of the devotees, who, kneeling before the altars, were praying loudly, as pleased to be in the Cathedral at that early hour as though it were their own house. Others chattered with the acolytes and other servants of the church, who were coming in by the different doors, sleepy and stretching themselves like workmen coming to their work. In the twilight, figures in black cloaks glided by on their way to the sacristy, stopping to make genuflections before each image; and in the distance, invisible in the darkness, you could still divine the presence of the bell-ringer, like a restless hobgoblin, by the rattle of his bunch of keys and the creaking of the doors he opened on his round.

The Cathedral was awake. Echo repeated the banging of the doors from nave to nave; a large broom, making a saw-like noise, began to sweep in front of the sacristy; the church vibrated under the blows of certain acolytes engaged in removing the dust from the famous carved stalls in the choir; it seemed as though the Cathedral had awoke with its nerves irritated, and that the slightest touch produced complaints.

The men's footsteps resounded with a tremendous echo, as though the tombs of all the kings, archbishops and warriors hidden under the tiled floor were being disturbed.

The cold inside the church was even more intense than that outside; this, together with the damp of its soil traversed by underground water drains, and the leakage of subterranean and hidden tanks that stained the pavement, made the poor canons in the choir cough horribly, "shortening their lives," as they complainingly said.

The morning light began to spread through the naves, bringing out of the darkness the spotless whiteness of the Toledan Cathedral, the purity of its stone making it the lightest and most beautiful of temples. One could now see all the elegant and daring beauty of the eighty-eight pillars soaring audaciously into space, white as frozen snow, and the delicate ribs interlacing to carry the vaulting. In the upper storey the sun shone through the large stained-glass windows, making them look like fairy gardens.

Gabriel seated himself on the base of one of the pilasters between two columns; but he was soon obliged to rise and move on, the dampness of the stone, and the vault-like cold throughout the whole building penetrated to his very bones.

He strolled through the naves, attracting the attention of the devotees, who stopped in their prayers to watch him. A stranger at that early hour, which belonged specially to the familiars of the Cathedral, excited their curiosity.

The bell-ringer passed him several times, following him with uneasy glance, as though this unknown man, of poverty-stricken aspect, who wandered aimlessly about at an hour when the treasures of the church were, as a rule, not so strictly watched, inspired him with little confidence.

Another man met him near the high altar. Luna recognised him also: it was Eusebio, the sacristan of the chapel of the Sagrario, "Azul de la Virgen,"[1] as he was called by the Cathedral staff, on account of the celestial colour of the cloak he wore on festival days.

[Footnote 1: Virgin's blue.]

Six years had passed since Gabriel had last seen him, but he had not forgotten his greasy carcase, his surly face with its narrow, wrinkled forehead fringed with bristly hair, his bull neck that scarcely allowed him to breathe, and that made every breath like the blast of a bellows. All the servants of the Cathedral envied him his post, which was the most lucrative of all, to say nothing of the favour he enjoyed with the archbishop and the canons.

"Virgin's blue" considered the Cathedral as his own peculiar property, and he often came very near turning out those who inspired him with any antipathy.

He fixed his bold eyes on the vagabond he saw walking about the church, making an effort to raise his overhanging brows. Where had he seen this strange fellow before? Gabriel noted the effort he made to recall his memory, and turned his back to examine with pretended interest a coloured panel hanging on a pillar.

Flying from the curiosity excited by his presence in the fane, he went out into the cloister; there he felt more at his ease, quite alone. The beggars were chattering, seated on the doorsteps of the Mollete; many of the clergy passed through them, entering the church hurriedly by the door of the Presentacion; the beggars saluted them all by name, but without stretching out their hands. They knew them, they all belonged to the "household," and among friends one does not beg. They were there to fall on the strangers, and they waited patiently for the coming of the English; for, surely, all the strangers who came from Madrid by the early morning train could only be from England.

Gabriel waited near the door, knowing that those coming from the cloister must enter by it. He crossed the archbishop's arch, and, following the open staircase of the palace, descended into the street, re-entering the church by the Mollete door. Luna, who knew all the history of the Cathedral, remembered the origin of its name. At first it was called "of justice," because under it the Vicar-General of the Archbishopric gave audience. Later it was called "del Mollete," because every day after high mass the acolytes and vergers assembled there for the blessing of the half-pound loaves, or rolls of bread distributed to the poor. Six hundred bushels of wheat—as Luna remembered—were distributed yearly in this alms, but this was in the days when the yearly revenues of the Cathedral were more than eleven millions.

Gabriel felt annoyed by the curious glances of the clergy, and of the devout entering the church. They were people accustomed to seeing each other daily at the same hour, and they felt their curiosity excited by seeing a stranger breaking in on the monotony of their lives.

He drew back to the further end of the cloister, then some words from the beggars made him retrace his steps.

"Ah! here comes old 'Vara de palo.'"[1]

[Footnote 1: Wooden staff.]

"Good-day, Señor Esteban!"

A small man dressed in black, and shaved like a cleric, came down the steps.

"Esteban! Esteban!" cried Luna, placing himself between him and the door of the Presentacion.

"Wooden Staff" looked at him with his clear eyes like amber, the quiet eyes of a man used to spending long hours in the Cathedral, with never a rebellious thought arising to disturb his immovable beatitude. He stood doubting for some time, as though he could scarcely credit the remote resemblance in this thin, pale face, to another that lived in his memory, but at last, with a pained surprise, he became convinced of its identity.

"Gabriel! my brother! is it really you?"

And the rigidly set face of the Cathedral servant, which seemed to have acquired the immobility of its pillars and statues, relaxed with an affectionate smile.

"When did you come? Where have you been? What is your life? Why have you come?"

"Wooden Staff" expressed his surprise by incessant questions, never giving his brother time to answer.

Gabriel at length explained, that he had arrived the previous night, and that he had waited outside the church since early dawn in the hopes of seeing his brother.

"I have now come from Madrid, but before that I was in many places: in England, in France, in Belgium, who knows where besides. I have wandered from one town to another, always struggling against hunger and the cruelty of men. My footsteps have been dogged by poverty and the police. When I rest a little, worn out by this Wandering Jew's existence, Justice, inspired by fear,