The Young Turks were not Nationalists from the beginning; the "Committee of Union and Progress" was founded in good faith to liberate and reconcile all the inhabitants of the Empire on the principles of the French Revolution. At the Committee's congress in 1909 the Nationalists were shouted down with the cry: "Our goal is organisation and nothing else[3]." But Young Turkish ideals rapidly narrowed. Liberalism gave way to Panislamism, Panislamism to Panturanianism, and the "Ottoman State Idea" changed from "Liberty, Equality, and Fraternity" to the Turkification of non-Turkish nationalities by force.

"The French Ideal," writes the Nationalist Tekin Alp in Thoughts on the Nature and Plan of a Greater Turkey, "is in contradiction to the needs and conditions of the age." By contrast, "the Turkish national movement does not exhibit the failings of the earlier movements. It is in every way adapted to the intellectual standard and feelings of the nation. It also keeps pace with the ideas of the age, which have for some decades centred round the principle of Nationality. In adopting Turkish Nationalism as the basis of their national policy, the Turks have only abandoned an abnormal state of affairs and thereby placed themselves on a level with modern nations[4]."

The development of Nationalism among the Turks was a natural phenomenon. Starting in the West, the movement has been spreading for a century through Central Europe, Hungary, and the Balkans, till from the Turks' former subjects it has passed to the Turks themselves. Chance played its part. Dr. Nazim Bey, for instance, the General Secretary of the "Union and Progress" Committee, is said to have been fired by a work of M. Léon Cahun's on the early history of the Turks and Mongols, lent him by the French Consul-General at Salonika, and the movement was, and still is, confined to a small intelligentsia. But that is the case with other national movements too, and does not hinder them from being powerful forces. Turkish Nationalism was kept alive after 1909 by a small group of enthusiasts at Salonika—their leader was Ziya Bey, who had come up to the Young Turk Congress from Diarbekir, and was one of the first converts to the new idea. It gained ground suddenly during, the Balkan War. The shock of defeat produced a craving for regeneration; the final loss of Europe turned the minds of the Osmanlis to the possibilities of Asia, and they were struck by the action of several prominent Russian subjects of Turco-Tatar nationality, who, out of racial sympathy, had given their services to the Ottoman Government in this time of adversity. As Tekin Alp expresses it:

"The Turks realised that, in order to live, they must become essentially Turkish, become a nation, be themselves…. The Turkish nation turned aside its gaze from the lost territory and looked instead upon Turania, the ideal country of the future."

Two years later this "New Orientation" had so mastered the Ottoman
Government that it drew them into the European War.

There are many aims within the new Turkish horizon. Some of them are negative and non-political, some practical and extremely aggressive. Ziya Bey's adherents first took in hand the purification of the Turkish language. A Turkish poet had endeavoured before to dispense with the 95 per cent. (?) of the vocabulary that was borrowed from Persian and Arabic, and "his poetry had to be published in small provincial papers because the important newspapers of the towns would not accept it." The established writers in the traditional style made a hard fight, but Tekin Alp claims that the Yeni Lisan (New Language) "is to-day in possession of an absolute and unlimited authority." Borrowed rhythms have been banned as well as borrowed words, and there is even an agitation to replace the Arabic script by a new Turkish alphabet—an imitation of the Albanian movement which was opposed so fiercely by the Turks themselves before the Balkan War. In 1913 the Government stepped in with the foundation of a "Turkish Academy" (Turk Bilgi Derneyi), and the Ministry of Education started an "Institute of Terminology," "Conservatoire," and "Writing and Translation Committee." The translation of foreign masterpieces as an incentive to a new national literature was in the programme of Ziya Bey's society, the Yeni Hayat (New Life). Their most cherished plan was to translate the Koran and the Friday Sermon, to have the Khutba (Prayer for the Caliph) recited in Turkish, and to remove the Arabic texts from the walls of the mosques[5]; the eyes and ears of Turkish Moslems were to be saved from the contamination of an anti-national language; but the campaign against Arabic passed over into an attack upon Islam.

"The Turkish Nationalists," Tekin Alp explains, "have made great efforts to nationalise religion itself, and to give it the impress of the Turkish national spirit. This idea was zealously supported by a fortnightly periodical, and one of the noblest tasks undertaken by it has been the translation of the Koran into Turkish. This is a reform of the greatest importance. It is well known that the translation of the Koran has hitherto been considered a sin. The Nationalists have cut themselves off from this superstitious prejudice and have had three translations made, the above-mentioned and two others."

On this issue the Nationalists broke a lance with the Islamjis, or "clericals," as Tekin Alp prefers to call them.

"Because it is written in the Koran that Islam knows no nationalities, but only Believers, the Islamjis thought that to occupy oneself with national questions was to act against the interests and principles of Islam itself…. According to the Nationalists, the pronouncement in the Koran was directed exclusively against the very frequent dissensions of clans and parties in the various Arab races." (A sneer which is meant to have a modern application.) "Although the Nationalists proclaim themselves the most zealous followers of Mohammed, nevertheless they do not conceal the fact that their interpretation of Islam is not the same as that of the Arabs. They maintain that the Turks cannot interpret the Koran in the same manner as the Arabs…. Their idea of God is also different."

This amazing Kulturkampf is quite possibly a reminiscence of
Bismarckian Germany, for Turkish Nationalism is saturated with forgotten
European moods, and its vein of Romanticism is as antiquated as the
Kaiser's. It has taken Attila to its heart, and rehabilitated Jenghis
Khan, Timur, Oghuz, and the rest with the erudition of a Turanian Walter
Scott.

"My Attila, my Jenghis," sings Ziya Gök Alp, "these heroic figures, which stand for the proud fame of my race, appear on the dry pages of the history books as covered with shame and disgrace, while in reality they are no less than Alexander and Caesar. Still better known to my heart is Oghuz Khan[6]. In me he still lives in all his fame and greatness. Oghuz Khan delights and inspires my heart and causes me to sing psalms of gladness. The fatherland of the Turks is not Turkey or Turkestan, but the broad eternal land of Turania."

The Ministry of Evkaf (Religious Endowments) recently made a grant of Ł50,000 (Turkish) towards the publication of works on these worthies; the students at the Military College in Constantinople are alleged to have been diverted from their studies by their devotion to such literature, and on the eve of the War the Professor of Military Education there is reported to have delivered the following address to an instruction class of reserve officers:

"We are, gentlemen, before all, Turks. I wonder why we are called Ottomans, for who is Osman after whom we are named? He is a Turk from Altai, who overran this country with his Turkish Army. Therefore it is more of an honour to us to be