announced "the polis," and P. C. Robinson introduced Superintendent Fowler. This time Grant did not resent questions. He expected them, and had made up his mind to give full and detailed answers. Of course, the finding of the body was again described minutely. The superintendent, a man of experience, one whose manner was not fox-like and irritating like his subordinate's, paid close attention to the face at the window.

"There seems to be little room for doubt that Miss Melhuish did enter your grounds about a quarter to eleven last night," he said thoughtfully. "You recognized her at once, you say?"

"I imagined so. Until this horrible thing became known I had persuaded myself that the vision was a piece of sheer hallucination."

"Let us assume that the lady actually came here, and looked in. Evidently, her face was sufficiently familiar that you should know instantly who this unusual visitor was. I understand, though, that you had not the least notion she was staying in Steynholme?"

"Not the least."

"How long ago is it since you last saw her?"

"Nearly three years."

"You were very well acquainted with her, then, or you could not have glanced up from your table, seen someone staring at you through a window, and said to yourself, as one may express it:—'That is Adelaide Melhuish'."

"We were so well acquainted that I asked the lady to be my wife."

"Ah," said the superintendent.

His placid, unemotional features, however, gave no clew to his opinions. Not so P. C. Robinson, who tried to look like a judge, whereas he really resembled a bull-terrier who has literally, not figuratively, smelt a rat.

Despite his earlier good resolutions, Grant was horribly impatient of this inquisition. He admitted that the superintendent was carrying through an unpleasant duty as inoffensively as possible, but the attitude of the village policeman was irritating in the extreme. Nothing would have tended so effectively to relieve his surcharged feelings as to supply P. C. Robinson then and there with ample material for establishing a charge of assault and battery.

"That is not a remarkable fact, if regarded apart from to-day's tragedy," he said, and there was more than a hint of soul-weariness in his voice. "Miss Melhuish was a very talented and attractive woman. I first met her as the outcome of a suggestion that one of my books should be dramatized, a character in the novel being deemed eminently suitable for her special rôle on the stage. The idea came to nothing. She was appearing in a successful play at the time, and was rehearsing its successor. Meanwhile, I—fell in love with her, I suppose, and she certainly encouraged me in the belief that she might accept me. I did eventually propose marriage. Then she told me she was married already. It was a painful disillusionment—at the time. I only saw her, to speak to, once again."

"Did she reveal her husband's name?"

"Yes—a Mr. Ingerman."

The superintendent looked grave. That was a professional trick of his. He had never before in his life heard of Mr. Ingerman, but encouraged the notion that this gentleman was thoroughly, and not quite favorably, known to him. Sometimes it happened that a witness, interpreting this sapient look by the light of his or her personal and intimate knowledge, would blurt out certain facts, good or bad as the case might be, concerning the person under discussion.

But Grant remained obstinately silent as to the qualities of this doubtful Ingerman, so Mr. Fowler scribbled the name in a note-book, and was particular as to whether it ended in one "n" or two.

Still, he carried other shots in his locker. In fact, Mr. Fowler, had he taken in youth to nicer legal subtleties than handcuffs and summonses, would have become a shrewd lawyer.

"We'll leave Mr. Ingerman for the moment," he said, implying, of course, that on returning to him there might be revelations. "I gather that you and Miss Melhuish did not agree, shall I put it? as to the precise bearing of the marriage tie on your love affair?"

"I'm afraid I don't quite follow your meaning," and Grant's tone stiffened ominously, but his questioner was by no means abashed.

"I have no great acquaintance with the stage or its ways, but I have always understood that divorce proceedings among theatrical folk were, shall we say? more popular than, in the ordinary walks of life," said Mr. Fowler.

Grant's resentment vanished. The superintendent's calm method, his interpolated apologies, as it were, for applying the probe, were beginning to interest him.

"Your second effort is more successful, superintendent," he said dryly. "Miss Melhuish did urge me to obtain her freedom. It was, she thought, only a matter of money with Mr. Ingerman, and she would be given material for a divorce."

"Ah," murmured Fowler again, as though the discreditable implication fitted in exactly with the life history of a noted scoundrel in a written dossier then lying in his office. "You objected, may I suggest, to that somewhat doubtful means of settling a difficulty?"

"Something of the kind."

Assuredly, Grant did not feel disposed to lay bare his secret feelings before this persuasive superintendent and an absurdly conceited village constable. Love, to him, was an ideal, a blend of mortal passion and immortal fire. But the flame kindled on that secret altar had scorched and seared his soul in a wholly unforeseen way. The discovery that Adelaide Melhuish was another man's wife had stunned him. It was not until the fire of sacrifice had died into parched ashes that its earlier banality became clear. He realized then that he had given his love to a phantom. By one of nature's miracles a vain and selfish creature was gifted in the artistic portrayal of the finer emotions. He had worshiped the actress, the mimic, not the woman herself. At any rate, that was how he read the repellent notion that he should bargain with any man for the sale of a wife.

"You might be a trifle more explicit, Mr. Grant," said the superintendent, almost reproachfully.

"In what direction? Surely a three-years-old love affair can have little practical bearing on Miss Melhuish's death?"

"What, then, may I ask, could bear on it more forcibly? The lady admittedly visits you, late at night, and is found dead in a river bordering the grounds of your house next morning, all the conditions pointing directly to murder. Moreover—it is no secret, as the truth must come out at the inquest—she had passed a good deal of her time while in Steynholme, unknown to you, in making inquiries concerning you, your habits, your surroundings, your friends. Surely, Mr. Grant, you must see that the history of your relations with this lady, though, if I may use the phrase, perfectly innocent, may possibly supply that which is at present lacking—a clew, shall I term it, to the motive which inspired the man, or woman, who killed her?"

P. C. Robinson was all an eye and an ear for this verbal fencing-match. It was not that he admired his superior's skill, because such finesse was wholly beyond him, but his suspicious brain was storing up Grant's admissions "to be used in evidence" against him subsequently. His own brief record of the conversation would have been:—"The prisoner, after being duly cautioned, said he kept company with the deceased about three years ago, but quarreled with her on hearing that she was a married woman."

The superintendent seldom indulged in so long a speech, but he was determined to force his adversary's guard, and sought to win his confidence by describing the probable course to be pursued by the coroner's inquest. But Grant, like the dead actress, had two sides to his nature. He was both an idealist and a stubborn fighter, and ideality had been shattered for many a day by that grewsome object hauled in that morning from the depths of the river.

"I am willing to help in any shape or form, but can only repeat that Miss Melhuish and I parted as described. I should add that I have