railway woods at St. Augustine is of a cricket, or locust, or something else,—I never saw it,—that amused me often with a formless rattling or drumming sound. I could think of nothing but a boy's first lesson upon the bones, the rhythm of the beats was so comically mistimed and bungled.

One fine morning,—it was the 18th of February,—I had gone down the railroad a little farther than usual, attracted by the encouraging appearance of a swampy patch of rather large deciduous trees. Some of them, I remember, were red maples, already full of handsome, high-colored fruit. As I drew near, I heard indistinctly from among them what might have been the song of a black-throated green warbler, a bird that would have made a valued addition to my Florida list, especially at that early date. ³ No sooner was the song repeated, however, than I saw that I had been deceived; it was something I had never heard before. But it certainly had much of the black-throated green's quality, and without question was the note of a warbler of some kind. What a shame if the bird should give me the slip! Meanwhile, it kept on singing at brief intervals, and was not so far away but that, with my glass, I should be well able to make it out, if only I could once get my eyes on it. That was the difficulty. Something stirred among the branches. Yes, a yellow-throated warbler (Dendroica dominica), a bird of which I had seen my first specimens, all of them silent, during the last eight days. Probably he was the singer. I hoped so, at any rate. That would be an ideal case of a

beautiful bird with a song to match. I kept him under my glass, and presently the strain was repeated, but not by him. Then it ceased, and I was none the wiser. Perhaps I never should be. It was indeed a shame. Such a taking song; so simple, and yet so pretty, and so thoroughly distinctive. I wrote it down thus: tee-koi, tee-koo,—two couplets, the first syllable of each a little emphasized and dwelt upon, not drawled, and a little higher in pitch than its fellow. Perhaps it might be expressed thus:—

I cannot profess to be sure of that, however, nor have I unqualified confidence in the adequacy of musical notation, no matter how skillfully employed, to convey a truthful idea of any bird song.

The affair remained a mystery till, in Daytona, nine days afterward, the same notes were heard again, this time in lower trees that did not stand in deep water. Then it transpired that my mysterious warbler was not a warbler at all, but the Carolina chickadee. That was an outcome quite unexpected, although I now remembered that chickadees were in or near the St. Augustine swamp; and what was more to the purpose, I could now discern some relationship between the tee-koi, tee-koo (or, as I now wrote it, see-toi, see-too), and the familiar so-called phoebe whistle of the black-capped titmouse. The Southern bird, I am bound to acknowledge, is much the more accomplished singer of the two. Sometimes he repeats the second dissyllable, making six notes in all. At other times he breaks out with a characteristic volley of fine chickadee notes, and runs without a break into the see-toi, see-too, with a highly pleasing effect. Then if, on the top of this, he doubles the see-too, we have a really prolonged and elaborate musical effort, quite putting into the shade our New England bird's hear, hear me, sweet and welcome as that always is.

The Southern chickadee, it should be said, is not to be distinguished from its Northern relative—in the bush, I mean—except by its notes. It is slightly smaller, like Southern birds in general, but is practically identical in plumage. Apart from its song, what most impressed me was its scarcity. It was found, sooner or later, wherever I went, I believe, but always in surprisingly small numbers, and I saw only one nest. That was built in a roadside china-tree in Tallahassee, and contained young ones (April 17), as was clear from the conduct of its owners.

It must not be supposed that I left St. Augustine without another search for my unknown "warbler." The very next morning found me again at the swamp, where for at least an hour I sat and listened. I heard no tee-koi, tee-koo, but was rewarded twice over for my walk. In the first place, before reaching the swamp, I found the third of my flat-wood novelties, the red-cockaded woodpecker. As had happened with the nuthatch and the sparrow, I heard him before seeing him: first some notes, which by themselves would hardly have suggested a woodpecker origin, and then a noise of hammering. Taken together, the two sounds, left little doubt as to their author; and presently I saw him,—or rather them, for there were two birds. I learned nothing about them, either then or afterwards (I saw perhaps eight individuals during my ten weeks' visit), but it was worth something barely to see and hear them. Henceforth Dryobates borealis is a bird, and not merely a name. This, as I have said, was among the pines, before reaching the swamp. In the swamp itself, there suddenly appeared from somewhere, as if by magic (a dramatic entrance is not without its value, even out-of-doors), a less novel but far more impressive figure, a pileated woodpecker; a truly splendid fellow, with the scarlet cheek-patches. When I caught sight of him, he stood on one of the upper branches of a tall pine, looking wonderfully alert and wide-awake; now stretching out his scrawny neck, and now drawing it in again, his long crest all the while erect and flaming. After a little he dropped into the underbrush, out of which came at intervals a succession of raps. I would have given something to have had him under my glass just then, for I had long felt curious to see him in the act of chiseling out those big, oblong, clean-cut, sharp-angled "peck-holes" which, close to the base of the tree, make so common and notable a feature of Vermont and New Hampshire forests; but, though I did my best, I could not find him, till all at once he came up again and took to a tall pine,—the tallest in the wood,—where he pranced about for a while, striking sundry picturesque but seemingly aimless attitudes, and then made off for good. All in all, he was a wild-looking bird, if ever I saw one.

I was no sooner in St. Augustine, of course, than my eyes were open for wild flowers. Perhaps I felt a little disappointed. Certainly the land was not ablaze with color. In the grass about the old fort fhere was plenty of the yellow oxalis and the creeping white houstonia; and from a crevice in the wall, out of reach, leaned a stalk of goldenrod in full bloom. The reader may smile, if he will, but this last flower was a surprise and a stumbling-block. A vernal goldenrod! Dr. Chapman's Flora made no mention of such an anomaly. Sow thistles, too, looked strangely anachronistic. I had never thought of them as harbingers of springtime. The truth did not break upon me till a week or so afterward. Then, on the way to the beach at Daytona, where the pleasant peninsula road traverses a thick forest of short-leaved pines, every tree of which leans heavily inland at the same angle ("the leaning pines of Daytona," I always said to myself, as I passed), I came upon some white beggar's-ticks, —like daisies; and as I stopped to see what they were, I noticed the presence of ripe seeds. The plant had been in flower a long time. And then I laughed at my own dullness. It fairly deserved a medal. As if, even in Massachusetts, autumnal flowers —the groundsel, at least—did not sometimes persist in blossoming far into the winter! A day or two after this, I saw a mullein stalk still presenting arms, as it were (the