pleased with results and asks oneself why. This is the birth of Good Taste. Next, one experiments, makes mistakes, rights them, masters a period, outgrows or wearies of it, and takes up another.

Progress is rapid and certain in this fascinating amusement,—study—call it what you will, if a few of the laws underlying all successful interior decoration are kept in mind.

These are:

in line and colour scheme;

in decoration and number of objects in room, which is to be dictated by usefulness of said objects; and insistence upon

which, like rests in music, have as much value as the objects dispersed about the room.

Treat your rooms like "still life," see to it that each group, such as a table, sofa, and one or two chairs make a "composition," suggesting comfort as well as beauty. Never have an isolated chair, unless it is placed against the wall, as part of the decorative scheme.

In preparing this book the chief aim has been clearness and brevity, the slogan of our day!

We give a broad outline of the historical periods in furnishing, with a view to quick reference work.

The thirty-two illustrations will be analysed for the practical instruction of the reader who may want to furnish a house and is in search of definite ideas as to lines of furniture, colour schemes for upholstery and hangings, and the placing of furniture and ornaments in such a way as to make the composition of rooms appear harmonious from the artist's point of view.

The index will render possible a quick reference to illustrations and explanatory text, so that the book may be a guide for those ambitious to try their hand at the art of interior decoration.

The manner of presentation is consciously didactic, the authors believing that this is the simplest method by which such a book can offer clear, terse suggestions. They have aimed at keeping "near to the bone of fact" and when the brief statements of the fundamental laws of interior decoration give way to narrative, it is with the hope of opening up vistas of personal application to embryo collectors or students of periods.

CONTENTS

FOREWORD

ILLUSTRATIONS

CHAPTER I   HOW TO REARRANGE A ROOM

Method of procedure.—Inherited eyesores.—Line.—Colour.—Treatment of small rooms and suites.—Old ceilings.—Old floors.—To paint brass bedsteads.—Hangings.—Owning two or three antique pieces of furniture, how proceed.—Appropriateness to setting.—How to give your home a personal quality.

CHAPTER II   HOW TO CREATE A ROOM

Mere comfort.—Period rooms.—Starting a collection of antique furniture.—Reproductions.—Painted furniture.—Order of procedure in creating a room.—How to decide upon colour scheme.—Study values.—Period ballroom.—A distinguished room.—Each room a stage "set."—Background.—Flowers as decoration.—Placing ornaments.—Tapestry.—Tendency to antique tempered by vivid Bakst colours.

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