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قراءة كتاب Punch, or the London Charivari, Volume 146, January 14, 1914
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
specimens of humour
See that our soldiers get the final laugh;
Fling the facetious corpses in the fountains
So as the red blood overflows the brink;
Keep on until the blue Alsatian mountains
Turn a reflective pink.
Should any female whom your shadow touches
Grudge you the glad, but deferential, eye;
Should any cripple fail to hold his crutches
At the salute as you go marching by;
Draw, in the KAISER's name—'tis rank high treason;
Stun them with sabre-strokes upon the poll;
Then dump them (giving no pedantic reason)
Down cellars with the coal.
Be on your guard against all people strolling
In ones or twos about the public square
Hard by your quarters; set your men patrolling;
Ask every knave what he is doing there;
And, if in your good wisdom you determine
To view their conduct in a dangerous light,
Bring the machine-guns out and blow the vermin
Into the Ewigkeit.
Enough! I leave our honour in your keeping.
What are your bright swords for except to slay?
Preserve their lustre; let me see them leaping
Out of their scabbards twenty times a day;
Unless we smash these craven churls like crockery
To prove our right of place within the sun,
Our martial prestige has become a mockery
And Deutschland's day is done!
O.S.
"The dancing, in the conventional bullet style, of Miss Sybil Roe, was quite good."—Wiltshire Times.
We confess that the bullet style is too fast for us.
"In all the best dress ateliers classic evening gowns are now being exhibited, and in many of these the lines of the corsage closely resemble the draperies to be seen on the Venus de Milo."—Daily Mail.
We must go and look at the Venus de Milo's corsage again.
THE NEW JOURNAL-INSURANCE.
[Several newspapers have been roused to a sense of their duties to their readers by the insurance competition between The Chronicle and The Mail. We make a few preliminary announcements of other insurance schemes which are not yet contemplated.]
VOTES FOR WOMEN.—A copy of the current issue nailed to your front door insures you absolutely against arson.
THE STAR.—All regular subscribers to The Star are insured with the proprietors of The Daily News for £1,000 in the event of being welshed on any race-course.
THE NATIONAL REVIEW.—Annual subscribers to The National Review are guaranteed £10,000 in the event of being (a) robbed on the highway by a member of the present Ministry; (b) defrauded by a member of the present Ministry; (c) having house burgled by member of the present Ministry; (d) having pocket picked by member of present Ministry; always excluding any act or acts done by the CHANCELLOR OF THE EXCHEQUER in a strictly official capacity.
THE CHURCH TIMES.—All regular subscribers are insured for £500 against excommunication. £1,000 will be paid to the heirs or assigns of any reader who loses his head in a conflict with a Bishop (Deans, Rural Deans, Canons and Archdeacons being excepted from the benefit of this clause in the policy).
THE ENGLISH REVIEW.—Poetic contributors are insured for £500 in the event of a prosecution under the Blasphemy Laws.
THE DAILY EXPRESS.—You can sleep soundly in your bed, you can sleep soundly in your train, if the current issue of The Daily Express be on your person. All purchasers are insured for £10,000 against any conflagrations or explosions caused by bombs or combustibles dropped from German airships.
THE BRITISH WEEKLY.—All readers of The British Weekly are insured for £1,000 in the event of heart-failure caused by shock while reading the thrilling stories provided by SILAS, JOSEPH, TIMOTHY and JEREMIAH HOCKING.
THE RECORD.—£500 will be paid to any annual subscriber forcibly detained in a convent, provided that at the time of such detention a copy of the current issue of The Record be in his possession. £1,000 will be paid to the legal representatives of any reader burnt at the stake.
THE CRICCIETH CHRONICLE.—£3 a week for life, together with a poultry farm on a Sutherland deer-forest, to the owner of any shorn lamb which is found dead in a snow-drift with a copy of the current issue wrapt round it, to keep it warm.
The great world rolls on, but of the master-brains which direct its movement the man in the street knows nothing. He has never heard of the Clerk of the Portland Urban District Council; he is entirely ignorant of Army Order 701.
"Dear Sir" (writes the Clerk)—"A meeting of the Underhill Members of the Council will be held to-morrow (Saturday), at 3 o'clock p.m., in Spring Gardens (Fortuneswell) for the purpose of selecting a site for the Telegraph Post."
"With effect from 1st January, 1914" (says the Army Order) "rewigging of gun sponges will be done by the Ordnance Department instead of locally as at present."
"Inman was seen to greater advantage at yesterday afternoon's session in this match of 18,000 up, in Edinburgh, than on any previous day of the match, scoring 1,083 while Aiken was aggregating the mentally afflicted."—Nottingham Guardian.
One must amuse oneself somehow while the other man is at the table.

Amiable Uncle (doing some conjuring to amuse the children). "SEE, HERE I HAVE A BILLIARD BALL—I AM GOING TO TURN IT INTO SOMETHING ELSE."
First Bored Youngster (to second ditto). "WHY SHOULD HE? IT'S A VERY NICE BALL."
WHAT TO TELL AN EDITOR.
In view of The Daily Mail's praiseworthy efforts to instruct applicants for situations in the correct phrasing of letters to prospective employers, we propose to supply a similar long-felt want, and give a little advice as to the kind of letter it is desirable to enclose with contributions to periodicals.
Begin your letter in a friendly vein, hoping the Editor and his people are pretty well. Remember also that Editors like to know something of the characters and histories of their contributors. So let your communication include a résumé of your personal and literary career. Don't fall into the error of making your letter too concise.
The following suggestions may serve to indicate some of the lines of thought that you might follow:—
(1) State where you sent your first manuscript.
(2) What you thought of it, and of the Editor who returned it.
(3) Your height and chest measurement (an Editor likes to be on the safe side).
(4) State who persuaded you