured by remaining seated in it up to the hour of noon; but move thou to the right or to the left, showing thy soul insensible of the honour done thee, transfixed thou shah be with twenty arrows and five.'

The King then left him with a guard of twenty-five of his body-guard; and they stood around him with bent bows, so that Khipil dared not move from his sitting posture. And the masons and the people crowded to see Khipil sitting on his master's chair, for it became rumoured about. When they beheld him sitting upon nothing, and he trembling to stir for fear of the loosening of the arrows, they laughed so that they rolled upon the floor of the hall, and the echoes of laughter were a thousand-fold. Surely the arrows of the guards swayed with the laughter that shook them.

Now, when the time had expired for his sitting in the chair, Shahpesh returned to him, and he was cramped, pitiable to see; and Shahpesh said, 'Thou hast been exalted above men, O Khipil! for that thou didst execute for thy master has been found fitting for thee.'

Then he bade Khipil lead the way to the noble gardens of dalliance and pleasure that he had planted and contrived. And Khipil went in that state described by the poet, when we go draggingly, with remonstrating members,

          Knowing a dreadful strength behind,
            And a dark fate before.

They came to the gardens, and behold, these were full of weeds and nettles, the fountains dry, no tree to be seen—a desert. And Shahpesh cried, 'This is indeed of admirable design, O Khipil! Feelest thou not the coolness of the fountains?—their refreshingness? Truly I am grateful to thee! And these flowers, pluck me now a handful, and tell me of their perfume.'

Khipil plucked a handful of the nettles that were there in the place of flowers, and put his nose to them before Shahpesh, till his nose was reddened; and desire to rub it waxed in him, and possessed him, and became a passion, so that he could scarce refrain from rubbing it even in the King's presence. And the King encouraged him to sniff and enjoy their fragrance, repeating the poet's words:

          Methinks I am a lover and a child,
            A little child and happy lover, both!
          When by the breath of flowers I am beguiled
            From sense of pain, and lulled in odorous sloth.
          So I adore them, that no mistress sweet
            Seems worthier of the love which they awake:
          In innocence and beauty more complete,
            Was never maiden cheek in morning lake.
          Oh, while I live, surround me with fresh flowers!
            Oh, when I die, then bury me in their bowers!

And the King said, 'What sayest thou, O my builder? that is a fair quotation, applicable to thy feelings, one that expresseth them?'

Khipil answered, ''Tis eloquent, O great King! comprehensiveness would be its portion, but that it alludeth not to the delight of chafing.'

Then Shahpesh laughed, and cried, 'Chafe not! it is an ill thing and a hideous! This nosegay, O Khipil, it is for thee to present to thy mistress. Truly she will receive thee well after its presentation! I will have it now sent in thy name, with word that thou followest quickly. And for thy nettled nose, surely if the whim seize thee that thou desirest its chafing, to thy neighbour is permitted what to thy hand is refused.'

The King set a guard upon Khipil to see that his orders were executed, and appointed a time for him to return to the gardens.

At the hour indicated Khipil stood before Shahpesh again. He was pale, saddened; his tongue drooped like the tongue of a heavy bell, that when it soundeth giveth forth mournful sounds only: he had also the look of one battered with many beatings. So the King said, 'How of the presentation of the flowers of thy culture, O Khipil?'

He answered, 'Surely, O King, she received me with wrath, and I am shamed by her.'

And the King said, 'How of my clemency in the matter of the chafing?'

Khipil answered, 'O King of splendours! I made petition to my neighbours whom I met, accosting them civilly and with imploring, for I ached to chafe, and it was the very raging thirst of desire to chafe that was mine, devouring eagerness for solace of chafing. And they chafed me, O King; yet not in those parts which throbbed for the chafing, but in those which abhorred it.'

Then Shahpesh smiled and said, ''Tis certain that the magnanimity of monarchs is as the rain that falleth, the sun that shineth: and in this spot it fertilizeth richness; in that encourageth rankness. So art thou but a weed, O Khipil! and my grace is thy chastisement.'

Now, the King ceased not persecuting Khipil, under pretence of doing him honour and heaping favours on him. Three days and three nights was Khipil gasping without water, compelled to drink of the drought of the fountain, as an honour at the hands of the King. And he was seven days and seven nights made to stand with stretched arms, as they were the branches of a tree, in each hand a pomegranate. And Shahpesh brought the people of his court to regard the wondrous pomegranate shoot planted by Khipil, very wondrous, and a new sort, worthy the gardens of a King. So the wisdom of the King was applauded, and men wotted he knew how to punish offences in coin, by the punishment inflicted on Khipil the builder. Before that time his affairs had languished, and the currents of business instead of flowing had become stagnant pools. It was the fashion to do as did Khipil, and fancy the tongue a constructor rather than a commentator; and there is a doom upon that people and that man which runneth to seed in gabble, as the poet says in his wisdom:

     If thou wouldst be famous, and rich in splendid fruits,
     Leave to bloom the flower of things, and dig among the roots.

Truly after Khipil's punishment there were few in the dominions of Shahpesh who sought to win the honours bestowed by him on gabblers and idlers: as again the poet:

          When to loquacious fools with patience rare
          I listen, I have thoughts of Khipil's chair:
          His bath, his nosegay, and his fount I see,—
          Himself stretch'd out as a pomegranate-tree.
          And that I am not Shahpesh I regret,
          So to inmesh the babbler in his net.
          Well is that wisdom worthy to be sung,
          Which raised the Palace of the Wagging Tongue!

And whoso is punished after the fashion of Shahpesh, the Persian, on
Khipil the Builder, is said to be one 'in the Palace of the Wagging
Tongue' to this time.