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قراءة كتاب Running Water
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The Project Gutenberg eBook, Running Water, by A. E. W. Mason
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Title: Running Water
Author: A. E. W. Mason
Release Date: July 12, 2004 [eBook #12891] [Last updated: June 6, 2011]
Language: English
***START OF THE PROJECT GUTENBERG EBOOK RUNNING WATER***
E-text prepared by Mary Meehan and the Project Gutenberg Online Distributed Proofreading Team
RUNNING WATER
by
A. E. W. MASON
Author of The Four Feathers, etc.
1907
CONTENTS
I SHOWS MRS. THESIGER IN HER HOME
II INTRODUCES ONE OF STROOD'S SUCCESSORS
III THE FINDING OF JOHN LATTERY
IV MR. JARVICE
V MICHEL REVAILLOUD EXPOUNDS HIS PHILOSOPHY
VI THE PAVILLON DE LOGNAN
VII THE AIGUILLE D'ARGENTIÈRE
VIII SYLVIA PARTS FROM HER MOTHER
IX SYLVIA MAKES THE ACQUAINTANCE OF HER FATHER
X A LITTLE ROUND GAME OF CARDS
XI SYLVIA'S FATHER MAKES A MISTAKE
XII THE HOUSE OF THE RUNNING WATER
XIII CHAYNE RETURNS
XIV AN OLD PASSION BETRAYS A NEW SECRET
XV KENYON'S JOHN LATTERY
XVI AS BETWEEN GENTLEMEN
XVII SYLVIA TELLS MORE THAN SHE KNOWS
XVIII BOTH SIDES OF THE QUESTION
XIX THE SHADOW IN THE ROOM
XX ON THE DOWN
XXI CHAYNE COMES TO CONCLUSIONS
XXII REVAILLOUD REVISITED
XXIII MICHEL REVAILLOUD'S FÜHRBUCH
XXIV THE BRENVA RIDGE
XXV A NIGHT ON AN ICE-SLOPE
XXVI RUNNING WATER
CHAPTER I
SHOWS MRS. THESIGER IN HER HOME
The Geneva express jerked itself out of the Gare de Lyons. For a few minutes the lights of outer Paris twinkled past its windows and then with a spring it reached the open night. The jolts and lurches merged into one regular purposeful throb, the shrieks of the wheels, the clatter of the coaches, into one continuous hum. And already in the upper berth of her compartment Mrs. Thesiger was asleep. The noise of a train had no unrest for her. Indeed, a sleeping compartment in a Continental express was the most permanent home which Mrs. Thesiger had possessed for a good many more years than she would have cared to acknowledge. She spent her life in hotels with her daughter for an unconsidered companion. From a winter in Vienna or in Rome she passed to a spring at Venice or at Constantinople, thence to a June in Paris, a July and August at the bathing places, a September at Aix, an autumn in Paris again. But always she came back to the sleeping-car. It was the one familiar room which was always ready for her; and though the prospect from its windows changed, it was the one room she knew which had always the same look, the same cramped space, the same furniture—the one room where, the moment she stepped into it, she was at home.
Yet on this particular journey she woke while it was yet dark. A noise slight in comparison to the clatter of the train, but distinct in character and quite near, told her at once what had disturbed her. Some one was moving stealthily in the compartment—her daughter. That was all. But Mrs. Thesiger lay quite still, and, as would happen to her at times, a sudden terror gripped her by the heart. She heard the girl beneath her, dressing very quietly, subduing the rustle of her garments, even the sound of her breathing.
"How much does she know?" Mrs. Thesiger asked of herself; and her heart sank and she dared not answer.
The rustling ceased. A sharp click was heard, and the next moment through a broad pane of glass a faint twilight crept into the carriage. The blind had been raised from one of the windows. It was two o'clock on a morning of July and the dawn was breaking. Very swiftly the daylight broadened, and against the window there came into view the profile of a girl's head and face. Seen as Mrs. Thesiger saw it, with the light still dim behind it, it was black like an ancient daguerreotype. It was also as motionless and as grave.
"How much does she know?"
The question would thrust itself into the mother's thoughts. She watched her daughter intently from the dark corner where her head lay, thinking that with the broadening of the day she might read the answer in that still face. But she read nothing even when every feature was revealed in the clear dead light, for the face which she saw was the face of one who lived much apart within itself, building amongst her own dreams as a child builds upon the sand and pays no heed to those who pass. And to none of her dreams had Mrs. Thesiger the key. Deliberately her daughter had withdrawn herself amongst them, and they had given her this return for her company. They had kept her fresh and gentle in a circle where freshness was soon lost and gentleness put aside.
Sylvia Thesiger was at this time seventeen, although her mother dressed her to look younger, and even then overdressed her like a toy. It was of a piece with the nature of the girl that, in this matter as in the rest, she made no protest. She foresaw the scene, the useless scene, which would follow upon her protest, exclamations against her ingratitude, abuse for her impertinence, and very likely a facile shower of tears at the end; and her dignity forbade her to enter upon it. She just let her mother dress her as she chose, and she withdrew just a little more into the secret chamber of her dreams. She sat now looking steadily out of the window, with her eyes uplifted and aloof, in a fashion which had become natural to her, and her mother was seized with a pang of envy at the girl's beauty. For beauty Sylvia Thesiger had, uncommon in its quality rather than in its degree. From the temples to the round point of her chin the contour of her face described a perfect oval. Her forehead was broad and low and her hair, which in color was a dark chestnut, parted in the middle, whence it rippled in two thick daring waves to the ears, a fashion which noticeably became her, and it was gathered behind into a plait which lay rather low upon the nape of her neck. Her eyes were big, of a dark gray hue and very quiet in their scrutiny; her mouth, small and provoking. It provoked, when still, with the promise of a very winning smile, and the smile itself was not so frequent but that it provoked a desire to summon it to her lips again. It had a way of hesitating, as though Sylvia were not sure whether she would smile or not; and when she had made up her mind, it dimpled her cheeks and transfigured her whole face, and revealed in her tenderness and a sense of humor. Her complexion was pale, but clear, her figure was slender and active, but without angularities, and she was of the middle height. Yet the quality which the eye first remarked in her was not so much her beauty, as a certain purity, a look almost of the Madonna, a certainty, one might say, that even in the circle in which she moved, she