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قراءة كتاب A Discourse on the Life, Character and Writings of Gulian Crommelin Verplanck Delivered before the New-York Historical Society, May 17th, 1870
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A Discourse on the Life, Character and Writings of Gulian Crommelin Verplanck Delivered before the New-York Historical Society, May 17th, 1870
the means of verifying this account, nor am I able to discover what were the objects for which the party called malcontents was formed. In this year an incident occurred of more importance to him than his election to the Assembly.
On the 8th of August, 1811, the Annual Commencement of Columbia College was held in Trinity Church. Among those who were to receive the degree of Bachelor of Arts was a young man named Stevenson, who had composed an oration to be delivered on the platform. It contained some passages of a political nature, insisting on the duty of a representative to obey the will of his constituents. Political parties were at that time much exasperated against each other, and Dr. Wilson of the College, to whom the oration was submitted, acting it was thought at the suggestion of Dr. John Mason, the eloquent divine, who was then Provost of the College, struck out the passages in question and directed that they should be omitted in the delivery. Stevenson spoke them notwithstanding, and was then privately informed by one of the professors that his degree would be denied him. Yet, when the diplomas were delivered, he mounted the platform with the other graduates and demanded the degree of Dr. Mason. It was refused because of his disobedience. Mr. Hugh Maxwell, afterwards eminent as an advocate, sprang upon the platform and appealed to the audience against this denial of what he claimed to be the right of Stevenson. Great confusion followed, shouts, applauses and hisses, in the midst of which Verplanck appeared on the platform saying: "The reasons are not satisfactory; Mr. Maxwell must be supported," and then he moved "that the thanks of the audience be given to Mr. Maxwell for his spirited defence of an injured man." It was some time before the tumult could be allayed, the audience taking part with the disturbers; but the result was that Maxwell, Verplanck, and several others were prosecuted for riot in the Mayor's Court. DeWitt Clinton was then Mayor of New York. In his charge to the jury he inveighed with great severity against the accused, particularly Verplanck, of whose conduct he spoke as a piece of matchless impudence, and declared the disturbance to be one of the grossest and most shameless outrages he had ever known. They were found guilty; Maxwell, Verplanck, and Stevenson were fined two hundred dollars each, and several others less. An appeal was entered by the accused but afterwards withdrawn. I have heard one of our judges express a doubt whether this disturbance could properly be considered as a riot, but they did not choose to avail themselves of the doubt, if there was any, and submitted.
There is this extenuation of the rashness of these young men, that Dr. Mason, to whom was attributed the attempt to suppress certain passages in Stevenson's oration, was himself in the habit of giving free expression to his political sentiments in the pulpit. He belonged to the federal party, Stevenson to the party then called republican.
I have said the accused submitted; but the phrase is scarcely accurate. Verplanck took his own way of obtaining redress, and annoyed Clinton with satirical attacks for several years afterward. Some of these appeared in a newspaper called the Corrector, but those which attracted the most attention, were the pamphlets styled Letters of Abimelech Coody, Ladies' Shoemaker, the first of which was published in 1811, addressed to Dr. Samuel Latham Mitchell.
The war went on until Clinton or some friend was provoked to answer in a pamphlet entitled An Account of Abimelech Coody and other celebrated Worthies of New York, in a Letter from a Traveller. The writer saterizes not only Verplanck, but James K. Paulding and Washington Irving, of whose History of New York he speaks disparagingly. In what he says of Verplanck he allows himself to refer to his figure and features as subjects of ridicule. This war I think was closed by the publication of "The Bucktail Bards," as the little volume is called, which contains The State Triumvirate, a Political Tale, and the Epistles of Brevet Major Pindar Puff. These I have heard spoken of as the joint productions of Verplanck and Rudolph Bunner, a scholar and a man of wit. The State Triumvirate is in octo-syllabic verse, and in the manner of Swift, but the allusions are obscure, and it is a task to read it. The notes, in which the hand of Verplanck is very apparent, are intelligible enough and are clever, caustic and learned. The Epistles, which are in heroic verse, have striking passages, and the notes are of a like incisive character. De Witt Clinton, then Governor of the State, valued himself on his devotion to science and literature, but he was sometimes obliged, in his messages and public discourses, to refer to compends which are in every body's hands, and his antagonists made this the subject of unsparing ridicule.
In the family of Josiah Ogden Hoffman, lived Mary Eliza Fenno, the sister of his wife, and daughter of John Ward Fenno, originally of Boston, and afterwards proprietor of a newspaper published in Philadelphia, entitled the Gazette of the United States. Between this young lady and Verplanck there grew up an attachment, and in 1811 they were married. I have seen an exquisite miniature of her by Malbone, taken in her early girlhood when about fifteen years old--beautiful as an angel, with light chestnut hair and a soft blue eye, in the look of which is a touch of sadness, as if caused by some dim presentiment of her early death. I remember hearing Miss Sedgwick say that she should always think the better of Verplanck for having been the husband of Eliza Fenno. Several of her letters written to him before their marriage are preserved, which, amidst the sprightliness natural to her age, show a more than usual thoughtfulness. She rallies him on being adopted by the mob, and making harangues at ward meetings. She playfully chides him for wandering from the Apostolic Church to hear popular preachers and clerks that sing well; which she regards as crimes against the memory of his ancestors--an allusion to that part of the family pedigree which traced his descent in some way from the royal line of the Stuarts. She rallies him on his passion for old books, remarking that some interesting works had just appeared which must be kept from him till he reaches the age of three score, when they will be fit for his perusal. She writes to him from Boston, that he is accounted there an amazingly plain spoken man--he had called the Boston people heretics. She writes to him in Stratford, imagining him in Bishop Berkeley's arm-chair, surrounded by family pictures and huge folios. These letters were carefully preserved by her husband till his death, along with various memorials of her whom he had lost; locks of her sunny brown hair, the diamond ring which he had placed on her finger when they were engaged to each other, wrapt in tresses of the same bright hair, and miniatures of her, which the family never heard of till he died; all variously disposed among the papers in the drawers of his desk; so that whenever he opened it, he might be reminded of her, and her memory might become a part of his daily life. With these were preserved some letters of his own, written to her about the same time, and of a sportive character. In one of these he laments the passing away of the good old customs, and simple ways of living in the country, supplanted by the usages of town life. Everybody was then reading Coelebs in Search of a Wife, and Verplanck who had just been looking over some of the writings of Wilberforce, sees in it resemblances to his style, which led him to set down Wilberforce as the author.
He lived with his young wife five years, and she bore him two sons, one of whom died at the age of thirty unmarried, and the other has become the father of a numerous family. Her health failing he took her to Europe, in the hope that it might be restored by a change of air and scene, but after languishing a while she died at Paris, in the year 1817. She sleeps in the cemetery of Pere La Chaise, among monuments inscribed with words