interspersed with goat-carts and hired flys. There is a library, where the visiters do everything but read; and a theatre, where—as Charles Kean is now playing there—they do anything but act. The ladies seem to take great delight in the sea-bath, and that they may enjoy the luxury in the most secluded privacy, the machines are placed as near to the pier as possible. This is always crowded with men, who, by the aid of opera glasses, find it a pleasing pastime to watch the movements of the delicate Naiads who crowd the waters.

Those to whom Brighton is recommended for change of air and of scene get sadly taken in, for here the air—like that of a barrel-organ—never changes, as the wind is always high. In sunshine, Brighton always looks hot; in moonshine, eternally dreary; the men are yawning all day long, and the women sitting smirking in bay-windows, or walking with puppy-dogs and parasols, which last they are continually opening and shutting. In short, when a man is sick of the world, or a maiden of forty-five has been so often crossed in love as to be obliged to leave off hoping against hope, Brighton is an excellent place to prepare him or her for a final retirement from life—whether that is contemplated in the Queen’s Bench, a convent, a residence among the Welsh mountains, or the monastery of La Trappe, a month’s probation in Brighton, at the height of the season, being well calculated to make any such change not only endurable, but agreeable.

CUSTOM-HOUSE SALE. LOT 1.—A PORT.

THE HEIR OF APPLEBITE.

CHAPTER VI.

TREATS OF CHALK-AND-QUA-DRILL-OGY.

Entirely disgusted with his unsuccessful appeal to the enlightened British public assembled in the front of his residence, and which had produced effects so contrary to what he had conceived would be the result, Agamemnon called a committee of his household, to determine on the most advisable proceedings to be adopted for remedying the evils resulting from the unexpected pyrotechnic display of the morning. The carpet was spoiled—the house was impregnated with the sooty effluvia, and the company was expected to arrive at nine o’clock. What was to be done? Betty suggested the burning of brown paper and scrubbing the carpet; John, assafœtida and sawdust; Mrs. Waddledot, pastilles and chalking the floor. As the latter remedies seemed most compatible with the gentility of their expected visiters, immediate measures were taken for carrying them into effect. A dozen cheese-plates were disposed upon the stairs, each furnished with little pyramids of fragrance; old John, who was troubled with an asthma, was deputed to superintend them, and nearly coughed himself into a fit of apoplexy in the strenuous discharge of his duty.

Whilst these in-door remedial appliances were in progress, Agamemnon was hurrying about in a hack cab to discover a designer in chalk, and at length was fortunate enough to secure the “own artist” of the celebrated “Crown and Anchor.” Mr. Smear was a shrewd man, as well as an excellent artist; and when he perceived the very peculiar position of things, he forcibly enumerated all the difficulties which presented themselves, and which could only be surmounted by a large increase of remuneration.

“You see, sir,” said Mr. Smear, “that wherever that ere water has been it’s left a dampness ahind it; the moistur’ consekent upon such a dampness must be evaporated by ever-so-many applications of the warming-pan. The steam which a rises from this hoperation, combined with the extra hart required to hide them two black spots in the middle, will make the job come to one-pund-one, independently of the chalk.”

Agamemnon had nothing left but compliance with Mr. Smear’s demand; and one warming and three stew-pans, filled with live coals, were soon engaged in what Mr. Smear called the “ewaporating department.” As soon as the boards were sufficiently dry, Mr. Smear commenced operations. In each of the four corners of the room he described the diagram of a coral and bells, connecting them with each other by graceful festoons of blue-chalk ribbon tied in large true-lover’s knots in the centre. Having thus completed a frame, he proceeded, after sundry contortions of the facial muscles, to the execution of the great design. Having described an ellipse of red chalk, he tastefully inserted within it a perfect representation of the interior of an infant’s mouth in an early stage of dentition, whilst a graceful letter A seemed to keep the gums apart to allow of this artistical exhibition. Proudly did Mr. Smear cast his small grey eyes on Agamemnon, and challenge him, as it were, to a laudatory acknowledgment of his genius; but as his patron remained silent, Mr. Smear determined to speak out.

“Hart has done her best—language must do the rest. I am now only awaiting for the motter. What shall I say, sir?”

“‘Welcome’ is as good as anything, in my opinion,” replied Collumpsion.

“Welcome!” ejaculated Smear: “a servile himitation of a general ’lumination idea, sir. We must be original. Will you leave it to me?”

“Willingly,” said Agamemnon. And with many inward protestations against parties in general and his own in particular, he left Mr. Smear and his imagination together.

The great artist in chalk paced the room for some minutes, and then slapped his left thigh, in confirmation of the existence of some brilliant idea. The result was soon made apparent on the boards of the drawing-room, where the following inscription attested the immensity of Smear’s genius—

"PARTAKE
OF
OUR
DENTAL DELIGHT."

The guinea was instantly paid; but Collumpsion was for a length of time in a state of uncertainty as to whether Mr. Smear’s talents were ornamental or disfigurative. Nine o’clock arrived, and with it a rumble of vehicles, and an agitation of knocker, that were extremely exhilarating to the heretofore exhausted and distressed family at 24.

We shall not attempt to particularise the arrivals, as they were precisely the same set as our readers have invariably met at routs of the second class for these last five years. There was the young gentleman in an orange waistcoat, bilious complexion, and hair à la Petrarch, only gingered; and so also were the two Misses ——, in blue gauze, looped up with coral,—and that fair-haired girl who “detethted therry,” and those black eyes, whose lustrous beauty made such havoc among the untenanted hearts of the youthful beaux;—but, reader, you must know the set that must have visited the Applebites.

All went “merry as a marriage bell,” and we feel that we cannot do better than assist future commentators by giving a minute analysis of a word which so frequently occurs in the fashionable literature of the present day that doubtlessly in after time many anxious inquiries and curious conjectures would be occasioned, but for the service we are about to confer on posterity (for the pages of PUNCH are immortal) by a description of

A QUADRILLE:

which is a dance particularly fashionable in the nineteenth century. In order to render our details perspicuous and lucid, we will suppose—

1. —A gentleman in tight pantaloons and a tip.
2. —Ditto in loose ditto, and a camellia japonica in the button-hole of his coat.
3. —Ditto in