قراءة كتاب Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 28, July, 1873
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Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 28, July, 1873
insulting sagacity:
She gives thee a garland woven fair;
Take care!
It is a fool's-cap for thee to wear;
Beware! beware!
Trust her not,
She is fooling thee!
Meeting him two or three times afterward as he pursued his apprentice-tour, I felt as though I had encountered a green-worm. And I confess that it was partly on his account that I made a vow, fervently uttered and solemnly kept, never again to visit Switzerland or the Rhine. Miss Ashburton I easily forgave. The disadvantage, I distinctly felt, was hers, solely and restrictedly hers; and I should have treated with profound respect, if I had come across him, the professional traveler who was good enough to marry her afterward.
But these bitter-sweet recollections are only the relief to my studies. It is true they are importunate, but they are strictly kept below stairs.
Nor would any one, regarding the stout and comfortable Flemming, suspect what regrets and what philosophies were disputing possession of his interior. For my external arrangements, I flatter myself that I have shaped them in tolerable taste.
My choice of the French capital I need not defend to any of my American readers. To all of you this consummation is simply a matter of ability. I heartily despise, as I always did, all mere pamperings of physical convenience. Still, for some who retain some sympathy with the Paul Flemming of aforetime, it may be worth while to mention the particular physical conveniencies my soul contemns. I inhabit, and have done so for eight years at least, a neat little residence of the kind styled "between court and garden," and lying on the utmost permissible circumference of the American quarter in Paris—say on the hither side of Passy. For nearly the same period I have had in lease a comical box at Marly, whither I repair every summer. My town-quarters, having been furnished by an artist, gave me small pains. The whole interior is like a suite of rooms in the Hôtel Cluny. The only trouble was in bringing up the cellar to the quality I desired and in selecting domestics—points on which, though careless of worldly comfort in general, I own I am somewhat particular.
No gentleman valets for me—rude creatures presuming to outdress their masters. What I wanted was the Corporal Trim style of thing—bald, faithful, ancient retainer. After a world of vexation I succeeded in finding an artless couple, who agreed for a stipulation to sigh when I spoke of my grandfather before my guests, and to have been brought up in the family.
But I am wandering, and neglecting the true vein of sentiment which so abounds in my heart. All my pleasure is still in mournful contemplation, but I have learned that the feelings are most refined when freed from low cares and personal discomforts. I was going to cite a letter I wrote to my oldest friend, the baron of Hohenfels. It was sketched out first in verse, but in that form was a failure:
"The snow-white clouds beyond my window are piled up like Alps. The shades of B. Franklin and W. Tell seem to walk together on those Elysian Fields; for it was here (or sufficiently nigh for the purpose) that in days gone by our pure patriot dwelt and flirted with Madame Helvetius; and yonder clouds so much resemble the snowy Alps that they remind me irresistibly of the Swiss. Noble examples of a high purpose and a fixed will! Do B. and W. not move, Hyperion-like, on high? Were they not, likewise, sons of Heaven and Earth?
"I wish I knew the man who called flowers 'the fugitive poetry of Nature.' That was a sweet carol, which I think I have quoted to you, sung by the Rhodian children of old in spring, bearing in their hands a swallow, and chanting 'The swallow is come,' with some other lines, which I have forgotten. A pretty carol is that, too, which the Hungarian boys, on the islands of the Danube, sing to the returning stork in spring, what time it builds its nests in the chimneys and gracefully diverts the draft of smoke into the interior. What a thrill of delight in spring-time! What a joy in being and moving! Some housekeepers might object to that, and say that there was but imperfect joy in moving; but I am about to propose to you, as soon as I have taken a little more string, a plan of removal that will suit both us and the season. My friend, the time of storms is flying before the pretty child called April, who pursues it with his blooming thyrsus. Breathing scent upon the air, he has already awakened some of the trees on the boulevards, and the white locust-blossoms in the garden of Rossini are beginning to hang out their bunches to attract the nightingales. He calls to the swallows, and they arrive in clouds.
"He knocks at the hard envelope of the chrysalis, which accordingly prepares to take its chance for a precarious metamorphosis—into the wings of the butterfly or into the bosom of the bird. How very sweet!
"Strange is the lesson, my friend, which humanity teaches itself from the larva. Even so do I, methinks, feed in life's autumn upon the fading foliage of Hope, and, still feeding and weaving, turn it at last into a little grave. A neat image that, which, by the by, I stole from Drummond of Hawthornden. Do you recollect his verse?—but of course I should be provoked if I thought you did—
For, with strange thoughts possessed,
I feed on fading leaves
Of hope—which me deceives,
And thousand webs doth warp within my breast.
And thus, in end, unto myself I weave
A fast-shut prison. No! but even a Grave!
"To pursue my subject: April, having thus balanced the affairs of the bird and the worm, proceeds to lay over the meadows a tablecloth for the bees. He opens all the windows of Paris, and on the streets shows us the sap mounting in carnation in the faces of the girls.
"My dear Hohenfels, I invite you to the festival which Spring is spreading just now in the village of Marly. My cabin will be gratified to open in your honor. May it keep you until autumn! Come, and come at once."
Having signed my missive, I tucked it into an envelope, which I blazoned with my favorite seal, the lyre of Hyperion broken, and rang for Charles. In his stead, in lieu of my faithful Charles, it was Hohenfels himself who entered, fresh from the Hôtel Mirabeau.
"Look alive, man! Can you lend me an umbrella?" said he briskly.
I looked out at the window: it was snowing.
The moment seemed inopportune for the delivery of my epistle: I endeavored to conceal it—without hypocrisy and by a natural movement—under the usual pile of manuscript on my table devoted to Progressive Geography. But the baron had spied his name on the address: "How is that? You were writing to me? There, I will spare you the trouble of posting."
He read my sentences, turning at the end of each period to look out at the snow, which was heavily settling in large damp flakes. He said nothing at first