قراءة كتاب Violin Mastery: Talks with Master Violinists and Teachers
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VIOLIN MASTERY
TALKS WITH MASTER VIOLINISTS
AND TEACHERS
COMPRISING INTERVIEWS WITH YSAYE, KREISLER,
ELMAN, AUER, THIBAUD, HEIFETZ, HARTMANN,
MAUD POWELL AND OTHERS
BY
FREDERICK H. MARTENS
WITH SIXTEEN PORTRAITS
NEW YORK
FREDERICK A. STOKES COMPANY
PUBLISHERS
Copyright, 1919, by
Frederick A. Stokes Company
All rights reserved, including that of translation
into foreign languages
FOREWORD
The appreciation accorded Miss Harriette Brower's admirable books on Piano Mastery has prompted the present volume of intimate Talks with Master Violinists and Teachers, in which a number of famous artists and instructors discuss esthetic and technical phases of the art of violin playing in detail, their concept of what Violin Mastery means, and how it may be acquired. Only limitation of space has prevented the inclusion of numerous other deserving artists and teachers, yet practically all of the greatest masters of the violin now in this country are represented. That the lessons of their artistry and experience will be of direct benefit and value to every violin student and every lover of violin music may be accepted as a foregone conclusion.
Frederick H. Martens.
171 Orient Way,
Rutherford N.J.
CONTENTS
CHAPTER | PAGE | ||
Foreward | v | ||
I. | Eugène Ysaye | The Tools of Violin Mastery | 1 |
II. | Leopold Auer | A Method without Secrets | 14 |
III. | Eddy Brown | Hubay and Auer: Technic: Hints to the Student | 25 |
IV. | Mischa Elman | Life and Color in Interpretation. Technical Phases | 38 |
V. | Samuel Gardner | Technic and Musicianship | 54 |
VI. | Arthur Hartmann | The Problem of Technic | 66 |
VII. | Jascha Heifetz | The Danger of Practicing Too Much. Technical Mastery and Temperament | 78 |
VIII. | David Hochstein | The Violin as a Means of Expression | 91 |
IX. | Fritz Kreisler | Personality in Art | 99 |
X. | Franz Kneisel | The Perfect String Ensemble | 110 |
XI. | Adolfo Betti | The Technic of the Modern Quartet | 127 |
XII. | Hans Letz | The Technic of Bowing | 140 |
XIII. | David Mannes | The Philosophy of Violin Teaching | 146 |
XIV. | Tivadar Nachéz | Joachim and Léonard as Teachers | 160 |
XV. | Maximilian Pilzer | The Singing Tone and the Vibrato | 177 |
XVI. | Maud Powell | Technical Difficulties: Some Hints for the Concert Player | 183 |