sufficiently large, it does not keep that homogeneous, that uniform condition of shape, but it breaks out with a power of life which is quite wonderful. I am about to use another kind of fuel, but one which is truly and fairly a representative of the wax or tallow of a candle. I have here a large ball of cotton, which will serve as a wick. And, now that I have immersed it in spirit and applied a light to it, in what way does it differ from an ordinary candle? Why, it differs very much in one respect, that we have a vivacity and power about it, a beauty and a life entirely different from the light presented by a candle. You see those fine tongues of flame rising up. You have the same general disposition of the mass of the flame from below upwards; but, in addition to that, you have this remarkable breaking out into tongues which you do not perceive in the case of a candle. Now, why is this? I must explain it to you, because when you understand that perfectly, you will be able to follow me better in what I have to say hereafter. I suppose some here will have made for themselves the experiment I am going to shew you. Am I right in supposing that anybody here has played at snapdragon? I do not know a more beautiful illustration of the philosophy of flame, as to a certain part of its history, than the game of snapdragon. First, here is the dish; and let me say, that when you play snapdragon properly, you ought to have the dish well-warmed; you ought also to have warm plums and warm brandy, which, however, I have not got. When you have put the spirit into the dish, you have the cup and the fuel; and are not the raisins acting like the wicks? I now throw the plums into the dish, and light the spirit, and you see those beautiful tongues of flame that I refer to. You have the air creeping in over the edge of the dish forming these tongues. Why? Because, through the force of the current and the irregularity of the action of the flame, it cannot flow in one uniform stream. The air flows in so irregularly that you have what would otherwise be a single image, broken up into a variety of forms, and each of these little tongues has an independent existence of its own. Indeed, I might say, you have here a multitude of independent candles. You must not imagine, because you see these tongues all at once, that the flame is of this particular shape. A flame of that shape is never so at any one time. Never is a body of flame, like that which you just saw rising from the ball, of the shape it appears to you. It consists of a multitude of different shapes, succeeding each other so fast that the eye is only able to take cognisance of them all at once. In former times, I purposely analysed a flame of that general character, and the diagram shews you the different parts of which it is composed. They do not occur all at once: it is only because we see these shapes in such rapid succession, that they seem to us to exist all at one time.

[Illustration: Fig. 6.]

It is too bad that we have not got further than my game of snapdragon; but we must not, under any circumstances, keep you beyond your time. It will be a lesson to me in future to hold you more strictly to the philosophy of the thing, than to take up your time so much with these illustrations.

LECTURE II.

A CANDLE: BRIGHTNESS OF THE FLAME—AIR NECESSARY FOR COMBUSTION—PRODUCTION OF WATER.

We were occupied the last time we met in considering the general character and arrangement as regards the fluid portion of a candle, and the way in which that fluid got into the place of combustion. You see, when we have a candle burning fairly in a regular, steady atmosphere, it will have a shape something like the one shewn in the diagram, and will look pretty uniform, although very curious in its character. And now, I have to ask your attention to the means by which we are enabled to ascertain what happens in any particular part of the flame—why it happens, what it does in happening, and where, after all, the whole candle goes to: because, as you know very well, a candle being brought before us and burned, disappears, if burned properly, without the least trace of dirt in the candlestick—and this is a very curious circumstance. In order, then, to examine this candle carefully, I have arranged certain apparatus, the use of which you will see as I go on. Here is a candle: I am about to put the end of this glass tube into the middle of the flame—into that part which old Hooke has represented in the diagram as being rather dark, and which you can see at any time, if you will look at a candle carefully, without blowing it about. We will examine this dark part first.

[Illustration: Fig. 7.]

Now, I take this bent glass tube, and introduce one end into that part of the flame, and you see at once that something is coming from the flame, out at the other end of the tube; and if I put a flask there, and leave it for a little while, you will see that something from the middle part of the flame is gradually drawn out, and goes through the tube and into that flask, and there behaves very differently from what it does in the open air. It not only escapes from the end of the tube, but falls down to the bottom of the flask like a heavy substance, as indeed it is. We find that this is the wax of the candle made into a vaporous fluid—not a gas. (You must learn the difference between a gas and a vapour: a gas remains permanent, a vapour is something that will condense.) If you blow out a candle, you perceive a very nasty smell, resulting from the condensation of this vapour. That is very different from what you have outside the flame; and, in order to make that more clear to you, I am about to produce and set fire to a larger portion of this vapour—for what we have in the small way in a candle, to understand thoroughly, we must, as philosophers, produce in a larger way, if needful, that we may examine the different parts. And now Mr. Anderson will give me a source of heat, and I am about to shew you what that vapour is. Here is some wax in a glass flask, and I am going to make it hot, as the inside of that candle-flame is hot, and the matter about the wick is hot. [The Lecturer placed some wax in a glass flask, and heated it over a lamp.] Now, I dare say that is hot enough for me. You see that the wax I put in it has become fluid, and there is a little smoke coming from it. We shall very soon have the vapour rising up. I will make it still hotter, and now we get more of it, so that I can actually pour the vapour out of the flask into that basin, and set it on fire there. This, then, is exactly the same kind of vapour as we have in the middle of the candle; and that you may be sure this is the case, let us try whether we have not got here, in this flask, a real combustible vapour out of the middle of the candle. [Taking the flask into which the tube from the candle proceeded, and introducing a lighted taper.] See how it burns. Now, this is the vapour from the middle of the candle, produced by its own heat; and that is one of the first things you have to consider with respect to the progress of the wax in the course of its combustion, and as regards the changes it undergoes. I will arrange another tube carefully in the flame, and I should not wonder if we were able, by a little care, to get that vapour to pass through the tube to the other extremity, where we will light it, and obtain absolutely the flame of the candle at a place distant from it. Now, look at that. Is not that a very pretty experiment? Talk about laying on gas—why, we can actually lay on a candle! And you see from this that there are clearly two different kinds of action—one the production of the vapour, and the other the combustion of it—both of which take place in particular parts of the candle.

[Illustration: Fig. 8]

I shall get no vapour from that part which is already burnt. If I raise the tube (fig.