beneath the hand of fate.

Two holy men, driven by persecution to the mountains, had, soon after the Reign of Terror, taken refuge in her house. They had been persecuted as members of a mystical religious sect which dimly predicted a renovation of the age. They loved Raphael, who was then a mere child, and, obscurely prophesying his fate, pointed out his star in the heavens, and told his mother to watch over that son with all her heart. She reproached herself for being too credulous, for she was very pious; but still she believed them. In such matters, a mother is so easy of belief! Her credulity supported her under many trials, but spurred her to efforts beyond her means to educate Raphael, and ultimately deceived her.

I had known Raphael since he was twelve years old, and next to his mother he loved me best on earth. We had met since the conclusion of our studies, first in Paris, then at Rome, whither he had been taken by one of his father's relatives, for the purpose of copying manuscripts in the Vatican Library. There he had acquired the impassioned language and the genius of Italy. He spoke Italian better than his mother tongue. At evening he would sit beneath the pines of the Villa Pamphili, and gazing on the setting sun and on the white fragments scattered on the plain, like the bleached bones of departed Rome, would pour forth extemporaneous stanzas that made us weep; but he never wrote. "Raphael," would I sometimes say, "why do you not write?"

"Ah!" would he answer, "does the wind write what it sighs in this harmonious canopy of leaves? Does the sea write the wail of its shores? Nought that has been written is truly, really beautiful, and the heart of man never discloses its best and most divine portion. It is impossible! The instrument is of flesh, and the note is of fire! Between what is felt and what is expressed," would he add, mournfully, "there is the same distance as between the soul and the twenty-six letters of an alphabet! Immensity of distance! Think you a flute of reeds can give an idea of the harmony of the spheres?"

I left him to return to Paris. He was at that time striving, through his mother's interest, to obtain some situation in which he might by active employment remove from his soul its heavy weight, and lighten the oppressive burden of his fate. Men of his own age sought him, and women looked graciously on him as he passed them by. But he never went into society, and of all women he loved his mother only.

We suddenly lost sight of him for three years; though we afterwards learned that he had been seen in Switzerland, Germany, and Savoy; and that in winter he passed many hours of his nights on a bridge, or on one of the quays of Paris. He had all the appearance of extreme destitution. It was only many years afterwards that we learned more. We constantly thought of him, though absent, for he was one of those who could defy the forgetfulness of friends.

Chance reunited us once more after an interval of twelve years. It so happened that I had inherited a small estate in his province, and when I went there to dispose of it, I inquired after Raphael. I was told that he had lost father, mother, and wife in the space of a few years; that after these pangs of the heart, he had had to bear the blows of fortune, and that of all the domain of his fathers, nothing now remained to him but the old dismantled tower on the edge of the ravine, the garden, orchard, and meadow, with a few acres of unproductive land. These he ploughed himself, with two miserable cows; and was only distinguished from his peasant neighbors by the book which he carried to the field, and which he would sometimes hold in one hand, while the other directed the plough. For many weeks, however, he had not been seen to leave his wretched abode. It was supposed that he had started on one of those long journeys which with him lasted years. "It would be a pity," it was said, "for every one in the neighborhood loves him; though poor, he does as much good as any rich man. Many a warm piece of cloth has been made from the wool of his sheep; at night he teaches the little children of the surrounding hamlets how to read and write, or draw. He warms them at his hearth, and shares his bread with them, though God knows he has not much to spare when crops are short, as this year."

It was thus all spoke of Raphael. I wished to visit at least the abode of my friend, and was directed to the foot of the hillock, on the summit of which stood the blackened tower, with its surrounding sheds and stables, amid a group of hazel-trees. A trunk of a tree, which had been thrown across, enabled me to pass over the almost dried-up torrent of the ravine, and I climbed the steep path, the loose stones giving way under my feet. Two cows and three sheep were grazing on the barren sides of the hillock, and were tended by an old half-blind servant, who was telling his beads seated on an ancient escutcheon of stone, which had fallen from the arch of the doorway.

He told me that Raphael was not gone, but had been ill for the last two months; that it was plain he would never leave the tower but for the churchyard; and the old man pointed with his meagre hand to the burying ground on the opposite hill. I asked if I could see Raphael. "Oh, yes," said the old man; "go up the steps, and draw the string of the latch of the great hall-door on the left. You will find him stretched on his bed, as gentle as an angel, and," added he drawing the back of his hand across his eyes, "as simple as a child!" I mounted the steep and worn-out steps which wound round the outside of the tower, and ended at a small platform covered by a tiled roof, the broken tiles of which strewed the stone steps. I lifted the latch of the door on my left, and entered. Never shall I forget the sight. The chamber was vast, occupying all the space between the four walls of the tower; it was lighted from two windows, with stone cross-bars, and the dusty and broken lozenge-shaped panes of glass were set in lead. The huge beams of the ceiling were blackened by smoke, the floor was paved with bricks, and in a high chimney with roughly fluted wooden jambs, an iron pot filled with potatoes was suspended over a fire, where a long branch was burning, or rather smoking. The only articles of furniture were two high-backed arm-chairs, covered with a plain-colored stuff, of which it was impossible to guess the original color; a large table, half covered with an unbleached linen table-cloth in which a loaf was wrapped, the other half being strewed pell-mell with papers and books; and, lastly, a rickety, worm-eaten four-post bedstead, with its blue serge curtains looped back to admit the rays of the sun, and the air from the open window.

A man who was still young, but attenuated by consumption and want, was seated on the edge of the bed, occupied in throwing crumbs to a whole host of swallows which were wheeling their flight around him.

The birds flew away at the noise of my approach, and perched on the cornice of the hall, or on the tester of the bed. I recognized Raphael, pale and thin as he was. His countenance, though no longer youthful, had not lost its peculiar character; but a change had come over its loveliness, and its beauty was now of the grave. Rembrandt would have wished for no better model for his "Christ in the Garden of Olives." His dark hair clustered thickly on his shoulders, and was thrown back in disorder, as by the weary hand of the laborer when the sweat and toil of the day is over. The long untrimmed beard grew with a natural symmetry that disclosed the graceful curve of the lip, and the contour of the cheek; there was still the noble outline of the nose, the fair and delicate complexion, the pensive and now sunken eye. His shirt, thrown open on the chest, displayed his muscular though attenuated frame, which might yet have appeared majestic, had his weakness allowed him to sit erect.

He knew