The   Story   of   Verona
by Alethea Wiel   Illustrated
by Nelly   Erichsen   and
Helen   M.   James

London:   J.   M.   Dent   &   Co.
Aldine House, 29 and 30 Bedford Street
Covent Garden, W.C.    1907

 

First Edition, July 1902
Second Edition, August 1904
Third Edition, August 1907


All rights reserved

 

To
My Husband

PREFACE

THE story of Verona is no simple record of a simple town with a continuous rule guiding her fortunes and directing her destinies. Her tale is mingled with that of other nations and languages; and Greek, Ostrogoth, Longobard and Frank have held sway in Verona as well as Etruscan and Roman. The influence of these diverse nationalities has left its trace on the art and history of the city to a marked extent. The architecture alone of Verona is of a nature to demand a long and deep study, and calls for an expert’s hand to do justice to its different developments of variety and beauty. Her school of painting too is a subject that has not yet met with sufficient attention, and that deserves a study which hitherto has been but scantily bestowed upon it. I have tried in a humble and limited way to put before the reader some idea of this school, and to render him familiar with the names and works and methods of the masters of painting with whom he will come most in contact in his wanderings through Verona. Many of their masterpieces are to be found in the grand old churches which form one of the chief features of Verona, and within whose walls it is well to linger if we wish to grasp fully the character of the town and of the men who raised these noble buildings, and who now lie buried in or beside them. The history of Verona is all-absorbing, but I have tried to give it only that prominence which is necessary for such an understanding of the town as will interest the traveller and enable him to enjoy a stay amid surroundings that will not now perhaps seem “foreign” to him.

I have drawn much of my knowledge on the Veronese school of painting from Sir A. Henry Layard’s excellent work, Handbook of Painting. The Italian School; based on the Handbook of Kugler (London: Murray, 1887), which was most kindly lent to me by Lady Layard; and to Mr Selwyn Brinton’s The Renaissance in Italian Art, Part II. (London: Simpkin, 1898). My grateful thanks are also due to Prof. Commendatore Carlo Malagola, Head of the State Archives in Venice, for the loan of books and for help as to the means whereby to arrive at much of the information I required. I am also indebted to Cav. Giuseppe Biadego, Bibliotecario of the Biblioteca Comunale of Verona; and to Cav. Dr Riccardo Galli for help during my stay at Verona. Nor must I omit to say a word in praise of the Hôtel de Londres in that city, where comfort and economy are very happily and successfully blended by a most courteous and diligent landlord. My chief thanks though are due to Cav. Pietro Sgulmero, Vice-Bibliotecario of the Library and Vice-Inspector of the Monuments in Verona, who devoted many a spare hour to introducing me to every part of the town, and in imparting to me all he could of the knowledge he possesses in an eminent degree of the history and legends of his native town. My book owes more to him than I am able to express.

“Few towns,” says Mr Selwyn Brinton, “have an individuality more delightsome than Verona—Verona the Worthy (Verona la Degna) as she was called”—and if I shall succeed in endearing that individuality and making it familiar to the traveller wandering through this “worthy” and glorious city, I shall not have laboured in vain.

Palazzo Soranzo,
Venice, January 1902.

CONTENTS

CHAPTER I PAGE

Origin and Growth of the City—Verona under the Romans—Goths and Lombards in Verona—The Adige

1 CHAPTER II

The Arena

23 CHAPTER III

The Middle Ages—Ezzelino da Romano

43 CHAPTER IV

The Scaligers

66 CHAPTER V

From the Fall of the Scaligers to the Present Day

103 CHAPTER VI

Men of Letters—School of Painting

124 CHAPTER VII

The Duomo—S. Giovanni in Fonte—Biblioteca Capitolare—Vescovado—St Anastasia—Piazza delle Erbe

150 CHAPTER VIII

Piazza dei Signori—Sta. Maria Antica—Tombs of the Scaligers

178 CHAPTER IX

Via Cappello—San Fermo—Museo Civico and Picture Gallery

199 CHAPTER X

S. Paolo di Campo Marte—SS. Nazzaro e Celso—The Grotto di S. Nazzaro—St Thomas of Canterbury—Giardino Giusti—Sta. Maria in Organo—S. Giovanni in Valle—Teatro Antico—SS. Siro e Libera—Castle of Theodoric—S. Stefano—S. Giorgio in Braida

222 CHAPTER XI

Sant’ Eufemia—Porta dei Borsari—S.S. Apostoli—S. Lorenzo—S. Bernardino—Sta. Trinità—Tomb of Romeo and Juliet—Ponte Rofiolo—Piazza Brà

250 CHAPTER XII

San Zeno

267 CHAPTER XIII

Verona and its Crown of Castles

281 CHAPTER XIV

Plan for seeing the Town—Hotels

299

ILLUSTRATIONS

PAGE

Centrepiece by Andrea Mantegna behind the High Altar at San Zeno (Photogravure)

Frontispiece

Castel S. Pietro from the Adige

5

A Vendor of Fresh Water

20

The Arena

22

The façade of the Duomo

45

Tower of the former Convent of S. Zeno. (The only remaining fragment of the building where the mediæval German emperors stopt on their way to Rome)

50

Church of S. Zeno. Capital in the Nave

54

The Tribuna—Ancient Seat of Judgment, Piazza delle Erbe

63

Old Seal of Verona

65

The Costa. Palazzo of Cangrande in the distance where he entertained Dante

75

The back of Casa Mozzanti. Once inhabited by Alberto della Scala

85

Tomb of Mastino II. della Scala

91

Ponte Scaligeri. Bridge of Castel Vecchio

95

Fountain in the Piazza delle Erbe. (Statue said originally to be of the third century)

99

Shield of the Scaligers, with the “Holy Bird,” the badge of their dignity as Vicars Imperial

tag="{http://www.w3.org/1999/xhtml}a">102

The Piazza delle Erbe, with the Venetian Column

111

Palazzo del Consiglio. Architect Fra Giocondo

125

Madonna and Child, V. Pisanello, Museo Civico

137

Madonna, SS. Zeno and Lorenzo Giustiniani, Girolamo dai Libri, Church of St George in Braida

141

The Arms of Verona

149

South Door of the Duomo

151

Side Door of Duomo. Detail of Column

155

Detail of Side Door of Duomo

158

Church of St Anastasia from the Adige showing the Houses which stood there before the “muraglioni,” built to defend the town against the Inundations of the Adige, were erected

161

Holy Water Basin in St Anastasia (Figure carved by Gabriel Cagliari, father of Paul Veronese)

164

Madonna and Saints, St Anastasia (ascribed alternately to Francesco Morone and Girolamo dai Libri)

167

Tomb of Guglielmo da Castelbarco

170

Piazza delle Erbe

173

Piazza dei Signori

179

Outside Staircase, Palazzo Publico or della Regione

182

The Outside Staircase, Palazzo della Ragione

183

Fifteenth Century Well in Via Mazzanti

186

Effigy of Cangrande

189

Monument of Giovanni della Scala, Verona

192

Tomb of Cansignorio della Scala

193

Juliet’s House (traditionally)

201

Church of S. Fermo Maggiore: The Madonna and Child and St Anne in Glory, with other Saints below (G. Francesco Caroto)

205

Cavazzola’s Deposition from the Cross

211

Museo Civico, The Madonna and Child enthroned, with St Joseph and the Archangel Raphael (Girolamo dai Libri)

216

Virgin and Child with Saints in Glory (Paolo Morando detto Cavazzola)

217

Window and Balcony in Via Seminario

225

Giardino Giusti

227

The Giusti Garden

tag="{http://www.w3.org/1999/xhtml}a">231

Doorway of Carved Wood in the Sacristy of S. Maria

235

Choir Stall of Intarsio Work in S. Maria

239

Church of S. Giorgio in Braida, Martyrdom of St George (Paolo Veronese)

243

The Madonna with Holy Women (Moretto du Brescia)

247

Balcony in Via St Eufemia

251

Corso Cavour

253

Fresco by Domenico Morone in the Library of S. Bernardino

260

S. Zeno Maggiore. Choir Screen and Entrance to the Crypt

269

Church of S. Zeno

273

Cloisters, S. Zeno Maggiore

277

Ruins of the Villa of Catullo

283

Castle of Sirmione

289 PLANS

Map of the Town of Verona, from an Engraving in the Biblioteca Comunale of the year 1671

face page 103

Plan of the Town of Verona showing the old walls, from an engraving in the Biblioteca Comunale of the year 1535

303

Map of the Town

at end

All the half-tone illustrations are reproductions from photographs by Alinari, Florence.

The Story of Verona

CHAPTER I

Origin and Growth of the City—Verona under the Romans—Goths and Lombards in Verona—The Adige

VERONA is no exception to those great cities of Italy whose origin is wrapt in a background of uncertainty and mystery. A few scattered huts on the hillside, now known as the “Colle di San Pietro,” were probably the beginnings of the town which was soon to spring up on both sides of the Adige—that mighty river that formed then as now such an important feature all round the country through which it flows, and whose waters have carried as great an amount of woe in their train as ever they have of weal. These faint beginnings of a mighty town bore probably some resemblance to the hamlets we now see in Umbria or Tuscany, dotted as they are on the slopes up which they seem to crawl with difficulty, and marking the sites where bastions, castles and strongholds were to stand in after times. For Verona was above all else a fortress. Her existence, as soon as she had assumed the proportions of a town, was essentially a military one, and the character stamped on her in those early days remains untouched to the present hour. It may be said of this beautiful city as of Zion of old: “Walk about Verona, and go round about her, and tell the towers thereof. Mark well her bulwarks. Set up her houses that ye may tell them that come after.” This injunction to chronicle the story of the older city applies equally to the one on the banks of the Adige, and sharpens the desire to do so as faithfully and lovingly as may be.

The position of Verona, its vast military construction, its fortress guarded by three lines of separate forts, its arsenal and barracks, have made it, if not the first, at least one of the first military towns of Italy, and cause an ever-growing longing to investigate as to its origin and that of the people who founded it. That longing however has to be repressed, for all is dark and vague with regard to the early days of Verona. Her historians indeed claim for her an ancestry of fabulous antiquity: some asserting that she existed before Troy came into celebrity; others declaring that she was founded soon after the flood. Veronese writers lose themselves equally in discussions as to the race from whom sprang the inhabitants of their city and province. They devote pages to the subject and consider in turn the probability as to whether Etruscans, Rhetians, Euganeans, Celts, Cimbrians or Gauls were the founders. No satisfactory conclusion is reached. The mystery remains unsolved; and time and thought are alike wasted in attempting to lift a veil which has been inexorably drawn by the Past, and which she defies us to remove. There can be no doubt whatever that Verona dates from very early times, even if it is beyond the knowledge of man to assert when that date exactly was. It may be assumed however that the Etruscans had a part in her foundation, and when we bear in mind that this implies a period embracing the sixth and fifth centuries B.C., the age of the city is carried back indeed to a remote epoch. The supposition most generally accepted among Veronese writers is that their town came into being about the fourth century before the Christian era, and proofs of this are forthcoming to this day in the

discoveries made in and around Verona of remains of arms, utensils, vessels, tombs, and so forth, which bear witness to the different peoples who, at one time or another, were living or ruling there, and to the period of their rule. By this means, too, evidence can be found of the dominion of the Barbarians, Gauls, and Cimbrians; and indeed to remoter times still when the age of bronze, and also the neolithic age and the prehistoric age are reached in turn.

The uncertainty as to the Past clings still to the period when Rome stretched forth her conquering arms over the north of Italy. No date can be mentioned accurately as to when Verona became part of the great Republic; nor when, nor by whom the Amphitheatre, and the Theatre, which form her most classic monuments were erected. It may however be assumed that at the beginning of the third century B.C., Verona was subject to Rome. This subjection though was of a voluntary nature, and in no way arose from the right of victory. Verona was doubtless wise in time: she saw how she had everything to gain by throwing in her lot with that of Rome; and by expressing a desire to be under Roman authority and protection forestalled what would inevitably have been brought about by invasion and conquest. That this was so may be safely affirmed by the absence of all documents recording such a conquest, nor is there a chronicle which adds the name of Verona to the list of triumphs gained by any general—a triumph which would not have been omitted had it been made, nor would history have been silent over the conquest had it been there to record. It is probable that some Veronese troops came to the assistance of the Roman legions at the battle of Cannae (216 B.C.), and also that they fought for Rome against the invading forces of the Teutons and Cimbri at the close of the second century. This invasion of the Cimbri presented a danger to Rome greater than was at first imagined, and greater perhaps than any hitherto experienced by the Eternal City. The early chroniclers of Verona maintain that their city bore an important part in staving off the impending danger. They also declare that a large band of the invaders took up their abode in the neighbourhood, enchanted with the soft climate, the delicious wines (those of the Valpolicella being renowned even then), and the charms of the sunny sky of Italy. Here it is said that their descendants dwell to this day, and are still to be identified by the difference of their language, which is neither Italian nor German, though more nearly allied to the latter. The district where this diversity of language is to be found is known as the “XIII Comuni Veronesi,” and the “VII Comuni Vicentini.” Modern writers by no means endorse the Cimbrian legend, and declare that it has no foundation at all. They ascribe other causes to the philological difficulty and explain it away as follows: The proximity of Germany to this part of Italy, they contend, explains the familiarity of the Teuton tongue, together with the intercourse of the two countries and the trading that was carried on between them.

The influence exercised by Rome over Verona was great; and though the chroniclers of the latter city are eager to maintain that she was in no way dependent on Rome, or unduly subjected to her, the fact remains

CASTEL S. PIETRO FROM THE ADIGE

that she was under the dominion of the Eternal City, and that Roman laws and habits were felt and adopted in the northern town. She was not admitted at once to the full rights and privileges of citizenship, though the “lex Pompeia” was extended to her B.C. 89, which entailed on her the rights of a Latin colony. After the battle of Philippi (B.C. 42; year of Rome 712) the privileges of Roman citizenship were granted to Transpadane Gaul; though when Verona herself was admitted to such rights cannot be affirmed with certainty. There can be however little doubt that this occurred but a short time afterwards, when she was included in the tenth region into which Cæsar Augustus partitioned Italy; a region which was known as that of “Venetia et Histria.” On the architrave of the Porta dei Borsari, when by order of the Emperor Gallienus the city was enclosed afresh by a wall, there was an inscription recording this fact, and proclaiming that Verona was “Colonia Augusta Nova Gallieniana.” This inscription is of the more value as there is nothing beyond it to tell of the relation between Rome and Verona. No mention is made of the latter city in the records concerning the Augustan colonisations; nor is she enumerated in the list of colonies given by Pliny the Elder in his history. Tacitus speaks of her as a colony in the second century, and in the fourth century we read of Pompeius Strabo sending a colony there.

In the early days of the Roman Empire, Verona was a town of much importance; the chief cause that contributed to this importance being without doubt her geographical position. She stood at a spot where several great highways met; and all the chief roads that connected the Empire with its principal towns in the north of Italy and into Germany passed through her streets. The Gallican way (Via Gallica), coming from Brescia and leading through Vicenza to Aquileja (thus ensuring intercourse with the eastern provinces) went through Verona. So too did the Via Postumia coming from Bedriaco. Another road led from Verona to Mantua. Another again led to Bologna. The great road to the north also started from Verona, and carried the communication from Italy into Germany, and right away to the Danubian provinces.

Ruskin[1] has described the position occupied by Verona when speaking of the view over the town as seen from the road going to Illasi. He says, “Now this promontory is one of the sides of the great gate out of Germany into Italy, through which the Goths always entered: cloven up to Innsbruck by the Inn, and down to Verona by the Adige. And by this gate not only the Gothic armies came, but after the Italian nation is formed, the current of northern life enters still into its heart through the mountain artery, as constantly and strongly as the cold waves of the Adige itself.”

A great part was played by Verona at the time of the war between the Vitellians and Flavians. The latter who represented the partisans of Flavius Vespasian, and who aimed at depriving the feeble Emperor Vitellius of his crown, had taken possession of Aquileja, Vicenza, Padua, and Verona. Much fighting took place around Verona, and in the end the Vitellians were defeated, and Vespasian—whose cause had been espoused by the Veronese—became Emperor. During the third century the weakness and decay of the Empire did but gain ground. This demoralisation proceeded chiefly from internal seditions and military revolts. The host sent by Philip the Younger, surnamed “the Arab,” against the Barbarians of Pannonia rebelled, and proclaimed their general Decius Emperor. Philip journeyed from Rome to quell the revolt, but when near Verona he was overcome and slain.

In the meanwhile the vigour and audacity of the Barbarians did but increase. The town of Verona was looked upon as one of the keys of Upper Italy, protected as it was by the river Adige and fortified besides by walls and fortifications. Considered as a stronghold, even in the days of Augustus, its renown in that respect was but to gain ground as time went on. The Emperor Gallienus had extended the outer city walls, and in this way had rendered the town almost impregnable against the attacks of the Barbarians. This extension of the walls had been made to include the Amphitheatre, an edifice which might well be of untold advantage to a foe; for unless rescued from its outlying position it could easily be taken and turned into a formidable fort by any enemy of skill and daring. This strengthening of the walls and fortifications of Verona was accomplished none too soon. A vast federation of northern hordes, determined to take advantage of the corruption and feebleness of Rome, crossed the Alps in 268, and aimed at the conquest of Verona. They were met by the Emperor Claudius II. near the Lake of Garda, and overthrown in a great fight, when more than half their numbers were left dead on the field of battle.

In the year 312, Verona was besieged by Constantine, who bore down upon it from the pass of the Mount Cenis. Gibbon[2] gives an account of this event as follows: “From Milan to Rome the Aemilian and Flaminian highways offered an easy march of about four hundred miles; but though Constantine was impatient to encounter the tyrant (Maxentius), he prudently directed his operations against another army of Italians, who, by their strength and position, might either oppose his progress, or, in case of a misfortune, might intercept his retreat. Ruricius Pompeianus, a general distinguished by his valour and ability, had under his command the city of Verona, and all the troops that were stationed in the province of Venetia. As soon as he was informed that Constantine was advancing towards him, he detached a large body of cavalry, which was defeated in an engagement near Brescia, and pursued by the Gallic legions as far as the gates of Verona. The necessity, the importance, and the difficulties of the siege of Verona, immediately presented themselves to the sagacious mind of Constantine. The city was accessible only by a narrow peninsula towards the west, as the other three sides were surrounded by the Adige, a rapid river, which covered the province of Venetia, from whence the besieged derived an inexhaustible supply of men and provisions. It was not without great difficulty, and after several fruitless attempts, that Constantine found means to pass the river at some distance above the city, and in a place where the torrent was less violent. He then encompassed Verona with strong lines, pushed his attacks with prudent vigour, and repelled a desperate sally of Pompeianus. That intrepid general, when he had used every means of defence that the strength of the place or that of the garrison could afford, secretly escaped from Verona, anxious not for his own but for the public safety. With indefatigable diligence he soon collected an army sufficient either to meet Constantine in the field, or to attack him if he obstinately remained within his lines. The emperor, attentive to the motions, and informed of the approach of so formidable an enemy, left a part of his legions to continue the operations of the siege, whilst, at the head of those troops on whose valour and fidelity he more particularly depended, he advanced in person to engage the general of Maxentius. The army of Gaul was drawn up in two lines, according to the practice of war; but their experienced leader, perceiving that the numbers of the Italians far exceeded his own, suddenly changed his dispositions, and, reducing the second, extended the front of this first line to a just proportion with that of the enemy. Such evolutions, which only veteran troops can execute without confusion in a moment of danger, commonly prove decisive: but as this engagement began towards the close of the day, and was contested with great obstinacy during the whole night, there was less room for the conduct of the generals than for the courage of the soldiers. The return of light displayed the victory of Constantine, and a field of carnage covered with many thousands of the vanquished Italians. Their general, Pompeianus, was found among the slain; Verona immediately surrendered at discretion, and the garrison was made prisoners of war.”

Aquileja and Modena surrendered also to the victor, and the path into Italy lay open to Constantine.

For the remaining part of that century Verona remained under the sway of the Emperors of the West, many of whom sojourned there often and willingly, attracted either by the charm of the place, or by the convenience afforded by its central position. Nor is this to be wondered at seeing how it was a very junction for Milan, Aquileja, and Germany in turn, and how it was also provided with all that was needful for the reception and accommodation of its Imperial guests.

In the following century the Veronese territory was invaded anew by Barbarians, the first inroad being that of Alaric and his Visigoths (402); the next that of the Huns under Attila. There can be little doubt that Verona fell before the armies of the “Scourge of God,” but his speedy withdrawal from Italy—at the intercession it is said of St Leo—left the town again free.

The influence exercised by Rome over Verona ever since she had included her among her colonies had been felt not only in the laws and habits adopted by the northern city, but also in the religious creeds and rites practised in her midst. The worship of false gods had flourished there in early times. Eastern deities had had their services and altars, nor was the Augustan worship omitted. That this worship, which represented not only the homage rendered to the person of Cæsar but to the world-power of Rome as well, was celebrated in Verona is evident from the mention made of the “flamen divi Augusti et Romae” as ranking among her religious observances.

The introduction of Christianity into Verona is placed at a very early date, and one legend declares that no less a person than St Peter appointed the first bishop who was one St Euprepio. This divine, who is also said to have been one of the seventy appointed by our Lord (see St Luke, ch. x., v. i), was indeed the first bishop of Verona, but the date of his episcopate cannot be definitely affirmed, and can only be vaguely spoken of as amongst the earliest bishoprics instituted in Italy. The first bishops of Verona all attained to the rank of saints; the fourth being St Procolo, and the sixth St Lucillo, who took part in 347 at the Council of Sardis. In 380 (or according to Maffei 390) occurred the death of St Zenone, or Zeno, the eighth bishop, a man famous for his learning and saintliness of life, and who according to some traditions “reduxit Veronam ad baptismum.” The writings of St Zeno have come down to the present day, and beside their doctrine and devotion have also some literary merit. It is not known where the services of the early Christians were held in Verona. The so-called grotto of San Nazzaro, of which mention will be made later on,[3] is generally looked upon as the place, and tradition has it that Divine worship was actually celebrated there. The frescoes that adorn the church are of later date than the building, and were

probably added when the church was restored in the tenth century, after it had suffered much damage at the hands of the Hungarians.

That Verona possessed a bishop as early as the third century of the Christian era would point to the fact that even at that time the town contained many believers, though the martyrdoms of S. Fermo and S. Rustico in the reign of Diocletian would again demonstrate that at that epoch at all events the pagan world was in the supremacy. St Zeno’s writings on the other hand assume that Christianity was widespread through the city, but this point in common with many others relating to the early days of Verona cannot be affirmed with certainty. The diocese of Verona up to the beginning of the fifth century was subject to the metropolitan jurisdiction of the See of Milan which extended (especially at the time of St Ambrose), over the greater part of the north of Italy, and was known under the Roman administration as the “vicariatus Italiae.” After the death of St Ambrose and when the Imperial Government fixed its seat at Ravenna, Milan declined, its metropolitan jurisdiction was split up, and Verona with other cities in the district passed under the jurisdiction of the patriarchate of Aquileja.

The advantages that accrued to Verona from her geographical position have already been dwelt on. The disadvantages must equally be noted, chief among them being the facility with which her territory could be overrun by the wild and undaunted tribes of the North, who looked upon Italy—the garden of Europe—as the lawful reward for their labours, and who considered the trained cohorts of the Roman legions as foes worthy of their mettle.

Odoacer was the first of these invaders. He bore down upon Italy at the head of a large force of warriors, possessed himself of Rome, where he deposed Augustolo, the last Emperor of the West, and after he had imprisoned him at Ravenna, he caused himself to be proclaimed King of Italy. This was in 476, and there can be little doubt that he held sway in Verona, from whence however he was driven out in a pitched battle by Theodoric, King of the Ostrogoths. Odoacer lost heavily in the fight (489), his soldiers were carried away in the rushing, swirling waters of the Adige, when according to Eunodius “their corpses choked that grandest of rivers.” Odoacer himself withdrew to Ravenna, where he was murdered in 493.

Theodoric, King of the Ostrogoths, is a name and personality associated with song and legend. His love for Verona was great, and though his official residence, so to speak, was at Ravenna, it was at the city beside the Adige that he preferred to dwell. Its strong fortifications, the convenience of its position for repelling any attack from Germany, added no doubt to the attraction felt for Verona by “Dietrich von Bern,” as Theodoric was called in German ballads. Theodoric’s love for Verona took shape in the several buildings which either for beauty or utility he raised in it. Baths, palaces, strongholds, and external walls were built in turn by him, and to him too is due the restoration of the aqueduct. The remains of the great palace that he built for himself on the hill of S. Pietro are still to be seen, and point to a style of architecture that had its origin in Rome. The later years of Theodoric’s life are dimmed (from a Veronese point of view) by the hatred he is said to have shewn towards the Catholics. To this is ascribed among other things his destruction of the oratory of S. Stefano, at that time the Cathedral church of Verona. This deed which coincided with the German legends which easily spread to Verona confirmed the story of the demoniacal chase which was circulated about Theodoric, and which is to be found engraved among the bas-reliefs carved on the façade of S. Zeno. The legend runs as follows: Theodoric on leaving the bath mounts his horse, and followed by his hounds gives chase to a stag. The stag however always manages to escape. The hunter pursues in reckless haste and eagerness, till he finds himself brought to the gates of hell. An allegorical lesson that might have a warning not only for the king of the Ostrogoths, but for all of every class and nation who choose to heed it!

Tradition ascribes to Theodoric at one moment the building of the whole city, at other times the Amphitheatre itself, giving to this latter the name of the “House of Theodoric,” just as in Rome the same name of “House of Theodoric” was once given to Hadrian’s mole. Nor did legends of different sorts cease to be circulated about Theodoric in and around Verona till the fourteenth century.

The Gothic rule began to decline in the days of Totila (543), and wars in different directions around Verona, generally ending in the defeat of the Goths, proved at last their undoing. An invasion of the Greeks was however successfully withstood, though more perhaps by fortune than by skill. The Greeks had actually possessed themselves of Verona, but their greed for booty had made them careless as to securing their conquest, and before they were aware of it they were attacked by the Goths and expelled. An expedition headed by Totila’s chief general Teias against the Emperor Justinian’s forces under Narses was not so successful. Nor did a fresh expedition led by Totila in person fare better. The Roman and Gothic armies met at Brescello on the Po, the Goths were defeated, and Totila was slain. Teias was appointed king in his stead (560), only to die by the hand of Narses two years later, and with him the Gothic rule came to an end in Italy.

Fresh incursions from Germany again followed; but it was not till the year 568 that any permanent rule was established in Verona. That year however saw the Longobards or Lombards, under their king Alboin, pour down from the North and spread over the fertile plain which to this day bears their name. Their rule extended to Verona, where all traces of Gothic and Grecian power disappeared before that of the new-comers.

It was at Verona that the famous banquet took place, when Alboin ordered his wife Rosamund to drink wine out of her father’s skull. Alboin had conquered and killed his father-in-law, Cunimund, king of the Gepedoe, and carried about with him the trophy of his victory in the shape of the dead man’s skull converted into a drinking cup. He had no settled capital in Italy, but, as Theodoric had done before him, he dwelt gladly at Verona. The story of his orgie is a well-known one, though it may be that in his drunken debauchery he was hardly conscious of the sacrilege that he called upon his wife to commit. His brutality was amply avenged. Rosamund caused her husband to be murdered (June 28, 572, or according to Maffei 574) and then fled with Elmicho (who had acted for her as Alboin’s murderer) to Ravenna, taking with her Alsuinda, Alboin’s daughter, and the royal treasure. The fugitives sought the protection of Longinus, the exarch of Constantinople; but soon after they reached Ravenna they were tragically put to death, and Alsuinda together with King Alboin’s treasure was sent to Constantinople. According to the writings of Paul the Deacon, the Lombard historian of the eighth century, the “body of Alboin was buried by the Longobards with tears and great mourning under a staircase adjoining the palace. In our days Gilbert or Giselbert, Duke of Verona, opened the case, drew from it the sword and ornaments, and then with the vanity peculiar to the ignorant, boasted that he had seen Alboin.” The whole story of the banquet, the indignity forced upon Queen Rosamund, the king’s death, and all its sequel is often called in question and doubt thrown on the whole matter. The certainty of it cannot perhaps be asserted definitely, but the legend is a well-established one; and the historian Paul quoted above tells how he saw the fateful goblet, and

speaks of the murder, the flight of the wife and of her accomplice, in a way which proves that he at least believed it all.

The Lombards established duchies throughout Italy, and after Alboin’s death we find dukes in Verona, one of whom, Autari, married (cir. 589) the famous Theodolinda, daughter of Garibaldo, king or duke of the Bavarians, who exercised an important influence over the Lombard people, and who after her second marriage with Agilulf, Duke of Turin, converted them from Arianism to the Catholic faith.

In the year said to have been that of the marriage of Theodolinda and Duke Autari, the year A.D. 589, a terrible inundation of the Adige took place in Verona. The part this river played, and for the matter of that still plays, in the history of the town which it bathes and divides is marked. It rises in Lake Ressen in South Tyrol, and after a course of some 190 miles, during which it is joined by a multitude of mountain streams and torrents, it empties itself into the Adriatic. The Adige (in German the Etsch) flows down through the Brenner pass, now enclosed in narrow channels, now spreading out through lakes and wide openings, gathering force and volume, till from small beginnings it becomes the impetuous mass of waters which rushes headlong through Verona. The floods and over-flowings from this river have on several occasions wrought untold damage to the town; and but a few years ago when the spring or autumn rains had fallen in extra abundance, or when the snows were melting after an unusually hard winter, the rumour that “L’Adige ě in pieno” carried dread to all who heard it. This fear is almost entirely set at rest now. Great dykes and walls have been erected; the latter known as “muraglione,” which are calculated to ensure perfect safety to the city, and which certainly have stood more than one test of extraordinary severity.

The inundation alluded to above is the first recorded in history; and one old chronicler asserts that so fearful a deluge had not occurred since the universal one when mankind was destroyed in the days of Noah. The country around Verona was submerged for miles, many inhabitants were drowned, and the number of corpses of beasts, as well as of human beings, floating about in the waste of waters may doubtless be held responsible for the outbreak of a grievous sickness which shortly after visited the city. The month was that of October, and the decay of autumn following close upon a long spell of heat may well have accounted for the pestilence; but the Veronese saw only the wrath of God in the calamities which befell their land and considered themselves as under a curse. This first noted inundation was not only a mark in history, it was also the occasion for a miracle—at least in the eyes of the faithful. The waters which rose to the height of several feet restrained themselves when in the neighbourhood of the church of S. Zeno. Although on a level with the windows they forbore to enter the sacred edifice, though the doors were open and would have admitted them readily had their reverential attitude not kept them outside in an upright position! There were three churches dedicated to S. Zeno in Verona, and it is impossible to say around which of the three the miracle took place. The story relating to it was told to St Gregory I. by one who came from Verona, and is spoken of by him in his Dialogues. Many investigations have been made on the subject, all alike leading to nothing and leaving the locality of the scene unestablished. In the fourteenth century the mystery was still unsolved, for Benvenuto da Imola in his Commentary on Dante was evidently in doubt over this vexed point and records as follows: “Three churches are named after San Zeno at Verona, one on the hill, another by the Adige, but this is only a small oratory or chapel, and I think it is this San Zeno of which St Gregory writes in the Dialogues, that on one occasion the Adige had inundated Verona, but did not enter the windows of the church of San Zeno. The third church is about a javelin cast from the river, and there is no fairer church that I have seen in all Verona.”[4]

The Adige, though famed chiefly for the violence of its ways and habits, has however another side to its character. Its services from a commercial point of view are great. It acts also as a highway whereby to convey heavy bales of goods, and many a raft laden with timber comes floating down its waters, which season the wood at the same time that they carry it to its destination.

A VENDOR OF FRESH WATER

THE ARENA